innovation technologies and academic realms. We believe that this association will allow participants to be part of the art community of the Guggenheim museum and the academic environment of the UPV -more particularly the ETSASS Escuela Tecnica Superior de Arquitectura de San Sebastian. Moreover, the partnership with Tecnalia will enable us to work together with their most advanced media and research and innovation groups.
The program will start with a symposium in June at the Guggemheim in Bilbao and will be followed by a workshop in July at the Alhondiga in Bilbao and ETSASS digital fabrication laboratory in San Sebastian. The works produced at the visiting school will be exhibited from September on at the Alhondiga in Bilbao:
-To introduce the research topic of the visiting school, the workshop will be preceded by a one-day-long symposium. This event will initiate a debate between professionals, theoreticians and scientists from the field, to discuss about alternative and critic methods of environmental adaptability.
-The workshop will investigate new design processes to produce context sensitive environments from a critical perspective. Local ‘materials’ such as user behaviour, social patterns or environmental analysis will inform the design process.
In order to construct this agenda, the workshop will invest on digital design and fabrication strategies by studying data-feed protocols, environmental simulation software and algorithmic design. To work within actual conditions, the site will be proposed by the Bilbao authority as part of the future city and planning intentions.
-A prototype of the best project from the workshop will be fabricated in the Tecnalia installations. To build this prototype, we will take advantage of the robotics and fabrication department in Tecnalia. In September 2012, an exhibition will be held at the Alhondiga comprising the works developed at the visiting school and the prototype produced in collaboration with Tecnalia.…
o find a feasible solution and show the advantage of such methodology.Registration at trainings@parametric.supportTUITION FEE: 400 EUR (Early Bird) till 30.05450 EUR (Regular)OUTLINE:During the workshop you will learn:- difference between calculation by hand and FEM,- study of simple a structure in Karamba,- free form structure,- cross section optimization, - single objective optimizationPROGRAM:Day 1- introduction of some case study,- example of standard calculation by hand and with commercial FEM software as SAP2000 in order to show the difference in term of time and feasibility of Karamba,- understanding of Karamba component with few easy example:- simple supported beam;- multi supported beam;- truss structures with different layout;- curved beam;Day two- Analyzing a free form surface with beam and shell element;- using genetic algorithm to find the solution with minimum displacement;- cross section optimization;TUTOR:Marco Pellegrino, structural Engineer graduated at the University of Pisa, he worked at AEIprogetti, he participated in several conferences such as: Design Modelling Symposium in Copenhagen and AA Summer School. He is interested in applied new media to structural design. He runs Ingegneria Parametrica fanpage.Marco is a currently working at Parametric Support.This event is for Grasshopper advance users.…
.
Adaptation (http://agile-iot.eu/adaptation) will be hosted as a satellite event with Tech Open Air, a yearly festival held in Berlin of around ideas of tech, music, art and science. The exhibition will be held in Agora Rollberg, an experimental center for sustainable and artistic practices in the heart of Neukölln.
Schedule: Opening: 11th July 6pm-10pm Exhibition: 12th-14th July, 10am-6pm
Get your free ticket at: https://www.eventbrite.de/e/using-iot-to-create-art-using-art-to-envision-iot-tickets-33497054592
The continuously developing AA Visiting School that takes place successfully on a global scale during the recent years and promotes a cosmopolitan pedagogical approach had visited the city of Chania. Under the theme “Progressions”, IVI has been the output of the intense workshop dealing with generative architectural design and digital fabrication techniques where architectural students and architects participated from Greece and abroad.
