ating to new speakers.
For more information: https://medium.com/@carspeakerland/a-guide-to-the-simple-way-difference-in-car-speakers-2-way-3-way-4-way-25e0bf215b00
Adding new speakers for your automobile could improve the sound quality dramatically. Some sound technicians say it is the number-one update you may make to improve the overall quality of your vehicle.
"They do not care how it sounds. Speakers are often form of continue on the list. Updating to new speakers offers you a much fuller sound."
There is a whole lot to pick from in regards to car speakers. (Photo from Eldon Lindsay)
"New speakers will make a greater fidelity and clarity of sound," states Robert Nevitt, proprietor of Audio Electronics at Indianapolis. "The audio is more different without distortion. People will not get bored listening to it."
Cook says customers need to pick the type of sound they enjoy. The very first thing Cook does having a customer is sit in the car together to talk about their personal taste.
"Everybody's ear is different," he states. "That which I believe sounds great, you might believe is dreadful. It is a fantastic idea to get outside and listen to everything you enjoy and do not like about doing it."
When you've discovered a sound you want, you are going to discover the sky's actually the limitation in regards to purchasing car speakers. There are scores of manufactures and models, sizes and power levels to select from.
Columbus Car Audio & Accessories offers three types of automobile speakers to pick from: complete array speakers, component speakers along with coaxial speakers.
• Total range speakers arrive with a tweeter to make to your high-pitched sounds along with a woofer for those lows. This option offers a number of different sizes.
• Unit speakers, nonetheless, include separate tweeters and woofers.
• Coaxial speakers arrive with a tweeter plus motorist.
When you've selected a type of automobile speaker, you are going to want to determine how many you desire. Cook states some cars arrive with as little as just two speakers, whereas bigger, luxury vehicles might have too many 32. He adds a normal sedan generally has four. What are The Speaker Sizes in My Car | Speaker Size for My Car
"It simply depends if you would like to replace all of these," Cook says. "I would advise doing all of four. If you are budget-minded, I'd begin with the ones at the front. That is where you are at. And you are likely to be at the automobile 100 percent of their moment."
Subwoofers are designed to reproduce low bass frequencies also may be included with new speakers or could be added separately to existing car speakers.
"Many speakers can not play down low in these frequencies such as a subwoofer may," Cook says.
Related Article
Wondering about speakers? Below are a few techniques to establish a home entertainment experience whatever your budget.
A speaker update might charge as little as $100 up to a few million dollars depending on the scope of job and type of speaker.
Cook states that the price of a subwoofer can operate as low as $37. Columbus Car Audio & Accessories sells a subewoofer bundle that includes an amplifier and a enclosure for about $ 299.
To get a set of automobile speakers, Columbus Car Audio & Accessories begin prices at $39, with an average price tag of about $70 for setup. Adding an anti-vibrator into a set of speakers prices an additional $25.
Nevitt, meanwhile, fees as little as $99 to get a set of "some good speakers." The price of one hour of installion, that is typically how long it takes to put in a set of speakers, is 67.
However, most customers spend far more.
"Paying a total amount of 800 to $1000 isn't from this world of possibility," Nevitt states. "A price somewhere in the center could be $400 or $500."
Cook says several vehicle speaker technicians began with DIY projects and adds there is nothing wrong with trying to set up car speakers all on your own. But you are going to want the correct tools for your job along with just a little understand. Installing speakers requires carrying out your car door.
See Also: https://www.scoop.it/t/how-to-choose-best-car-speakers-6x9-inch-6-5-inch-6x8-inch-4-inch
Choosing a professional to set up speakers ensures that the job is done correctly.
"If you do it yourself, then you might wind up breaking something. That is some thing we do everyday. I am not planning to inform you we will not violate something. But we will look after it if we perform. We all do so with being honest and up front with people."
If you are getting speakers set up, experts say to expect to place an appointment to the setup. …
up structural systems in the parametric environment of Grasshopper. Participants will be guided through the basics of analysing and interpreting structural models, to optimisation processes and how to integrate Karamba3D into C# scripts.
This workshop is aimed towards beginner to intermediate users of Karamba3D however advanced users are also encouraged to apply. It is open to both professional and academic users.
Earlybird (until May 10):
Professional EUR 750 (+VAT)
Educational EUR 375 (+VAT)
Course Fee:
Professional EUR 825 (+VAT)
Educational EUR 415 (+VAT)
Course Outline
Introduction & Presentation of project examples
Optimization of cross sections of line based and surface based elements
Geometric Optimization
Topological Optimization
Structural Performance Informed Form Finding
Understanding analysis algorithms embedded in Karamba and visualising results
Complex Workflow processes in Rhino3d, Grasshopper3d and Karamba3d
Places are limited to a maximum of 10 participants with limited educational places. A minimum of 4 places are required for the workshop to take place.
