ne – power of the many è un corso advanced level che studia la produzione di effetti complessi a partire dalla modellazione di comportamenti semplici su un insieme strutturato con un numero alto di elementi. Attraverso un approccio generico e scaleless sarà possibile affrontare la tematica generale su più fronti e in una molteplicità di declinazioni possibili. Il corso è rivolto a chi,indipendentemente dal proprio background (urbanistica, architettura, ingegneria, design, arte o altro) già possiede una esperienza di base con Rhinoceros e Grasshopper, e desidera sviluppare aspetti di gestione avanzata del flusso di articolato di informazioni attraverso una strategia guidata basata su esempi pratici e sull’implementazione di un progetto personale sul tema generale del “field behaviour”. Sarà trattato anche l’utilizzo di alcuni plug-ins quali gHowl e WeaverBird. Il numero dei partecipanti è fissato a un massimo di 20 per offrire un tutoraggio proficuo ed una effettiva esperienza di learning ad ogni iscritto.
[.] Temi:
teoria
. complessità, emergence, effetti di campo (field behaviour), sensibilità, efficienza multiperformance
tecnica
. dati:gestione e manipolazione avanzata del data tree, streaming e visualizzazione; transizione, blending e modulazione delle geometrie; generazione e controllo multiperformance di popolazioni di componenti; attrattori, drivers e tecniche di modulazione avanzate; uso delle mesh con WeaverBird; ottimizzazione con Galapagos
[.] Dettagli :
Tutors: Alessio Erioli + Andrea Graziano – Co-de-iT
Si richiede esperienza di base nella modellazione in Rhino (equivalente a Rhino training Level 1, il Level 2 è gradito – la documentazione per il training è disponibile gratuitamente all’indirizzo: http://download.rhino3d.com/download.asp?id=Rhino4Training&language=it) e nell’uso di Grasshopper (la suddivisione di una superficie NURBS in componenti tramite isotrim è data come base assodata)
. luogo:
IreCoop – via Vasco De Gama 27 _ Firenze
. durata:
25-27 febbraio 2010 – 3 giornate consecutive _ orario 9:00 – 18:00
. costo:
professionisti – 450.00 € studenti – 280.00 €
. note:
scadenza iscrizioni: 20 febbraio 2010 il corso sarà attivato con un numero minimo di 15 iscritti al termine sarà rilasciato un attestato di frequenza gli iscritti dovrano venire muniti dei propri laptop con software installato. una versione free per 30 giorni è disponibile sul sito www.rhino3d.com
. contatti:
iscrizioni + info alloggi: www.irecooptoscana.it (Cosa offriamo > formazione > altri corsi)
info sul corso: info@co-de-it.com…
noceros 3D, en caso de aprobar satisfactoriamente el examen, se les otorga un reconocimiento avalado por el CMJ y la Secretaría del Trabajo. Este workshop va dirigido principalmente a estudiantes de arquitectura; sin embargo, ya que la parametrización es una herramienta que abarca diferentes ámbitos del diseño, se pueden integrar estudiantes de diseño industrial, artistas o estudiantes que tengan relación con lo gráfico y lo formal. Al finalizar el curso, los asistentes serán capaces de manejar Rhinoceros y Grasshopper en un nivel medio, con el objetivo de que el alumno pueda continuar aprendiendo con alguno de nuestros workshops subsiguientes o de manera autodidacta.
Las personas inscritas deben tener conocimientos básicos de geometría y de preferencia utilizar algún programa de dibujo en 2D o modelación en 3d. Rhino.GetMe Rigid // Enfocado a construir un objeto de diseño parametrizado a cualquier escala, el workshop se divide en tres módulos: Módulo 1 // Rhinoceros 3D // Una sesión de cinco horas. Módulo 2 //Grasshopper // Una sesión de cinco horas. Módulo 3 // Ejercicios prácticos /Tres sesiones de diez horas c/u. Es necesario traer el equipo necesario para trabajar, se cuenta con equipos en caso de que algún alumno no cuente con laptop pero son limitados, por favor avísanos a la brevedad si lo requieres. Se les recomienda que traigan dispositivos de almacenamiento en caso de que necesitemos compartir información.
