ou will see all of the available components on a ribbon at once so there is no need to keep clicking drop down menus.
It's all about discoverability with GH. What if you're a beginner and don't know about the Create Facility (dbl click canvas) how can you find Extr?
Even if you hover over every component or use the drop down lists you will not see the name Extr appear anywhere.
Sure it makes sense that Extr is short for Extrude but it's also the Nick Name of Extrude to Point component
So you can easily miss the fact that one has a Distance Input verses a Point Input.
I think I made the move to Icons around about the move from version 0.5 to 0.6, possibly before. I initially thought that I would go back to text because I loved the mono chromatic look of the text but I soon realised that Icons were the way forward. The greatest benefit is speed. You don't need to digest and decipher every component (which is written 90 degrees to the norm).
I'm not saying you should move to Icons forthwith but at least consider that once you have a better knowledge and understanding of GH, Icons will set you free.
My top ten tips that I would highly recommend to anyone wanting to better themselves with GH.
1) Turn on Draw Icons
2) Turn on Draw Fancy Wires
3) Turn on Obscure Components
4) Use the Create Facility like a Command Line eg "Slider=-1<0.75<2" or "Shiftlist=-1"
5) Use Component Aliases to customise your use of the Create Facility eg giving the Point XYZ component an alias of XYZ will bring it up as the first option on the Create Facility as opposed to the other possibilities.
6) Try to answer other people's questions even if it's not relevant to your own area. By looking into solving a problem outside of your comfort zone and then posting your results it is very rewarding but it also lets you see the other approaches that get posted in a new light.
7) Take the time to understand Data/Path structures.
8) Buy a second monitor - There is nothing that can compare to real estate when working in Grasshopper.
9) Read Rajaa Issa's Essential Mathematics
10) Pick a panel in a tab on the ribbon and get to know every component inside and out and then move on. Start with the Sets Tab > List Panel…
ne diverse digital design methodologies and the use of different tools such as Autodesk Maya, Rhinoceros and Grasshopper.
Building up technical skills will provide the attendees with a solid platform from which to start rethinking and exploring innovative architectural ideas in collaboration with the team and the tutors.
URBAN FIELDS
Phase I
In the first part of the workshop attendees will be looking at field conditions and how to generate and design such fields that can help structure a possible urban condition in Florence.
We will be exploring dynamic systems, geometric systems and network theories to generate and design an abstract field condi- tion that extends the urban experience of the city onto the vertical dimensions of towers. Simple operations that would span variations from an initial state will give rise to high level of com- plexity.
The goal of this exercise is to create a rich and diversified intel- ligible urban space that can be later on subjected to local inter- ventions and zooming in to locally enhance each design.
AGENT - BODIES POLYMORPHISM
Phase II
The second part of the workshop will build upon first phase; par- ticipants will select one archetype (high rise tower) as a study model for further development.
Besides engaging with multi agent algorithms design strategies, attendees will address strategic utilisation of structurally and environmentally generated morphologies to design coherent and highly differentiated tower exo-skeletons.
Tutors will introduce agent-bodies polymorphism in order to explore the generation of structural aware and capable geom- etries through agent based formation of non-linear hierarchies and emergent patterns. These agent-bodies will operate in a complex spatial manner to form structure, partitions or enclo- sure and will operate across scales, creating a poly-scalar level of detail.
Attendees will speculate how autonomous systems can cre- ate new structures and intelligent distribution of structural elements, about new collaborative strategies of construction and the performativity they will evoke (performance, effects, responsiveness, interaction).
Fees
Early registration (before 1st June)
Students 390€ - Professionals 440€
Late registration (after 1st June)
Students 490€ - Professionals 540€
More info and Applications
https://www.ax-om.com/edu/polymorphism/
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heranno la maggior parte delle funzionalità di Rhino, tra cui i comandi più avanzati per la creazione di superfici.
Struttura Le lezioni tratteranno in maniera sistematica argomenti riguardanti l'interfaccia utente, i comandi, la creazione e modifica di curve, superfici e solidi.