The workshop will be cancelled should this quota not be filled by May 31st.
The workshop will be taught in English. Basic Rhino and Grasshopper knowledge is recommended. No knowledge of Karamba3D is needed.
Participants should bring their own laptops with either Rhino5/Rhino6 and Grasshopper3d installed. A 90 day trial version of Rhino can be downloaded from Rhino3d.
Karamba3D ½ year licenses for non-commercial use will be provided to all participants.
…
e and i get it. If you have time check the attached papers we published a while ago in relation to the contribution of thermal mass in the reduction of temperature in residential buildings. See the nice contribution of the heavy TM or the lower one for light TM.
As for the solarHeatCapacity, your description (of the 50W) is derived on a 1 Facade/Floor ratio and fully glazed. The only way to reduce it is to increase the ratio (bigger facade area). Which is not recommended (energy losses), but this is a different issue. So, roughly, we can say that 50 is the lower value. If i have less glazing area this number will be higher (right?)
I want to define a value list of "architectural situations", so it is easy to explain and understand. One situation can be:
"Ratio facade/floor 1 & Fully glazed" = 50
"Ratio facade/floor 1 & Half glazed" = 75
"Ratio facade/floor 1.5 & Fully glazed" = 30
"Ratio facade/floor 1.5 & Half glazed" = 50
"Ratio facade/floor 0.75 & Fully glazed" = 70
"Ratio facade/floor 0.75 & Half glazed" = 90
Makes sense for you something like this?
I also defined a value list for the timeConstant like this:
Light Building (Mobile home) = 1Medium-light building (Cement tiles on floor) = 4Semi Heavy Building (Concrete floor + Tiles) = 8Heavy Building (Concrete floors/ceilings + Heavy external and internal walls) = 12
As for the first 5-10 cm effective TM in general my assumption is that you take half of the mass to your space and half to the space above/below you. Will be interesting to do a parametric study on just the thermal mass, uninsulated and insulated to see what the depth limits effectivity will be. Interested in doing such a study together? Can be a nice work even for publishing.
Thanks a lot ... again,
-A.…
393&xg_source=activity
In this case we see a geometrically approach, which doesn’t works efficient, because it required knowing how they behaviors together before, and I think it is not the ‘really behaves’.
To make the structure ‘really behaves’ I tried use kangaroo and the result works very well! As you can see I simply give the 2-set reverse UForce, and then they start to rotate until they found their equilibrium. That means 90 degree rotation. I was wondering what we can do to make a endless-rotation. I am mean 360 degree or more like this:
https://www.youtube.com/watch?v=4owFczeqqMQ
By the way, I try to give supports which allow a horizontal movement only (Just curious how we could keep the anchor-movement horizontally and in the same layer, for example like usual supports for compression ring…). I use the AnchorXYZ, but Kangaroo-Engine seems don’t accept its output.
So maybe some one knows a better solution?
…
Added by Jon to Kangaroo at 7:40am on March 11, 2014
problem later) to fit more shapes that are otherwise won't fit in.
On the example below horizontal rectangle couldn't fit in but its rotated analog could and thus was placed in.
Later, when placed shapes are used to generate frames, because of this rotation, the position of the starting points changes and because of the approach I use to generate the frames some angle values are attached to the wrong corners, this brakes the frame shape and looks like this (on the left the frame of sick shape and on the right the frame of the healthy shape):
Again, this happens because the angle values are assigned to the specific corners (points) and previously rotated shapes get these all messed up:
Easy fix, don't rotate the shapes, problem is, I've already baked a good number of them for later use. I'd like to avoid regeneration because it takes a lot of time and without rotation I constrict the algorithm even more.
Better fix, use a different approach, this is where I'd like to hear suggestions and kicks in a right direction. Please take a look at my definition. It works but I have a feeling like giving an amputee a job of sweeping the floor.
…
ns. but first allow me to explain what i'm trying to do: i have a serial device i want to talk to, but i have to do it using some sort of handshaking. for instance, when i send a command/data, i need to wait for an appropriate response before sending another. i have used andy payne's general serial components from firefly, but i don't think they'll work for what i want to do, and in general, i want to know how to do this from scratch. i'm using the pyserial library to do the comm, and i can get it to work within one script. here's an example of a working (mostly) port open/close script (x=input param for baud, y=input param for port name, z=boolean input param for open/close):
import serialmyPort=serial.Serial()myPort.baudrate = xmyPort.port = yif z == True: try: myPort.open() except: print "Something went wrong. Cannot open port." if myPort.isOpen() == True: print myPort.name + " is open" if z != True: try: myPort.close() except: print "Something went wrong. Cannot close port." if myPort.isOpen != True: print myPort.name + " is closed"
this all works well and good. here are my questions:
1) I can open the port and then close it. however, if i try to re-open it, i get an access denied error. it seems rhino is holding the port open, as i have to re-start rhino to get it working again. i read through the discussions and didn't see any definitive answers to this problem. any advice?
