nowledge, tools, materials and machines. The Clusters provide a focus for workshop participants working together within a common framework.
Clusters provide a forum for the exchange of ideas, processes and techniques and act as a catalyst for design resolution. The Workshop is made up of ten Clusters that respond in diverse ways to the sg2012 Challenge Material Intensities. The Call for Clusters is now open to proposals which respond in innovative ways to this year's challenge.
Deadline: September 19 2011
More information can be found here:
http://smartgeometry.org/index.php?option=com_content&view=article&id=129&Itemid=146
sg2012 takes place from 19-24 March 2012 at EMPAC (http://empac.rpi.edu/) and is hosted by Rensselaer Polytechnic Institute in Troy, upstate New York USA. The Workshop and Conference will be a gathering of the global community of innovators and pioneers in the fields of architecture, design and engineering.
The event will be in two parts: a four day Workshop 19-22 March, and a public conference beginning with Talkshop 23 March, followed by a Symposium 24 March. The event follows the format of the highly successful preceding events sg2010 Barcelona and sg2011 Copenhagen.
sg2012 Challenge Material Intensities
Simulation, Energy, Environment
Imagine the design space of architecture was no longer at the scale of rooms, walls and atria, but that of cells, grains and vapour droplets. Rather than the flow of people, services, or construction schedules, the focus becomes the flow of light, vapour, molecular vibrations and growth schedules: design from the inside out.
The sg2012 challenge, Material Intensities, is intended to dissolve our notion of the built environment as inert constructions enclosing physically sealed spaces. Spaces and boundaries are abundant with vibration, fluctuating intensities, shifting gradients and flows. The materials that define them are in a continual state of becoming: a dance of energy and information.Material potential is defined by multiple properties: acoustical, chemical, electrical, environmental, magnetic, manufacturing, mechanical, optical, radiological, sensorial, and thermal. The challenge for sg2012 Material Intensities is to consider material economy when creating environments, micro-climates and contexts congenial for social interaction, activities and organisation. This challenge calls for design innovation and dialogue between disciplines and responsibilities.sg2010 Working Prototypes strove to emancipate digital design from the hard drive by moving from the virtual to the actual in wrestling with the tangible world of physical fabrication. sg2011 Building the Invisible focused on informing digital design with real world data. sg2012 Material Intensities strives to energise our digital prototypes and infuse them with material behaviour. They have the potential to become rich simulations informed by the material dynamics, chemical composition, energy flows, force fields and environmental conditions that feed back into the design process.
More information can be found at http://www.smartgeometry.org…
phere with the maximum number of triangles but not much than a defined threshold.
I scaled that mesh just to fit Rhino grid, but it is not mandatory. What is useful, is to scale not uniformly the mesh (Scale NU). It could be done after cellular modifier applied or before or before and after. The 3 options are possible in the script. If you don’t need them just put 1 in scale sliders.
Ellipsoid mesh is the populated with points, I put 2 independents populations to randomize a bit further. For each vertices of the mesh the closest distance from the populated points is calculated.
Here is an illustration in color of this distance.
This distance is then used to calculate a bump. If domain for bump is beginning with negatives values to 0, it carves the mesh. Instead it bumps/inflates it.
Some images to illustrate the difference with populating 100 points with one or two populations.
Here some images to illustrate the application of scale before carving or after.
Next phase apply noise. At the moment I don't find it good.…
Introduzione a Grasshopper", il primo manuale su Grasshopper.
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I corsi PLUG IT nascono dalla volontà di promuovere le nuove tecnologie digitali di supporto alla progettazione e condividere il know-how maturato attraverso ricerca, collaborazione con i più importanti studi di architettura e pubblicazioni internazionali.
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Verranno introdotte le nozioni base di Grasshopper approfondendo le metodologie della progettazione parametrica e le tecniche di modellazione algoritmica per la generazione di forme complesse. Il corso è rivolto a studenti e professionisti con esperienza minima nella modellazione 3D e si articolerà in lezioni teoriche ed esercitazioni.
. Argomenti trattati:
- Introduzione alla progettazione parametrica: teoria, esempi, casi studio - Grasshopper: concetti base, logica algoritmica, interfaccia grafica - Nozioni fondamentali: componenti, connessioni, data flow
- Funzioni matematiche e logiche, serie, gestione dei dati - Analisi e definizione di curve e superfici
- Definizione di griglie e pattern complessi - Trasformazioni geometriche, paneling - Attrattori, image sampler
- Data tree: gestione di dati complessi - Digital fabrication: teoria ed esempi - Nesting: scomposizione di oggetti tridimensionali in sezioni piane per macchine CNC
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Verrà rilasciato un attestato finale.