Risultati attesi Dopo questo corso l’allievo deve essere in grado di:
• Muoversi agevolmente attraverso l’interfaccia di Rhino.
• Identificare quando è richiesto modellare in maniera free-form o di precisione.
• Creare e modificare curve, superfici e solidi anche di natura complessa.
• Utilizzare ausili di modellazione per la precisione.
• Produzione di facili rendering per la visualizzazione dei modelli di Rhino.
Destinatari Questo corso è rivolto a progettisti e studenti che vogliono imparare in modo efficace i concetti e le caratteristiche del software di modellazione Rhinoceros. Le lezioni saranno esposte da un docente ART qualificato dalla McNeel esperto di modellazione Nurbs.
Prerequisiti Per affrontare il corso sono richieste competenze di Windows, passione e volontà di modellazione; precedenti esperienze di modellazione, anche con altri software, sono utili ma non indispensabili.
Attestato Alla fine del corso verrà rilasciata l’attestato di partecipazione ad un corso qualificato McNeel valido anche per l’ottenimento di crediti formativi universitari.
Luogo Le lezioni si terranno in Via dei Valeri 1 int.9, 00184 ROMA
Pre-iscrizione Per garantire il numero di iscrizioni è necessaria una pre-iscrizione inviando una mail all'indirizzo 4planstudio@gmail.com il cui contenuto deve essere il seguente:
Nome:
Cognome:
Indirizzo di residenza:
mail:
telefono:
La preiscrizione dovrà avvenire entro il 30/11. A seguito di questa procedura verrà inviata dal tutor una mail di conferma con le procedure di iscrizione.
Quota di iscrizione
Il corso prevede le seguenti quote di iscrizione:
studenti: 400 Euro; (sarà necessario presentare in copia la ricevuta di pagamento dell’anno in corso)
non studenti: 470 Euro. Le quote sono considerate iva inclusa.
Info
Per ulteriori informazioni sono a disposizione i seguenti contatti:
Responsabile didattico: arch. Michele Calvano
Info mail: 4planstudio@gmail.com
tel: 340 3476330
…
ly fabricated interventions and interactive electronic performance art installations in Barra Funda. Along with other experts, these tutors will teach how to use and apply new design technologies, notably Rhino and Grasshopper (and numerous plug-ins including GECO, Galapagos, Kangaroo and RhinoCam); Arduino and Processing; and the use of laser-cutters, rapid- prototype machines and CNC routers and mills.
Alan Dempsey of NEX, was in 2010, selected by the Centre for European Architecture/Chicago Athenaeum as one of the 40 most significant architects in the EU under 40. In 2008 he was selected by the British Council as one of the six most significant Design Entrepreneurs. He previously worked with Future Systems, OCEAN and Homa Farjadi. Alan was an AA Unit Tutor and is Director of the AA Independent’s Group (www.independentsgroup.net), which facilitates research into the use of computational design and fabrication. Alan has lectured, exhibited and been published worldwide. His work has received a number of awards, including a LEAF award for Spencer Dock Bridge, and a D&AD pencil for the [C]space DRL 10 Pavilion.
Robert Stuart Smith of Kokkugiais a Studio Course Master at the AA DRL. Robert previously worked for Lab Architecture Studio and Nicholas Grimshaw & Partners. He focuses on self-organisational systems and developmental growth, pursuing polyvalent and environmentally responsive affect. He leads consultation to Cecil Balmond on non-linear algorithmic design research. Kokkugia has projects in the USA, UK and Mexico, and is exhibited and published internationally.
Iván Ivanoff is an artist, programmer, and researcher. He searches for new forms of communication for the society of the future and is the director of different Media Labs worldwide. He founded the artistic collaborative i2off.org+r3nder.net, which develops multi-media and interactive projects, and Estado Lateral Media Lab to investigate and develop new technologies.