The project was designed and realized in Lektorio studio space in the old city district of Chania. The completed installation was also presented at the exhibition space of Sabbionara Gate of the Centre for Mediterranean Architecture, co-organized by the Municipality of Chania and KEPPEDICH KAM enabling public visits.…
ns. but first allow me to explain what i'm trying to do: i have a serial device i want to talk to, but i have to do it using some sort of handshaking. for instance, when i send a command/data, i need to wait for an appropriate response before sending another. i have used andy payne's general serial components from firefly, but i don't think they'll work for what i want to do, and in general, i want to know how to do this from scratch. i'm using the pyserial library to do the comm, and i can get it to work within one script. here's an example of a working (mostly) port open/close script (x=input param for baud, y=input param for port name, z=boolean input param for open/close):
import serialmyPort=serial.Serial()myPort.baudrate = xmyPort.port = yif z == True: try: myPort.open() except: print "Something went wrong. Cannot open port." if myPort.isOpen() == True: print myPort.name + " is open" if z != True: try: myPort.close() except: print "Something went wrong. Cannot close port." if myPort.isOpen != True: print myPort.name + " is closed"
this all works well and good. here are my questions:
1) I can open the port and then close it. however, if i try to re-open it, i get an access denied error. it seems rhino is holding the port open, as i have to re-start rhino to get it working again. i read through the discussions and didn't see any definitive answers to this problem. any advice?
2) I'd like to share this port with other components (or at least break up the functions of opening/closing the port and read/write, not unlike how the firefly components are organized), but i have no idea how to share an object instance between components. i did see that there is a sticky dict and tried to add myPort to it, but i kept getting errors in the other component when i try to use the object's methods. for instance:
Component 1 Script:
import serial
import scriptcontext
myPort=serial.Serial("COM4", 9600)
scriptcontext.sticky['myPort']=myPort
Component 2 Script:
import serial
import scriptcontext
myPort=scriptcontext.sticky['myPort']
print myPort.read()
but i get messages like:
Runtime error (MissingMemberException): 'Serial' object has no attribute '_port_handle'
any assistance would be greatly appreciated!!
best,
~BB~…
of a hack to push it to an android device, and you can't use labels, which is a very bad point!
...
I won't buy an Iphone!
The other is Control OSC. It looks rougher, but it has a lot of advantages to me.
+ Game of Life included!
+ you can use and update labels :))
+ Has a nice muti touch widget unfeatured in touch osc
+ You can script the interface using java script manipulation in gh, stream it to your dropbox and update in one "tap", as follows
Does anyone have experience with scripting interfaces for this software? I'm stuck already. I know nothing of java script to begin with. As you can see I managed to format the labels but the osc message I could not find a way, it stays untouched.
Just in case someone knows better, here are my "objects" (I said that right?). The userXXX are replaced in GH.
{ "name":"userName", "type":"Slider", "x":(xPadding + .11), "y": yPadding, "width":.82, "height":.082, "color":"userColor", "min":userMin, "max":userMax, "ontouchmove" : "var roundedvalue = this.value.toFixed(userFix); LbluserName2.changeValue(roundedvalue)", "onvaluechange": "oscManager.sendOSC('/userName', 'f', this.value.toFixed(userFix))",},{ "name":"LbluserName1", "type":"Label", "x":xPadding, "y": yPadding, "width":.1, "height":.05, "color":"userColor", "value": "userName"},{ "name":"LbluserName2", "type":"Label", "x":xPadding, "y": (yPadding + 0.05), "width":.1, "height":.05, "address":"/userName", "color":"userColor", "value": 0},…