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Ulteriori info e programma completo su: www.arturotedeschi.com e su www.samilolab.it…
oftware connections built from the initial seed of the project. As always you can download the new release from Food4Rhino. Make sure to remove the older version of Ladybug and Honeybee and update your scripts.
This release is also special since today it is just about 3 years (3 years and 2 weeks) from the first release of Ladybug. As with any release, there have been a number of bug fixes and improvements but we also have some major news this time. In no specific order and to ensure that the biggest developments do not get lost in the extensive list of updates, here are the major ones:
Mostapha is re-writing Ladybug!
Ladybug for DynamoBIM is finally available.
Chris made bakeIt really useful by incorporating an export pathway to PDFs and vector-based programs.
Honeybee is now connected to THERM and the LBNL suite thanks to Chris Mackey.
Sarith has addressed a much-desired wish for Honeybee (Hi Theodore!) by adding components to model electric lighting with Radiance.
Djordje is on his way to making renewable energy deeply integrated with Ladybug by releasing components for modeling solar hot water.
There is new bug. Check the bottom of the post for Dragonfly!
Last but definitely not least (in case you’re not still convinced that this release is a major one) Miguel has started a new project that brings some of Ladybug’s features directly to Rhino. We mean Rhino Rhino - A Rhino plugin! Say hi to Icarus! #surprise
Before we forget! Ladybug and Honeybee now have official stickers. Yes! We know about T-Shirts and mugs and they will be next. For now, you can deck-out your laptops and powerhouse simulation machines with the symbology of our collaborative software ecosystem.
Now go grab a cup of tea/coffee and read the details below:
Rewriting Ladybug!
Perhaps the most far-reaching development of the last 4 months is an effort on the part of Mostapha to initiate a well structured, well documented, flexible, and extendable version of the Ladybug libraries. While such code is something that few community members will interact with directly, a well-documented library is critical for maintaining the project, adding new features, and for porting Ladybug to other software platforms.
The new Ladybug libraries are still under development across a number of new repositories and they separate a ladybug-core, which includes epw parsing and all non-geometric functions, from interface-specific geometry libraries. This allows us to easily extend Ladybug to other platforms with a different geometry library for each platform (ie. ladybug-grasshopper, ladybug-dynamo, ladybug-web, etc) all of which are developed on top of the ladybug-core.
Without getting too technical, here is an example of a useful outcome of this development. If you want to know the number of hours that relative humidity is more than 90% for a given epw, all that you have to code (in any python interface) is the following:
import ladybug as lb
_epwFile = r"C:\EnergyPlusV7-2-0\WeatherData\USA_CO_Golden-NREL.724666_TMY3.epw"
epwfile = lb.epw.EPW(_epwFile)
filteredData = epwfile.relativeHumidity.filterByConditionalStatement('x>90')
print "Number of hours with Humidity more than 90 is %d "%len(filteredData.timeStamps)
Compare that to the 500 + lines that you would have had to write previously for this operation, which were usually tied to a single interface! Now let’s see what will happen if you want to use the geometry-specific libraries. Let’s draw a sunpath in Grasshopper:
import ladybuggrasshopper.epw as epw
import ladybuggrasshopper.sunpath as sunpath
# get location data form epw file
location = epw.EPW(_epwFile).location
# initiate sunpath based on location
sp = sunpath.Sunpath.fromLocation(location, northAngle = 0, daylightSavingPeriod = None, basePoint =cenPt, scale = scale, sunScale = sunScale)
# draw sunpath geometry
sp.drawAnnualSunpath()
# assign geometries to outputs
...
Finally we ask, how would this code will look if we wanted to make a sunpath for dynamo? Well, it will be exactly the same! Just change ladybuggrasshopper in the second line to ladybugdynamo! Here is the code which is creating the sunpath below.
With this ease of scripting, we hope to involve more of our community members in our development and make it easy for others to use ladybug in their various preferred applications. By the next release, we will produce an API documentation (documentation of all the ladybug classes, methods and properties that you can script with) and begin making tutorials for those interested in getting deeper into Ladybug development.
LADYBUG
1 - Initial Release of Ladybug for Dynamo:
As is evident from the post above, we are happy to announce the first release of Ladybug for Dynamo! You can download the ladybug package from Dynamo package manager. Make sure to download version 0.0.6 which is actually 0.0.1! It took a number of trial and errors to get it up there. Once you have the file downloaded you can watch these videos to get started:
The source code can be find under ladybug-dynamo repository and (as you can already guess) it is using the new code base. It includes a very small toolkit of essential Ladybug components/nodes but it has enough to get you started. You can import weather files, draw sunpaths and run sunlighthours or radiation analyses.
