edit 29/04/14 - Here is a new collection of more than 80 example files, organized by category:
KangarooExamples.zip
This zip is the most up to date collection of examples at the moment, and collects t
lla progettazione parametrica e le tecniche di modellazione algoritmica per la generazione di forme complesse
___________________________________________________________________________________
luogo:
Sala meeting Hotel Mercure Milano Centro Piazza Oberdan 12 – 20129 MILANO
Scadenza iscrizioni: 12 Novembre 2011 – ore 15.00
___________________________________________________________________________________
info e prenotazioni:
Le Penseur (coordinamento formazione)
info@lepenseur.it
081 564 21 84
347 548 71 78
quote di partecipazione e programma (formato PDF)
ulteriori informazioni sui corsi PLUG > IT
___________________________________________________________________________________
PROGRAMMA DEL CORSO
GIORNO_01
10.00 – 10.30: presentazione workshop
10.30 – 11.30: introduzione alla progettazione parametrica: teoria, esempi, casi studio
11.30 – 13.00: Grasshopper: concetti base, logica algoritmica, interfaccia grafica
13.00 – 14.00: break | lunch
14.00 – 16.00: nozioni fondamentali: componenti, connessioni, data flow
16.00 – 18.00: esercitazione
GIORNO_02
10.00 – 12.00: funzioni matematiche e logiche, serie, gestione dei dati
12.00 – 15.00: analisi e definizione di curve e superfici
GIORNO_03
10.00 – 12.00: definizione di griglie e pattern complessi
12.00 – 13.00: trasformazioni geometriche, paneling
13.00 – 14.00: break | lunch
14.00 – 16.00: esercitazione
16.00 – 18.00: attrattori, image sampler
GIORNO_04
10.00 – 13.00: data tree: gestione di dati complessi
13.00 – 14.00: break | lunch
14.00 – 15.00: digital fabrication: teoria ed esempi
15.00 – 18.00: nesting: scomposizione di oggetti tridimensionali in sezioni e posizionamento su piani di taglio per macchine a controllo numerico CNC…
ers and researchers, programmers and artists, professionals and academics who come together for 4 days of intense collaboration, development, and design.
The sg2012 Workshop will be organised around Clusters. Clusters are hubs of expertise. They comprise of people, knowledge, tools, materials and machines. The Clusters provide a focus for workshop participants working together within a common framework.
Clusters provide a forum for the exchange of ideas, processes and techniques and act as a catalyst for design resolution. The Workshop is made up of ten Clusters that respond in diverse ways to the sg2012 Challenge Material Intensities.
Applicants to the sg2012 Workshop will select their preferred cluster from the following:
Beyond Mechanics
Micro Synergetics
Composite Territories
Ceramics 2.0
Material Conflicts
Transgranular Perspiration
Reactive Acoustic Environments
Form Follows Flow
Bioresponsive Building Envelopes
Gridshell Digital Tectonics
More information about the Workshop and Clusters can be found here:
http://smartgeometry.org/index.php?option=com_content&view=article&id=116&Itemid=131
The application process will close on January 15th, 2012.
Full Fee $1500
Reduced Fee $750
Scholarship Fee $350
Fees include attendance to both the workshop and conference from March 19th-24th.
Reduced Fee and Scholarships are available only for Academics, Students and Young Practitioners, and are awarded during a competitive peer review process.
sg2012 takes place from 19-24 March 2012 at EMPAC (http://empac.rpi.edu/) and is hosted by Rensselaer Polytechnic Institute in Troy, upstate New York USA. The Workshop and Conference will be a gathering of the global community of innovators and pioneers in the fields of architecture, design and engineering.
The event will be in two parts: a four day Workshop 19-22 March, and a public conference beginning with Talkshop 23 March, followed by a Symposium 24 March. The event follows the format of the highly successful preceding events sg2010 Barcelona and sg2011 Copenhagen.
sg2012 Challenge Material Intensities
Simulation, Energy, Environment
Imagine the design space of architecture was no longer at the scale of rooms, walls and atria, but that of cells, grains and vapour droplets. Rather than the flow of people, services, or construction schedules, the focus becomes the flow of light, vapour, molecular vibrations and growth schedules: design from the inside out.