to host the annual parade of Samba Schools during the Carnival festival. For the remaining 361 days of the year it stands empty and desolate as a massive dividing wall within its degraded urban context. Renovated in 2012 and now the future site for the 2016 Olympic marathon finish line and archery events, the Sambadromo is receiving renewed international attention, but it drastically needs to accommodate new types of programme and improve its connection with its surrounding context. AAVS Rio de Janeiro will explore ways to intervene within and transform the Sambadromo, with a potential focus on the VIP and Press Rooms ‘camarotes’, which were originally designed to house classrooms when Carnival was not taking place, and are now the site for over-commercialized, under-designed temporary installations during Carnival, and abandoned throughout the rest of the year. Teaching team:The teaching team will be led by Elena Manferdini, from Atelier Manferdini (www.ateliermanferdini.com), to teach and use advanced digital design and fabrication to generate iterative transformations in the creation of new micro-infrastructures. Computational and fabrication skills: The workshop will teach advanced computational design skills. A series of physical models will be built using digital fabrication techniques, such as laser-cutting and rapid-prototyping, that will be taught during the workshop. No previous digital or fabrication experience is needed. Applications: http://www.aaschool.ac.uk/STUDY/VISITING/rio http://rio.aaschool.ac.uk/2015-aa-marathon-runway-sambadromo/ or mail brazilvisitingschool@aaschool.ac.uk…
stems, wonderful)
- Michael Hansel, Techniques and Technologies in Morphogenetic Design
(a series of early articles and essays)
- Anne Save de Beaureceuil and Franklin Lee,
Articulated Ground Mediating Environment and Culture
(Students work from the AA where parametric design is linked with environmental and social strategies)
- Richard Hawkins, The Blind Watchaker
(Evolution re-created and "proved" through the computer to be linked with Galapagos)
- Janine M. Benyus, Biomimicry
(didn't read it yet but apparently really good, anyone?)
- Frei Otto: Finding Form
(a classic)
- Deleuze & Guattari: Rhizome
(another classic)
…
noji@gmail.com>) was my student, came to build the design in 1:1 scale. One AA teacher helped her with the Bend curve and used Kangarro. I simplified the script, if you need to see my project umbrella(http://www.grasshopper3d.com/forum/topics/umbrella-porject?xg_source=activity) made to study the script. Contact her that will have updated information. My email: artagent@yahoo.com
…
DP ($$$ aside), GC, and Grasshopper. Arthur’s original question is very important
and the exact question (and hopefully answer) I was hoping to find on a
forum.
“How to take intelligent 3D parametric generative design models (scripting, etc.) into 2D documents?" Or, deliver the 3D design for evaluation, bid, construction, etc.
I am intrigued by Jon’s comments in the same thread and would like to know how I can learn more about the process (and
pitfalls) of turning over a 3D digital generative models to a contractor/fabricator.
Are there any industry guidelines established I could use as a reference to guide our firm through this type of uncharted territory?
Arthur’s question is very reminiscent of 10 years ago when I was frustrated with the amount of time spent on the development of a 3D model design (physical and/or virtual) only to have to wipe the table clean and start the process all over again in 2D in order to document the project for delivery. From this I jumped head first into BIM and Revit, vowing never to go back to unintelligent 2D line work. I am now working on Bentley software (v8i: Microstation and Bentley Architecture) with the access and desire to venture into Generative Components. I am very intrigued by Rhino/Grasshopper primarily with the apparent ease of use and available resources assisting in the learning process – something not really available with Bentley.
In hindsight, as I am doing my software research I think the current use of Revit and BA (Bentley Architecture) are more of a “bridge”
between the past (decades of digital 2D work, i.e. AutoCAD) and where hopefully
we all will be someday in the near future (100% 3D modeling, i.e. Digital
Project??). Without having the experience
it would appear that DP/CATIA (PLM software) are closer to this than any other
type of software. As complicated as the
industry standards are for the automobile and airline industry, I feel we
(architectural industry and others) are heading in a similar direction with
total understanding (PLM/ Evidence Based Design) of a design (a whole other topic). If anything I think the market will begin to
demand it sooner or later.
Gehry (DP) article NY Times:
http://www.nytimes.com/2009/02/11/business/11gehry.html
I know these type of broad discussions (software vs. software) can be blown out of proportion on forums, but I am would like to read
the pulse of those who are already in the trenches (using Grasshopper, CATIA, Digital Project, Generative Components, others??) and hear your thoughts. Just as valuable would be other threads,
industry articles/reviews of 3D parametric generative design software.
Thanks,
Boyd…