perienced with grasshopper, but so far I've managed to combine the following:
Giulio Piacentino's "Catenary arch from height" script
Pirouz Nourian's "Mobius" script (Obtained from a friend)
End Result:
Here's where I'm stuck: I want the mobius twist to revolve around the midpoint of the arch, but the script uses the input values to determine the endpoints, resulting in a weird sinuous shape when viewed from above. Also, the secondary end points (generated by the mobius script, determining the width of the surface) are generated by default along the z axis, resulting in an arch that only touches the "ground" at two points. I attempted to work around this issue by trying to force the zHeight parameter to correspond with the y axis (thus rotating the arch 90 degrees so it would lay "flat"), but the script interprets the third point as a value and not as an actual point to bisect. I thought this might be an issue with the C# component that I obtained from Giulio Piacentino's script, so I attempted to tinker around with the source code. Unfortunately, I'm not fluent in C# so I only managed to mess everything up (I've since recovered the code from the cache). Anybody got some ideas? -BC …
s levels of detail by subdividing a 6 sided cube mesh and projecting its vertices according to a referenced height map. This is one of the standard conventions for building full sizes planets. At the lowest level (0) the mesh planet is made of 6 pieces(each 32x32 resolution). The next level down (1) is made of 24 pieces... 6 divided by 4 = 24. Level (2) is 96 quads etc etc. The script will generate each quad at its sub-division level and compare edge vertices to neighboring quads. It will then make sure any shared vertices are in fact at the same projected vector. This ensures a planet quad with edge vertices that match.
The problems comes in texturing each quad.
If I build the quad as a nurb surface from points I can place the texture easily because each surface UV maps squarely to my texture map (which is also square).
If I build the quad as a mesh I cannot just apply the square texture to the mesh UVs. This is because when you unwrap the UVs from a mesh they will not unwrap like a nurb surface's UVs. Therefore to get the correct mapping I would have to manipulate each UV back to an evenly aligned array (which is 1024 points in a 32x32 resolution UV). Maya and blender have 'relax uv' and 'align UV' functions but they don't do the trick and manual corrections are out of the question. So why not skip the mesh method and use the nurb method?
I did this and there is a trade off. The nurb will accept the material texture I want with no other work on my end but when I export the object as an .obj rhino creates its own mesh to describe the nurb(with various unsatisfactory setting options). This works great up to a point because at some level the interpreted mesh will have vertices that do no match at the edges, ie .. creating visible seams in the mesh. The picture below is the nearly seamless planet at LOD(1) made of 24 quads, each with 32x32 vertice resolution and a 512x512 jpg texture running in Unity3d 5. It works but at close level there are seams. This will be resolved simply by having the next LOD(x) instantiate before getting close enough to see the seam but at core nerd level I want the seamless mesh.
So, I can make the seamless mesh but I can not realistically texture map it. I can also make the nurb surface from points and texture it at the expense of the edge vertices matching. I am at the split in the road but I want to have my cake and eat it too. Thoughts, comments, trolls...?
Thanks for reading =)
Footnote: For you pros I am not using seamless noise across the map I am using grasshopper to sew up my otherwise non perfect edges.
Other programs in the pipeline:
-WorldMachine 2
-Wilbur
-Photoshop
-Unity3d…
ect + Geco
TUTORS:
Arturo Tedeschi (Authorized Rhino Trainer) + Maurizio Arturo Degni
Il workshop avanzato ECOLOGIC PATTERNS affronta l’impiego di strategie parametriche all’interno del processo progettuale, approfondendo l’utilizzo di Grasshopper in sinergia con plug-in, software di analisi ambientale e simulazione fisica. Obiettivo fondamentale è la generazione della forma come risultato di tecniche di form-finding e di input ambientali (solari, termici e acustici). Verranno acquisiti nuovi strumenti operativi e di simulazione al fine di costruire modelli parametrici ottimizzati in grado di adattarsi a diverse condizioni di contesto.
MORE INFO…
ive collaborative environment.
TYPE : Course module and Workshop
The event is open for anybody interested from all the fields of design, including: architecture, interior design, furniture design, product design, fashion design, scenography, and engineering.
