The PC actually stops working because after a few seconds the simulation starts the fan inside the PC all of a sudden stops and for the next 5-10 mins I cannot do anything, even alt+ctrl+canc. After I wait for that time i get the followig error:
the ReadMe says:
{0;0;0}0. Grid-based Radiance simulation1. The component is checking ad, as, ar and aa values. This is just to make sure that the results are accurate enough.2. -ar is set to 300.3. Good to go!4. Current working directory is set to: C:\Users\Luigi\Desktop\Prova__\Prova_1\gridBasedSimulation\5. Found a trans material... Resetting st parameter from 0.85 to 0.011276004966. WMIC PROCESS get Commandline7. WMIC PROCESS get Commandline8. WMIC PROCESS get Commandline9. WMIC PROCESS get Commandline10. WMIC PROCESS get Commandline11. WMIC PROCESS get Commandline12. WMIC PROCESS get Commandline13. WMIC PROCESS get Commandline14. WMIC PROCESS get Commandline15. WMIC PROCESS get Commandline16. WMIC PROCESS get Commandline17. WMIC PROCESS get Commandline18. WMIC PROCESS get Commandline19. WMIC PROCESS get Commandline20. WMIC PROCESS get Commandline21. WMIC PROCESS get Commandline22. WMIC PROCESS get Commandline23. WMIC PROCESS get Commandline24. WMIC PROCESS get Commandline25. WMIC PROCESS get Commandline26. WMIC PROCESS get Commandline27. WMIC PROCESS get Commandline28. WMIC PROCESS get Commandline29. WMIC PROCESS get Commandline30. WMIC PROCESS get Commandline31. WMIC PROCESS get Commandline32. WMIC PROCESS get Commandline33. WMIC PROCESS get Commandline34. WMIC PROCESS get Commandline35. WMIC PROCESS get Commandline36. WMIC PROCESS get Commandline37. WMIC PROCESS get Commandline38. WMIC PROCESS get Commandline39. WMIC PROCESS get Commandline40. WMIC PROCESS get Commandline41. WMIC PROCESS get Commandline42. WMIC PROCESS get Commandline43. WMIC PROCESS get Commandline44. WMIC PROCESS get Commandline45. WMIC PROCESS get Commandline46. WMIC PROCESS get Commandline47. WMIC PROCESS get Commandline48. WMIC PROCESS get Commandline49. WMIC PROCESS get Commandline50. WMIC PROCESS get Commandline51. WMIC PROCESS get Commandline52. WMIC PROCESS get Commandline53. WMIC PROCESS get Commandline54. WMIC PROCESS get Commandline55. WMIC PROCESS get Commandline56. WMIC PROCESS get Commandline57. WMIC PROCESS get Commandline58. WMIC PROCESS get Commandline59. WMIC PROCESS get Commandline60. WMIC PROCESS get Commandline61. WMIC PROCESS get Commandline62. WMIC PROCESS get Commandline63. WMIC PROCESS get Commandline64. WMIC PROCESS get Commandline65. WMIC PROCESS get Commandline66. WMIC PROCESS get Commandline67. WMIC PROCESS get Commandline68. WMIC PROCESS get Commandline69. WMIC PROCESS get Commandline70. WMIC PROCESS get Commandline71. WMIC PROCESS get Commandline72. WMIC PROCESS get Commandline73. WMIC PROCESS get Commandline74. WMIC PROCESS get Commandline75. WMIC PROCESS get Commandline76. WMIC PROCESS get Commandline77. WMIC PROCESS get Commandline78. WMIC PROCESS get Commandline79. WMIC PROCESS get Commandline80. WMIC PROCESS get Commandline81. WMIC PROCESS get Commandline82. WMIC PROCESS get Commandline83. WMIC PROCESS get Commandline84. WMIC PROCESS get Commandline85. WMIC PROCESS get Commandline86. WMIC PROCESS get Commandline87. WMIC PROCESS get Commandline88. WMIC PROCESS get Commandline89. WMIC PROCESS get Commandline90. WMIC PROCESS get Commandline91. WMIC PROCESS get Commandline92. WMIC PROCESS get Commandline93. WMIC PROCESS get Commandline94. WMIC PROCESS get Commandline95. WMIC PROCESS get Commandline96. WMIC PROCESS