An error occured during GHA assembly loading: Path: C:\Users\Solomon\AppData\Roaming\Grasshopper\Libraries\anemone.gha Exception System.IO.FileLoadException: Message: Could not load file or assembly 'file:///C:\Users\Solomon\AppData\Roaming\Grasshopper\Libraries\anemone.gha' or one of its dependencies. Operation is not supported. (Exception from HRESULT: 0x80131515)
Exception System.NotSupportedException: Message: An attempt was made to load an assembly from a network location which would have caused the assembly to be sandboxed in previous versions of the .NET Framework. This release of the .NET Framework does not enable CAS policy by default, so this load may be dangerous. If this load is not intended to sandbox the assembly, please enable the loadFromRemoteSources switch. See http://go.microsoft.com/fwlink/?LinkId=155569 for more information.
An error occured during GHA assembly loading: Path: C:\Users\Solomon\AppData\Roaming\Grasshopper\Libraries\elk.gha Exception System.IO.FileLoadException: Message: Could not load file or assembly 'file:///C:\Users\Solomon\AppData\Roaming\Grasshopper\Libraries\elk.gha' or one of its dependencies. Operation is not supported. (Exception from HRESULT: 0x80131515)
Exception System.NotSupportedException: Message: An attempt was made to load an assembly from a network location which would have caused the assembly to be sandboxed in previous versions of the .NET Framework. This release of the .NET Framework does not enable CAS policy by default, so this load may be dangerous. If this load is not intended to sandbox the assembly, please enable the loadFromRemoteSources switch. See http://go.microsoft.com/fwlink/?LinkId=155569 for more information.
An error occured during GHA assembly loading: Path: C:\Users\Solomon\AppData\Roaming\Grasshopper\Libraries\excelreadwrite.gha Exception System.IO.FileLoadException: Message: Could not load file or assembly 'file:///C:\Users\Solomon\AppData\Roaming\Grasshopper\Libraries\excelreadwrite.gha' or one of its dependencies. Operation is not supported. (Exception from HRESULT: 0x80131515)
Exception System.NotSupportedException: Message: An attempt was made to load an assembly from a network location which would have caused the assembly to be sandboxed in previous versions of the .NET Framework. This release of the .NET Framework does not enable CAS policy by default, so this load may be dangerous. If this load is not intended to sandbox the assembly, please enable the loadFromRemoteSources switch. See http://go.microsoft.com/fwlink/?LinkId=155569 for more information.
An error occured during GHA assembly loading: Path: C:\Users\Solomon\AppData\Roaming\Grasshopper\Libraries\Firefly_Kinect.gha Exception System.IO.FileLoadException: Message: Could not load file or assembly 'file:///C:\Users\Solomon\AppData\Roaming\Grasshopper\Libraries\Firefly_Kinect.gha' or one of its dependencies. Operation is not supported. (Exception from HRESULT: 0x80131515)
Exception System.NotSupportedException: Message: An attempt was made to load an assembly from a network location which would have caused the assembly to be sandboxed in previous versions of the .NET Framework. This release of the .NET Framework does not enable CAS policy by default, so this load may be dangerous. If this load is not intended to sandbox the assembly, please enable the loadFromRemoteSources switch. See http://go.microsoft.com/fwlink/?LinkId=155569 for more information.…
Added by s s solomon at 10:14am on November 19, 2014
e a fundamental failure on my part. On the other hand, Grasshopper isn't supposed to be on a par with most other 3D programs. It is emphatically not meant for manual/direct modelling. If you would normally tackle a problem by drawing geometry by hand, Grasshopper is not (and should never be advertised as) a good alternative.
I get that. That’s why that 3D shape I’m trying to apply the voronoi to was done in NX. I do wonder where the GUI metaphor GH uses comes from. It reminds me of LabVIEW.
"What in other programs is a dialog box, is 8 or 10 components strung together in grasshopper. The wisdom for this I often hear among the grasshopper community is that this allows for parametric design."