El costo del Workshop es de $6500.00 para profesionales y $5000 pesos para estudiantes.
Pre-venta únicamente para estudiantes, hasta el día viernes 29 de junio, con un costo de $3500.00 pesos.
El cupo del evento es limitado puedes apartar tu lugar y terminar de liquidar antes del 29 de junio en pre-venta, antes del 6 de junio en admisión general.
Para hacer tu registro al workshop por favor envía un correo a workshop@transformalab.com incluyendo:
Nombre
Universidad u oficina de procedencia
Teléfono móvil
En el caso de estudiantes por favor incluyan una copia escaneada de su Constancia de Estudios para hacer válido su descuento.
Una vez recibida su información se les enviará un correo con la información necesaria para realizar su pago mediante depósito bancario, y posteriormente un mail de confirmación de su participación en el Workshop.
www.transformalab.com…
eather data so it cannot be easily compared to Archsim. My account of the differences between Honeybee and Archsim will be far from complete but here are the key ones that I am aware of:
1) This difference is a bit of a superficial one but points to a deeper thinking about how the software should be used. Honeybee has many more components than Archsim, which means that Honeybee has a steeper learning curve than Archsim and will take longer to master. Along with this, you may also encounter a general mentality in the Honeybee community that "you should not be running a certain type of simulation unless you know how it works" whereas I know that Archsim is a bit more amenable to making things fast and easy to set up even when you are not sure what is going on under the hood. However, as a result of the large number of components in Honeybee, it is more open-ended, customizable, and includes more freedom in terms of cases that you can run and the parameters of the energy simulation that you can change than Archsim. You will also notice that, while there is a general ethos in the Honeybee community that you should not be running certain simulations unless you know what you are doing, we try to provide you with many resources to educate yourself if you are motivated. For example, we have long component descriptions that we assemble into documentation books like this (https://www.gitbook.com/book/mostapharoudsari/honeybee-primer/details), hours of video tutorial playlist like this one (https://www.youtube.com/playlist?list=PLruLh1AdY-SgW4uDtNSMLeiUmA8YXEHT_), and many GH example files on a github-based file sharing system (https://hydrashare.github.io/hydra/index.html). Not to mention a community of people who would respond to discussions like this one.
2) Archsim as a standalone application will soon be no more and will be instead distributed with the DIVA daylight analysis tool (http://diva4rhino.com/). While I am unclear on the exact trajectory of DIVA, it currently has a price tag attached to it and so I would assume that the future of Archsim will also carry this price tag. On the other hand, Honeybee and any derivative software will forever be free and open source under the GPL licence (https://github.com/mostaphaRoudsari/Honeybee/blob/master/License_Honeybee_GPL.txt).
3) This third point is a bit of a reiteration of the last one but Honeybee is open source, meaning that, if you need a feature of EnergyPlus that is not yet implemented on either interface, you can usually add it in yourself with a few lines of python code in Honeybee. This type of workflow is not possible with Archsim since it is closed source and requires you to use EnergyPlus's text editor interface after Archsim has exported an IDF in order to implement any additional EnerygPlus features.
4) The libraries and templates for Honeybee come from OpenStudio - the open source interface for EnergyPlus (https://www.openstudio.net/), which is supported by the US Department of Energy (just like EnergyPlus). Since Honeybee is open source, it is able to make use of the large database of building type schedules/loads and constructions that have been assembled by the OpenStudio team over the last several years as well as OpenStudio's SDK. I can also say that almost all of the development efforts of the Honeybee team are now focused now on integrating efforts with OpenStudio, including an exporter from Honeybee to OpenStudio that should be fully functional for the next stable release. I am not certain of the current extent of Archsim's libraries but, last I had checked, the creator was pulling them from his own experience and, as such, only had a few libraries to choose from. For all of my knowledge, through, this may be changing with the integration of Archsim with DIVA.
