URBS cup surface, and boy oh boy did it ever work more uniformly than using 3D orb cutters on a 3D cup. Different sized spheres return the *same* hex grid only less and less raised up as the spheres get very large.
My first question is whether these are different in character or just in Z scaling, so if I rescale them all to the same Z thickness, after extracting only the relief structure via Boolean union and splitting...and they are only *slightly* different in character, which means mere Z re-scaling of a single moderate ball size relief is an appropriate cheat to avoid slow Boolean union re-making each relief Z scale with different sized balls.
The one on the right is a very shallow relief scaled up to the same Z thickness as the pure sphere one on the left. And really, we will be mostly scaling *down* from a thicker master surface so that will attenuate any weirdness in the curvature. Indeed, I see no difference, so it makes sense to only archive the thickest one so we can control the full range of thicknesses, all the way to nearly flat bulbs. Here is the thickest one, just before the balls lose holes between them, scaled down compared to a shallow one made with huge balls to start with:
Now we just use Rhino Flow Along Surface or the Grasshopper Jackalope plug-in Sporf to morph this flat system onto our lathe form.
With Rhino history for the Flow Along Surface step I can rescale the original in Z and wait twenty seconds to see the update:
There are sad edge artifacts that will require some strategy to retain or later delete a whole row:
Maybe add more geometry to later delete or make a solid to hold stuff together?
So vastly decreasing the cell count and changing grid direction to match your cup:
The edges came out fine on this one, happily. The isocurve count has been increased by the Flow Along Surface command:
It can't be filleted yet since the joint where the cup NURBS surface has a joint now leaves feathery edges, so I went back and duplicated the border of the flat array, offset and lofted to make a protecting surface:
But that gave crazy artifacts:
I'm just going to use symmetry to fill in the joint with good faces that are not having to be joined as two halves. I had to turn my Rhino units tolerance down from a silly 0.0001 to 0.01 units to get a good re-join, but it still won't fillet without leaving holes.
SO LET'S FILLET THE FLAT THING. Same problem but a bit faster, and actually repairable manually. Rhino 5 is buggy as hell with core commands, damn it. This is not world class behavior.
Let's try it in Rhino 6 WIP, our great hope of the future: nope, the same. I had to simply manually copy the missing pieces from where it did work, which at least is easy to do in flatland. Now I get a cup:
This can *all* be done quickly in Rhino without Grasshopper, and Rhino affords you fast cage editing of the original flat array that Grasshopper cannot yet do. You just need to use Analyze Direction to be able to swap UV directions of the source or target and flip the source surface to achieve concave vs. convex patterns.
Grasshopper doesn't even have a fillet (multiple) edges component so there's not a lot of advantage to having some super slow parametric system via Grasshopper. It's not like you'll be able to see the changes fast enough to tweak a design.…
and...how to bake meaningful assembly/component type of structures for the rest of the tedious work required > you know what I mean > the ugly part of our business > documentation drawings, BOM, tech etc etc etc.
For instance, let's focus to the planar glazing support items: absolutely no need to make them it via any smart app since they are plenty of them around in the market (unless you are I.M.Pei and you do that exceptional Pyramid wonder thing).
But...the goal is...hmm...to create some kind of "smart" (kinda, he he) solution where components (the "baked" ones, so to speak) are structured in such a way that further work (via conventional CAD apps) is easily managed. To speak in Rhino dialect: nested Blocks and/or nested Refs. Like having components in GH that could manage nested Block/Ref stuff (but I guess that you can do it rather easily via VB).
Back to that ugly truss: It's obvious that this is a nested collection of "repetitions" (should I call them iterations?) : meaning that a void top node owns a module truss that owns 2 supportive sub-trusses that are made by some pipes that own connecting items that own the planar glazing items etc etc etc.
With regard the "own" thing: Imagine a CAD file that is simply a container/place holder of some individual entities (called Models). These Models can be "linked" to others (in a nested parent/child relation). Links can be external of internal. They can be either References or Cells or Shared Cells. This the way that Microstation classifies/handles "entities" (a bit primitive, mind, but nobody's perfect - for the real thing see CATIA/NX).