Grasshopper ships with about 1000 components (rounded to the nearest power of ten). I'm adding more all the time, either because new functionality has been exposed in the Rhino SDK or because a certain component makes a lot of sense to a lot of people. Adding pre-canned components that do the same as '8 or 10 components strung together' for the heck of it will balloon the total number of components everyone has to deal with. If you find yourself using the same 8 to 10 components together all the time, then please mention it on this forum. A lot of the currently existing components have been added because someone asked for it.
It’s not the primary components that catalyzed this thought but rather the secondary components. I was toying with a component today (twist from jackalope) that made use of three toggle components. The things they controlled are checkboxes in other apps.
Take a look at this jpg. Ignore differences; I did 'em quickly. GH required 19 components to do what SW did with 4 commands. Note the difference in screen real estate.
As an aside, I really hate SolidWorks (SW). But going forward, I’ll use it as an example because it’s what most people are familiar with.
"[...] has a far cleaner and more intuitive interface. So does SolidWorks, Inventor, CATIA, NX, and a bunch of others."
Again, GH was not designed to be an alternative to these sort of modellers. I don't like referring to GH as 'parameteric' as that term has been co-opted by relational modellers. I prefer to use 'algorithmic' instead. The idea behind parameteric seems to be that one models by hand, but every click exists within a context, and when the context changes the software figures out where to move the click to. The idea behind algorithmic is that you don't model by hand.
I agree, and disagree. I believe parametric applies equally to GH AND SW, NX, and so forth, while algorithmic is unique to GH (and GC and Dynamo I think). Thus I understand why you prefer the term. I too tend to not like referring to GH as a parametric modeler for the same reason.
But I think it oversimplifies it to say parametric modelers move the clicks. SW tracks clicks the same way GH does; GH holds that information in geometry components while SW holds it in a feature in the feature tree. In both GH and SW edits to the base geometry will drive a recalculation, but more commonly, it’s an edit to input data, beit equations or just plain numbers, that drive a recalculation.
I understand the difference in these programs. What brought me to GH is that it can create a visual dialog that standard modelers can’t. But as I've grown more comfortable with it I’ve come to realize that the GUI of GH and the GUI of other parametric modelers, while looking completely different, are surprisingly interchangeable. Do not misconstrue that I’m suggesting that GH should replace it’s GUI with SW’s. I’m not. I refrain from suggesting anything specific. I only suggest that you allow yourself to think radically.
This is not to say there is no value in the parametric approach. Obviously it is a winning strategy and many people love to use it. We have considered adding some features to GH that would make manual modelling less of a chore and we would still very much like to do so. However this is such a large chunk of work that we have to be very careful about investing the time. Before I start down this road I want to make sure that the choice I'm making is not 'lame-ass algorithmic modeller with some lame-ass parametrics tacked on' vs. 'kick-ass algorithmic modeller with no parametrics tacked on'.
Given a choice, I'd pick kick-ass algorithmic modeller with no parametrics tacked on.
2. Visual Programming.
I'm not exactly sure I understand your grievance here, but I suspect I agree. The visual part is front and centre at the moment and it should remain there. However we need to improve upon it and at the same time give programmers more tools to achieve what they want.
I'll admit, this is a bit tough to explain. As I've re-read my own comment, I think it was partly a precursor to the context sensitivity point and touched upon other stated points.
This now touches upon my own ignorance about GH’s target market. Are you moving toward a highly specialized tool for programmers and/or mathematicians, or is the intent to create a tool that most designers can master? If it’s the former, rock on. You’re doing great. If it’s the latter, I’m one of the more technically sophisticated designers I know and I’m lost most of the time when using GH.
GH allows the same freedom as a command line editor. You can do whatever you like, and it’ll work or not. And you won’t know why it works or doesn't until you start becoming a bit of an expert and can actually decipher the gibberish in a panel component. I often feel GH has the ease of use of DOS with a badass video card in front.
Please indulge my bit of storytelling. Early 3D modelers, CATIA, Unigraphics, and Pro-Engineer, were unbelievably difficult to use. Yet no one ever complained. The pain of entry was immense. But once you made it past the pain threshold, the salary you could command was very well worth it. And the fewer the people who knew how to use it, the more money you could demand. So in a sense, their lack of usability was a desirable feature among those who’d figured it out.