The Barra Funda district of São Paulo was once characterised by a mix of small industrial, commercial and residential programmes, but, as economic policies have favoured larger production industries, numerous companies have abandoned the area. In response, the workshop proposes the creation of new types of smaller industries to produce a mix of both consumption and production, manifested through micro-manufacturing interventions that can co-exist alongside retail and housing. Computational design and digital fabrication could be used to help create these new micro-industries, which in turn will help empower local craftsman to produce and sell directly to consumers through micro-manufacturing, located in small urban workshops.
The workshop will tap into emergent gallery scene of Barra Funda and local initiatives that use computational technology to introduce a new cultural and economic impetus. The workshop is a part of the International Festival of Electronic Language (FILE), an exhibition of interactive electronic technology, and will import these electronic technologies out of the galler, collaborating with local manufacturers, artists, and activists, with a goal of disseminating a high-tech yet low-cost and small-scale fabrication systems to promote this new micro-industrial movement. The workshop is open to architecture and design students and professionals worldwide.…
ermedio fondamentali per la corretta comprensione del software Rhinoceros.
Il corso si svolgerà nei seguenti giorni:
Lunedì 07/10/2013 dalle ore 9:30.00 alle ore 13:30
Martedì 08/10/2013 dalle ore 9:30.00 alle ore 13:30
Lunedì 09/10/2013 dalle ore 9:30.00 alle ore 13:30
Martedì 15/10/2013 dalle ore 9:30.00 alle ore 13:30
Scadenza preiscrizione per Rhinoceros StartUP : 04/10
Contenuti
- Presentazione e spiegazione dell’ interfaccia
- Approfondimento dell’ utilizzo dei comandi base 2D per la gestione del documento di progetto
- Teoria Free-Form
- Modellazione di architetture semplici per eseguire operazioni Booleane semplici e complesse
(addizione, sottrazione, intersezione)
- Presentazione e spiegazione delle superfici a doppia curvatura e loro pannellizzazione
- Comandi di editing, superfici tagliate e raccordi tra superfici
- Analisi di curvatura, tangenza e posizione delle superfici
- Impaginazione e costruzione degli elaborati bidimensionali attraverso modelli tridimensionali
- Modellazione di architetture complesse
Destinatari
Il corso è rivolto a studenti universitari, professionisti ed anche a coloro che non hanno precedenti esperienze di modellazione 3D.
Alla fine del corso, verrà rilasciato l’attestato di partecipazione ad un corso di Rhinoceros qualificato e certificato dalla casa sviluppatrice McNeel, valido anche per la richiesta di crediti formativi universitari.
Docente del corso
Il corso sarà tenuto da un docente qualificato con riconosciuta esperienza universitaria, esperto in disegno e rappresentazione dell' architettura e del design ed istruttore McNeel:
Michele Calvano| _architetto, dottore di ricerca in rappresentazione architettonica specializzato nella modellazione matematica (Nurbs) e modellazione parametrica.
Docente ART ( Autorized Rhino Trainer) - [vedi - CV]
Info
Per ulteriori informazioni di carattere didattico sono a disposizione i seguenti contatti:
Responsabile didattico e docente del corso : arch. Michele Calvano
Info mail: parametricart@gmail.com
cell: 340 3476330
…
rtical Sky Component (VSC), and now Sky Exposure Factor (SEF). For everyone else following this post, this discussion has been ongoing in these other threads:
http://www.grasshopper3d.com/forum/topics/sky-view-factor-vs-vertical-sky-component?groupUrl=ladybug&xg_source=msg_com_gr_forum&groupId=2985220%3AGroup%3A658987&id=2985220%3ATopic%3A1377260&page=1#comments
https://github.com/mostaphaRoudsari/ladybug/issues/230
Grasshope, you have gone right to Oke, the grandfather of urban climatology, whose papers I have several times and yet I somehow I always missed the finer details of the sky view calculation. From his definition, I had always thought of Sky View Factor as a purely solid angle or "view factor" calculation in the sense of Mean Radiant Temperature. However, the numbers and formulas that you give here clearly show that Oke meant that this metric for quantifying and understanding urban heat island must refer back to the urban surfaces and their orientation in relation to the sky. It cannot simply be the view from points in space.
