peuvent se diviser une surface avec ne importe quel motif imaginable. 3. Ici, je fournir un moyen de le faire via Lunchbox ... cela fonctionne mais il est fixe et donc nous avons besoin de jouer avec des arbres de données afin de créer le motif approprié par cas. 4. L'autre composante est un joint C # qui fait beaucoup de choses autres que de diviser ne importe quelle collection de points avec de nombreux modèles (voir le modèle ANDRE que je ai fait pour vous). 5. Vous devez décomposer une polysurface en morceaux afin de travailler sur les subdivisions. 6. Je donne une autre définition ainsi que pourrait agir comme un tutoriel sur la façon de traiter des ensembles de points via des composants de GH standards et des méthodes classiques.
Avertissez si tous ceux-ci apparaissent floue pour vous: Si oui, je pourrais écrire une définition utilisant des composants de GH classiques - mais vous perdrez les variations de motifs de division.
mieux, Peter
…
and export the geometry out to VVVV to render it LIVE! RawRRRR. In this case, a digital audio workstation Ableton Live, a leading industrial standard in contemporary music production.
the good news is that VVVV and ableton live lite is both free.
https://www.ableton.com/en/products/live-lite/
i am not trying to use ipad as a controller for grasshoppper. I wanted to work with a timeline (similar to MAYA or Ableton or any other DAW(digital audio workstation)) inside grasshopper in an intuitive way. Currently there is no way of SEQUENCING your definition the way you want to see that i know of.
no more combersome export import workflows... i dont need hyperrealistic renderings most of the time. so much time invested in googling the right way to import, export ... mesh settings...this workflow works for some, for some not ...that workflow works if ... and still you cannot render it live nor change sequence of instruction WHILE THE VIDEO is played. and I think no one wants to present rhinoceros viewport. BUT vvvv veiwport is different. it is used for VJing and many custom audio visual installation for events, done professionally. you can see an example of how sound and visuals come together from this post, using only VVVV and ableton. http://vvvv.org/documentation/meso-amstel-pulse
I propose a NEW method. make a definition, wire it to ableton, draw in some midi notes, and see it thru VVVV LIVE while you sequence the animation the WAY YOU WANT TO BE SEEN DURING YOUR PRESENTATION FROM THE BEGINNING, make a whole set of sequences in ableton, go back change some notes in ableton and the whole sequence will change RIGHT INFRONT of you. yes, you can just add some sound anywhere in the process. or take the sound waves (sqaure, saw, whateve) or take the audio and influence geometric parameters using custom patches via vvvv. I cannot even begin to tell you how sophisticated digital audio sound design technology got last ten year.. this is just one example which isn't even that advanced in todays standard in sound design ( and the famous producers would say its not about the tools at all.) http://www.youtube.com/watch?v=Iwz32bEgV8o
I just want to point out that grasshopper shares the same interface with VVVV (1998) and maxforlive, a plug in inside ableton. audio mulch is yet another one that shares this interface of plugging components to each other and allows users to create their own sound instruments. vvvv is built based on vb, i believe.
so current wish list is ...
1) grasshopper recieves a sequence of commands from ableton DONE
thanks to sebastian's OSCglue vvvv patch and this one http://vvvv.org/contribution/vvvv-and-grasshopper-demo-with-ghowl-udp
after this is done, its a matter of trimming and splitting the incoming string.
2) translate numeric oscillation from ableton to change GH values
video below shows what the controll interface of both values (numbers) and the midi notes look like.
https://vimeo.com/19743303
3) midi note in = toggle GH component (this one could be tricky)
for this... i am thinking it would be great if ...it is possible to make "midi learn" function in grasshopper where one can DROP IN A COMPONENT LIKE GALAPAGOS OR TIMER and assign the component to a signal in, in this case a midi note. there are total 128 midi notes (http://www.midimountain.com/midi/midi_note_numbers.html) and this is only for one channel. there are infinite channels in ableton. I usually use 16.