The sg2012 challenge, Material Intensities, is intended to dissolve our notion of the built environment as inert constructions enclosing physically sealed spaces. Spaces and boundaries are abundant with vibration, fluctuating intensities, shifting gradients and flows. The materials that define them are in a continual state of becoming: a dance of energy and information. Material potential is defined by multiple properties: acoustical, chemical, electrical, environmental, magnetic, manufacturing, mechanical, optical, radiological, sensorial, and thermal. The challenge for sg2012 Material Intensities is to consider material economy when creating environments, micro-climates and contexts congenial for social interaction, activities and organisation. This challenge calls for design innovation and dialogue between disciplines and responsibilities. sg2010 Working Prototypes strove to emancipate digital design from the hard drive by moving from the virtual to the actual in wrestling with the tangible world of physical fabrication. sg2011 Building the Invisible focused on informing digital design with real world data. sg2012 Material Intensities strives to energise our digital prototypes and infuse them with material behaviour. They have the potential to become rich simulations informed by the material dynamics, chemical composition, energy flows, force fields and environmental conditions that feed back into the design process.
More information can be found at http://www.smartgeometry.org
Follow us on Twitter at http://twitter.com/smartgeometry…
Added by Shane Burger at 12:29pm on December 13, 2011
lla progettazione parametrica e le tecniche di modellazione algoritmica per la generazione di forme complesse
___________________________________________________________________________________
luogo:
Sala meeting Holiday Inn Inn Turin C.so Francia Piazza Massaua 21 – TORINO
Scadenza iscrizioni: 25 Novembre 2011 – ore 15.00
___________________________________________________________________________________
info e prenotazioni:
Le Penseur (coordinamento formazione)
info@lepenseur.it
081 564 21 84
347 548 71 78
quote di partecipazione e programma (formato PDF)
ulteriori informazioni sui corsi PLUG > IT
___________________________________________________________________________________
PROGRAMMA DEL CORSO:
GIORNO_01 | 01 Dicembre 2011
10.00 – 10.30: presentazione workshop
10.30 – 11.30: introduzione alla progettazione parametrica: teoria, esempi, casi studio
11.30 – 13.00: Grasshopper: concetti base, logica algoritmica, interfaccia grafica
13.00 – 14.00: break
14.00 – 16.00: nozioni fondamentali: componenti, connessioni, data flow
16.00 – 18.00: esercitazione
GIORNO_02 | 02 Dicembre 2011
10.00 – 12.00: funzioni matematiche e logiche, serie, gestione dei dati
12.00 – 13.00: analisi e definizione di curve e superfici
13.00 – 14.00: break
14.00 – 16.00: analisi e definizione di curve e superfici
16.00 – 18.00: definizione di griglie e pattern
GIORNO_03 | 03 Dicembre 2011
10.00 – 12.00: trasformazioni geometriche, paneling
12.00 – 13.00: image sampler
13.00 – 14.00: break
14.00 – 18.00: data tree: gestione di dati complessi
GIORNO_04 | 04 Dicembre 2011
10.00 – 12.00: digital fabrication: teoria ed esempi
12.00 – 13.00: nesting: scomposizione di oggetti tridimensionali in sezioni e posizionamento su piani di taglio per macchine a controllo numerico CNC
13.00 – 14.00: break
14.00 – 18.00: esercitazione…
phere with the maximum number of triangles but not much than a defined threshold.
I scaled that mesh just to fit Rhino grid, but it is not mandatory. What is useful, is to scale not uniformly the mesh (Scale NU). It could be done after cellular modifier applied or before or before and after. The 3 options are possible in the script. If you don’t need them just put 1 in scale sliders.
Ellipsoid mesh is the populated with points, I put 2 independents populations to randomize a bit further. For each vertices of the mesh the closest distance from the populated points is calculated.
Here is an illustration in color of this distance.
This distance is then used to calculate a bump. If domain for bump is beginning with negatives values to 0, it carves the mesh. Instead it bumps/inflates it.
Some images to illustrate the difference with populating 100 points with one or two populations.
Here some images to illustrate the application of scale before carving or after.
Next phase apply noise. At the moment I don't find it good.…
DP ($$$ aside), GC, and Grasshopper. Arthur’s original question is very important
and the exact question (and hopefully answer) I was hoping to find on a
forum.
“How to take intelligent 3D parametric generative design models (scripting, etc.) into 2D documents?" Or, deliver the 3D design for evaluation, bid, construction, etc.