Back to that ugly truss: Obviously this structure (actually the assembly/component combo related with the given solution) has to be transfered into classic 2d extractions (say: plans, elevations, sections et all). This is done why a weird thing called Dynamic Views/live markers in Microstation (you define Clip planes in 3d space that manage 2d extraction content in something called Drawing Model that controls other weird things called Sheet Models, all these live linked etc etc).
To make things more spicy...these 2d extractions can been viewed as master detail directives: from where 1:1 classic details are made (that is: you apply more Dynamic Views and live markers and life goes on - red pepper extra strong Russian vodka is a must when you do that type of work).
This is where Rhino is out of his depth (but to be fair: it's not designed for this type of work) and also this is where Microstation has no competition at least for AEC purposes (but to be fair: it is designed for this type of work).
Of course Autodesk...well expect soon the Gen Comp equivalent for Revit...a fact that complicates things (for Bentley) a bit given the Revit mania in the AEC world.
Moral: intelligence is good but it's only the tip of the iceberg. …
en la práctica de nuevos métodos de diseño y fabricación utilizando herramientas digitales. Estos procedimientos emergentes están cambiando radicalmente la manera en que nos aproximamos al proceso de diseño en términos de concepción y producción. Los participantes serán introducidos en el uso de softwares de modelado 2d y 3d para la generación de geometrías que serán posteriormente mecanizadas in situ en una máquina de control numérico CNC de 3 ejes.
¡AL FINAL DEL CURSO TE LLEVAS TU LÁMPARA A CASA!
Profesores: Equipo MEDIODESIGN* + TOOLINGROUP*
*Official Rhino Trainners. Acreditación otorgada por McNeel, desarrolladores del software Rhinoceros.
Lugar: Mediodesign. Pallars 85-91 5-2 BCN
Duración: 16 / 20 horas
Fecha: sábado 9 / domingo 10 julio de 2011
Horario: de 10h a 14h / de 16h a 20h
Plazas: 20 participantes
REQUISITOS
< Dirigido a estudiantes y profesionales de la arquitectura, diseño y profesiones afines.
< Ordenador portátil.
< Softwares instalados. En el momento de la inscripción, los participantes recibirán las instrucciones para la descarga e instalación de versiones gratuitas (trials) de los softwares.
CONTENIDOS
< Introducción al diseño avanzado y la fabricación digital.
< Entorno Rhinoceros y sus plug-ins.
< Herramientas y estrategias de trabajo CNC.
< Materiales y sus características.
< Planteamiento del ejercicio: diseño de una luminaria
< Desarrollo del archivo de RhinoCam para el mecanizado CNC.
< Mecanizado y post-producción.
< Entrega de propuestas: Presentación en formato digital del proceso de diseño y fabricación (pdf, powerpoint, etc…) y del prototipo de luminaria realizado.
INSCRIPCIONES
Precio: 199 € Materiales incluidos.
Forma de pago: mediante transferencia bancaria.
Límite fecha de inscripción: lunes 4 de julio 2011
Se otorgará certificado de asistencia. …
project below- should I be learning Grasshopper & Rhino or just Rhino first?
I'm trying to panel modules with low tolerances- I've prototyped regular shapes like geodesics and am now looking to experiment with irregular shapes with lots of different panel shapes.
I understand some things are best done through Grasshopper when using Paneling Tools- I'm trying to figure out if I can do what I want to achive with PT alone or should do it through Grasshopper (or some other route).
I’m on the MAC WIP - The module was built in Sketchup - all the components seem to be in order as blocks though am having problems running the ptpanel3dcustom command - thinking maybe a bug in the WIP or something wrong with my input or that I imported the sketchup file the wrong way. (I dropped it in the window) - If the 3D command is run it doesn’t do anything - if 2D (ptpanelgridcustom) it crashes.
The tileing pattern - the green rectangle is a refrence. each tile contains 4 blocks with 3 more nested in each.
How the module tiles.
The other thing I'm trying to do is specify that most of the lines in the panels don’t bend/curve when they are paneled (or something like Cage Edited). For my purposes the length & angles can change while the lines must remain straight.
These images show a test tile to be panneled on a ellipsoid. When the tile is mapped to the grid the lines curve, this is an extreme example but notice allot of tiles far from the hemespheres are also bent slightly.
These two questions have me stumped the most for now. What should I look into get a better handle on these problem areas? Maybe I should try recreating the work on a windows machine? or perhaps I should get started with Grasshopper?