Let me know if this is helpful and, if anyone has more up-to-date knowledge on Archsim than I, please post there.
-Chris…
er). With the command "End Bulge" I noticed that G2 moves perpendicular to G1! But with an increase which is not equal... and is different, every time, depending on the angle between G0 and G1 and G2. How do I predict the position of G2 compared to G1 simulating the "End Bulge" command? Thank you for your professional answers.
^___^
Below you can see an example with a curve crimson ... If I move G1 of 1 unit G2 moves of 0.42 units (perpendicular) .. If I move of 2 units the next step is 0.46 unit... 3 units --> step 0,50 units... etc.
And each time changes depending on the initial conditions (G0/G1/G2 angle).
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Added by Lucius Santo at 4:21pm on September 20, 2012
or GH with: 1. Animation Timeline 2. Rendering 3. API
Summary:
Animation Timeline: Smooth animation system that plays at the real-world speed; so you know the robot will run just right when you upload the code.
Rendering: Extensive options and outputs; so you can generate amazing videos.
API: Access our functions through Python and C# scripting; so you can manage parameters and actions for complex processes for each target.
More info:
Animation Timeline:
Build an animation from a list of Planes, it's that easy! Get these from points, curves or surfaces. Download the example files with the trial and test it yourself.
The unique Timeline component displays all the important robot warnings and the digital Input/Ouput:
RED – clash detection BLUE - singularities YELLOW – over rotation ORANGE – out of reach Digital Inut/Output: red=off, green=on
Rendering:
IO smoothly interpolates between all the Planes you set. This means you can generate keyframes for positions between Planes too e.g. you have two planes defining a tool path, IO can generate 2000 keyframes. Smooooth!
Rendered in full colour as standard, not GH red :-)
LiveBaking - let's you use Rhino render settings in real-time (can be a bit slow!)
Slider animation - use the native 'Animate' option to export hi-res images and create videos easily. Just set the number of frames you need (hint: divide total time in seconds by the frames-per-second rate)
Bake unlimited meshes as keyframes for export to render-pipelines in 3DS etc.
API
Accessing the IO functions through Python and C# let's you build more powerful definitions. You can assign data to every position the robot reaches, allowing you to control speed, acceleration, wait-times, actions and more. Examples comparing C# with Python are included in the examples files.
You can also use teh API build your own plugins that use the IO timeline to do all the hard work like IK and creating valid code, while you enjoy developing your new process...
Check out the website for more features and videos of the example definitions: www.robots.io
Download the PDF guide: 150314_IO_Primer_v1.pdf.
See www.robots.io for more info and pricing.
Developed by RoboFold Ltd. Used by leading academics, researchers and professionals.
…
Added by Gregory Epps at 10:15am on November 7, 2014
what they really mean by that, as in what buttons to push, so I assume it's a Windows Path entry?
2.) Modify PATH
Add the install location on the path, this is usually: C:\Program File\IronPython 2.7
But on 64-bit Windows systems it is: C:\Program File (x86)\IronPython 2.7
As a check, open a Windows command prompt and go to a directory (which is not the above) and type:
> ipy -V PythonContext 2.7.0.40 on .NET 4.0.30319.225
Tutorial on setting a Windows environmental variable (path):
http://www.computerhope.com/issues/ch000549.htm
But this fails to point out that path contains many entries already separated by semicolons so if I merely add a new variable called "path" it's likely that I will destroy existing program function. There's no info on how to just tack on another entry, and the Windows 7 edit box doesn't even show the whole collection, but one item (!), so I copied the existing path into a text editor to see the whole collection successfully and added the C:\Program Files (x86)\IronPython 2.7 entry after an added semicolon, correcting for an Enthought page typo of no 's' on the end of "Program Files". I also checked the others and many pointed to old missing directories so I deleted those entries.
