this occasion, but it could be converted for DT in no time). Requires some minutes more as regards ... some things, but the usual update is due to some days.
Bad news: it's C#
Good news: User's Manual :
1. That thing (the C#, not me) after sorting (in a "sequential way", so tho speak) the panels (their order was chaotic) allows you to start the massacre by locating a focus of interest (and the user controllable +/- Range derived from it).2. The Range is variable (obviously) and takes care not to exceed the indices of the panel list (OK, that's elementary).
3. If you click the right button (Sadistic Q: where is it? he he) things are deleted and a new constantly self-updating list is your new List. Thus the massacre of panels is totally controllable. An autoZoom thing is also included (free of charge, but it's a bit nerve braking). Zoom factor is variable as well.
4. Then you move over (via the index slider) and start the massacre again. Notice the change of Range.
5. If you turn begin to false (initialization) and then begin to true > start all over again.
6. The other C# thing allows you to increment the index slider in a rather more convenient way. It's a bit weird: it uses delegates (A delegate is an object that knows how to call a method) and events (An event is a construct that exposes just the subset of delegate features required for the broadcaster/subscriber model - but don't ask what this means, he he) in order to talk with your slider (with a defined NickName) and perform the required value control.
NOTE: without realizing it you've just (indirectly) asked one of the most important questions even exposed in this Noble Forum. I hear you : what question? Well ... wait some days for the mother of all threads: "Total control in collections on a per Item basis"
may the Force (the dark option) be with you (and me)
best, Peter…
should follow the instruction which mostapha has wrote in https://github.com/mostaphaRoudsari/ladybug/blob/master/resources/I...
Instructions for Installing Ladybug + Honeybee: (Follow steps 1-6 for basic functionality and 1-11 for full functionality) 0. If you have an old version of LB+HB, download the file here (https://app.box.com/s/ds96em9l6stxpcw8kgtf) and open it in Grasshopper to remove your old Ladybug and Honeybee version. 1. Make sure that you have a working copy of both Rhino and Grasshopper installed. 2. Open Rhino and type "Grasshopper" into the command line (without quotations). Wait for grasshopper to load. 3. Install GHPython by downloading the file at this link (http://www.food4rhino.com/project/ghpython?ufh) and drag the .gha file onto the Grasshopper canvas. 4. Select and drag all of the files in the "userObjects" folder (downloaded with this instructions file) onto your Grasshopper canvas. You should see Ladybug and Honeybee appear as tabs on the grasshopper tool bar. (If you are reading this instruction on github you can download them from http://www.food4rhino.com/project/ladybug-honeybee) 5. Download the files at this link (https://app.box.com/s/bh9sbpgajdtmmystv3n4), unzip them and copy the contents to both C:\ladybug and C:\Users\[yourUsername]\AppData\Roaming\Ladybug. 6. Restart Rhino and Grasshopper. You now have a fully-functioning Ladybug. For Honeybee, continue to the following: 7. Install Radiance to C:\Radiance by downloading it from this link (https://github.com/NREL/Radiance/releases/download/4.2.2/radiance-4...) and running the exe. 6. Install Daysim to C:\DAYSIM by downloading it at this link (http://daysim.ning.com/page/download) and running the exe. 8. Install Energy Plus 8.1 to C:\EnergyPlusV8-1-0 by going to the DOE website (http://apps1.eere.energy.gov/buildings/energyplus/energyplus_downlo...), making an account, going to "download older versions of EnergyPlus, selecting 8.1 and running the exe. 9. Copy falsecolor2.exe (http://pyrat.googlecode.com/files/falsecolor2.exe) and evalglare.exe (http://www.ise.fraunhofer.de/en/downloads-englisch/software/evalgla...) to C:\Radiance\bin 10. Download the OpenStudio Libraries (https://app.box.com/s/y2sx16k98g1lfd3r47zi) and unzip them to C:\ladybug\OpenStudio. 11. You now have a fully-working version of Ladybug + Honeybee. Get started visualizing weather data with these video tutorials (https://www.youtube.com/playlist?list=PLruLh1AdY-Sj_XGz3kzHUoWmpWDX...).
It works for me..
Agus…
he Cordyceps. Maybe some of you find this helpful/useful.
So basically, the Cordyceps is a physical module with 4 knobs and 1 slider. The knobs give an output between 1 and 1000, while the physical slider outputs 0-359. And of course, for this physical module I wrote a plugin to communicate with it. The knobs are intended to be the variables that modifies the design, while the physical slider is intended to be connected to the camera component.
Here I will put up "the recipe" for all to make their own module. You will be able to download the plugin as well.
Please send me a message if you want the 3D-files for the knobs, the box and slider knob. They've been made to directly 3D-print.