There are two known issues in this release but neither of them is critical. You need to have Dynamo 0.9.1 or higher installed which you can download from here (http://dynamobuilds.com/). It is recommended that you run the scripts with ‘Manual’ run (as opposed to ‘Automatic’) since the more intense calculations can make Dynamo crash in automatic mode.
To put things in perspective, here is how we would map Ladybug for Dynamo vs Ladybug and Honeybee for Grasshopper on the classic ‘Hype graph’. The good news is that what we learned a lot from the last three years, making development of the Dynamo version easier and getting us to the plateau of productivity faster.
We should also note that the current development of the Dynamo interface is behind that of the Ladybug-Core, which means there are a number of features that are developed in the code but haven’t made their way to the nodes yet. They will be added gradually over the next month or two.
If you’re interested to get involved in the development process or have ideas for the development, follow ladybug on Facebook, Twitter and Github. We will only post major release news here. Facebook, github and twitter will be the main channels for posting the development process. There will also be a release of a new ladybug for Grasshopper soon that will use the came Ladybug-Core libraries as the Dynamo interface [Trying hard not to name it as Ladybug 2].
2 - New Project “Icarus” Provides Ladybug Capabilities Directly in Rhino
Speaking of expanded cross-platform capabilities, the talented Miguel Rus has produced a standalone Rhino Plugin off of the original Ladybug code that has been included in this release. After writing his own core C# libraries, Miguel’s plugin enables users to produce sunpath and run sunlight hours analyses in the Rhino scene without need of opening Grasshopper or engaging the (sometimes daunting) act of visual scripting.
This release includes his initial RHP plugin file. It is hoped that Miguel’s efforts will extend some of the capabilities of environmental design to individuals who are unfamiliar with visual scripting, casting the network of our community into new territory. We need your help spreading the word about Icarus since the people who will benefit the most from it have probably not read this far into the release notes. Also, as the project is in the early stages, your feedback can make a great difference. You can download the current release from this link.
Once you download the zip file. Right click and unblock it. Then extract the files under C:\Program Files\Rhinoceros 5 (64-bit)\Plug-ins\ folder. Drag and drop the RHP file into Rhino and you should be ready to go. You can either type Icarus in the command line or open it via the panels. Here is a short video that shows how to run a sunlighhours analysis study in Rhino.
3 - BakeIt Input Now Supports a Pathway to PDF +Vector Programs
As promised in the previous release, the BakeIt_ option available on Ladybug’s visual components has been enhanced to provide a full pathway to vector-based programs (like Illustrator and Inkscape) and eases the export to vector formats like PDFs.
This means that the BakeIt_ operation now places all text in the Rhino scene as actual editable text (not meshes) and any colored meshes are output as groups of colored hatches (so that they appear as color-filled polygons in vector-based programs). There is still an option to bake the colored geometries as light meshes (which requires smaller amounts of memory and computation time) but the new hatched capability should make it easier to incorporate Ladybug graphics in architectural drawings and documents like this vector psychrometric chart.
4 - Physiological Equivalent Temperature (PET) Now Available
Thanks to the efforts of Djordje Spasic, it is now possible to compute the common outdoor comfort metric ‘Physiological Equivalent Temperature’ (PET) with Ladybug. The capability has been included with this release of “Thermal Comfort Indices” component and is supported by a “Body Characteristics” component in the Extra tab. PET is particularly helpful for evaluating outdoor comfort at a high spatial resolution and so the next Honeybee release will include an option for PET with the microclimate map workflow.
5 - Solar Hot Water Components Available in WIP
Chengchu Yan and Djordje Spasic have built a set of components that perform detailed estimates of solar hot water. The components are currently undergoing final stages of testing and are available in the WIP tab of this release. You can read the full release notes for the components here.
6 - New Ladybug Graphic Standards
With the parallel efforts or so many developers, we have made an effort in this release to standardize the means by which you interact with the components. This includes warnings for missing inputs and the ability to make either icons or text appear on the components as you wish (Hi Andres!). A full list of all graphic standards can be found here. If you have any thoughts or comments on the new standards, feel free to voice them here.
7 - Wet Bulb Temperature Now Available
Thanks to Antonello Di Nunzio - the newest member of the Ladybug development team, it is now possible to calculate wet bulb temperature with Ladybug. Antonello’s component can be found under the WIP tab and takes inputs of dry bulb temperature, relative humidity, and barometric pressure.