Thanks for reading.
Lu…
ts in extreme aliasing effects that carry into the 3D realm as regular steps along what should be smooth surfaces.
On sleeping on it, I realized I hadn't yet tried fast Unary Force on fine quad meshes from the standard Grasshopper meshing system that includes the meshing options component.
Bingo! It's fast now. Workable. I don't need super fine meshing since I'm not running from aliasing. I can still use rather fine local meshes since Unary Force lets Kangaroo do a simple thing just in the Z direction rather than a full 3D force.
After only a minute or so of Kangaroo initialization that slows the interface, each of a dozen needed cycles takes half a second, FOR THE ENTIRE GRAPHIC.
I just set the timer to 1 second so I can move around the interface, and I double click the Windows taskbar timer shut-off to enjoy the result.
WHILE RUNNING VIA TIMER, IF I CHANGE A SPRING/FORCE SETTING IT SUFFERS NO DELAY AT ALL AND JUST ALTERS THE OUTPUT OVER TIME. I can change Unary Force from 20 to 100 and immediately see the bigger areas balloon like crazy:
It's fast enough overall to play with, yet the individual steps are slow enough that it's fun to watch the hysteresis as it overshoots back from 100 to 20 Unary Force, going concave in the middle of bulges then back to more shallow hills.
A force of 1000 is a bit disturbing, I wonder if I can tamp it down with greater spring strength or will that just give me the same result as before?
Looks like it's the same, just the ratio matters. Makes sense I guess. At one point it blew up though. Hitting the reset button...a minute later it blows up again...and just doesn't like huge numbers, so I don't see an advantage playing with bombs. The high mesh strength is pulling the mesh apart.
With low Unary Force and moderate mesh tension, you get flat tops, as if the overall force on the mesh fighting its anchored edge vertices, is enough to displace it, but the surface itself is too stiff to care about local gravity.
Then you have less flat areas as you increase Unary Force:
Weird, there *is* some sort of absolute effects, rather than just relative, between Unary Force and spring stiffness, since now I'm getting flat tops even in the extreme:
Oh, wait, strike that, I may be seeing but a single step with the timer off, subject to hysteresis. With the timer back on...it can sit there a minute...not locked up but just idling...until you see the Display > Widgets > Profiler time start cycling to near half minute numbers...makes you want to hit the reset button...and indeed that locks the interface for another initialization...and yes, it was merely hysteresis, not an equilibrium result. My former flat tops may have been due to that too, due to my use of the Windows taskbar timer disabler. The lesson is that you can obtain different results by using a long timer setting and just stopping it before it equilibrates.
This script is a keeper, fast and fun after the relatively mild Kangaroo initialization period is over.
The uniform mostly quad meshing is all done in Grasshopper too, from any flat surface with holes, especially from images of shapes that are traced with potrace to give surfaces with holes.
Could I switch to hex meshes from triangular meshes to do the same thing with fewer vertices?
Are there other forces I can add to smooth the bulging? Letting things bulge is not so bad if you then just scale down the result in Z afterwards (though perhaps the same result could be had with lesser force):
Also, can this same thing be done with possibly faster Kangaroo 2?…
Added by Nik Willmore at 10:02pm on February 21, 2016
Introduction to Grasshopper Videos by David Rutten.
Wondering how to get started with Grasshopper? Look no further. Spend an some time with the creator of Grasshopper, David Rutten, to learn the
is to reduce the gaps between built environment and digital technologies seamless integrating design and fabrication. Among the benefits: efficient use of production resources, material-specific design concepts, outcome optimization and durability.
Jointly organized by FabLab Poliba and Polytechnic University of Bari, Self Made Architecture 03 aims to help students to develop new skills and tools on 3D Modeling, Advanced Parametric Modeling, Structural and Daylighting Optimization and Digital Fabrication.
The tools we’ll use:
#Rhinoceros3D #Grasshopper3D #Kangaroo #Ladybug #Honeybee #Cura #BigRepOne
The students will be involved in morning lectures and hands-on workshops during the afternoon with a Do-It-Yourself and Do-It-Together approach. They will be asked to work on group projects and take part of the final phase of a temporary architecture installation.