...and the test fails and "ipy" is not recognized as a command, even though the path now shows up using "path" in the Windows CMD window, that is if I copy all by right clicking and pasting the stuff into a text editor to really view it all. I can run it from the source directory just fine.
The rabbit hole was indeed deep. Using the Task Manager (control-alt-delete) to kill Explorer and then Run in the menu to restart "Explorer," along with restarting the Windows CMD window however, worked. I can now invoke Iron Python ("ipy") via command line from any directory. For the "path" I edited path in the System Variables and not the User Variables. No, you don't have to type that whole crazy line above just to test the path variable, just "ipy" (and control-Z to quite IronPython) in the CMD window invoked by typing "cmd" into the Start menu search box.
From the CMD line this step did work fine:
3.) ironpkg
Bootstrap ironpkg, which is a package install manager for binary (egg based) Python packages. Download ironpkg-1.0.0.py and type:
> ipy ironpkg-1.0.0.py --install
Now the ironpkg command should be available:
> ironpkg -h(some useful help text is displayed here)
But of course Step 4 fails, giving pages of what seem to be error messages;
C:\Users\Nik>ironpkg scipy
Traceback (most recent call last):
File "C:\Program Files (x86)\IronPython 2.7\lib\site-packages\enstaller\utils.
py", line 92, in write_data_from_url
File "C:\Program Files (x86)\IronPython 2.7\Lib\urllib2.py", line 126, in urlo
pen
File "C:\Program Files (x86)\IronPython 2.7\Lib\urllib2.py", line 397, in open
File "C:\Program Files (x86)\IronPython 2.7\Lib\urllib2.py", line 509, in http
_response
...
Why can't I just download Numpy as a normal file and thus also have it easy for other users to install it when they use my scripts? This is just crazy and lazy. The Enthought developer has turned this into a computer game, with a missing registration link and then the last step spits out errors with utterly no information on how to fix it manually.
This Step 4 error is covered here:
http://discourse.mcneel.com/t/trying-to-import-numpy-in-rhino-python-but-im-getting-this-error-cannot-import-multiarray-from-numpy-core/12912/16…
Added by Nik Willmore at 2:36pm on October 11, 2015
ight be able to provide more insight). Whenever you run a new simulation in Radiance, it is not always necessary to re-write all of the initial simulation files from scratch. These initial simulation files include both a .rad geometry file as well as a separate .pts file that contains the test point locations. If all that you are changing in a given parametric run is the locations of the test points (like your case), it is not necessary to re-write (or reinterpret) the entire .rad geometry file. My guess is that there is some type of check for this built into either code Mostapha wrote or radiance functions that Mostapha is calling. As such, it seems that the rad geometry file is not being re-written (or re-interpreted by radiance) completely when all that you change is the test points and this actually seems to be saving you an extra 10 seconds each time that you run the component without changing the materials or the building geometry. Other times (like when you plug in custom radParameters), it seems that it re-writes (or re-interprets) the .rad geometry file from scratch since this file is probably affected by customized rad parameters.
So far, if this explanation is holding, it seems like there would be no concern on your end but I also recognize that the difference between these long and short simulations is giving you radiation results that are ever so slightly different from each other (by my estimates, they differ by about 0.2%). Compared to the other types of assumptions that the radiance model is making, though, these are mere rounding errors that probably originate from the number of decimal places in the vertices of the rad geometry file. Rather than worrying about whether your simulations are giving you the right rounding errors to give you matching results, I would encourage you to instead contemplate how much your radiance results are matching reality given all of the assumptions that you are making about the climate (with the epw file for a "typical" year) and with the number of light bounces in the radiance simulation. To give you an example, I ran your model with a higher quality of simulation type (3 ambient bounces) and this gives you results that differ by 1.1% from the original simulation that you were running with only 2 ambient bounces (this is practically an order of magnitude larger than 0.2%).
