ve Intermediate Insight of Computational Design Strategies While Exploring Rangoli Art form in 2 Dimension and 3Dimesion in which Participants will not only be trained to Digitally Design using Parametric software's but they will also be trained to Fabricate them in reality.
This Course will be explored in manner where Participants will understand inter-dependency of Rhinoceros3D & Grasshoper3D through a unique Hybrid Teaching Method While Exploring Rangoli Geometry .
The course will also take participants through Topics such as - Computational Thinking, - Computational / Parametric Design, - Computational Rangoli Exploration, - Digital Fabrication, - 3D Visualization ( Rhino3D 6), - Making Info-graphics & Design Diagrams ( Rhino3d 6 ).
Participants will also be doing a Project at the last Leg of Workshop in which they will implement the skill they gained in first Few Weeks.
{ Tutor } Nitant Pixelkar (Computational Artist / Designer, Mumbai)
Nitant Hirlekar A.k.a. Pixelkar, is a Computational Artist. He graduated from Rachana Sansad school of Interior Design 2011, Mumbai. In Academics He Bagged Two Gold and One Silver Medal on National Level.
In his post academic days, he came across the Emerging Computational Techniques in Design industry in which Algorithm serves as a main Functional part. He uses Algorithms to Deconstruct the Captured images in Pixelated form using the Grid of the Desired Indian Art Forms.
He Heads Collective Group Named "Mutation Lab” which is a multidisciplinary Design & Art Cell. Where they Explore Computational Approach while Designing Various Scales Spatial Installation, Digital Fabrication, Interactive Installations and Computational Consultancy for Various Architects.
He has exhibited his first artwork in Kalaghoda Arts Festival for in 2014 And further in 2016 and 2017.In 2015 he exhibited in Dharavi Biennale” organized by Wellcome Trust,London & Sneha Organisation, Mumbai Which was internationally acclaimed. In 2016 he got Featured on a TV show - The Creative Indian's as an Absolut Creative Indian of the Week.
Academically he is been involved in Many Computational Design Workshops / Elective Studios for School of Interior Design (Rachna Sansad), LS Raheja College of Architecture & Rat-Lab (Delhi).
{ Participants } The Course is aimed at Architecture, Interior Design, Product Design,Furniture Design & Fashion Design Students and Professionals. However we would be thrilled to have any Interdisciplinary Artist / Creator/ Maker to join the Course as well.
{ Level }
Intermediate
{ Timing } Monday To Friday - 6:00 PM to 9:00 PM (15 Hours/ Week = 5 Week X 15 Hours = 75 Hours )
{ Dates } Registration Ends - 24th April 2020 **Subejct to Availablity
{ Workshop Dates } 4th May 2020 To 5th June 2020
{ Venue } Lower Parel,Mumbai ( Details To Be Announced )
{ Schedule }
{Registration Form}…
, Engineer and Researcher from France with broad programming experience. He is the author of the City in 3D Rhinoceros plugin for creation of buildings according to geojson file and with real elevation. Guillaume already created a new component: "Address to Location". It enables getting latitude and longitude values for the given address:
2) Support of Bathymetry data: automatic creation of underwater (sea/river/lake floor) terrain. This feature is now available through new source_ input of the "Terrain generator" component. Here is an example of terrain of the Loihi underwater volcano, of the coast of Hawaii:
3) A new terrain source has been added: ALOS World 3D 30m. ALOS is a Japanese global terrain data. Gismo "Terrain Generator" component has been using SRTM 30m terrain data, which hasn't been global and was limited to -56 to +60 latitude range. With this addition, it is possible to switch between SRTM and ALOS World 3D 30m models with the use of source_ input.
4) 9 new components have been added:
"Address To Location" - finds latitude and longitude coordinates for the given address.
"XY To Location" - finds latitude and longitude coordinates for the given Rhino XY coordinates. "Location To XY" - vice versa from the previous component: finds Rhino XY coordinates for the given latitude longitude coordinates. "Z To Elevation" - finds elevation for particular Rhino point. "Rhino text to number" - convert numeric text from Rhino to grasshopper number. "Rhino unit to meters" - convert Rhino units to meters. "Deconstruct location" - deconstructs .epw location. "New Component Example" - this component explains how to make a new Gismo component, in case you are interested to make one. We welcome new developers, even if you contribute a single component to Gismo! "Support Gismo" - gives some suggestions on how to make Gismo better, how to improve it and support it.