get Commandline97. WMIC PROCESS get Commandline98. WMIC PROCESS get Commandline99. WMIC PROCESS get Commandline100. WMIC PROCESS get Commandline101. WMIC PROCESS get Commandline102. WMIC PROCESS get Commandline103. WMIC PROCESS get Commandline104. WMIC PROCESS get Commandline105. WMIC PROCESS get Commandline106. WMIC PROCESS get Commandline107. WMIC PROCESS get Commandline108. WMIC PROCESS get Commandline109. WMIC PROCESS get Commandline110. WMIC PROCESS get Commandline111. WMIC PROCESS get Commandline112. WMIC PROCESS get Commandline113. WMIC PROCESS get Commandline114. WMIC PROCESS get Commandline115. WMIC PROCESS get Commandline116. WMIC PROCESS get Commandline117. WMIC PROCESS get Commandline118. WMIC PROCESS get Commandline119. WMIC PROCESS get Commandline120. WMIC PROCESS get Commandline121. WMIC PROCESS get Commandline122. WMIC PROCESS get Commandline123. WMIC PROCESS get Commandline124. WMIC PROCESS get Commandline125. WMIC PROCESS get Commandline126. WMIC PROCESS get Commandline127. WMIC PROCESS get Commandline128. WMIC PROCESS get Commandline129. WMIC PROCESS get Commandline130. WMIC PROCESS get Commandline131. WMIC PROCESS get Commandline132. WMIC PROCESS get Commandline133. WMIC PROCESS get Commandline134. WMIC PROCESS get Commandline135. WMIC PROCESS get Commandline136. WMIC PROCESS get Commandline137. WMIC PROCESS get Commandline138. WMIC PROCESS get Commandline139. WMIC PROCESS get Commandline140. WMIC PROCESS get Commandline141. WMIC PROCESS get Commandline142. WMIC PROCESS get Commandline143. WMIC PROCESS get Commandline144. WMIC PROCESS get Commandline145. WMIC PROCESS get Commandline146. WMIC PROCESS get Commandline147. WMIC PROCESS get Commandline148. WMIC PROCESS get Commandline149. WMIC PROCESS get Commandline150. WMIC PROCESS get Commandline151. WMIC PROCESS get Commandline152. WMIC PROCESS get Commandline153. WMIC PROCESS get Commandline154. WMIC PROCESS get Commandline155. WMIC PROCESS get Commandline156. WMIC PROCESS get Commandline157. WMIC PROCESS get Commandline158. WMIC PROCESS get Commandline159. WMIC PROCESS get Commandline160. WMIC PROCESS get Commandline161. WMIC PROCESS get Commandline162. WMIC PROCESS get Commandline163. WMIC PROCESS get Commandline164. WMIC PROCESS get Commandline165. WMIC PROCESS get Commandline166. WMIC PROCESS get Commandline167. WMIC PROCESS get Commandline168. WMIC PROCESS get Commandline169. WMIC PROCESS get Commandline170. WMIC PROCESS get Commandline171. WMIC PROCESS get Commandline172. WMIC PROCESS get Commandline173. WMIC PROCESS get Commandline174. WMIC PROCESS get Commandline175. WMIC PROCESS get Commandline176. WMIC PROCESS get Commandline177. WMIC PROCESS get Commandline178. WMIC PROCESS get Commandline179. WMIC PROCESS get Commandline180. WMIC PROCESS get Commandline181. WMIC PROCESS get Commandline182. WMIC PROCESS get Commandline183. WMIC PROCESS get Commandline184. WMIC PROCESS get Commandline185. WMIC PROCESS get Commandline186. WMIC PROCESS get Commandline187. WMIC PROCESS get Commandline188. WMIC PROCESS get Commandline189. WMIC PROCESS get Commandline190. WMIC PROCESS get Commandline191. WMIC PROCESS get Commandline192. WMIC PROCESS get Commandline193. WMIC PROCESS get Commandline194. WMIC PROCESS get Commandline195. WMIC PROCESS get Commandline196. WMIC PROCESS get Commandline197. WMIC PROCESS get Commandline198. Runtime error (IndexOutOfRangeException): index out of range: 0199. Traceback: line 320, in script
The thing is that if I raise the -aa parameter from 0.05 to 0.1 all works fine..