1. COURSE MODULE (20-23 April 2014) - optional
+ type: 3 days intensive course regarding basic knowledge in parametric design (LEVEL 1)
+ software: Rhinoceros & Grasshopper
+ plugins: Kangaroo, Weaver Bird, Lunch box, Ghowl, Geco
+ achievements:
- acquainting to the components & the concept of Generative Design
- understanding the strategies in Algorithmic Design
- how to easily insert simple mathematical equation into the project to gain more control
- how to utilize proper plugins with respect to their nature of the project
- interacting with different analysis platforms such as Ecotect & remote controller
- solving several exercises with different scales( 2D- 3D ) during each phase of the workshop
2. WORKSHOP (23-27 April 2014)
A 5 day Design-Based Research Workshop exploring new techniques in Digital Architecture/Fabrication, with a specific focus on the use of generative systems and parametric modeling as tools for creative expression.
Our ultimate goal is to increasing the efficiency of utilizing digital tools in parallel with geometric performance of the primitive design agent.
+ + CONCEPT
Fashion and Architecture are both based on basic life necessities – clothing and shelter.
However, they are also forms of self-expression – for both creators and consumers.
Both fashion and architecture affect our emotional being in many ways.
The agenda of this workshop is to investigate on the overlap between these two areas of design, art & fashion.
Fashion and architecture express ideas of personal, social and cultural identity, reflecting the concerns of the user and the ambition of the age. Their relationship is a symbiotic one and throughout history, clothing and buildings have echoed each other in form and appearance. This only seems natural as they not only share the primary function of providing shelter and protection for the body, but also because they both create space and volume out of flat, two-dimensional materials.
While they have much in common, they are also intrinsically different – address the human scale, but the proportions, sizes and shapes differ enormously.
+ + + OBJECTIVES
So far, Architects have been using techniques such as folding, bending etc. to create space, structural roofs or different other structural shapes.
The agenda of this workshop goes further with the investigation of algorithmic thinking through generative tools Integrated in design.
The challenge is creating a bridge that connects these two areas of design, architecture and fashion that perform at two opposite scales.
+ + + + TECHNICAL BRIEF
In the early stages physical models and low-tech strategies will be used, allowing the participants to gain a greater understanding of materials, fabrication and assembly methods as well as simple, yet pragmatic structural solutions.
Later in the workshop these strategies will be digitalized and elaborated using software visualizing tools such as Rhinoceros and the algorithmic plug-in Grasshopper.…
ve Intermediate Insight of Computational Design Strategies While Exploring Rangoli Art form in 2 Dimension and 3Dimesion in which Participants will not only be trained to Digitally Design using Parametric software's but they will also be trained to Fabricate them in reality.
This Course will be explored in manner where Participants will understand inter-dependency of Rhinoceros3D & Grasshoper3D through a unique Hybrid Teaching Method While Exploring Rangoli Geometry .
The course will also take participants through Topics such as - Computational Thinking, - Computational / Parametric Design, - Computational Rangoli Exploration, - Digital Fabrication, - 3D Visualization ( Rhino3D 6), - Making Info-graphics & Design Diagrams ( Rhino3d 6 ).
Participants will also be doing a Project at the last Leg of Workshop in which they will implement the skill they gained in first Few Weeks.
{ Tutor } Nitant Pixelkar (Computational Artist / Designer, Mumbai)
Nitant Hirlekar A.k.a. Pixelkar, is a Computational Artist. He graduated from Rachana Sansad school of Interior Design 2011, Mumbai. In Academics He Bagged Two Gold and One Silver Medal on National Level.
In his post academic days, he came across the Emerging Computational Techniques in Design industry in which Algorithm serves as a main Functional part. He uses Algorithms to Deconstruct the Captured images in Pixelated form using the Grid of the Desired Indian Art Forms.
He Heads Collective Group Named "Mutation Lab” which is a multidisciplinary Design & Art Cell. Where they Explore Computational Approach while Designing Various Scales Spatial Installation, Digital Fabrication, Interactive Installations and Computational Consultancy for Various Architects.
He has exhibited his first artwork in Kalaghoda Arts Festival for in 2014 And further in 2016 and 2017.In 2015 he exhibited in Dharavi Biennale” organized by Wellcome Trust,London & Sneha Organisation, Mumbai Which was internationally acclaimed. In 2016 he got Featured on a TV show - The Creative Indian's as an Absolut Creative Indian of the Week.
Academically he is been involved in Many Computational Design Workshops / Elective Studios for School of Interior Design (Rachna Sansad), LS Raheja College of Architecture & Rat-Lab (Delhi).
{ Participants } The Course is aimed at Architecture, Interior Design, Product Design,Furniture Design & Fashion Design Students and Professionals. However we would be thrilled to have any Interdisciplinary Artist / Creator/ Maker to join the Course as well.