5) Ladybug "Terrain Generator" component now supports all units, not only Meters. So any Gismo example file which uses this component, can now use Rhino units other than Meters as well. Thank you Antonello Di Nunzio for making this happen!!
Basically just forget about this yellow panel:
This panel is not valid anymore, so just use any unit you want.
6) A number of bugs have been fixed, reported in topics for the last couple of weeks. We would like to thank members in the community who invested their time in testing, finding these bugs and reporting them: Rafat Ahmed, Peter Zatko, Mathieu Venot, Abraham Yezioro, Rafael Alonso. Thank you guys!!! Apologies if we forgot to mention someone.
The version 0.0.2 can be downloaded from here:
https://github.com/stgeorges/gismo/zipball/master
And example files from here:
https://github.com/stgeorges/gismo/tree/master/examples
Any new suggestions, testing and bug reports are welcome!!…
Added by djordje to Gismo at 5:13pm on March 1, 2017
well, very similar input data must result in wildly different hashes. For example, imagine we have an algorithm which computes hashes of text, and the hashes it computes are all numbers between 0 and 999. We then apply this algorithm to a piece of text:
"When Spring comes back with rustling shade" = 385
So far so good. Now imagine we change the text slightly, for example by removing a single "l":
"When Spring comes back with rusting shade" = 973
Minor change -> very different hash. There are of course way more unique texts than there are numbers between 0 and 999. This must therefore mean that a lot of text will result in the same hash. For example "When Spring brings back blue days and fair." may also result in a hash of 385. Because of the pigeonhole principle, there is nothing to be done about this.
Now for the tricky bit. Hashes are often used to validate executable code. Say your friend James at MI6 sends you a small program that will allow you to eavesdrop on Angela Merkel, and -over the phone- he tells you the hashcode for that application. You can then hash the application yourself, verify that it indeed results in the same hashcode and then you know you can trust the executable.
But now Jack from the FBI intercepts the email and adds a few sneaky lines of code to the original application allowing him to determine from your internet search history with up to 95% accuracy whether you like extra cheese on your pizza. The application has now been tampered with, it can no longer be trusted and you should be able to figure this out as it will no longer result in the same hash code.
But wait! Some hashing algorithms are more secure than others. MD5 is now officially considered to be 'hacked' and it is no longer recommended for doing naughty spying. Specifically, Jack will be able to inject his own code in such a way that it does not result in a different hash. Instead, the SHA family of hashers are to be used, as it is not yet known how to trick these hashers.
This is where the problem comes in, because apparently the US government has forcefully disabled the use of MD5 for all purposes. This is a shame because I use it to quickly compare bitmap icons for identicalness so I only have to store an icon in memory once. There is no security hole due to this, because I'm not hashing secure data. MD5 is somewhat faster than SHA, and since I have to hash several hundred icons on Grasshopper start, I opted for the faster one.
(Very) long story short; you're hosed. Grasshopper uses MD5; USgov does not like; Grasshopper does not run on USgov computers.
I'll do some testing to see if I can switch to SHA and then we can see whether or not that solves the problem. This however will take a while as I'm going on a business trip next week and have yet to prepare my presentations.
--
David Rutten
david@mcneel.com…
Added by David Rutten at 12:06pm on March 31, 2014
ed file and code below:
Color ColorAt(Mesh mesh, int faceIndex, double t0, double t1, double t2, double t3) { // int rc = -1; var color = Rhino.Display.Color4f.Black;
if( mesh.VertexColors.Count != 0) { // test to see if face exists if( faceIndex >= 0 && faceIndex < mesh.Faces.Count ) { /// Barycentric quad coordinates for the point on the mesh /// face mesh.Faces[FaceIndex].
/// If the face is a triangle /// disregard T[3] (it should be set to 0.0).
/// If the face is /// a quad and is split between vertexes 0 and 2, then T[3] /// will be 0.0 when point is on the triangle defined by vi[0], /// vi[1], vi[2]
/// T[1] will be 0.0 when point is on the /// triangle defined by vi[0], vi[2], vi[3].