Then SolidWorks came along. It could only do a fraction of what the others did, but it was a fraction of the cost, it did most of what you needed, and anyone could figure it out. There was even a manual on how to use it. (Craziness!) Within a few short years, the big three all had to change their names (V5, NX, and Wildfire (now Creo)) and change the way they do things. All are now significantly easier to use.
I can tell that the amount of development time that’s gone into GH is immense and I believe the functionality is genius. I also believe it’s ease of use could be greatly improved.
Having re-read my original comments, I think it sounded a bit snotty. For that I apologize.
3. Context sensitivity.
"There is no reason a program in 2014 should allow me to make decisions that will not work. For example, if a component input is in all cases incompatible with another component's output, I shouldn't be able to connect them."
Unfortunately it's not as simple as that. Whether or not a conversion between two data types makes sense is often dependent on the actual values. If you plug a list of curves into a Line component, none of them may be convertible. Should I therefore not allow this connection to be made? What if there is a single curve that could be converted to a line? What if you want to make the connection now, but only later plan to add some convertible curves to the data? What you made the connection back when it was valid, but now it's no longer valid, wouldn't it be weird if there was a connection you couldn't make again?
I've started work on GH2 and one of the first things I'm writing now is the new data-conversion logic. The goal [...] is to not just try and convert type A into type B, but include information about what sort of conversion was needed (straightforward, exotic, far-fetched. etc.) and information regarding why that type was assigned.
You are right that under some conditions, we can be sure that a conversion will always fail. For example connecting a Boolean output with a Curve input. But even there my preferred solution is to tell people why that doesn't make sense rather than not allowing it in the first place.
You bring up both interesting points and limits to my understanding of coding. I’ve reached the point in my learning of GH where I’m just getting into figuring out the sets tab (and so far I’m not doing too well). I often find myself wondering “Is all of this manual conditioning of the data really necessary? Doesn’t most software perform this kind of stuff invisibly?” I’d love to be right and see it go away, but I could easily be wrong. I’ve been wrong before.
5. Components.
"Give components a little “+” or a drawer on the bottom or something that by clicking, opens the component into something akin to a dialog box. This should give access to all of the variables in the component. I shouldn't have to r-click on each thing on a component to do all of the settings."
I was thinking of just zooming in on a component would eventually provide easier ways to access settings and data.
I kinda like this. It’s a continuation of what you’re currently doing with things like the panel component.
"Could some of these items disappear if they are contextually inappropriate or gray out if they're unlikely?"
It's almost impossible for me to know whether these things are 'unlikely' in any given situation. There are probably some cases where a suggestion along the lines of "Hey, this component is about to run 40,524 times. It seems like it would make sense to Graft the 'P' input." would be useful.
6. Integration.
"Why isn't it just live geometry?"
This is an unfortunate side-effect of the way the Rhino SDK was designed. Pumping all my geometry through the Rhino document would severely impact performance and memory usage. It also complicates the matter to an almost impossible degree as any command and plugin running in Rhino now has access to 'my' geometry.
"Maybe add more Rhino functionality to GH. GH has no 3D offset."
That's the plan moving forward. A lot of algorithms in Rhino (Make2D, FilletEdge, Shelling, BlendSrf, the list goes on) are not available as part of the public SDK. The Rhino development team is going to try and rectify this for Rhino6 and beyond. As soon as these functions become available I'll start adding them to GH (provided they make sense of course).
On the whole I agree that integration needs a lot of work, and it's work that has to happen on both sides of the isle.
You work for McNeel yet you seem to speak of them as a separate entity. Is this to say that there are technical reasons GH can only access things through the Rhino SDK? I’d think you would have complete access to all Rhino API’s. I hope it’s not a fiefdom issue, but it happens.
7. Documentation.
Absolutely. Development for GH1 has slowed because I'm now working on GH2. We decided that GH1 is 'feature complete', basically to avoid feature creep. GH2 is a ground-up rewrite so it will take a long time until something is ready for testing. During this time, minor additions and of course bug fixes will be available for GH1, but on a much lower frequency.