I have already figured out a way to send string into grasshopper from ableton live. but problem is, how for grasshopper to listen, not just take it in, and interpret midi and cc value changes ( usually runs from 0 to 128) and perform certain actions.
Basically what I am trying to achieve is this : some time passes then a parameter is set to change from value 0 to 50, for example. then some time passes again, then another parameter becomes "previewed", then baked. I have seen some examples of hoopsnake but I couldn't tell that you can really control the values in a clear x and y graph where x is time and y is the value. but this woud be considered a basic feature of modulation and automation in music production. NVM, its been DONE by Mr Heumann. https://vimeo.com/39730831
4) send points, lines, surfaces and meshes back out to VVVV
5) render it using VVVV and play with enormous collection of components in VVVV..its been around since 1998 for the sake of awesomeness.
this kind of a digital operation-hardware connection is usually whats done in digital music production solutions. I did look into midi controller - grasshopper work, and I know its been done, but that has obvious limitations of not being precise. and it only takes 0 o 128. I am thinking that midi can be useful for this because then I can program very precise and complex sequence with ease from music production software like ableton live.
This is an ongoing design research for a performative exhibition due in Bochum, Germany, this January. I will post definition if I get somewhere. A good place to start for me is the nesting sliders by Monique . http://www.grasshopper3d.com/forum/topics/nesting-sliders
…
ers can be applied from the right click Context Menu of either a component's input or output parameters. With the exception of <Principal> and <Degrees> they work exactly like their corresponding Grasshopper Component. When a I/O Modifier is applied to a parameter a visual Tag (icon) is displayed. If you hover over a Tag a tool tip will be displayed showing what it is and what it does.
The full list of these Tags:
1) Principal
An input with the Principal Icon is designated the principal input of a component for the purposes of path assignment.
For example:
2) Reverse
The Reverse I/O Modifier will reverse the order of a list (or lists in a multiple path structure)
3) Flatten
The Flatten I/O Modifier will reduce a multi-path tree down to a single list on the {0} path
4) Graft
The Graft I/O Modifier will create a new branch for each individual item in a list (or lists)
5) Simplify
The Simplify I/O Modifier will remove the overlap shared amongst all branches. [Note that a single branch does not share any overlap with anything else.]
6) Degrees
The Degrees Input Modifier indicates that the numbers received are actually measured in Degrees rather than Radians. Think of it more like a preference setting for each angle input on a Grasshopper Component that state you prefer to work in Degrees. There is no Output option as this is only available on Angle Inputs.
7) Expression
The Expression I/O Modifier allows you change the input value by evaluating an expression such as -x/2 which will have the input and make it negative. If you hover over the Tag a tool tip will be displayed with the expression. Since the release of GH version 0.9.0068 all I/O Expression Modifiers use "x" instead of the nickname of the parameter.
8) Reparameterize
The Reparameterize I/O Modifier will only work on lines, curves and surfaces forcing the domains of all geometry to the [0.0 to 1.0] range.
9) Invert
The Invert Input Modifier works in a similar way to a Not Gate in Boolean Logic negating the input. A good example of when to use this is on [Cull Pattern] where you wish to invert the logic to get the opposite results. There is no Output option as this is only available on Boolean Inputs.
…
ing the maps to the broader community.
At the moment, there are just a few known issues left that I have to fix for complex geometric cases but they should run smoothly for most energy models that you generate with Honeybee. Within the next month, I will be clearing up these last issues and, by the end of the month, there will be an updated youtube tutorial playlist on the comfort tools and how to use them.