Is this only related to my PC then?? What should I do to solve this issue?
Thanks again for your help
Luigi…
diseño, construcción y entendimiento de nuestro entorno.
BIM está poniendo a disposición de los diseñadores y gestores auténticas bases de datos que pueden generarse, conectarse y editarse de forma paramétrica, proporcionando una sólida capa de realidad a los ejercicios de diseño generativo y computación que son objeto de estudio en Algomad, el seminario que busca popularizar la programación y la parametrización en el diseño y en la experiencia de nuestro entorno construido.
Tras un paréntesis en 2015, Algomad vuelve con el objetivo de demostrar cómo una visión computacional del BIM es una oportunidad para mejorar la forma de trabajar de ingenieros, arquitectos, constructoras y operadores de edificios e infraestructuras, tendiendo un puente entre las técnicas de diseño digital más avanzadas y la realidad de la construcción.
Algomad 2016 tendrá lugar en el centro de Madrid, en IE School of Architecture and Design, IE University, los días 3, 4 y 5 de Noviembre de 2016 y comprenderá 4 talleres así como ponencias a cargo de expertos de primer nivel.
Estructura de Algomad 2016
Algomad 2016 se estructura en torno a tres áreas temáticas principales:
BIM, como la metodología total específica para el sector de la construcción.
Computación, englobando las aplicaciones de programación y parametrización al diseño de edificios e infraestructuras.
Realidad, como marco de trabajo, buscando siempre resolver problemas reales a través de los dos puntos anteriores.
Público objetivo
Arquitectos, arquitectos técnicos, ingenieros y en general académicos, estudiantes de últimos cursos y profesionales del mundo inmobiliario y de la construcción que compartan un interés por la digitalización de nuestro sector. Se espera un nivel mínimo en el uso de herramientas BIM y de parametrización. Algomad proporcionará formación adicional y gratuita en las herramientas básicas a emplear en los talleres para asegurar un correcto desempeño.…
sinergetici associati alla compresenza simultanea di differenti strumenti di analisi e digital design all'interno di un processo di progettazione in svolgimento. I partecipanti utilizzeranno Grasshopper (modellatore parametrico per Rhino): l'uso di questo editor grafico di algoritmi si integra alla perfezione con gli strumenti di modellazione di Rhinoceros 3D espandendo le possibilità di corstruire modelli parametrici altamente complessi. Per generare una complessità simile saranno utilizzati collegamenti live ai diversi programmi elencati di seguito: . Autodesk Ecotect Analysis via GECO . FEA software GSA via SSI Durante questi intensi 3 giorni, i partecipanti impareranno il workflow dei plug-ins con l'aiuto di esempi esplorando una panoramica dei differenti software, le possibilità di testare le performances di un progetto o l'uso di strumenti addizionali non legati ad un singolo sistema (es. accentuazione, formazione, reazione parametrica) [english text] The focus of the workshop is to integrate and correlate the synergistic effect associated with simultaneous presence of different digital design- and analysis tools in an ongoing design process. The main attention is set on easy to handle interface , which should be used at a early stage of conceptual design to respond to external and internal influences in a intelligent and sustainable way. Participants will use the software Grasshopper as a parametric modeling plug-in for Rhino. The usage of this graphical algorithm editor tightly integrated with Rhino's 3-D modeling tools open up the possibility to construct highly parametrical complex models. To generate this complexity we will use live linkages to several programs listed below: . Autodesk Ecotect Analysis via GECO . FEA software GSA via SSI In this 3 intense days, the participants should learn the workflow of the plug-ins with the help of examples and get an overview of the different software's, there possibilities for evaluating the performance of a design or the usage of additional tools to be not chained to a single system . (e.g. parametrical accentuation, parametrical formation, parametrical reaction) [.] Dettagli : Istruttori: Thomas Grabner & Ursula Frick from [uto]. lingua del corso: inglese (saranno disponibili tutor di supporto ma è richiesta una conoscenza di base della lingua unglese).