Documentation is woefully inadequate at present. The primer is being updated (and the new version looks great), but for GH2 we're planning a completely new help system. People have been hired to provide the content. With a bit of luck and a lot of work this will be one of the main selling points of GH2.
It begs the question that I have to ask. When is GH1.0 scheduled to launch? And if you need another person to proofread the current draft of new primer.
patrick@girgen.com
I can’t believe wikipedia has an entry for feature creep. And I can’t believe you included it. It made me giggle. Thanks.
8. 2D-ness.
"I know you'll disagree completely, but I'm sticking to this. How else could an omission like offsetsurf happen?"
I don't fully disagree. A lot of geometry is either flat or happens inside surfaces. The reason there's no shelling (I'm assuming that's what you meant, there are two Offset Surface components in GH) is because (a) it's a very new feature in Rhino and doesn't work too well yet and (b) as a result of that isn't available to plugins.
I believe it’s been helpful for me to have figured this out. I recently completed a GH course at a local Community College and have done a bunch of online tutorials. The first real project I decided to tackle has turned out to be one of the more difficult things to try. It’s the source of the questions I posted. (Thanks for pointing out that they were posted in the wrong spot. I re-posted to the discussions board.)
I just can't seem to figure out how to turn the voronoi into legitimate geometry. I've seen this exact question posted a few times, but it’s never been successfully answered. What I'm showing here is far more angular than I’m hoping for. The mesh is too fine for weaverbird to have much of an effect. And I haven't cracked re-meshing. Btw, in product design, meshes are to be avoided like the plague. Embracing them remains difficult.
As for offsetsurf, in Rhino, if you do an offsetsurf to a solid body, it executes it on all sides creating another neatly trimmed body thats either larger or smaller than the original. This is how every other app I know of works. GH’s offsetsurf creates a bunch of unjoined faces spaced away from the original brep. A common technique for 3D voronois (Yes, I hit the voronoi overuse easter egg) is to find the center of each cell and scale them by this center. If you think about it, this creates a different distance from the face of the scaled cell to the face of the original cell for every face. As I've mentioned, this project is giving me serious headaches.
Don't get me wrong, I appreciate the feedback, I really do, but I want to be honest and open about my own plans and where they might conflict with your wishes. Grasshopper is being used far beyond the boundaries of what we expected and it's clear that there are major shortcomings that must be addressed before too long. We didn't get it right with the first version, I don't expect we'll get it completely right with the second version but if we can improve upon the -say- five biggest drawbacks (performance, documentation, organisation, plugin management and no mac version) I'll be a happy puppy.
--
David Rutten
Thank you for taking the time to reply David. Often we feel that posting such things is send it into the empty ether. I’m very glad that this was not the case.
And thank you for all of the work you've put into GH. If you found any of my input overly harsh or ill-mannered, I apologise. It was not my intent. I'm generally not the ranting sort. If I hadn't intended to provide possibly useful input, I wouldn't have written.
Cheers
Patrick Girgen
Ps. Any pointers on how to get a bit further on the above project would be greatly appreciated.
…
a and we'll stop adding new stuff. At this point the Grasshopper version will be rolled to 1.0 Beta 1 and we'll keep on fixing serious bugs, resulting in Grasshopper 1.0 Beta 2 etc. etc. until the product is stable enough to be treated as a commercially viable product.
This does not mean Grasshopper will no longer be free. Robert McNeel & Associates (who develop and own the copyrights to Grasshopper) haven't decided yet whether or not to sell Grasshopper or whether to keep it as a free plug-in for Rhino customers.
As soon as Grasshopper 1.0 goes into beta, all development (apart from the odd bug-fix) stops and we start typing on Grasshopper 2.0. It will probably be a few months until the first 2.0 WIP version is released but basically the whole process starts over.
What are we looking to accomplish for 1.0 and which things are planned for 2.0 and beyond? The only major feature still missing in 1.0 is the Remote Control Panel. This feature was removed at some point and has been partially rewritten since then. Once it's finished, we consider the 1.0 feature set to be complete.