More info:
Days: 2nd July 2018 to 7th July 2018 Location: Italy > Puglia > Bitonto Language: English Students: 27 International students Credits: 2 ECTS Benefits: Fully Fundend Summer School. Free Application for the Summer School, Free Accommodation with B&B and meals included, Free Enrollment to FabLab Poliba Elegibility criteria: students and graduates of architecture, design and engineering.
Apply: www.poliba.it/didattica/sma03 Deadline: 31st May 2018 at 12:00 (noon) Contacts: info@fablabpoliba.org Scientific Coordinator: Prof. Nicola Parisi…
racting isocurves in Grasshopper in order to use them as more curves. If I could figure out the thorny use of Grasshopper data trees within Daniel Piker's Geometry Wrapper VB script that is used here, it would be considerably faster than having to include each isocurve in a separate field strength lookup.
The way marching cubes and an isosurface work in the code, is to simply find the distance to the closest point on each curve and run the distance to that point through a slow equation to determine field strength there, usually an r^2 operation, and this causes awful bulging where geometry clusters, so I just hacked it to use no math and instead yes/no values based on a fixed radius value, doubling the speed of the script and removing all bulging effects, so it's not really metaballs any more but after MeshMachine relaxes the mesh under tension, the result is similarly smooth. To build up a full 3D spacial field, it simply adds the field values from each curve (or point) together via a loop over all those geometry objects, so there is no big implicit equation created except such summation.
HOW DO I ADD SURFACE ISOFIELD TO THE SCRIPT ITSELF SO I CAN AVOID THE ISOCURVE KLUDGE?
It's not the VB I'm thrown off by but the lack of a real loop where a data tree is used:
I can likely write my own calculate_surface_field function since it just needs to spit out one of two fixed numbers depending on using Rhinocommon to find the distance of the test point (a corner of a marching cube) to the closest point on the surface. But the above loop doesn't cooperate with my attempt to rewrite it as simple loops going through each point, curve, and surface for each test point. I can barely tell what's looping here, as he has stuffed all geometry into one container and then tests for curves. I'd rather just make loops for separate Points, Curves and Surfaces inputs and get rid of the baffling data tree.
The overall canvas is also rudely updating the preview twice, making it much slower than the two big components actually take so solve, as I believe it may be regenerating a display mesh between VB and MeshMachine solutions?
…
arametric Design, in the history of architecture, has defined many rules for current designers and for future practitioners to follow. One of the strongest aspects that are prominent from this style is ‘geometry’. Arguably, there is nothing new about geometry and aesthetics forming the most prominent aspect of any style or era. The language of any style, in the long history of architecture, is visually defined by geometry or shape, beyond the principles that define the core of the style. In the distinguishable style of parametric architecture, geometry has played and is continuing to play an integral role. And with this fairly young style, there are many strings of myths and false notions associated.
The workshop aims to provide a detailed insight to ‘parametric design’ and embedded logics behind it through a series of design explorations using Rhinoceros & Grasshopper platforms, along with understanding of data-driven fabrication strategies. An insight to Computational Design and its subsets of Parametric Design, Algorithmic Design, Generative Design and Evolutionary Design will be provided through presentations, technical sessions & studio work, with highlighting agenda of using data into Hands-on fabrication of a parametrically generated design. A strong focus will be made on ‘geometry’ and ‘matter’.
// Methodology
Workshop has been structured to teach participants the use of Grasshopper® (Generative modelling plug-in for Rhinoceros) as a generative tool, and ways to integrate it with Hands-on Fabrication process. A strong agenda on ‘geometry’ and ‘matter’ will form the focus of the studio with design experimentation through computational & parametric techniques, culminating into a manually fabricated wall panel using understanding of data-driven design during the course of workshop.
Day 1 Topics / Agenda
Rhinoceros 3D GUI and basic use
Installing Grasshopper & plug-ins
Grasshopper GUI
Basic logic, components, parameters, inputs, numbers, simple geometry, referenced geometry, locally defined geometry, baking, etc.
Lists & Data Tree: management, manipulation, visualization, etc.
Design Experimentations with Geometry & Data
Understanding Data for Manual Fabrication
Day 2 Topics / Agenda
Design Experimentations with Geometry, Form, Matter
Data for effective numbering and strategizing during Manual Fabrication
Collaborative effort for Hands-on ‘making’ process
Analysis & Evaluation of Fabricated Geometry
Documentation…