tween them)
However its not possible (Well its very tricky) for me to go back to the original geometry and merge the perimeter and the core into one zone.
As a result I thought that adding internal glazing would do the trick. However apart from using the addGlazing component I couldn't see any other way of adding internal glazing to the core zone without exploding it and putting it back together. So I modified the Glazing based on Ratio component so that the internal walls of the core would automatically be 95% glazing.
After passing the core zone through the modified Glazing based on Ratio component and then passing all the HB zones through the Solve Adjacency component I ran the daylight simulation. However the result is not what you would expect it appears as though there are no internal windows. (See the picture).
So two questions.
1. Is there a better way to merge these zones for a daylight study without going back to the original geometry?
2. From the illuminance map it appears that no light is passing through the internal windows. Why is this the case? Should I create a material that is like air so that the light can effectively pass through and then use this material instead?
…
ple I have to drag it through a panel before I can use it as an input to my python script. The supports comes as a list of strings (see figure) and I want to extract some of that information (e.g. what nodes are fixed) and write that to my txt file.
I extract the info with these lines:
for row in Support: node = row[8:row.find(' DOF')] file.write(" %s,\n" % node)
print node
>> 95
If I however don't drag it via a panel i get the following output:
for row in Support: node = row[8:row.find(' DOF')] file.write(" %s,\n" % node)
print node
>> Supports.Suppor
It's like the script doesn't get that each row is a string.
I have the input set to "list access" and type hint to "str" and I've tried to simplifying and flatten the list.
Greatful for help…
/stackoverflow.com/questions/7735036/naudio-frequency-band-in...
http://stackoverflow.com/questions/17222492/how-to-change-frequency...;
I am no expert in this field; I would have to do research just like you. Maybe someone else on this forum has already done more work in this area, let's see. Or it might be you, the first one :)
This does not look like something completely at reach for someone with not much programming experience, but maybe with some guidance it could be doable.
--
>>Do you know other libraries that I can use with it?Sorry I would have to search for other libraries just like you.
EDIT: This link has a simple sine wave written from scratch. It might be a good start to mix with the code above and a playground to understand theory.
Giulio--Giulio Piacentinofor Robert McNeel & Associatesgiulio@mcneel.com…
ntage...
This is a standard mesh to nurbs conversion result: http://www.tsplines.com/j/subdtonurbs/MeshToNurbsBoatShell.png
You want to start with a proper mesh reparametrization:
http://www3.cs.stonybrook.edu/~gu/software/RiemannMapper/figures/ti...
Once you have your mesh reparametrized it's relatively easy to divide it into surfaces. That is the easiest approach but it doesn't take into account any features(creases etc)...
This illustrates a nice mesh parametrization with features.
https://www.graphics.rwth-aachen.de/media/paper_images/qgp_340.png
EDIT:
Got a brief look at the Geomagic thingy... seems like it's a subd modeler (like tsplines). Creating nurbs out of subd meshes is easy cause you can basically trace back the subdivision. With Giulios help I was able to make a rough version of that process here: http://www.grasshopper3d.com/forum/topics/skeletal-mesh?commentId=2985220%3AComment%3A558193 ;
(the point is that subd meshes to nurbs are not as much challenging as mesh to nurbs).…
have some spare time please fill in my 3D Printing Open Survey - If you could make almost anything, what would it be ? Updated results are publicly available after completing questionnaire (Please press "Wyślij" - Send button and "Wyniki ankiety" - Results button at the end). This survey will be used to evaluate demand for 3d printing services globally. It consist of 30 questions about: - open-source 3d printers - future of additive manufacturing - 3d printing services - ecology in 3d printing - copyright issues and 3d printing Three example questions: 2. Which of the following 3d printing applications is the most interesting? * - Things personalization - Printing food - Attempts to print structures resembles in functioning living tissues or blood vessels - Creating impossible or difficult to create by using conventional technology things - Printing rooms or buildings on earth/moon - Printing chemical compounds (for example drugs) - Using in renewable energy sources - Printing parts and/or mechanical vehicles 3 . Have you ever heard about cheap DIY 3D Printers (for example RepRap, PrintrBot, MakiBox A6) ? * DIY - Do It Yourself - Yes - No 4 . When 3D Printers will become one of the typical household appliances ? * - After 5 years - After 10 years - After 15 years - After 20 years or later - Never - I don't know Feel free to ask questions!…
assume we want to format two numbers, one integer and a floating point value. The integer represents an index and it should appear inside square brackets, then we want the floating point number rounded to a maximum of 4 decimal places (but always using at least one decimal place, even if it's zero), and then, in parentheses a scientific notation representation using 8 decimal digits of the number.
So, assuming the index is 16 and the value is 47.280006208, what we are after is:
[16] 47.28 (4.72800062E+001)
To make this work, we need a formatting pattern that looks like:
[{0}] {1:0.0###} ({1:E8})
The square brackets, spaces and parenthesis are just part of the output, they have no meaning whilst formatting. Everything inside the curly brackets though will be replaced with a specific formatting of one of the values.
When using the Format component as shown above, the formatting pattern is just text data. The component knows that it is supposed to use the Format() function using the pattern text and whatever additional data is provided.
When you invoke the Format() method in an expression, you do need to make sure that the pattern is actually text:
So here the pattern needs to be encased in double quotes, otherwise it will be treated as code, rather than text.