{ Level }
Intermediate
{ Timing } Monday To Friday - 6:00 PM to 9:00 PM (15 Hours/ Week = 5 Week X 15 Hours = 75 Hours )
{ Dates } Registration Ends - 24th April 2020 **Subejct to Availablity
{ Workshop Dates } 4th May 2020 To 5th June 2020
{ Venue } Lower Parel,Mumbai ( Details To Be Announced )
{ Schedule }
{Registration Form}…
; GH, this one came out and rhinoceros is disappear...like this
it said " Rhinoceros5's working is stopped. because some problems occured so Rhinoceros5 can't work correctly no longer " then I have no choice but terminate Rhinoceros.
There are some discussion about RhinoIronPython installing numpy though, no one has same problem like me. so Please somebody tell me!!
and one more question...just in case, I tried to install numpy into ironPython2.7
C:\Program Files (x86)\IronPython 2.7>ipy "C:\Program Files (x86)\IronPython 2.7\ironpkg-1.0.0..py" --installBootstrapping: c:\users\owner\appdata\local\temp\tmp2nand1\ironpkg-1.0.0-1.egg 118 KB [.................................................................]
C:\Program Files (x86)\IronPython 2.7>ironpkg -hUsage: ironpkg-script.py [options] [name] [version]
.
.
.
C:\Program Files (x86)\IronPython 2.7>ironpkg scipyWrote configuration file: C:\Users\owner\.ironpkg=============================================================================Traceback (most recent call last): File "C:\Program Files (x86)\IronPython 2.7\ironpkg-script.py", line 10, in <module> File "C:\Program Files (x86)\IronPython 2.7\lib\site-packages\enstaller\main.py", line 364, in main File "C:\Program Files (x86)\IronPython 2.7\lib\site-packages\enstaller\indexed_repo\chain.py", line 27, in __init__ File "C:\Program Files (x86)\IronPython 2.7\lib\site-packages\enstaller\indexed_repo\chain.py", line 67, in add_repo File "C:\Program Files (x86)\IronPython 2.7\lib\site-packages\enstaller\utils.py", line 92, in write_data_from_url File "C:\Program Files (x86)\IronPython 2.7\Lib\urllib2.py", line 435, in open File "C:\Program Files (x86)\IronPython 2.7\Lib\urllib2.py", line 407, in _call_chain File "C:\Program Files (x86)\IronPython 2.7\Lib\urllib2.py", line 654, in http_error_302 File "C:\Program Files (x86)\IronPython 2.7\Lib\httplib.py", line 1261, in __init__ File "C:\Program Files (x86)\IronPython 2.7\lib\site-packages\enstaller\utils.py", line 73, in open_url File "C:\Program Files (x86)\IronPython 2.7\Lib\urllib2.py", line 154, in urlopen File "C:\Program Files (x86)\IronPython 2.7\Lib\urllib2.py", line 547, in http_response File "C:\Program Files (x86)\IronPython 2.7\Lib\urllib2.py", line 467, in error File "C:\Program Files (x86)\IronPython 2.7\Lib\urllib2.py", line 429, in open File "C:\Program Files (x86)\IronPython 2.7\Lib\urllib2.py", line 446, in _open File "C:\Program Files (x86)\IronPython 2.7\Lib\urllib2.py", line 407, in _call_chain File "C:\Program Files (x86)\IronPython 2.7\Lib\urllib2.py", line 1240, in https_open File "C:\Program Files (x86)\IronPython 2.7\Lib\urllib2.py", line 1167, in do_openAttributeError: 'module' object has no attribute '_create_default_https_context'
C:\Program Files (x86)\IronPython 2.7>
how can I deal with this error?…
azione parametrica e generativa attraverso Grasshopper, plug-in di programmazione visuale per Rhinoceros 3D (uno dei più diffusi modellatori NURBS per l‘architettura e il design). Il workshop mira a gestire e sviluppare il rapporto tra informazione e geometria lavorando sui sistemi ad involucro in condizioni specifiche.La discretizzazione di superfici (pannellizazione Nurbs o Mesh), la modellazione delle geometrie attraverso informazioni (siano esse provenienti da analisi ambientali, mappe o database) e l’estrazione e la gestione di queste informazioni, richiede la comprensione di strutture di dati al fine di gestire completamente processo che va dalla progettazione alla costruzione.I partecipanti impareranno come costruire e sviluppare strutture di dati parametrici per informare geometrie ‘data-driven’ e come estrarre le informazioni rilevanti da tali modelli per il processo di costruzione.