I am intrigued by Jon’s comments in the same thread and would like to know how I can learn more about the process (and
pitfalls) of turning over a 3D digital generative models to a contractor/fabricator.
Are there any industry guidelines established I could use as a reference to guide our firm through this type of uncharted territory?
Arthur’s question is very reminiscent of 10 years ago when I was frustrated with the amount of time spent on the development of a 3D model design (physical and/or virtual) only to have to wipe the table clean and start the process all over again in 2D in order to document the project for delivery. From this I jumped head first into BIM and Revit, vowing never to go back to unintelligent 2D line work. I am now working on Bentley software (v8i: Microstation and Bentley Architecture) with the access and desire to venture into Generative Components. I am very intrigued by Rhino/Grasshopper primarily with the apparent ease of use and available resources assisting in the learning process – something not really available with Bentley.
In hindsight, as I am doing my software research I think the current use of Revit and BA (Bentley Architecture) are more of a “bridge”
between the past (decades of digital 2D work, i.e. AutoCAD) and where hopefully
we all will be someday in the near future (100% 3D modeling, i.e. Digital
Project??). Without having the experience
it would appear that DP/CATIA (PLM software) are closer to this than any other
type of software. As complicated as the
industry standards are for the automobile and airline industry, I feel we
(architectural industry and others) are heading in a similar direction with
total understanding (PLM/ Evidence Based Design) of a design (a whole other topic). If anything I think the market will begin to
demand it sooner or later.
Gehry (DP) article NY Times:
http://www.nytimes.com/2009/02/11/business/11gehry.html
I know these type of broad discussions (software vs. software) can be blown out of proportion on forums, but I am would like to read
the pulse of those who are already in the trenches (using Grasshopper, CATIA, Digital Project, Generative Components, others??) and hear your thoughts. Just as valuable would be other threads,
industry articles/reviews of 3D parametric generative design software.
Thanks,
Boyd…
GH, same as using sweep2 command in Rhino.
The one on the right is what I got so far (the output smooth our the kink of the original rails). Basically I am just following the methods provided by sdk sample: http://wiki.mcneel.com/developer/sdksamples/sweep2 .
The following is the function I copy and use directly from the SDK sample. By using this function, I can generate the sweep surface at right. But I want to have is the one in the middle with the kink edges. Can anyone show me how and where to modify he settings? I guess some sweep arguments need to be changed? I have try couples, such m_simplify, m_bSimpleSweep, m_bSameHeight, m_rebuild_count... but still cannot find a right combination for this function to output the sweep surface I want. Any suggestions or helps are very appreciated. Thanks for your help and time on this.
'Sweep2 function'----------------
Sub Sweep2( ByVal Rail1 As IOnCurve, _
ByVal Rail2 As IOnCurve, _
ByVal sCurves As List(Of IOnCurve), _
ByRef Sweep2_Breps As List(Of OnBrep))
'Define a new class that contains sweep2 arguments
Dim args As New MArgsRhinoSweep2
'Set the 2 rails
Dim Edge1 As New MRhinoPolyEdge
Dim Edge2 As New MRhinoPolyEdge
Edge1.Append(Rail1.DuplicateCurve())
Edge2.Append(Rail2.DuplicateCurve())
'Add rails to sweep arguments
args.m_rail_curves(0) = Edge1
args.m_rail_curves(1) = Edge2
args.m_bClosed = False
Dim section_curves As New List(Of OnCurve)
'Loop through sections to set parameters
For Each Section As IOnCurve In sCurves
Dim sCurve As OnCurve = Section.DuplicateCurve()
section_curves.Add(sCurve)
Dim t0 As Double = 0
If Not Edge1.GetClosestPoint(sCurve.PointAtStart(), t0) Then
If Not Edge1.GetClosestPoint(sCurve.PointAtEnd(), t0) Then
Dim s As Double = 0
sCurve.GetNormalizedArcLengthPoint(0.5, s)
Edge1.GetClosestPoint(sCurve.PointAt(s), t0)
End If
End If
args.m_rail_params(0).Append(t0)
Dim t1 As Double = 0
If Not Edge2.GetClosestPoint(sCurve.PointAtStart(), t1) Then
If Not Edge2.GetClosestPoint(sCurve.PointAtEnd(), t1) Then
Dim s As Double = 0
sCurve.GetNormalizedArcLengthPoint(0.5, s)
Edge2.GetClosestPoint(sCurve.PointAt(s), t1)
End If
End If
args.m_rail_params(1).Append(t1)
Next
'Set shapes