Plugin:
https://github.com/zakadjeb/Cordyceps/blob/master/Cordyceps/Cordyce...
Code for Arduino IDE:
https://github.com/zakadjeb/Cordyceps/blob/master/Arduino/_Arduino_...
What you need:
1x - Arduino (Leonardo, UNO or whatever)
4x - Potentiometers
1x - Sliding potentiometer
1x - Breadboard
Bundle of jump wires.
1. So, a potentiometer is a variable resistor, which is basically a component that changes the resistance between the voltage and the ground.
If A is supplied with 5V then B must be connected to Ground. The W will give "read" the resistance, and thus should be placed in Analog input (A0-A5) on the Arduino. The slider potentiometer works the same way.
2. Now connect the 4 pots to each their Analog input. The slider is supposed to be in A4. So to make sure:
A0: Knob1
A1: Knob2
A2: Knob3
A3: Knob4
A4: Slider
3. Now it's time to connect the voltage! Using the breadboard, the voltage can be sent through 1 line, the Ground as well. It should be quite easy to connect them.
4. Now, download the Arduino IDE and copy-paste the code I supplied above. In the IDE, you need to let it know which Arduino you're working with, and which port is should send the script.
5. Almost there. Download the plugin. Open the port you're using through the plugin. Set Start to True and the Cordyceps should be within you.
This recipe will be updated!
Let me know if there are any issues.
// Zakaria Djebbara…
he Cordyceps. Maybe some of you find this helpful/useful.
So basically, the Cordyceps is a physical module with 4 knobs and 1 slider. The knobs give an output between 1 and 1000, while the physical slider outputs 0-359. And of course, for this physical module I wrote a plugin to communicate with it. The knobs are intended to be the variables that modifies the design, while the physical slider is intended to be connected to the camera component.
Here I will put up "the recipe" for all to make their own module. You will be able to download the plugin as well.
Please send me a message if you want the 3D-files for the knobs, the box and slider knob. They've been made to directly 3D-print.
Plugin:
https://github.com/zakadjeb/Cordyceps/blob/master/Cordyceps/Cordyce...
Code for Arduino IDE:
https://github.com/zakadjeb/Cordyceps/blob/master/Arduino/_Arduino_...
What you need:
1x - Arduino (Leonardo, UNO or whatever)
4x - Potentiometers
1x - Sliding potentiometer
1x - Breadboard
Bundle of jump wires.
1. So, a potentiometer is a variable resistor, which is basically a component that changes the resistance between the voltage and the ground.
If A is supplied with 5V then B must be connected to Ground. The W will give "read" the resistance, and thus should be placed in Analog input (A0-A5) on the Arduino. The slider potentiometer works the same way.
2. Now connect the 4 pots to each their Analog input. The slider is supposed to be in A4. So to make sure:
A0: Knob1
A1: Knob2
A2: Knob3
A3: Knob4
A4: Slider
3. Now it's time to connect the voltage! Using the breadboard, the voltage can be sent through 1 line, the Ground as well. It should be quite easy to connect them.
4. Now, download the Arduino IDE and copy-paste the code I supplied above. In the IDE, you need to let it know which Arduino you're working with, and which port is should send the script.
5. Almost there. Download the plugin. Open the port you're using through the plugin. Set Start to True and the Cordyceps should be within you.
This recipe will be updated!
Let me know if there are any issues.
// Zakaria Djebbara…
n complex architectural design and fabrication processes, relying heavily on materiality and performance. The programme brings together a range of experts – tutors and lecturers – from internationally acclaimed academic institutions and practices, Architectural Association, Zaha Hadid Architects, among others.
Taking place at the unique atmosphere of AA’s London home, the three-week long programme is formulated as a two-stage process. During the initial stage, participants are introduced to core concepts related to material processes, computational methods, and various digital fabrication techniques. During the second stage, the fabrication and assembly of a full-scale architectural intervention with the use of robotic fabrication techniques unifies the design goals of the programme.
Prominent Features of the programme:
• Teaching team: Participants engage in an active learning environment where the large tutor to student ratio (5:1) allows for personalized tutorials and debates.
• Facilities: AA Digital Prototyping Lab (DPL) offers laser cutting, CNC milling, 3d printing facilities, and 2 KUKA robotic arms.
• Computational skills: The toolset of Summer DLAB includes but is not limited to Rhinoceros, Processing, Grasshopper, and various analysis tools.
• Theoretical understanding: The dissemination of fundamental design techniques and relevant critical thinking methodologies through theoretical sessions and seminars forms one of the major goals of Summer DLAB.
• Professional awareness: Participants ranging from 2nd year students to PhD candidates and full-time professionals experience a highly-focused collaborative educational model which promotes research-based design and making.