To clarify the distinction in simple geometric terms: The key difference is that Sky Exposure refers to the sky seen by a point in space while Sky View refers to that seen by a surface. Both of them involve the calculation of either projected rays or solid angle calculations to the sky (since they both are “view” calculations). However, while Sky Exposure treats each patch of the sky with relatively equal weight, Sky View weights these patches by their area after being projected into the plane of the surface being evaluated. In other words, the sky view calculation for a horizontal surface would give more importance to the sky patches that are directly overhead than those near the horizon because these overhead patch are “in front” of the surface (as opposed to on the side).
To express this difference in the trigonometric terms you cite here:
Wall View = 0.5(sin2 θ + cos θ – 1) / (cos θ)
Wall Exposure = θ/π
I both cases:
θ = tan-1(H / 0.5W) - ** This is the solid angle or ray-tracing calculation
SkyViewOrExposure = (1 - 2 (WallViewOrExposure))
To put this in more simpler terms for the View Analysis component, all that I actually have to do to convert sky exposure to sky view is multiply each of the traced view rays by 2cos(ϕ), where ϕ is the angle between the surface normal and the given view ray being traced.
I have done this by adding this line of code () and I have verified that I get the values from Oke’s paper that you cite above, Grasshope. Accordingly, the View Analysis component now has the option to compute either Sky Exposure or Sky View. You can see this happening in this new example file:
http://hydrashare.github.io/hydra/viewer?owner=chriswmackey&fork=hydra_2&id=Sky_Exposure,_Sky_View,_and_Sky_Component&slide=0&scale=1&offset=0,0
To (once and for all!) clearly define the difference between the three metrics at the top of my reply and to explain how to calculate each with Ladybug Honeybee:
Sky Exposure Factor - The percentage of the overlying hemispherical sky that is directly visible from a given POINT or set of POINTS. This is equivalent to a geometric solid angle calculation or ray-tracing calculation from points. It is useful for evaluating one's general visual connection to the sky at a given point and should be applied to cases where direct views to the sky are the parameter in question.
Sky exposure is calculated with the Ladybug_View Analysis component like so:
Sky View Factor – The percentage of the overlying hemispherical sky that is directly visible from a given SURFACE or set of SURFACES. While Sky Exposure treats each patch of the sky with relatively equal weight, Sky View weights these patches by their area projected into the plane of the surface being evaluated. In other words, Sky View for a horizontal surface would give more importance to the sky patches that are overhead and less to those near the horizon. Sky View is an important factor in for modelling urban heat island since the inability of warm urban surfaces to radiate heat to a cool night sky is one of the largest contributors of the heat island effect.
Sky View is calculates with either the Ladybug_View Analysis component like so:
Or with the Honeybee_Vertical Sky Component Recipe like so:
Sky Component - The portion of the daylight factor (at a surface indoors) contributed by luminance from the sky, excluding direct sunlight. This is essentially the same as Sky View Factor but it often incorporates a sky condition that is not uniform, such as a cloudy sky or sky that is more indicative of diffuse sky light. Another way of conceiving of this metric is a Daylight Factor calculation without any light bounces. It is useful for understanding the direct daylight contribution of diffuse skylight and, although many consider it an older (and perhaps outdated) daylight metric, it is still required by some codes and standards.
Sky Component can be calculated with the Honeybee_Vertical Sky Component Recipe like so:
In addition to the added capability in the view analysis component, I have revised the component description to include the definitions above. I have also corrected the Hydra example file in which I cite sky view as an urban heat island metric to use the new formula:
http://hydrashare.github.io/hydra/viewer?owner=chriswmackey&fork=hydra_2&id=Sky_View_in_an_Urban_Canyon&slide=1&scale=1&offset=0,0
Finally, all of this discussion has made me realize that the Vertical Sky Component recipe for Honeybee might not always be evaluating VERTICAL sky. The sky component might be vertical, horizontal, or in any direction that the input test surface is placed and pts vectors are oriented. Accordingly, Mostapha, I think that we should change the name of the component to simply be “Sky Component” instead of “Vertical Sky Component”. Please let me know if you agree.