2) I'd like to share this port with other components (or at least break up the functions of opening/closing the port and read/write, not unlike how the firefly components are organized), but i have no idea how to share an object instance between components. i did see that there is a sticky dict and tried to add myPort to it, but i kept getting errors in the other component when i try to use the object's methods. for instance:
Component 1 Script:
import serial
import scriptcontext
myPort=serial.Serial("COM4", 9600)
scriptcontext.sticky['myPort']=myPort
Component 2 Script:
import serial
import scriptcontext
myPort=scriptcontext.sticky['myPort']
print myPort.read()
but i get messages like:
Runtime error (MissingMemberException): 'Serial' object has no attribute '_port_handle'
any assistance would be greatly appreciated!!
best,
~BB~…
ceros.
Public concerné /
Architectes et designers, utilisateurs de Rhino souhaitant paramétrer Rhinocéros à l’aide de Grasshopper,
programme associant des composants et une structure de graphe interagissants avec le modèle Rhino.
Une bonne connaissance de Rhinocéros est nécessaire. La langue de la formation est le français.
Structure et Objectif de la formation /
La formation se déroule sur 3 jours : les 2 premières journées sont consacrées aux « fondamentaux » de
Grasshopper avec en préambule une introduction au design et à l’architecture paramétrique et leurs impacts
dans la conception, la création et la construction.
La troisième journée sous forme d’atelier est dédiée à l’étude de cas concrets proposés par les stagiaires, qui,
quelques jours avant la formation, pourront envoyer leurs projets par mail à - info AT rhinoforyou DOT com -
Les stagiaires, après la formation, pourront rester en contact avec les formateurs de HDA par le biais du
blog complexitys.com et le twitter @HDA_Paris. La durée de cette formation permettra d’atteindre une
autonomie et une bonne compréhension basée sur des exemples concrets.
Programme ind icatif des notions traitéES pendan t la formation /
Introduction à la conception Paramétrique . Rhinoscript, Grasshopper: différences et similarités . Interface
graphique de Grasshopper . Objets, Données, Listes . Opérateurs scalaires : La mathématique de
Grasshopper . Gestions des données : la logique de Grasshopper . Vecteurs, Points, Lignes, Surfaces : La
géométrie de Grasshopper . Listes, Arbres, Branches . Le dessin paramétrique: exercices divers et exemples
. Références, Bibliographie, Support de cours . Ateliers d’architecture et design paramétrique (3ème jour) .
Moda lité de la formation /
Venir avec un PC portable équipé de Rhinocéros version 4.0 SR 7 et de la dernière version du plug-in
Grasshopper (téléchargeable sur www.grasshopper3d.com).
Le coût du stage de 3 jours est de 1050 € HT par personne.
Réserver votre place dès que possible car les places sont limitées à 10 participants maximum.
Inscriptions et renseignements: Jacques Hababou, info AT rhinoforyou DOT com
Pour en savoir plus sur l’architecture paramétrique: www.complexitys.com…
ger at the scale of rooms, walls and atria, but that of cells, grains and vapour droplets. Rather than the flow of people, services, or construction schedules, the focus becomes the flow of light, vapour, molecular vibrations and growth schedules: design from the inside out.
The sg2012 challenge, Material Intensities, is intended to dissolve our notion of the built environment as inert constructions enclosing physically sealed spaces. Spaces and boundaries are abundant with vibration, fluctuating intensities, shifting gradients and flows. The materials that define them are in a continual state of becoming: a dance of energy and information.Material potential is defined by multiple properties: acoustical, chemical, electrical, environmental, magnetic, manufacturing, mechanical, optical, radiological, sensorial, and thermal. The challenge for sg2012 Material Intensities is to consider material economy when creating environments, micro-climates and contexts congenial for social interaction, activities and organisation. This challenge calls for design innovation and dialogue between disciplines and responsibilities.sg2010 Working Prototypes strove to emancipate digital design from the hard drive by moving from the virtual to the actual in wrestling with the tangible world of physical fabrication. sg2011 Building the Invisible focused on informing digital design with real world data. sg2012 Material Intensities strives to energise our digital prototypes and infuse them with material behaviour. They have the potential to become rich simulations informed by the material dynamics, chemical composition, energy flows, force fields and environmental conditions that feed back into the design process.