In the meantime, there's an updated example file (http://hydrashare.github.io/hydra/viewer?owner=chriswmackey&fork=hydra_2&id=Indoor_Microclimate_Map) and I wanted to get you all excited with some images and animations coming out of the design part of my thesis. I also wanted to post some documentation of all of the previous research that has made these climate maps possible and give out some much deserved thanks. To begin, this image gives you a sense of how the thermal maps are made by integrating several streams of data for EnergyPlus:
(https://drive.google.com/file/d/0Bz2PwDvkjovJaTMtWDRHMExvLUk/view?usp=sharing)
To get you excited, this youtube playlist has a whole bunch of time-lapse thermal animations that a lot of you should enjoy:
https://www.youtube.com/playlist?list=PLruLh1AdY-Sj3ehUTSfKa1IHPSiuJU52A
To give a brief summary of what you are looking at in the playlist, there are two proposed designs for completely passive co-habitation spaces in New York and Los Angeles.
These diagrams explain the Los Angeles design:
(https://drive.google.com/file/d/0Bz2PwDvkjovJM0JkM0tLZ1kxUmc/view?usp=sharing)
And this video gives you and idea of how it thermally performs:
These diagrams explain the New York design:
(https://drive.google.com/file/d/0Bz2PwDvkjovJS1BZVVZiTWF4MXM/view?usp=sharing)
And this video shows you the thermal performance:
Now to credit all of the awesome people that have made the creation of these thermal maps possible:
1) As any HB user knows, the open source engines and libraries under the hood of HB are EnergyPlus and OpenStudio and the incredible thermal richness of these maps would not have been possible without these DoE teams creating such a robust modeler so a big credit is definitely due to them.
2) Many of the initial ideas for these thermal maps come from an MIT Masters thesis that was completed a few years ago by Amanda Webb called "cMap". Even though these cMaps were only taking into account surface temperature from E+, it was the viewing of her radiant temperature maps that initially touched-off the series of events that led to my thesis so a great credit is due to her. You can find her thesis here (http://dspace.mit.edu/handle/1721.1/72870).
3) Since the thesis of A. Webb, there were two key developments that made the high resolution of the current maps believable as a good approximation of the actual thermal environment of a building. The first is a PhD thesis by Alejandra Menchaca (also conducted here at MIT) that developed a computationally fast way of estimating sub-zone air temperature stratification. The method, which works simply by weighing the heat gain in a room against the incoming airflow was validated by many CFD simulations over the course of Alejandra's thesis. You can find here final thesis document here (http://dspace.mit.edu/handle/1721.1/74907).
4) The other main development since the A. Webb thesis that made the radiant map much more accurate is a fast means of estimating the radiant temperature increase felt by an occupant sitting in the sun. This method was developed by some awesome scientists at the UC Berkeley Center for the Built Environment (CBE) Including Tyler Hoyt, who has been particularly helpful to me by supporting the CBE's Github page. The original paper on this fast means of estimating the solar temperature delta can be found here (http://escholarship.org/uc/item/89m1h2dg) although they should have an official publication in a journal soon.
5) The ASHRAE comfort models under the hood of LB+HB all are derived from the javascript of the CBE comfort tool (http://smap.cbe.berkeley.edu/comforttool). A huge chunk of credit definitely goes to this group and I encourage any other researchers who are getting deep into comfort to check the code resources on their github page (https://github.com/CenterForTheBuiltEnvironment/comfort_tool).
6) And, last but not least, a huge share of credit is due to Mostapha and all members of the LB+HB community. It is because of resources and help that Mostapha initially gave me that I learned how to code in the first place and the knowledge of a community that would use the things that I developed was, by fa,r the biggest motivation throughout this thesis and all of my LB efforts.
Thank you all and stay awesome,
-Chris…
input orientation of the objects. I can see that you've already done this with Vec2pt. Doing it with a sun vector is a little easier, because you are working with one vector, not a bunch of different vectors. you probably know a lot of this already, but I wanted to write a comment that is helpful to anyone coming across the discussion, because it is a common design task.
To orient a bunch objects towards a sun vector:
1. you need a vector to represent the sun's rays. You can either use an existing definition from the web (definitely look at Ted Ngai's amazing work on this), or just make a single adjustable vector as a stand in. I've often simply made a vector using azimuth and altitude angles as inputs, since those are common ways of describing the location of the sun, and makes it easy to look up a sun angle and put it in to your definition.