Modulo 2 – Il workshop, volto a promuovere le nuove tecnologie digitali di supporto alla progettazione e alla fabbricazione, esplorerà l’integrazione tra design e prototipazione tramite processi di stampa 3d di materiale ceramico al fine di comprenderne allo stesso tempo sia il comportamento del materiale che i vincoli e le opportunità offerte dall’utilizzo di tali tecnologie.Infatti utilizzando grasshopper ed una macchina a controllo numerico i partecipanti apprenderanno le modalità per la generazione parametrica dei modelli e la creazione del codice per la loro prototipazione (Gcode creato direttamente in Grasshopper). Il workshop darà quindi ai partecipanti la possibilità di testare direttamente i loro elaborati digitali stampandoli in modo da comprendere come le informazioni articolate tramite tali strumenti di design producano specifici effetti sia morfologici che estetici.…
ut in the next few days.
I've found getting really good handling of static vs kinetic friction to be a pain though.
Distinguishing between collisions and resting contact generally becomes more complicated than it might first appear.
If the collision with the mesh or ground is 'hard' I project the particle positions, so they can never penetrate, and reverse the component of their velocity normal to the surface (multiplied by the restitution factor). This means that whenever you have some structure of springs resting on a hard surface, there is usually still some tiny imperceptible bouncing. This makes it hard to properly apply static friction (which would zero the tangential velocity if the tangential force was below some threshold and it is not already sliding), because particles are generally not perfectly on the surface, even when apparently at rest. Obviously it's not good to have friction affecting things that aren't touching the surface.
This is the origin of the 'settle' parameter in the settings. The idea was that when the motion of a particle normal to the surface drops below that limit, it will be totally zeroed, and the particle becomes properly resting on the surface. I never really like having to use these kind of weird ad hoc fixes though.
Alternatively, if the collision is 'soft' I use a spring-like force to push particles out of the ground/mesh.
This can cause problems because in many cases you just want a simple constraint that they never go below ground level, and there is a limit to how stiff you can make these spring-like forces.
The advantage though, is that because any particle resting 'on' the ground/surface will actually be slightly below/inside it, and one can use this to decide whether to apply contact friction.
With bouncing collisions, it is a little simpler. There is just the question of what to do with the velocity component tangential to the surface. See the bottom comment by me here, for more on the 'tumble' setting:
http://www.grasshopper3d.com/video/kangaroo-traction-test
So you see, it is challenging to get one consistent model that will give correct behaviour for all cases (eg a simple static 'leaning ladder' type problem, a bouncing particle, and vehicle wheel traction), without having several of these odd seeming and non-intuitive settings.
…
Added by Daniel Piker at 11:11am on October 18, 2012
m is different from email spam.
Email spammers want you to buy their product. You are the target of the ad contained in each email spam you receive. Comment/web spammers want your readers to buy their product. You (the blogger, author, moderator) are not the target.
2. Web spammers are social engineers.
Email spammers write messages to get your attention. Comment spammers write messages to escape your attention. They want you to believe they are real bloggers, real people, writing real comments, so you’ll approve the comment and publish it on your site. They use flattery, appeal to your good nature, and simply lie in order to convince you to give them the benefit of the doubt.
3. Web spammers are basically advertising on your blog..
..and they're keeping all of the profits. They’re not even asking your permission first. Right now someone is offering to sell links from your blog to anyone willing to pay a few dollars (or a few cents). If your blog is well known, it may even be listed by name, with backlinks for sale at a set price.
4. It’s all about the backlinks.
Web spammers are selling links from your blog to their clients. They do this to game the search engines and trick your readers into visiting dubious web sites. Their clients are sometimes seemingly harmless, but are often peddling fake pills, porn, scams and malware. Sometimes they’ll use “buffer sites” – that is, innocent looking web pages intended to disguise the fact that they’re really advertising something more sinister.
5. Spammers employ humans.
Not all spam is delivered by spambots. Spammers are increasingly using humans to write and post comments by hand. Typically they are exploiting low-paid workers in internet cafes, schools and factories. Sometimes they are viral marketers paid to promote a new product. Either way they are trying to exploit your blog for their profit – and hoping to do it without you noticing.
…
Added by Danny Boyes at 4:51am on October 24, 2013