args.m_shape_curves = section_curves.ToArray
'Set the rest of parameters
args.m_simplify = 0
args.m_bSimpleSweep = False
args.m_bSameHeight = False
args.m_rebuild_count = -1 'Sample point count for rebuilding shapes
args.m_refit_tolerance = RMA.Rhino.RhUtil.RhinoApp.ActiveDoc.AbsoluteTolerance()
args.m_sweep_tolerance = RMA.Rhino.RhUtil.RhinoApp.ActiveDoc.AbsoluteTolerance()
args.m_angle_tolerance = RMA.Rhino.RhUtil.RhinoApp.ActiveDoc.AngleToleranceRadians()
Dim sBreps() As OnBrep = Nothing
If (RhUtil.RhinoSweep2(args, sBreps)) Then
For Each b As OnBrep In sBreps
Sweep2_Breps.Add(b)
Next
End If
Return
End Sub
…
ect + Geco
TUTORS:
Arturo Tedeschi (Authorized Rhino Trainer) + Maurizio Arturo Degni
Il workshop avanzato ECOLOGIC PATTERNS affronta l’impiego di strategie parametriche all’interno del processo progettuale, approfondendo l’utilizzo di Grasshopper in sinergia con plug-in, software di analisi ambientale e simulazione fisica. Obiettivo fondamentale è la generazione della forma come risultato di tecniche di form-finding e di input ambientali (solari, termici e acustici). Verranno acquisiti nuovi strumenti operativi e di simulazione al fine di costruire modelli parametrici ottimizzati in grado di adattarsi a diverse condizioni di contesto.
MORE INFO…
ive collaborative environment.
TYPE : Course module and Workshop
The event is open for anybody interested from all the fields of design, including: architecture, interior design, furniture design, product design, fashion design, scenography, and engineering.
1. COURSE MODULE (20-23 April 2014) - optional
+ type: 3 days intensive course regarding basic knowledge in parametric design (LEVEL 1)
+ software: Rhinoceros & Grasshopper
+ plugins: Kangaroo, Weaver Bird, Lunch box, Ghowl, Geco
+ achievements:
- acquainting to the components & the concept of Generative Design
- understanding the strategies in Algorithmic Design
- how to easily insert simple mathematical equation into the project to gain more control
- how to utilize proper plugins with respect to their nature of the project
- interacting with different analysis platforms such as Ecotect & remote controller
- solving several exercises with different scales( 2D- 3D ) during each phase of the workshop
2. WORKSHOP (23-27 April 2014)
A 5 day Design-Based Research Workshop exploring new techniques in Digital Architecture/Fabrication, with a specific focus on the use of generative systems and parametric modeling as tools for creative expression.
Our ultimate goal is to increasing the efficiency of utilizing digital tools in parallel with geometric performance of the primitive design agent.
+ + CONCEPT
Fashion and Architecture are both based on basic life necessities – clothing and shelter.
However, they are also forms of self-expression – for both creators and consumers.
Both fashion and architecture affect our emotional being in many ways.
The agenda of this workshop is to investigate on the overlap between these two areas of design, art & fashion.
Fashion and architecture express ideas of personal, social and cultural identity, reflecting the concerns of the user and the ambition of the age. Their relationship is a symbiotic one and throughout history, clothing and buildings have echoed each other in form and appearance. This only seems natural as they not only share the primary function of providing shelter and protection for the body, but also because they both create space and volume out of flat, two-dimensional materials.
While they have much in common, they are also intrinsically different – address the human scale, but the proportions, sizes and shapes differ enormously.
+ + + OBJECTIVES
So far, Architects have been using techniques such as folding, bending etc. to create space, structural roofs or different other structural shapes.
The agenda of this workshop goes further with the investigation of algorithmic thinking through generative tools Integrated in design.
The challenge is creating a bridge that connects these two areas of design, architecture and fashion that perform at two opposite scales.
+ + + + TECHNICAL BRIEF
In the early stages physical models and low-tech strategies will be used, allowing the participants to gain a greater understanding of materials, fabrication and assembly methods as well as simple, yet pragmatic structural solutions.
Later in the workshop these strategies will be digitalized and elaborated using software visualizing tools such as Rhinoceros and the algorithmic plug-in Grasshopper.…