Quote d'iscrizione (min 12 max 20 posti): educational* : € 280.00 + iva professional: € 450.00 + iva * studenti, docenti, ricercatori, dottorandi e laureati fino a un anno dalla data di laurea OFFERTA EARLY BIRD SPECIAL: le prime 5 domande di iscrizione pervenute entro il 31 Dicembre 2011 avranno diritto ad una quota di iscrizione scontata del 20% Quote d'iscrizione E.B. SPECIAL: E.B. SPECIAL educational* : € 224.00+ iva E.B. SPECIAL professional: € 360.00+ iva. ulteriori info, dettagli e iscrizioni: http://www.co-de-it.com/wordpress/nexus-advanced-grasshopper-workshop-with-uto.html…
len , I lost all of my work (at least the 3d modeling)
And I frankly if I want to participate I´ll need to finnish up the board and i cant do the renders on my own I need more time , but I only have until 11:59 pm of July 6 to finnish up one render, if you feel up to the challenge, whoever completes it will receive 290 dollars (its all I can give) to any account you want. I basically need one single image.
It consists on 3 towers, with an organic facade, I'm including the competition board I had saved on in my dropbox, I want more or less the same perspective shown on the left of the board.
Sorry, but i'm desperate, I had it all done but well cant control everything in life i guess, only do it if you feel you can pull off a professional render.
Thanks. (contact me and I´ll give you more info on the towers, I was able to save some limited sections and floor plans .... but yeah.. limited, so you´ll have to base your work on the images I provide here.
I can give some files now, including images of the physical model.
Board: http://i.minus.com/idYpFK844DWns.jpg
Physical model: http://imgur.com/a/PywJa
Hope its enough, I'm also including one image i had where I explored the footprints of all the buildings, but its just for reference.
I know theres barely enough time to finnish it... but I dont know what else to do, do you guys think i should probably just take a good photograph of the model and run with that? I feel that would probably look very unprofessional :l but I really dont have a choice here
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input orientation of the objects. I can see that you've already done this with Vec2pt. Doing it with a sun vector is a little easier, because you are working with one vector, not a bunch of different vectors. you probably know a lot of this already, but I wanted to write a comment that is helpful to anyone coming across the discussion, because it is a common design task.
To orient a bunch objects towards a sun vector:
1. you need a vector to represent the sun's rays. You can either use an existing definition from the web (definitely look at Ted Ngai's amazing work on this), or just make a single adjustable vector as a stand in. I've often simply made a vector using azimuth and altitude angles as inputs, since those are common ways of describing the location of the sun, and makes it easy to look up a sun angle and put it in to your definition.
2. assuming you have some vector to represent the sun's rays, make a plane that is perpendicular to this vector. But Why, Precisely?, you're already familiar with some of the quirks of making a plane perpendicular to a vector, just keep those quirks in mind.
3. next, create reference planes for your panels. If your panels are flat (i.e. planar) this is really simple, just make a list of their planes, using whatever you like (check planarity, evaluate surface, whatever). If your panels are not planar, then you need to decide on a plane you can make from each one that you would like to use as a reference plane. plane from 3 points might be a good method here.
4.take your single plane that is perpendicular to your single sun vector, and place it at the origins of all of your reference planes. Now you have a sun-oriented plane for each panel.
5. Using the orient component, input your reference planes as the reference planes, and input your sun-oriented planes as the target planes, and input your panels as the geometry to transform. You should now have a bunch of panels oriented to the sun vector.
6. In this method, I've assumed that you want your panels perpendicular to a solar vector, to face the vector, but if you want a different relationship to the sun vector, you just need to change the relationship of that single first sun-oriented plane to whatever relationship you would like to make.
One thing to think of when designing for sun angles is just that at any given point in time, for any given point on the earth's surface, the rays of the sun are basically parallel. the angle of these rays changes over time, but at any other time, the rays are still parallel to each other, and can therefore be described by a single vector for each moment in time.…
entrance:
center : center point (not very useful)radius : radius of first sphere (not very useful)alpha : size of the hole is_sphere : if true sort of sphere, instead a cuberecursion : number of recursions (Beware of of recursion bigger than 5 (280 000 vertices)coeff_radius : scale of radius for each recursioncoeff_with : with scale between shaphesstretch : coefficient of stretch of holes connections
It outputs quadrangle mesh. I also use Catmull-Clark sudivision.