/// If the face is a /// quad and is split between vertexes 1 and 3, then T[2] will /// be -1 when point is on the triangle defined by vi[0], /// vi[1], vi[3]
/// and m_t[0] will be -1 when point is on the /// triangle defined by vi[1], vi[2], vi[3].
MeshFace face = mesh.Faces[faceIndex];
// Collect data for barycentric evaluation. Color p0, p1, p2;
if(face.IsTriangle) { p0 = mesh.VertexColors[face.A]; p1 = mesh.VertexColors[face.B]; p2 = mesh.VertexColors[face.C]; } else { if( t3 == 0 ) { // point is on subtriangle {0,1,2} p0 = mesh.VertexColors[face.A]; p1 = mesh.VertexColors[face.B]; p2 = mesh.VertexColors[face.C]; } else if( t1 == 0 ) { // point is on subtriangle {0,2,3} p0 = mesh.VertexColors[face.A]; p1 = mesh.VertexColors[face.C]; p2 = mesh.VertexColors[face.D]; //t0 = t0; t1 = t2; t2 = t3; } else if( t2 == -1 ) { // point is on subtriangle {0,1,3} p0 = mesh.VertexColors[face.A]; p1 = mesh.VertexColors[face.B]; p2 = mesh.VertexColors[face.D]; //t0 = t0; //t1 = t1; t2 = t3; } else { // point must be on remaining subtriangle {1,2,3} p0 = mesh.VertexColors[face.B]; p1 = mesh.VertexColors[face.C]; p2 = mesh.VertexColors[face.D]; t0 = t1; t1 = t2; t2 = t3; } }
/** double r = t0 * p0.FractionRed() + t1 * p1.FractionRed() + t2 * p2.FractionRed(); double g = t0 * p0.FractionGreen() + t1 * p1.FractionGreen() + t2 * p2.FractionGreen(); double b = t0 * p0.FractionBlue() + t1 * p1.FractionBlue() + t2 * p2.FractionBlue();
ON_Color color; color.SetFractionalRGB(r, g, b);
unsigned int abgr = (unsigned int)color; rc = (int) ABGR_to_ARGB(abgr); **/ var c0 = new Rhino.Display.Color4f(p0); var c1 = new Rhino.Display.Color4f(p1); var c2 = new Rhino.Display.Color4f(p2); float s0 = (float) t0; float s1 = (float) t1; float s2 = (float) t2;
float R = s0 * c0.R + s1 * c1.R + s2 * c2.R; float G = s0 * c0.G + s1 * c1.G + s2 * c2.G; float B = s0 * c0.B + s1 * c1.B + s2 * c2.B; color = new Rhino.Display.Color4f(R, G, B, 1); } } return color.AsSystemColor(); }
…
y using the Honeybee_Update Honeybee component.
The video below (best viewed in full-screen mode) provides an idea of what these components are capable of being used for:
The video below shows how these components can be used in an existing Honeybee project (for additional links please open this video in youtube):
I have uploaded two examples as Hydra files that show how these components can be used for grid-point and image-based simulations:
Example1 : Grid Point Calculations
Example2: Image based simulation
Finally, a more esoteric application is demonstrated in this video:
These components are still in the beta-testing stage. Some of the limitations of the components are:
1. Only Type C photometry IES files are supported at present.
2. Rhino is likely to get sluggish if there are too many luminaires (i.e. light fixtures) present in a scene.
3. Due to the spectral limitations of the ray-tracing software (RADIANCE), simulations involving color mixing might not be physically realizable.
Additional details about photometric and spectral calculations are probably an overkill for this forum. However, I'd be glad to answer any related questions. Please report any bugs or request new features either on this forum or on Github.
Mostapha, Leland Curtis, Reinhardt Swart and Dr. Richard Mistrick provided valuable inputs during the development of these components.
Thanks,
Sarith
Update 16th January 2017:
An example with some new components and bug fixes since the initial release announcement can be found here
…
thing that MicroStation does (or doesn't). The eternal debate between us is that they focus to the so called BIM aspect of things (and obviously on interoperability matters - that said IFC2*4 is" implemented" in certain Bentley verticals like BA and others) whilst I'm after assembly/component puzzles (and on that matter ... MS ...hmm... to put it politely is not exactly CATIA and/or NX, he he).