More information can be found at http://www.smartgeometry.org
sg2012 take place at Rensselaer Polytechnic Institute, Troy, in upstate New York from 19-24 March 2012. The Workshop and Conference will be a gathering of the global community of innovators and pioneers in the fields of architecture, design and engineering.
The event will be in two parts, a four day Workshop 19-22 March, and a public conference beginning with Talkshop 23 March, followed by a Symposium 24 March. The event follows the format of the highly successful preceding events sg2010 Barcelona and sg2011 Copenhagen.…
nter the programming world and tinker more complex, interactive solutions. We will also explore advanced programming paradigms. There is no class official programming language, as both C# and Vb.Net are possible on the participant’s side, and all examples will be provided in both C# and Vb.Net. Additionally, we will see how to get started writing full .Net plug-ins. Finally, we will have time to explore user’s own proposals on the third day.
Day 1 Morning: programming introduction in .Net
• The Grasshopper scripting components. Choosing a .Net language. Language developments
• Variables declaration, assignment and utilization. Operators. Methods [functions]. Calls
• Classes: declaration and instancing. Constructors. Importing a namespace. On3dPoints, OnLines
• Arrays declaration and usage. Lists. Adding to arrays and lists, advantages and opportunities.
Afternoon: patterns
• About OOP (object oriented programming) as opposed to procedural programming. Discussion
• Example of OOP good code reuse: sorting points by coordinates using the .Net SDK classes
• Lists as input parameters. Trees as input parameters. Usage and limitations
• Finding resources: on the net with website that can help getting started and troubleshoot. And books
Day 2 Morning: extending Grasshopper functionality with our definitions
• Store data between updates. The use of fields [globals, or static locals]
• Examples on how to use stored data between updates: a simple agents simulation
• Baking geometry with scripting directly into the Rhino document. Baking with names
• Passing custom types from a scripted component to another one. Our own code reusability
• Rendering an animation from Grasshopper. How to get started and final results
Afternoon: customizing our tools
• Our Rhino plug-in with Visual Studio C# [Vb.Net] Express Edition & wizard. Parametric mesher
• Writing a custom Grasshopper component: hacking an exporter for our data to Excel
Day 3 All day: personal project
• Rehearsal on any example from the first two days. A project that you want to start on your own, being it a Rhinoceros plug-in, a Grasshopper assembly or a script. Example might be to send data through network with UDP to Processing
MINIMUM REQUIREMENTS
A good foundation of Grasshopper visual programming is mandatory. You will need a level which corresponds to the Grasshopper 101 course outline. Examples of things that will not be covered in this course are: sorting document spheres by diameter, paneling of a surface with grasshopper components. You are expected to already know these from the Grasshopper course.…
creating the structural frame, finding the endpoints, linking these endpoints with curves and afterwards lofting the surfaces between the curves.
The results were quite nice, however, the procedure is very time consuming and inefficient. There is just too much copy-pasting involved.
(see attached file: "Old Attempts.zip" )
Mesh relaxation:
I have later on used Daniel Piker's tutorials on Mesh Relaxation and realized that this might be the way to go.
The link to these online tutorials on wewanttolearn.net is:
https://wewanttolearn.wordpress.com/2011/10/22/mesh-relaxation-kangaroo-tutorial/
His tutorials, however, only deal with mesh boxes which are ideal cubes. He then joins them together in various directions, but it is under 90 degrees angle.
( see attached file: "Daniel Pikers Examples" )
What I would like to achieve:
I want my bridges to go in all directions and angles, not just under 90 degree angle.
Ideally I would like to make a square (polygon) follow a curve (which moves in all axis) at certain number of division points. I would then loft these squares into a mesh and use that shape as a mesh box. I would later use this mesh box and relax it the same way as Daniel Piker used the cubes in his tutorial. The anchor points are only the vertices of the squares which create the lofted mesh box.
( see attached file: "New Attempts" )
As you can see below this procedure works even if the curve is moving in all directions not only along xy axis. There are, however, many problems connected to it.
The problem:
Despite all the effort I cannot seem to come up with a design where I would be able to draw a random curve which would be the guideline for my mesh box and then apply this box to one definition in order to relax the mesh and create the shape that I want. Without this I am again forced into a lot of copy pasting as the final mesh box is made out of several sections.
Also is there any way I could make the final resulting mesh a bit smoother? Increasing the number of mesh faces is probably the only way, right?
Thank you guys so much for any potential help.
All best,
Luka
…