The script first generates a cube ou sphere with 6 holes and after 6 new meshs connected by mesh connectors and so on ... so more than 1 million vertices for 6 subdivisions.
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mp; fabrication and construction into a new era of architecture.
Register HERE
We follow three lines of thought to translate structural design in material fabrication. The first ultra lightweight, rethinking shape and material, the second dealing with same single material components, aggregated within a network, working with directionality of the elements and their connections to perform stability and for the third we will rethink definition of the brick.
Our Translations will be designed, analysed and presented in both digital and physical prototypes; from table top models, to 2m high structures.
The use of Grasshopper, Karamba and Digital Fabrication tools drive our evolutions of design. Structural design allows us to play with the type of forces in elements, orientation, force flow, geometry, restraints and connection. We use this structural behaviour to inform the search for new links between materiality, form and construction, progressing towards a unique relationship of structure, construction and fabrication.
Our Translations will be presented, through digital and physical prototyping showcasing the process of linking digital and physical inputs as a continuous feedback loop, rethinking structural design and material fabrication.
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is also takes place in own system. However, this action can be also carried out successfully by a foreign reference, if this considers the focused system as own. Hence, these two criteria are considered in my reflexions, to make your criticism handier for me.
First the question must be put up, how is it in your case? Of friendly manner you answer this question perpetually with the statement that you are not a partial of the system of the architecture.
Furthermore the question would be appropriate, whether an external reference (eg CAD) determined architecture. This can be answered with no, because determining and influencing are different things.
Because you stress now your criticism as a foreign criticism, within the architecture the assuption must be put up, that this criticism is not unusual new on the one hand (because this condition were also in other times like that, and presumably also always so remain) and further more a lack of goodwill in your criticism comes to light, which perhaps distinguishes an external reference.
Based on your critique, it would be also desirable in the system of the architecture if the academic rules become satisfyingly followed, even if this is no guarantor for good academic works. Nevertheless, there is an aspect which at least tolerates the evident lack in the Interdiziplinarität of the architecture. This is the classical and still valid determination of the architecture, presumably regulates not only the actions of the architects, but also those who want to become it.
Many who stand in your criticism (the students, as well as the teachers, ... ), live in the awareness that architecture is a profession that combines as many areas around the topic of Building, and the architect is even only one dilettante among the external specialists. In this determination dilettantism is revalued rather positively, because this state the architects enables to assess the facets of a complicated building project better and to form thereby the whole result positively. To be a good architect, you should have circumspect specialists around yourself. And exactly this knows the system of the architecture, because "THE ARCHITECT" helps himself with the logic of other systems (to repair on the one hand his own deficits), and to create an artificial complexity, which ultimately aims to be the complexity of human beeing.
Here "THE ARCHITECTS" becomes a quality-spoken, which currently seems the external reference (CAD, BIM) would like to take claim for themselves.
........
If would not thought about it, this might be helpful:http://www.amazon.com/The-Alphabet-Algorithm-Writing-Architecture/dp/0262515806/ref=sr_1_1?ie=UTF8&qid=1376920450&sr=8-1&keywords=mario+carpo"Finally, I’d like to restate my criticisms in general terms. If we are serious about moving architecture and urbanism away from purely artistic considerations and into a more rational arena, there has never been a better time than now. All of us have access to immense computational power which can be applied to problems that have been —until quite recently— intractable. But of course the garbage-in-garbage-out adage holds true; computation can be used to generate large amounts of complexity, but complexity does not equal worth. The only time when it makes sense to invoke computation in the design process is when there is some relevant data that needs to be computed" (David Rutton)I want to make it short, and just ask a few questions, and hope that the following questions are relevant also for you, and not be considered outside your system. i think that the weighting to such questions seem to be more valuable, not for the architects.1. What is wrong from a pure artistic intention?2. What is any sense in purely architectural discourse?3. strictly looked, can be determined sense generally in a purely architectural discourse?4. What is purely architectural discourse?5. What is Funktionalismus or Rationalismus without philosophical support? 6. Would not be the pure functional fulfilment empty ? 7. Would be not a critical position on the promise of purely rational algorithms applied?…
been covered since 0051 (correct me if I'm wrong):
1) Shoot for the moon first -- "Control Panel Mode" which allows for advanced interface design. See Max/MSP for example of modal function. I spent a lot of time laying out control panels so they are nice for clients and team members to look at. I spend a lot of time disabling wire display and dragging sliders and panels and graphs around into nice little clusters. Could be something as simple as a mode that disables the view of all component handles, cleans up graph objects, sliders, etc. I know the Remote Control Panel has been requested over and over again since it disappeared, but honestly it wouldn't be much use to me unless it was a full blown customizable interface. In the meantime I'll stick to my own "Canvas Control Panel" methods. (See below...)