To address your unease I will say that, for a long time, I also felt uneasy any time that I encountered something that seemed unpredictable in software that I was using. Once I started coding my own stuff, though, I realized quickly that unpredictable behavior is an unavoidable aspect of all software. There is always a tradeoff between accurate results and the time it takes to get them, which produces a multitude of possible ways to arrive at a solution. Add into this complex situation the fact that you might have an almost infinite number of possible inputs to a given set of code.
Because of the unpredictable multitude of cases, there is no application that is completely free from limitations and assumptions. In this light, what ends up being more important than the actual calculation method used is the social infrastructure that is in place to help understand what is being run under the hood, hence why both Radiance and Honeybee are open source and why we try to build a robust community of support through forums like this one!
-Chris…
peuvent se diviser une surface avec ne importe quel motif imaginable. 3. Ici, je fournir un moyen de le faire via Lunchbox ... cela fonctionne mais il est fixe et donc nous avons besoin de jouer avec des arbres de données afin de créer le motif approprié par cas. 4. L'autre composante est un joint C # qui fait beaucoup de choses autres que de diviser ne importe quelle collection de points avec de nombreux modèles (voir le modèle ANDRE que je ai fait pour vous). 5. Vous devez décomposer une polysurface en morceaux afin de travailler sur les subdivisions. 6. Je donne une autre définition ainsi que pourrait agir comme un tutoriel sur la façon de traiter des ensembles de points via des composants de GH standards et des méthodes classiques.
Avertissez si tous ceux-ci apparaissent floue pour vous: Si oui, je pourrais écrire une définition utilisant des composants de GH classiques - mais vous perdrez les variations de motifs de division.
mieux, Peter
…
and export the geometry out to VVVV to render it LIVE! RawRRRR. In this case, a digital audio workstation Ableton Live, a leading industrial standard in contemporary music production.
the good news is that VVVV and ableton live lite is both free.
https://www.ableton.com/en/products/live-lite/
i am not trying to use ipad as a controller for grasshoppper. I wanted to work with a timeline (similar to MAYA or Ableton or any other DAW(digital audio workstation)) inside grasshopper in an intuitive way. Currently there is no way of SEQUENCING your definition the way you want to see that i know of.
no more combersome export import workflows... i dont need hyperrealistic renderings most of the time. so much time invested in googling the right way to import, export ... mesh settings...this workflow works for some, for some not ...that workflow works if ... and still you cannot render it live nor change sequence of instruction WHILE THE VIDEO is played. and I think no one wants to present rhinoceros viewport. BUT vvvv veiwport is different. it is used for VJing and many custom audio visual installation for events, done professionally. you can see an example of how sound and visuals come together from this post, using only VVVV and ableton. http://vvvv.org/documentation/meso-amstel-pulse
I propose a NEW method. make a definition, wire it to ableton, draw in some midi notes, and see it thru VVVV LIVE while you sequence the animation the WAY YOU WANT TO BE SEEN DURING YOUR PRESENTATION FROM THE BEGINNING, make a whole set of sequences in ableton, go back change some notes in ableton and the whole sequence will change RIGHT INFRONT of you. yes, you can just add some sound anywhere in the process. or take the sound waves (sqaure, saw, whateve) or take the audio and influence geometric parameters using custom patches via vvvv. I cannot even begin to tell you how sophisticated digital audio sound design technology got last ten year.. this is just one example which isn't even that advanced in todays standard in sound design ( and the famous producers would say its not about the tools at all.) http://www.youtube.com/watch?v=Iwz32bEgV8o
I just want to point out that grasshopper shares the same interface with VVVV (1998) and maxforlive, a plug in inside ableton. audio mulch is yet another one that shares this interface of plugging components to each other and allows users to create their own sound instruments. vvvv is built based on vb, i believe.
so current wish list is ...
1) grasshopper recieves a sequence of commands from ableton DONE
thanks to sebastian's OSCglue vvvv patch and this one http://vvvv.org/contribution/vvvv-and-grasshopper-demo-with-ghowl-udp
after this is done, its a matter of trimming and splitting the incoming string.