2. assuming you have some vector to represent the sun's rays, make a plane that is perpendicular to this vector. But Why, Precisely?, you're already familiar with some of the quirks of making a plane perpendicular to a vector, just keep those quirks in mind.
3. next, create reference planes for your panels. If your panels are flat (i.e. planar) this is really simple, just make a list of their planes, using whatever you like (check planarity, evaluate surface, whatever). If your panels are not planar, then you need to decide on a plane you can make from each one that you would like to use as a reference plane. plane from 3 points might be a good method here.
4.take your single plane that is perpendicular to your single sun vector, and place it at the origins of all of your reference planes. Now you have a sun-oriented plane for each panel.
5. Using the orient component, input your reference planes as the reference planes, and input your sun-oriented planes as the target planes, and input your panels as the geometry to transform. You should now have a bunch of panels oriented to the sun vector.
6. In this method, I've assumed that you want your panels perpendicular to a solar vector, to face the vector, but if you want a different relationship to the sun vector, you just need to change the relationship of that single first sun-oriented plane to whatever relationship you would like to make.
One thing to think of when designing for sun angles is just that at any given point in time, for any given point on the earth's surface, the rays of the sun are basically parallel. the angle of these rays changes over time, but at any other time, the rays are still parallel to each other, and can therefore be described by a single vector for each moment in time.…
entrance:
center : center point (not very useful)radius : radius of first sphere (not very useful)alpha : size of the hole is_sphere : if true sort of sphere, instead a cuberecursion : number of recursions (Beware of of recursion bigger than 5 (280 000 vertices)coeff_radius : scale of radius for each recursioncoeff_with : with scale between shaphesstretch : coefficient of stretch of holes connections
It outputs quadrangle mesh. I also use Catmull-Clark sudivision.
The script first generates a cube ou sphere with 6 holes and after 6 new meshs connected by mesh connectors and so on ... so more than 1 million vertices for 6 subdivisions.
…
. From the Thermal Comfort Indices component, Comfort Index 11 (TCI-11):MRT = f(Ta, Tground, Rprim, e)
with:- Ta = DryBulbTemperature coming from ImportEPW component- Tground = f(Ta, N) where N comes from totalSkyCover input. Tground influences the long-wave radiation emitted by the ground in the MRT calculation.- Rprim defined as solar radiation absorbed by nude man = f(Kglob, hS1, ac)- ac is the clothingAlbedo in % (bodyCharacteristics input)- I can't find any definition in the code of Kglob and hS1. Could you tell me please what are those values referencered to? --> probably the globalHorizontalRadiation but how?- e = vapour pressure calculated from Ta and Relative Humidity input
Do you agree that in this case the MRT does not depend on these inputs: location, meanRadiantTemperature, dewPointTemperature and wind speed?It does not depend neither on the other bodyCharacteristics like bodyPosture, age, sex, met, activityDuration...?
MRT calculated by the TCI-11 method is the mean radiant temperature of a vector pointing vertically with a sky view factor of 100%?For ParisOrly epw,
2. From the SolarAdjustedTemperature component (that seems to be more used for the UTCI calculation examples on Hydra compared to TCI-11).
In contrast to the TCI-11, this component distinguishes diffuse and direct radiation and contextualizes the calculation thanks to _ContextShading input, right? It can also be applied to a mannequin thanks to the CumSkyMatrix and thus evaluate the dishomogeneity of radiation exposure.This component seems not to consider the influence of vapour pressure on the result --> is it then more precise to put the MRT output (from the TCI) as an input of meanRadTemperature for SolarAdjustedTemperature?The default groundReflectivity is set to 0.25 --> is GroundReflectivity taken into account in the Tground or MRT calculation in the TCI component? If yes, what is the hypothesised groundReflectivity?The default clothing albedo of 37% (TCI-11 bodyCharacteristics) corresponds to Clothing Absorptivity of 63%?
If the CumSkyMatrix input is not supplied, I get 9 results for the mannequin --> where are those points/results coming from?