To be honest we've made very few concrete plans yet concerning 2.0, however it's clear that some things need to be at least seriously considered and researched. Here follows a list in no particular order:
Documentation System. This is one of the things we know we're going to do as we've already started. The Grasshopper help system will need to be rewritten and a lot of help topics need to be typed up. We have a pretty good idea what it is we want to accomplish with the new help and how we're going to go about it.
Vocabulary. Along with new documentation we'll critically analyse the current terminology and vocabulary of Grasshopper. We'll probably come up with glossaries and style sheets. We want to use words that are —at best— self documenting and —at worst— non ambiguous.
SDK and core library cleanup/improvement. Grasshopper was the first large scale product I ever developed and a lot of mistakes were made in the SDK design. A lot of functions and classes have been marked obsolete over time and many operations are not properly bottlenecked. I also want to add a lot more events so it's easier for code to keep close tabs on what's going on at any given moment.
GUI platform. At the moment Grasshopper is pure .NET winforms using GDI+ for all the interface drawing. There are certain performance issues with using large GDI+ surfaces and certain limitations on what we can and cannot draw. We will be investigating other graphics pipelines such as WPF, OpenGL, DirectX, OpenTK and whatever else seems promising.
Multi-threading. It is clear that some components are embarrassingly parallel, and since almost every single laptop and desktop has at least 4 cores these days it would be a shame not to use them. We will investigate what it takes to implement multi-threading as a standard feature.
Large file support. Grasshopper becomes awkward to use when a document contains more than a hundred or so components. We need to both improve the interface to provide methods for layering or grouping sub-algorithms and also add ways to reduce memory and computational overhead.
--
David Rutten
david@mcneel.com
Poprad, Slovakia…
os3D + Grasshopper3D + Maya + Advanced Plugins & Demo Toolkits]
// Level
Basic, Intermediate & Advanced
(Previous parametric design knowledge not obligatory - Studio is adaptive to basic & advanced users)
// Agenda
The workshop aims to provide a detailed insight to ‘parametric design’ and embedded logics behind it through a series of design explorations using Rhinoceros & Grasshopper platforms, along with understanding of data-driven design strategies. An insight to Computational Design and its subsets of Parametric Design, Algorithmic Design, Generative Design and Evolutionary Design will be provided through presentations, technical sessions & studio work. Studio work will be focusing on modulation of geometry and iterative form using Parametric Design methods that will lead to explorations of spatial geometries that can be articulated as architectural constructs or abstract artistic interventions. There will be a demonstration of Fluid Form Modelling using Autodesk Maya on Day03.
The 1st batch of workshop in London took place in January 2020 with an exploratory learning output for ~20+ participants that travelled from different parts of the world to be a part of 3-day workshop titled Parametric Modulations. V2.0 is the evolved workshop with new toolkit add-ons for the 2nd batch and demonstrative tools & examples for future use of participants to get a deeper understanding of Computational & Parametric Design.
// Methodology
The 3-day studio / workshop shall focus on inculcating the following aspects as a part of curriculum:
Computational Design Techniques & Parametric Design
Data, Mathematics & Geometry
Geometry Rationalization
Iterative Form Development
Digital simulation of forces
Environmental Analysis (Tool-kits & Example files for future use)
Collaborative Design Exercises to understand application of the learnt tools
Documentation and Presentation
Hands-on Demonstration of Maya (Polygonal Mesh Modelling)
The workshop is suitable for beginners, intermediate as well as advanced users of these tools and very helpful for anyone planning to start their Masters in UK as this 3-day workshop would serve as a bootcamp to kick-start anyone's journey in Computational Design.