On the other hand this paranoid obsession with Level/Layer driven CAD (I hate it) defines a red thick line between CAD and MCAD - because the most intelligent importer can't emulate the way that Siemens NX/CATIA classifies objects - and without control power means nothing.
On the other hand Microstation V9 (...soon) has interesting scripting capabilities (think Modo rather Generative Components) ... meaning that Grasshopper could work there in a rather nice way. I think that I must talk for that to Ray (he recently ditched the ancient legacy MS render engine in favor for the Luxology/Nexus engine). Ray still is negative to buy Act3D mind (hope that you know the mother of visual scripting - the Quest3D VR thing).
On the other hand - within the broad AEC aspect - things these days are different (especially in fast developing countries the likes of UAE, Saudi Arabia, certain ex USSR "democracies" etc etc). Studies are outsourced even at Preliminary Design stage to various sub-contractors (they undertake the Study completion per discipline as well). This means that N separate groups doing M aspects of the whole ... meaning entropy^(N*M) - that's chaos in plain English.
With this in mind I'm quite (a lot) skeptical about the practical meaning of the whole exchange thing in AEC - at least with regard the countries mentioned (not to mention that several portions of a modern AEC thing are made via MCAD apps - chaos^chaos.
I'll back with more focused issues on that matter.
But the big question is: Grasshopper of Generative Components? Well...let's talk serious SS bikes instead: think a Ducati 1198 and a BMW S1000RR (I have them both): which is "best"? The thing is that not always the best bunny is the fasted bunny and not always the fasted bunny is the best bunny.
Cheers,
Peter
…
ty to work in a new and exciting space, where design, art, technology and fashion meet.
If you guys are looking for a full- or part-time job, or know an expert who is - we're happy to with meet him/her. We're located in the Lower East Side, New York.
What the person will be doing:
- Provide technical vision for product and infrastructure features
- Work with Marketing/Product Management to enhance the user experience
- Develop (with our team) our e-commerce customization platform
- Manage our real time 3D modeling platform
- Mentor 3D modelers and developers, define and document development methods, and share best practices
- Review and recommend improvements to product architecture
What we require:
- BA/BS/ BARCH degree OR CS/EE/Engineering degree preferred
- EXTENSIVE 3d modeling, rhino and grasshopper experience
- Experience building online computer games
- Experience creating natural and fractal patterns and forms in 3d
- UV Texture Mapping bit mapping (texture mapping)
- Experience managing a development team in projects with tight SCHEDULES
- Architecture, programing, scripting, Media or Fashion industry experience preferred
- Experience implementing web interfaces using XHTML, CSS, Javascript, and AJAX
- Experience in recommendation engines and algorithms
- Interest in working in an early stage fast-paced environment…
edit 29/04/14 - Here is a new collection of more than 80 example files, organized by category:
KangarooExamples.zip
This zip is the most up to date collection of examples at the moment, and collects t
ers and researchers, programmers and artists, professionals and academics who come together for 4 days of intense collaboration, development, and design.
The sg2012 Workshop will be organised around Clusters. Clusters are hubs of expertise. They comprise of people, knowledge, tools, materials and machines. The Clusters provide a focus for workshop participants working together within a common framework.
Clusters provide a forum for the exchange of ideas, processes and techniques and act as a catalyst for design resolution. The Workshop is made up of ten Clusters that respond in diverse ways to the sg2012 Challenge Material Intensities.
Applicants to the sg2012 Workshop will select their preferred cluster from the following:
Beyond Mechanics
Micro Synergetics
Composite Territories
Ceramics 2.0
Material Conflicts
Transgranular Perspiration
Reactive Acoustic Environments
Form Follows Flow
Bioresponsive Building Envelopes
Gridshell Digital Tectonics
More information about the Workshop and Clusters can be found here:
http://smartgeometry.org/index.php?option=com_content&view=article&id=116&Itemid=131
The application process will close on January 15th, 2012.
Full Fee $1500
Reduced Fee $750
Scholarship Fee $350
Fees include attendance to both the workshop and conference from March 19th-24th.