• Robotic Fabrication: According to the specific agenda of each year, scaled working models are produced via advanced digital machining tools, followed by the fabrication of one-to-one scale prototypes with the use of KUKA KR60 and KR30 robots.
• Lecture series: Taking advantage of its unique location, London, Summer DLAB creates a vibrant atmosphere with its intense lecture programme.
Eligibility: The workshop is open to architecture and design students and professionals worldwide.
Accreditation: Participants gain 1 Year AA Visiting Membership and are awarded AA Certificate of Attendance at the successful completion of AA Summer DLAB.
Applications: The AA Visiting School requires a fee of £1900 per participant, which includes a £60 Visiting Membership fee. Discount options for groups are available. Please contact the AA Visiting School Coordinator for more details.
The deadline for applications is 17 July 2017. No portfolio or CV, only requirement is the online application form and fees. The online application can be reached from:
https://www.aaschool.ac.uk/STUDY/ONLINEAPPLICATION/visitingApplication.php?schoolID=460
For inquiries, please contact:
elif.erdine@aaschool.ac.uk (Programme Head)
alexandros.kallegias@aaschool.ac.uk (Programme Head)…
lysis, and large-scale prototyping techniques. The research generated at Summer DLAB has been published in international media and peer-reviewed conference papers.
AA Summer DLAB investigates on the correlations between form, material, and structure through the rigorous implementation of computational methods for design, analysis, and fabrication, coupled with analog modes of physical experimentation. Each cycle of the programme devises custom-made architectural processes through the creation of novel associations between conventional and contemporary design and fabrication techniques. The research culminates in the design and fabrication of a one-to-one scale prototype realized by robotic fabrication techniques.
Prominent Features of the programme:
Teaching team: Summer DLAB tutors are selected from recent graduates / current tutors at the AA and the small student ratio (5:1) allows for personalized tutorials and debates.
Facilities: AA Digital Prototyping Lab (DPL) offers laser cutting, CNC milling, and 3d printing facilities, and 2 KUKA robotic arms.
Computational skills: The toolset of Summer DLAB includes but is not limited to Rhinoceros, Grasshopper and various computational analysis tools.
Theoretical understanding: The dissemination of fundamental design techniques and relevant critical thinking methodologies through theoretical sessions and seminars forms one of the major goals of Summer DLAB.
Professional awareness: Participants ranging from 2nd year students to PhD candidates and full-time professionals experience a highly-focused collaborative educational model which promotes research-based design and making.
Robotic Fabrication: Scaled working models are produced via advanced digital machining tools each year, followed by the fabrication of 1:1 scale prototypes with the use of KUKA KR60 and KR30 robots.
Lecture series: Taking advantage of its unique location, London, Summer DLAB creates a vibrant atmosphere with its intense lecture programme.
Eligibility: The workshop is open to architecture and design students and professionals worldwide.
Accreditation: Participants gain 1 Year AA Visiting Membership and are awarded AA Certificate of Attendance at the successful completion of AA Summer DLAB.
Applications: The AA Visiting School requires a fee of £1950 per participant, which includes a £60 Visiting Membership fee. Discount options for groups are available. Please contact the AA Visiting School Coordinator for more details.
The deadline for applications is 08 July 2019. No portfolio or CV, only requirement is the online application form and fees. The online application can be reached from:
https://www.aaschool.ac.uk/STUDY/ONLINEAPPLICATION/visitingApplication.php?schoolID=603
For inquiries, please contact:
elif.erdine@aaschool.ac.uk (Programme Head)
…
Added by elif erdine at 10:16am on February 19, 2019
th the most crucial and imposing challenges that Mexico City faces and the ways in which architecture and urbanism can shape the metropolis at different scales. In these sense the progamme sees the city as a laboratory where the virtual and experimental tradition of the Architectural Association finds a fertile and concrete ground for the application of its methodology in Mexico.
“Manufactured Landscapes/Manufactured Urbanities” explores the metropolitan condition understood as a manufactured process by and for human beings. Henceforth the traditional opposing concepts, artificial vs nature, are replaced under the premise, nature does not exist, where nature is not natural but naturalised and the artificial is not an external or impose construct but manufactured intrinsically.
With this as a starting point the programme will study 2 instances of Mexico City’s “Manufactured Landscapes/Manufactured Urbanities”: The ravines in the west of Mexico City, last bastion of the existing “Nature” and its crucial role in the viability of Mexico City and social housing, as the fundamental construct of the “artificial” habitat in the metropolis´s urban tissue. These “Manufactured Landscapes/Manufactured Urbanities” and the ways in which they are designed, produced, reinvented regenerated, show a vast spectrum representative of the crucial urban conditions to be address and therefore they posed an enormous urban and architectonic challenge to confront in order to apply contemporary design methodologies.