If the CumSkyMatrix input is supplied,I suppose the calculation of the 482 results correspond to a calculation method similar to the radiation analysis component that is averaged over the analysis period. Right?But I don't understand why the mannequin is composed of 481 faces and meshFaceResult gives 482 results.
Finally, what is the link between the MESH results, the solarAdjustedMRT and the Effective Radiant field ? Is there a paper to have a detailed explanation of the method?
3. Here are some results for the ParisOrly energyplus weather data. You can find here attached the grasshopper definition.There is no shading in this simulation and the result coming from the ThermalComfort indices for MRT is very different compared to the solar adjusted MRT.Why such a big difference and which of the result should be plugged into the UTCI calculation component?
Results for ParisOrly.epwM,D,H:1,1,12
Ta : 6.5°Crh: 100%globalHorizontalRadiation: 54 Wh/m2totalSkyCover: 10MRT (TCI-11): 1.2°C
_CumSkyMtxOrDirNormRad = directNormalRadiation : 0 Wh/m2diffuseHorizontalRad: 54 Wh/m2_meanRadTemp = TasolarAdjustedMRT: 10.64°CMRTDelta: 4.14°C
_CumSkyMtxOrDirNormRad = CumulativeSkyMtxdiffuseHorizontalRad: 54 Wh/m2_meanRadTemp = TasolarAdjustedMRT: 10.47°CMRTDelta: 3.97°C
_CumSkyMtxOrDirNormRad = CumulativeSkyMtxdiffuseHorizontalRad: 54 Wh/m2_meanRadTemp = MRT (TCI-11)solarAdjustedMRT: 5.17°CMRTDelta: 3.97°C
Thanks a lot for your helpRegards,
Aymeric
…
as one element.
Thank you
Comment by karamba on October 7, 2014 at 11:27pm
Hello Patricio, divide the beams in such a way that each boundary vertex of the shell becomes an endpoint of a beam segment.
Best, Clemens
Comment by Llordella Patricio on October 8, 2014 at 8:30amDelete Comment
Hi Clemens,
I did what you suggested but now assemble element doesn´t work properly. Could you please tell me how to fix it? Thanks in advance, Patricio
8-10-14losa%20cadena.gh
Comment by karamba on October 8, 2014 at 11:59am
Hi Patricio, if you flatten the 'Elem'-input at the 'Assemble'-component the definition works. The triangular shell elements have linear displacement interpolations whereas the beam deflections are exact. In order to get correct results you should refine the shell mesh.
Best, Clemens
Comment by Llordella Patricio on October 9, 2014 at 8:35amDelete Comment
Hello, succeeds in creating the mesh to the slab, and built the beam segment, but when I see the deformations are not expected because the beam is deformed as the slab.
Thanks for the help
PS: maybe I'm using the program for a type of structure that is not the most appropriate, as I saw in the examples of other structures. But this type of structure is that students taught
best regards
Patricio
9-10-14%20Example%201.gh
Comment by karamba on October 9, 2014 at 10:46am
You could use the 'Mesh Edges'-component to retrieve the naked edges and turn them into beams - see attached file:91014Example1_cp.gh
Best regards,
Clemens
Comment by Llordella Patricio on October 15, 2014 at 3:41pmDelete Comment
Dear clemens
I was doing a rough estimate of the deformation, and I can not achieve the same result with Karamba. When I make a rough estimate of the result with Karamba beams and mine are very similar, I think the problem is when I connect the shell, because there are no similar results.
I sent the GH file, and an image of the calculation
The structure is concrete The result I get is 0.58cm
thank youPatricio
15-10-14%20Example.gh
Comment by karamba yesterday
Dear Patricio,
try to increase the number of shell elements. As mentioned in the manual they are linear elements. A mesh that is too coarse leads to a response which is stiffer than the real structure.