2) More control over graph objects. Right now the bar graph for instance automatically sets the lowest and highest value displayed. Would be nice to be able to set extents manually so that you can compare apples to apples on two different lists that have different extents. Also would love to force the bar graph to show all values along x axis, not just first and last. Same goes for showing the numbers of instances for each value. Now it only shows instance numbers in oddball cases. Would like to force them to show for statistical purposes. Love percentages, but usually I also want accurate tallies. I tend to use a member index sets to generate my own lists.
3) Color input for Vectors -- there are fakey fake workarounds but none that are as versatile as simply having a color input.
4) COLOR INPUT FOR TEXT TAGS -- sorry to yell... this one really frustrates me. I often build interactive feedback systems that involve a lot of different types of data, and it is difficult to convey that input when all text is red (or green when selected).
5) Ability to justify text tags using paragraph controls -- currently default is left-justified. Would like to be able to center text horizontally and vertically, among other things.
6) Ability for text tags to handle multi-line text. Not sure the best way to implement this, but often I find myself wanting to attach 3 items of information to a particular object, and I have to string it all together in one line. Would be great if I could insert a "^M" character that stands for carriage return and have that display as multiline text (used in conjunction with above justification controls).
7) More control over Text panels. Thank you for including justification options... but sadly now it begs the question for margin and header control. Text slammed up against the left edge is pretty unsightly. Moreover, if you have labeled a text box, the drop shadow from the title bar tends to overshadow the first line of text if you have Path display turned off. Would like to add some header space to fix the problem and create a cleaner look.
8) Easier access to text font size. Buried in a Special Font... menu. I want to be able to up up down down (left right left right select start) if you know what I mean.
I guess that's it for now... just the things on the top of my head in this category. Looking forward to installing the new release, have to wait until this major project is over though.
Cheers,
Marc
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mment%3A1637953
First of all, the invalid Rhino license as seen previously has been removed, and the correct educational license we have is re-installed for this test.
The re-appearing issue is that RAM usage spikes once GH is open in Rhino. It seems that this happens when a series of large GH project files incrementally saved are stored in the same folder. Moving those previously saved large project files to a new folder seems to be able to solve this issue.
The images below explains the issue and the hypothetical solution:
1. A series of GH files were incrementally saved in the same folder previously, and the last few GH files are the ones opened most recently:
2. The total RAM usage is at the normal 5GB level once Rhino is open:
3. Once GH is open, the RAM usage spikes, and the it becomes very slow to maneuver the GH window before even opening any one of those GH files:
4. Once GH and Rhino are closed, the RAM usage drop to the previous level before the GH interface was open:
5. Now, all the incrementally saved GH files are moved to a new folder "wip" except the last one, i.e. for the last GH file, there is no other previous GH files in the same location:
6. Now, if we open GH, there is no sudden increase of RAM usage, and the 3x3 thumbnails on the GH canvas shows "missing" as those previously opened GH files are no longer in the same location as they were before:
I understand that David mentioned that the thumbnails for previously opened GH files on GH canvas will not take much RAM. Nevertheless, I'm still not sure what is causing the increase of RAM usage and slowdown of GH interface. Relocating the large project files previously saved in the same folder as the current GH file seems to be able to make this issue go away, for unknown reason ...
Appreciate if anybody experiencing similar issue can help to check if this solution works.
Thank you.
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