To tackle the complexities of the “Manufactured Landscapes/Manufactured Urbanities”, the programme will immerse students and staff in a 10 day intensive workshop within a multidisciplinary environment where national and international experts from various fields will enrich their proposals. Students will work in architecture and/or urban scale teams and will critically assess the impact of their multiple scales interventions.
A backbone of lectures, talks and seminars, including local and international speakers, are designed to broaden and reflect the relevance and the importance of the topic for Mexico City. Finally a public exhibition of student’s work will be held at Centro Cultural de España in autumn 2013.
…
w number. If the script is slow you can also double click a number slider to access a panel that lets you slide a value without invoking a recalculation.
You don't need most of the inputs, which are for controlling the transition to the borders of open meshes. No, there's no manual beyond right-click help.
FixC and FixV are to fix and thus retain open borders, mostly, or sharp creases and there is art in them, meaning tricks you just have to blunder into or search for.
Flip is an alternative remeshing strategy worth changing from 0 to 1 to see the effect.
MeshMachine is only giving a nice even curvature-adaptive (Adapt setting 0.8 or so is more reliable than 1) mesh, merely, not thickening mesh wires into struts.
The struts are currently individual capped mesh cylinders. You could also use very slow nurbs cylinders. They may or may more likely not successfully Boolean union together in Rhino. Their diameter is set in the Mesh Pipe component.
There are other plug-ins for thickening the wires of a mesh. Exoskeleton, Intralattice and my favorite, somewhat tweaky Cocoon marching cubes which is however very robust, and I sometimes run the overly fine mesh result into MeshMachine to make it regular and adaptive, since the Cocoon refine component is hard to control. I mostly enter 1s into most inputs though.
If you turn on menu item Display > Canvas Widgets > Profiler and zoom in close enough to the canvas, you'll see timer readouts for how long each component took for a solution, so I can see that the pipes are the slow part, so I'd normally right click disable the chain early on, and right click turn on preview for the earlier mesh step before I make the pipes. The MeshMachine step takes only 2 seconds, and that's with Iter (internal iterations) at 10 instead of a workable 5.
Also turn on Display > Preview Mesh Edges to see the actual MeshMachine mesh.
…
ld see were the set of basic tutorials. I've run through a few other folk's video tutorials also.
The test case I chose, I picked because it is a super simplification of an actual space I'm trying to model (a large school sports complex - see below). Ive modelled it as a closed volume, with a few solid objects inside it, and it is a much less box-shaped space, with a ceiling that is not flat, and a significant lattice of acoustic panelling that encloses the roof trusses.
the volume of this space is around 50000 cubic metres, which if I followed the guidelines o0f 50-100 rays per cubic metre, would be 2.5 - 5 million rays. I ran a simulation on the test simplified box space with 100k rays, which took about 2 hours running on a macbook pro booted into windows. Perhaps I need to find a much more serious machine to run this on. would it be a reasonable assumption to think that as more rays are added, the results would converge on a particular solution? if so, if you had to take a guess, how many rays/m3 would be required to get a solid estimate of reverb time +/- 0.1s?
I don't mean to imply that Pachyderm isnt up to scratch - simply that I'm trying to find some way of determining whether a given set of simulation parameters are going to give a result that will be enough to make decisions about surface materials and treatments that will be required. I tried a bunch of different methods and simulation parameters to see if they were even remotely similar, and unsurprisingly, they werent. I'm not an acoustic engineer, I'm an architect who has studied some acoustics in addition to my regular subjects. I know enough to be dangerous, but I'm trying to convert that into enough to be useful. :). I'm totally open to any advice anyone might offer.
One last thing, could you confirm that the T-30 parameter is T-30 (and so needs to be doubled to get RT60)
Thanks for responding,
Ben
…
t'd be great.
I am trying in Rhino 5 and would like to understand where to get the documentation and get the feel for the differences.
Also, do you write such scripts directly in the component? Or elsewhere? How can one debug them?
Thank you for your help.
Option ExplicitCall Main()Sub Main() Dim arrObjects, arrMP, i Dim offsetSize offsetSize = 1 arrObjects = Rhino.GetObjects("Select curves to offset") If IsArray(arrObjects) Then For i = 0 To UBound(arrObjects) arrMP = Rhino.CurveAreaCentroid(arrObjects(i)) If IsArray(arrMP) Then Dim arrNewobject, strGroup, grpName arrNewobject = Rhino.OffsetCurve(arrObjects(i), arrMP(0), offsetSize, ,2) Rhino.AddLayer("offset") Rhino.ObjectLayer arrObjects(i),"offset" Rhino.ObjectLayer arrNewobject,"offset" strGroup = Rhino.AddGroup Rhino.AddObjectsToGroup arrObjects(i), strGroup Rhino.AddObjectsToGroup arrNewobject, strGroup End If Next End If End Sub
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