You cannot use the formatting method in the internal expression of a number parameter, because this method returns text, whereas the number parameter is only capable of storing numbers. Any expression that you put into a number parameter had better return numbers as a result.…
" (idiomatic) and easy way of doing things.So here come some basic questions:
Is there a way to create custom components by grouping an existing sub-network together? I'm looking for a way to re-use parts of a program (something similar to subroutines), and to make the network look less cluttered. I found that it is possible to group components (ctrl-g), but this still displays them as separate blocks (too much clutter), and provides no way to re-use a sub-network in such a way that if it is modified in one place, all it's instances (all the places where it is re-used) also get modified.
Is there a component that does nothing, just passes a signal through? Suppose I need to connect block A to blocks B1, B2, B3 (all three get the same input). Then I change my mind, and I decide to connect block C to these three, not A. In this case it will be necessary to change three connections, not just one. I'm looking for an easy way to do this by a single rewiring, not three. (This came up in a practical situation).
Finally, a related question: is there a component that acts as a switch, so I can choose which signal it passes through out of a possible set of choices? For example, suppose that a set of objects can be coloured based on a number of different properties (size, positions, rotation, etc.) I'm looking for a way to switch between these very easily, without the need to do much rewiring.
Thank you in advance for any replies / useful comments, even general ones on how to easily structure a large Grasshopper program/network.…
s, each made from two Nurbs curves, each with different surface properties.
Curves A1 and A2 have 2 control points:
startpoint and endpoint
Curves B1 and B2 on the other hand were drawn with 6 control points each.
What's more, those point's aren't equally distanced from one another.
The lofts inherit the position of control points of the profile curves.
The distribution of control points in the loft direction is uniform.
So no suprise here:
You can think of Nurbs curves as rubber bands and of Nurbs surfaces as rubber sheets. The areas with less control points would correspond to streched rubber.
Now lets imagine you take an A4 piece of rubber, lay in on a table and draw equally distanced lines on it. When you strech it ununiformally - the distances won't stay equal anymore.
Returning to your first post:
The Divide Surface component operates on u,v values which you can imagine as dimensions of the rubber sheet in relaxed state.
So the result you got was indeed an equaly divided surface, only in the so called "parameter space" of the surface, which doesn't always correspond to the xyz space.
There are methods to divide curves and surfaces in equal distances in the way you want it. For starters check out the Evaluate Lenght component.
I think that's enough teory for today. Have fun!
JJ…
ther math and logic. i can usually conceptualise what i want to do and cobble some semi working thing together but don't know which components to use and how to patch it. so i'm super happy to have someone who knows what he's doing to find this interesting.
and i'm glad you mention the fanned frets again, there is one input parameter that's still missing for the multiscale frets to be fully parametric, it's the angle of the nut or which fret should be straight. it depends a bit on personal preferences and playing posture what is more comfortable. so being able to adjust this easily would be cool. again i have no idea how the maths for that work or if you can just rotate each fret the same amount around it's middle point. The input either as fret number (for the straight fret) or as a simple slider from bridge to nut should do as input setting.
Here are the two extremes and the middle ground:
i've been thinkin today while analysing your patches and cleaning up my mess what exactly the monster should do.
Here are the input parameters needed, i think it's the complete list
scale length low E string
scale length high e string
fret angle/straight fret
string width at nut
string width at bridge
number of frets
fretboard overhang at nut (distance from string to fretboard bounds)
fretboard overhang at last fret
string gauges
string tensions
fretboard radius at nut (for compound radius fretboard radius at bridge is calculated with the stewmac formula)
fretwire crown width
fretwire crown height
action height at nut (distance between bottom of string and fretwire crown top)
action height at last fret
pickup 1 neck position
pickup 2 middle position
pickup 3 bridge position
nut width
the pickup positions should be used to draw circles for the magnet poles on each string so they are perfectly aligned and can be used for the pickup flatwork construction. ideally they would need a rotation control aligning the center line of the pickup so it's somewher between the last fret angle and bridge angle. personally i do this visually depending on the design i'm looking for, some people have huge theories on pickup positioning but personally i don't believe in it.
that should result in everything needed to quickly generate all the necessary construction curves or geometry for nut/fingerboard/frets/pickups. this is the core of what makes a guitar work, the more precise this dynamic system is the better the guitar plays and sounds.
i posted another thread trying to understand how i could use datasets form spreadsheets,databse, csv to organize the input parameters. What would make sense for the strings for example is hook into a spreadsheet with the different string sets, i attached one for the d'Addario NYXL string line which basically covers all combos that make sense.
The string tension is an interesting one, and implmenting it would sure be overkill albeit super interesting to try. it should be possible to extrapolate from the scale length of each string what the tension for a given string gauge of that string would be so that you could say 'i want a fully balanced set' or 'heavy top light bottom) and it would calculate which SKU from d'addario would best match the required tension. All the strings listed in the spreadsheet are available as single strings to buy.
i'm trying to reorganize everything which helps me understand it. i just discovered the 'hidden wires' feature which is great since once i understood what a certain block does or have finished one of my own, i can get the wires out of the way to carry on undistracted. a bit risky to hide so many wires but it makes it so much easier not to get completely lost :-)
btw, the 'fanned fret' term is trademarked, some guy tried to patent it in the 80's which is a bit silly since it has been done for centuries. there is a level of sophistication above this as well, check out http://www.truetemperament.com/ and that really is something else. it really is astounding how superior the tuning is on those wigglefrets, the problem is that it's rather awkward for string bending and also you can't easily recrown or level the frets when they are used. …