Best,
Clemens
…
and I here is what I have to share:
Thanks! Thank you for being awesome! When I released Ladybug two years ago I could never imagine how this project will take over my life! It has been such an invaluable experience for me so far and it wasn’t possible without you - so thank you so much.
What’s next? Recently I get this question more and more and here is my fairly long answer! Chris is pushing the boundaries with comfort tools. Chien Si is working on HVAC systems integration. Chris, Anton and Alejandra will figure out how to effectively get natural ventilation to be modeled. Patrick, Sandeep, Michal and Boris are working on their developments. I’m working on getting 3 Phase method integrated, and Butterfly will be out at some point, but... they are not going to be what makes the next step. The next step is up to you. It is what you will do with the development. So go ahead and let us know what’s next!
If you can help someone on the group please do! Doing so you are not only helping another person (and potentially yourself) but also the developers. The more you can help each other here the more we will have time for development and documentation.
Best place to send your questions is this group. If you are using the latest version from github then you may want to sent it to github. Please consider emails as the last option. Go back to number 3 again! Thanks.
Don’t be nice to us! Well, I mean don’t just be nice to us. I love your nice comments like anybody else and please keep them coming ;) but what we also need next to nice comments is your critiques, wishes and insight. I feel that recently we are getting less wishes and critiques than what it used to be. You can post them here in the group or on github and either way we will know about it. Thank you to all of you who has already done this.
Thanks again! Before I let you go I want to specially thank all of you who contributed to the project by your development, thoughts and support. You are great and I can’t thank you enough.
David Weinberger in his book “Too Big to Know” says: “When an expert network is functioning as its best, the smartest person in the room is the room itself.” Reading some of the discussions on the group gives me the feeling of staying inside a smart room. Thank you and let’s keep the room growing!
Cheers,
Mostapha
PS: To avoid sending another post, I just post the updates about the two upcoming workshops here:
I will lead a workshop in LA next Friday (Feb. 6) and there is still few seats left. If you want to learn more about energy and daylighting simulation with Honeybee here is your chance. Here is more information who to register: (http://www.facadesplus.com/technology-workshops/).
Chris will lead a 3 days intense and comprehensive Ladybug and Honeybee workshop in Mexico City this March. You have probably watched Chris’s tutorials and already know what you can expect from a workshop with Chris so I don’t have to speak for that! I would take this workshop if I was around that area. If you are around Mexico City or know a friend who might be interested please let them know. Here is more information about the workshop: (https://www.facebook.com/LadyBugforGrasshopper/photos/a.442320969114095.107084.413910668621792/919318878080966).
…
and where the decimal place should be.
The reason it only shows the first 5 numbers that make up 1,000,000 is because anything smaller than 100 is considered insignificant when talking about 1 million. Think of it like this if 1 million represents an Olympic size swimming pool then 10 would represent the volume of a full tank of petrol for an average family car. You would have to stand there for an extremely long time to fill up the pool from a petrol pump.
It's important to know that these insignificant digits are still there for the purpose of calculations but are just not being displayed.
There are times when you may want to display these numbers in a format that makes more sense, for these occasions we can use the Format() function.
Format() Function
For versions BEFORE 0.9.0001 the VB Format Function is available through the Expression Components found on the Math Tab > Script Panel
Either by using the F input* or the Expressions Editor found on the Context Menu you can apply a format mask to the x input.
* except FxN
Anatomy of the formatting function above:
Format(..............................) <-- VB function
Format("........................."....) <-- Display String
Format("{0....................}"....) <-- Place Holder for first variable
Format("{0:0.000000000}"...) <-- Format Mask for 9 decimal places
Format("{0:0.000000000}", x) <-- Variable
This can be applied to points and their components:
For versions AFTER 0.9.0001 there is a dedicated Format Component or you can use the Expressions Components successor Evaluate.
For more information on the tags used in the Format Function see these links.
Standard formatting tags Custom formatting tags
WARNING:
If you format a number to be displayed in this way it becomes a string and will no longer have the complete Real number available for calculations. Always use the input to the format function for further requirements in calculations.…