Reduced Fee and Scholarships are available only for Academics, Students and Young Practitioners, and are awarded during a competitive peer review process.
sg2012 takes place from 19-24 March 2012 at EMPAC (http://empac.rpi.edu/) and is hosted by Rensselaer Polytechnic Institute in Troy, upstate New York USA. The Workshop and Conference will be a gathering of the global community of innovators and pioneers in the fields of architecture, design and engineering.
The event will be in two parts: a four day Workshop 19-22 March, and a public conference beginning with Talkshop 23 March, followed by a Symposium 24 March. The event follows the format of the highly successful preceding events sg2010 Barcelona and sg2011 Copenhagen.
sg2012 Challenge Material Intensities
Simulation, Energy, Environment
Imagine the design space of architecture was no longer at the scale of rooms, walls and atria, but that of cells, grains and vapour droplets. Rather than the flow of people, services, or construction schedules, the focus becomes the flow of light, vapour, molecular vibrations and growth schedules: design from the inside out.
The sg2012 challenge, Material Intensities, is intended to dissolve our notion of the built environment as inert constructions enclosing physically sealed spaces. Spaces and boundaries are abundant with vibration, fluctuating intensities, shifting gradients and flows. The materials that define them are in a continual state of becoming: a dance of energy and information. Material potential is defined by multiple properties: acoustical, chemical, electrical, environmental, magnetic, manufacturing, mechanical, optical, radiological, sensorial, and thermal. The challenge for sg2012 Material Intensities is to consider material economy when creating environments, micro-climates and contexts congenial for social interaction, activities and organisation. This challenge calls for design innovation and dialogue between disciplines and responsibilities. sg2010 Working Prototypes strove to emancipate digital design from the hard drive by moving from the virtual to the actual in wrestling with the tangible world of physical fabrication. sg2011 Building the Invisible focused on informing digital design with real world data. sg2012 Material Intensities strives to energise our digital prototypes and infuse them with material behaviour. They have the potential to become rich simulations informed by the material dynamics, chemical composition, energy flows, force fields and environmental conditions that feed back into the design process.
More information can be found at http://www.smartgeometry.org
Follow us on Twitter at http://twitter.com/smartgeometry…
Added by Shane Burger at 12:29pm on December 13, 2011
es has guided me in a - what I once thought - specific path within architecture, but recent discoveries (like the Grasshopper-community etc.) have learned me that the field of digital and parametric architecture is so-to-speak alive and kicking. This is also the main subject I would like to write my thesis about. It is however mainly the subject and defining its boundaries – what do I really want to explore and research? – which is the most difficult factor at this time.
A concrete idea is non-existant, and my current visions will probably be redirected when I have a first meeting with the promotors in February. Moreover there is the knowledge that it is impossible to make a thesis at the institute in Antwerp on no matter what subject in the world of digital architecture. Understandably too, it’s a small world and does not always result in realised projects, but in impressive imagery. At this moment however, I am thinking of two possible research fields to focus on.
In a first option the focus might lie on how digital design tools can be used to bring a certain aspect of interactivity to building facades. Such interactivity can occur both in the design phase and throughout the use of the building. The first scenario, in which the interactivity occurs when designing, I would focus on how the designer can shape a building’s outer perspective in function of environmental parameters: obstacles, elements that block sunlight from entering the building, visually important landmarks, etc. It should be noted however that focus will mostly lie on the design element, and less on the energy-efficiency and sustainability. Tools that will be researched would include Grasshopper, Rhino Scripting, Processing and ParaCloud.
A second possible approach could be categorized under both Swarm Intelligence and Generative Design and might study how the aforementioned digital techniques might be implemented in the new urbanism. We notably see more (innovative) interventions in which the design and planning is heavily influenced by movement patterns and morphogenetic parameters and functions. Based on the outcome of these scripted techniques, designers tend to work towards a proposal which answers a certain urbanistic issue.
All additional insights, guidelines, tips, comments are more than welcome in order to help me define the scope of my thesis subject. I must admit I am pretty new to this digital design world (it is not actively promoted at my home university, but it is promoted at the university where I am studying for one year now) and thus have limited experience at the time of writing.
Please also feel free to check out the blog post concerning this topic, which is a little more elaborate: http://nielswouters.be/thesis-digital-design-english/
Thanks for all your help!
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