…
option, after downloading check if .ghuser files are blocked (right click -> "Properties" and select "Unblock"). Then paste them in File->Special Folders->User Object Folder. You can download the example files from here. They act in similar way, Ladybug Photovoltaics components do: we pick a surface, and get an answer to a question: "How much thermal energy, for a certain number of persons can my roof, building facade... generate if I would populate them with Solar Water Heating collectors"? This information can then be used to cover domestic hot water, space heating or space cooling loads:
Components enable setting specific details of the system, or using simplified ones. They cover analysis of domestic hot water load, final performance of the SWH system, its embodied energy, energy value, consumption, emissions... And finding optimal system and storage size. By Dr. Chengchu Yan and Djordje Spasic, with invaluable support of Dr. Willian Beckman, Dr. Jason M. Keith, Jeff Maguire, Nicolas DiOrio, Niraj Palsule, Sargon George Ishaya and Craig Christensen. Hope you will enjoy using the components! References: 1) Calculation of delivered energy: Solar Engineering of Thermal Processes, John Wiley and Sons, J. Duffie, W. Beckman, 4th ed., 2013. Technical Manual for the SAM Solar Water Heating Model, NREL, N. DiOrio, C. Christensen, J. Burch, A. Dobos, 2014. A simplified method for optimal design of solar water heating systems based on life-cycle energy analysis, Renewable Energy journal, Yan, Wang, Ma, Shi, Vol 74, Feb 2015
2) Domestic hot water load: Modeling patterns of hot water use in households, Ernest Orlando Lawrence Berkeley National Laboratory; Lutz, Liu, McMahon, Dunham, Shown, McGrue; Nov 1996. ASHRAE 2003 Applications Handbook (SI), Chapter 49, Service water heating
3) Mains water temperature Residential alternative calculation method reference manual, California energy commission, June 2013. Development of an Energy Savings Benchmark for All Residential End-Uses, NREL, August 2004. Solar water heating project analysis chapter, Minister of Natural Resources Canada, 2004.
4) Pipe diameters and pump power: Planning & Installing Solar Thermal Systems, Earthscan, 2nd edition
5) Sun postion and POA irradiance, the same as for Ladybug Photovoltaics (Michalsky (1988), diffuse irradiance by Perez (1990), ground reflected irradiance by Liu, Jordan (1963))
6) Optimal system and storage tank size: A simplified method for optimal design of solar water heating systems based on life-cycle energy analysis, Renewable Energy journal, Yan, Wang, Ma, Shi, Vol 74, Feb 2015.…
ou will see a list of potential matches, sorted from most relevant to least relevant:
Some components and objects support initialisation codes, which means you can assign certain values directly from the popup box. You can do this by adding an equals symbol after the name and then the value you wish to assign. For example, the [Curve Offset] component allows you to specify the offset distance via the popup box by typing =5 after the offset command:
However the popup box also supports a set of special formats that allow you to create specific objects without even typing their names. As of 0.9.0077 (which hasn't been released yet at the time of writing) you can use the following shortcuts to create special objects. In the notation below optional parts of a format will be surrounded by square brackets and hashes (#) will be used to indicate numeric values. So #,#[,#] means;
at least two numeric values separated by a comma, with an optional second comma and third number.
A complete list of special formats (not all of these are supported yet in 0.9.0076):
"∙∙∙ If the format starts with a double quote, then the entire contents (minus any other double quotes) will be placed into a Text Panel.
//∙∙∙ If the format starts with two forward slashes, then the entire contents will be placed in a Text Panel.
~∙∙∙ If the format starts with a tilde, then the entire contents will be placed in a Scribble object.
#,#[,#] If the format contains two or three numerics separated by commas, a Point parameter will be created with the specified coordinates.
+[#] If the format starts with a plus symbol followed by a numeric, then an Addition component will be created.
-[#] If the format starts with a minus symbol followed by a numeric, then a Subtraction component will be created.
*[#] If the format starts with an asterisk symbol followed by a numeric, then a Multiplication component will be created.
/[#] If the format starts with a forward slash symbol followed by a numeric, then a Division component will be created.
\[#] If the format starts with a backward slash symbol followed by a numeric, then an Integer Division component will be created.
%[#] If the format starts with a percent symbol followed by a numeric, then a Modulus component will be created.
&[∙∙∙] If the format starts with an ampersand symbol, then a Concatenation component will be created.
=[∙∙∙] If the format starts with an equals symbol, then an Equality component will be created.