2) translate numeric oscillation from ableton to change GH values
video below shows what the controll interface of both values (numbers) and the midi notes look like.
https://vimeo.com/19743303
3) midi note in = toggle GH component (this one could be tricky)
for this... i am thinking it would be great if ...it is possible to make "midi learn" function in grasshopper where one can DROP IN A COMPONENT LIKE GALAPAGOS OR TIMER and assign the component to a signal in, in this case a midi note. there are total 128 midi notes (http://www.midimountain.com/midi/midi_note_numbers.html) and this is only for one channel. there are infinite channels in ableton. I usually use 16.
I have already figured out a way to send string into grasshopper from ableton live. but problem is, how for grasshopper to listen, not just take it in, and interpret midi and cc value changes ( usually runs from 0 to 128) and perform certain actions.
Basically what I am trying to achieve is this : some time passes then a parameter is set to change from value 0 to 50, for example. then some time passes again, then another parameter becomes "previewed", then baked. I have seen some examples of hoopsnake but I couldn't tell that you can really control the values in a clear x and y graph where x is time and y is the value. but this woud be considered a basic feature of modulation and automation in music production. NVM, its been DONE by Mr Heumann. https://vimeo.com/39730831
4) send points, lines, surfaces and meshes back out to VVVV
5) render it using VVVV and play with enormous collection of components in VVVV..its been around since 1998 for the sake of awesomeness.
this kind of a digital operation-hardware connection is usually whats done in digital music production solutions. I did look into midi controller - grasshopper work, and I know its been done, but that has obvious limitations of not being precise. and it only takes 0 o 128. I am thinking that midi can be useful for this because then I can program very precise and complex sequence with ease from music production software like ableton live.
This is an ongoing design research for a performative exhibition due in Bochum, Germany, this January. I will post definition if I get somewhere. A good place to start for me is the nesting sliders by Monique . http://www.grasshopper3d.com/forum/topics/nesting-sliders
…
ers can be applied from the right click Context Menu of either a component's input or output parameters. With the exception of <Principal> and <Degrees> they work exactly like their corresponding Grasshopper Component. When a I/O Modifier is applied to a parameter a visual Tag (icon) is displayed. If you hover over a Tag a tool tip will be displayed showing what it is and what it does.
The full list of these Tags:
1) Principal
An input with the Principal Icon is designated the principal input of a component for the purposes of path assignment.
For example:
2) Reverse
The Reverse I/O Modifier will reverse the order of a list (or lists in a multiple path structure)
3) Flatten
The Flatten I/O Modifier will reduce a multi-path tree down to a single list on the {0} path
4) Graft
The Graft I/O Modifier will create a new branch for each individual item in a list (or lists)
5) Simplify
The Simplify I/O Modifier will remove the overlap shared amongst all branches. [Note that a single branch does not share any overlap with anything else.]
6) Degrees
The Degrees Input Modifier indicates that the numbers received are actually measured in Degrees rather than Radians. Think of it more like a preference setting for each angle input on a Grasshopper Component that state you prefer to work in Degrees. There is no Output option as this is only available on Angle Inputs.
7) Expression
The Expression I/O Modifier allows you change the input value by evaluating an expression such as -x/2 which will have the input and make it negative. If you hover over the Tag a tool tip will be displayed with the expression. Since the release of GH version 0.9.0068 all I/O Expression Modifiers use "x" instead of the nickname of the parameter.
8) Reparameterize
The Reparameterize I/O Modifier will only work on lines, curves and surfaces forcing the domains of all geometry to the [0.0 to 1.0] range.
9) Invert
The Invert Input Modifier works in a similar way to a Not Gate in Boolean Logic negating the input. A good example of when to use this is on [Cull Pattern] where you wish to invert the logic to get the opposite results. There is no Output option as this is only available on Boolean Inputs.
…