Thanks again, Grasshope, for all of the great work! All of this never would have made sense without your research.
-Chris…
y in English. ○Presenter
Robert (Bob) McNeel (McNeel & Associates founder) Robert (Bob) McNeel is the founder and president of Robert McNeel & Associates (RMA). Founded in 1978, RMA originally focused on developing accounting software for accounting, architecture, engineering, and other personal services firms. Within a few years, RMA expanded its services to include selling and supporting microprocessor-based engineering and design software including AutoCAD. By 1985, the main focus of the business had shifted to AutoCAD sales, service, training, and software development. Bob McNeel grew up in the mountains of southern Washington State on a subsistence dairy farm. To pay for college, he worked in construction as a carpenter, welder, and cement finisher. Bob has a BA in Accounting from Washington State University. Prior to founding McNeel & Associates, he was a practicing Certified Public Accountant and the comptroller for a large construction company in Spokane. Andrés González (Rhino Fablab director) Andrés is a software trainer and developer since the 1980s. He has developed applications for diverse design markets as well as training materials for different CAD and Design software including the community of training materialswww.Rhino3D.TV Andrés has been working with the Rhino Team since the very early stages. He is now the head of the McNeel Southeast US & Latin American Division. He is the worldwide director of the digital fabrication community called RhinoFabLabwww.RhinoFabLab.com as well as the Generative Jewelry & Fashion Design community GJD3D www.GJD3d.com and Generative Furniture Design community GFD3D www.GFD3d.com 1981 -1985 University of North Carolina at Charlotte N.C. - EE.UU. B.S., Bachelor of Science in Engineering
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Added by Yusuke Oono at 9:28pm on October 16, 2013
ssibili e facili da usare. Il corso parte dalle basi della programmazione di arduino fino ad arrivare all’interazione tra un oggetto fisico ed un imput informativo. tutor: Gianpiero Picerno Ceraso
Programma: I giorno Introduzione al Phisical Computing, input digitali e analogici, le basi del linguaggio di programmazione, esempi applicativi; led, pulsanti, fotorestistenze, servo motore, sensore di temperatura, di flessione, sensori di movimento, potenziometri.
II giorno Arduino ethernet, uso di un relè per carichi elevati, accelerometro, introduzione a Processing, interazione di Arduino e Processing, Introduzione a Grassoppher e Firefly e interazione con Arduino.
orario corso: 10:00 – 13:00 e 14:00 – 17:00 (pausa pranzo 13:00 – 14:00) costo: 150€ + IVA deadline: 13 marzo numero minimo di partecipanti: 3
Per iscrizioni scrivi a info@medaarch.com specificando nome, cognome, mail, recapito telefonico e il nome del corso al quali sei interessato. In seguito all’invio del modulo di pre-iscrizione, i partecipanti riceveranno una mail contenente tutte le specifiche di pagamento.
Per seguire il cluster su Arduino è necessario installare il software Arduino 1.0.5 al seguente linkhttp://arduino.cc/en/Main/Software#.Ux3hQj95MYE facendo attenzione a scaricare quello relativo al proprio sistema operativo, Windows 32 o 64 e Mac OS.
Software necessari solo per una parte del corso: Processing 2.1.1 https://processing.org/download/?processing
Rhino 5 http://www.rhino3d.com/it/download Grasshopper for Rhino5http://www.grasshopper3d.com/page/download-1Firefly http://fireflyexperiments.com/
Il cluster rientra in un fitto calendario di attività formative organizzate dalla Medaarch per lanno 2013-2014.…