<[*] If the format starts with a smaller than symbol, then a Smaller Than component will be created.
>[*] If the format starts with a larger than symbol, then a Larger Than component will be created.
[# *] Pi If the format contains the text "Pi" with an optional multiplication factor, then a Pi component will be created.
# If the format can be evaluated as a single numeric value, then a Slider will be created with the specified initial value and sensible™ lower and upper limits.
#<# If the format contains two numerics separated by a smaller than symbol, a Slider with the specified limits will be created. The initial slider value will be equal to the lower limit.
#<#<# If the format contains three numerics separated by a smaller than symbol, a Slider with the specified limits will be created. The initial slider value will be the value in the middle.
#..# If the format contains two numerics separated by two or more consecutive dots, a Slider with the specified limits will be created. The initial slider value will be equal to the lower limit.
#..#..# If the format contains three numerics separated by two or more consecutive dots, a Slider with the specified limits will be created. The initial slider value will be the value in the middle.
#/#/[#] If the format contains two or three numerics separated by forward slashes, a Calendar object will be created. The order of value is day/month/year. If year is omitted then the current year is used. Note that a second slash is required because #/# is interpreted as a number and thus results in a Slider.
#:#[:#] [am/pm] If the format contains at least two numerics separated by a colon, a Clock object is created. Seconds are optional, as are am/pm suffixes.
f([...[,...[,...]]]) [= *]If the format starts with a lower case f followed by an opening bracket, an Expression component is created. A list of comma separated arguments can be provided as inputs, and anything after the optional equals symbol becomes the expression string.
Note that decimal places will be harvested from formats that indicate sliders. I.e. the format 0..2..10 is not the same as 0..2..10.00, as the former will create an integer slider from zero to ten whereas the latter will create a floating point slider with two decimal places from zero to ten.…
Added by David Rutten at 3:24pm on February 18, 2013
But not just any gum tree. The angophora, no less:
Why? Because I like nature, that's why. Every time I see new designs –especially architectural designs– it worries me that the natural environment is being taken over. Not just that, but even the new materials used in all product designs has to come from nature as well [read: mines].
So. People are forgetting that we still need trees and I believe that if someone sees a beautiful [read: established] tree in their architectural plans, they are going to be much more likely to build around it and not cut it down. That alone would no doubt increase the value of the house.
My thinking is that current tree models suck. They look unnatural and I think I know why. They're not random or organic enough. They're not detailed enough. That's basically my 'rationale' for this project. Just look at how different all of these tree trunks are!
So I am not being paid for this project. It's a personal project of mine. I'm just worried about the trunk shape for now — I'll worry about all the leaves... when I get to that.
I am a grasshopper beginner. Please keep that in mind. I am also fairly hopeless at traditional programming, but I find the visual approach of grasshopper much easier to grasp. So unfortunately I have gotten stuck and need some help, even just a clue, as to how to proceed.
That said, here is my current progress:
About a year ago, I started modelling with straight trunks using pipe sections, to see if I could get a very basic "tree" shape. And to see if I could join the segments together. Yes it works but it looks hopeless as you can imagine. Then I stopped for a long while. Now I'm back at it, hoping to improve a lot more.
I have already made one basic vertical nurbs curve with tangents at either end as the main "trunk".
I tried creating two ellipses at each end of the main trunk/curve and lofting between them but it omitted the main curve/rail. So it ended up being an elliptical trunk with straight sides which of course still didn't look right.
Then I divided the first main curve up into a number of segments. I think that is a better approach.
I have taken the parameters of the curve at each segment (probably the tangent, but I am unsure what the exact parameter is) and used that to form a basic angled plane at each segment/division.
I have been able to draw ellipses at each segment and rotate them onto the plane.
I was going to loft it together later on. A Curved loft with elliptical cross-sections looks much better than straight a pipe does, but still looks too unnatural.
I quickly realised that tree trunks are not elliptical, but rather, shaped more like 'kidneys'.
The next step was to create >3 points on each of those planes (spaced fairly evenly around the ellipse so as not to create a really funky/unwanted shape).
Maybe it would be better to model with a triangle or other polygon instead of an ellipse. I haven't got that far yet... because here is where I am getting stuck.
I managed to find a way of getting three roughly 'triangular' points along each that ellipse.
I also managed to create three nurbs cuves in the Z direction which intersected those three points, a bit like three seams down the side of the tree trunk, but couldn't figure out how to loft it all together.
I think it was the wrong approach anyway... I'd rather try to create a bunch of nurbs curves at each of the XY planes so as to get more control of the shape.
What I am trying to do now is create three roughly triangular-spaced points on a basic ellipse through which I can then draw a simple nurbs curve (think like a cross section of the trunk).
I would then like to add some XY-only randomness to the positions of those points. Not Z randomness, otherwise the trunk is going to get messed/kinked up. That's probably very important.
Then I would like to loft those nurbs curvs at each XY plane together forming the basic tree trunk, which also tapers based on some other variable (a non-linear factor, not simply distance from ground plane, perhaps something else?).
I have attached the GH file.
I am also open to suggestions if you have a better way of solving a problem. I would like to retain control over a lot of factor such as number of branches, spacing, average branch length, etc. My main contrsaints are that the entire thing has to be somewhat random and non-linear.
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ve Intermediate Insight of Computational Design Strategies While Exploring Rangoli Art form in 2 Dimension and 3Dimesion in which Participants will not only be trained to Digitally Design using Parametric software's but they will also be trained to Fabricate them in reality.
This Course will be explored in manner where Participants will understand inter-dependency of Rhinoceros3D & Grasshoper3D through a unique Hybrid Teaching Method While Exploring Rangoli Geometry .
The course will also take participants through Topics such as - Computational Thinking, - Computational / Parametric Design, - Computational Rangoli Exploration, - Digital Fabrication, - 3D Visualization ( Rhino3D 6), - Making Info-graphics & Design Diagrams ( Rhino3d 6 ).
Participants will also be doing a Project at the last Leg of Workshop in which they will implement the skill they gained in first Few Weeks.
{ Tutor } Nitant Pixelkar (Computational Artist / Designer, Mumbai)
Nitant Hirlekar A.k.a. Pixelkar, is a Computational Artist. He graduated from Rachana Sansad school of Interior Design 2011, Mumbai. In Academics He Bagged Two Gold and One Silver Medal on National Level.
In his post academic days, he came across the Emerging Computational Techniques in Design industry in which Algorithm serves as a main Functional part. He uses Algorithms to Deconstruct the Captured images in Pixelated form using the Grid of the Desired Indian Art Forms.
He Heads Collective Group Named "Mutation Lab” which is a multidisciplinary Design & Art Cell. Where they Explore Computational Approach while Designing Various Scales Spatial Installation, Digital Fabrication, Interactive Installations and Computational Consultancy for Various Architects.
He has exhibited his first artwork in Kalaghoda Arts Festival for in 2014 And further in 2016 and 2017.In 2015 he exhibited in Dharavi Biennale” organized by Wellcome Trust,London & Sneha Organisation, Mumbai Which was internationally acclaimed. In 2016 he got Featured on a TV show - The Creative Indian's as an Absolut Creative Indian of the Week.
Academically he is been involved in Many Computational Design Workshops / Elective Studios for School of Interior Design (Rachna Sansad), LS Raheja College of Architecture & Rat-Lab (Delhi).
{ Participants } The Course is aimed at Architecture, Interior Design, Product Design,Furniture Design & Fashion Design Students and Professionals. However we would be thrilled to have any Interdisciplinary Artist / Creator/ Maker to join the Course as well.
{ Level }
Intermediate
{ Timing } Monday To Friday - 6:00 PM to 9:00 PM (15 Hours/ Week = 5 Week X 15 Hours = 75 Hours )
{ Dates } Registration Ends - 24th April 2020 **Subejct to Availablity
{ Workshop Dates } 4th May 2020 To 5th June 2020
{ Venue } Lower Parel,Mumbai ( Details To Be Announced )
{ Schedule }
{Registration Form}…