8 - New View Analysis Types
The view analysis component now allows for several different view studies in addition to the previous ‘view to test points.’ These include, skyview (which is helpful for studies of outdoor micro-climate), as well as spherical view and ‘cone of vision’ view, which are helpful for indoor studies evaluating the overall visual connection to the outdoors.
HONEYBEE
1 - Connection to THERM and LBNL Programs
With this release, many of you will notice that a new tab has been added to Honeybee. The tab “11 | THERM” includes 7 new components that enable you to export ready-to-simulate Lawrence Berkeley National Lab (LBNL) THERM files from Rhino/Grasshopper. THERM is a 2D finite element heat flow engine that is used to evaluate the performance of wall/window construction details by simulating thermal bridging behavior. The new Honeybee tab represents the first ever CAD plugin interface for THERM, which has been in demand since the first release of LBNL THERM several years ago. The export workflow involves the drawing of window/wall construction details in Rhino and the assigning of materials and boundary conditions in Grasshopper to produce ready-to-simulate THERM files that allow you to bypass the limited drawing interface of THERM completely. Additional components in the “11 | THERM” tab allow you to import the results of THERM simulations back into Grasshopper and assist with incorporating THERM results into Honeybee EnergyPlus simulations. Finally, two components assist with a connection to LBNL WINDOW for advanced modeling of Glazing constructions. Example files illustrating many of the capabilities of the new components can be found in there links.
THERM_Export_Workflow, THERM_Comparison_of_Stud_Wall_Constructions
Analyze_THERM_Results, Thermal_Bridging_with_THERM_and_EnergyPlus
Import_Glazing_System_from_LBNL_WINDOW, Import_LBNL_WINDOW_Glazing_Assembly_for_EnergyPlus
It is recommended that those who are using these THERM components for the first time begin by exploring this example file.
Tutorial videos on how to use the components will be posted soon. A great deal of thanks is due to the LBNL team that was responsive to questions at the start of the development and special thanks goes to Payette Architects, which allowed Chris Mackey (the author of the components) a significant amount of paid time to develop them.
2 - Electrical Lighting Components with Enhanced Capabilities for Importing and Manipulating IES Files
Thanks to the efforts of Sarith Subramaniam, it is now much easier and more flexible to include electric lighting in Honeybee Radiance simulations. A series of very exciting images and videos can be found in his release post.
You can find the components under WIP tab. Sarith is looking for feedback and wishes. Please give them a try and let him know your thoughts. Several example files showing how to use the components can be found here. 1, 2, 3.
3- Expanded Dynamic Shade Capabilities
After great demand, it is now possible to assign several different types of control strategies for interior blinds and shades for EnergyPlus simulations. Control thresholds range from zone temperature, to zone cooling load, to radiation on windows, to many combinations of these variables. The new component also features the ability to run EnergyPlus simulations with electrochromic glazing. An example file showing many of the new capabilities can be found here.
Dragonfly Beta
In order to link the capabilities of Ladybug + Honeybee to a wider range of climatic data sets and analytical tools, a new insect has been initiated under the name of Dragonfly. While the Dragonfly components are not included with the download of this release, the most recent version can be downloaded here. An example file showing how to use Dragonfly to warp EPW data to account for urban heat island effect can also be found here. By the next release, the capabilities of Dragonfly should be robust enough for it to fly on its own. Additional features that will be implemented in the next few months include importing thermal satellite image data to Rhino/GH as well as the ability to warp EPW files to account for climate change projections. Anyone interested in testing out the new insect should feel free to contact Chris Mackey.
And finally, it is with great pleasure that we welcome Sarith and Antonello to the team. As mentioned in the above release notes, Sarith has added a robust implementation for electric light modeling with Honeybee and Antonello has added a component to calculate wet bulb temperature while providing stellar support to a number of people here on the GH forum.
As always let us know your comments and suggestions.
Enjoy!
Ladybug+Honeybee development team
PS: Special thanks to Chris for writing most of the release notes!…
connected hyperspace where architecture can be fluid, flexible and vivid, yet the aspect of materiality requires more attention.
Action-designed structures begin to move beyond the utopian proposals of the 20th century’s manifestos and hold a place in the world of realized designs. The AA Athens Visiting School aims to bring users closer to the built environment while revisiting habits of designing, building and experiencing space through materiality. Understanding materiality and form as a ‘unified whole’, the programme integrates manufacturing techniques through the experimentation fabrication of prototypes at a 1:1 scale.
Prominent Features of the workshop/ skills developed
Participants become part of an active learning environment where the large tutor to student ratio allows for personalized tutorials and debates.
The toolset of the Athens VS includes but is not limited to Processing and Grasshopper for Rhinoceros, as well as design analysis software.
Participants gain hands-on experience on digital fabrication.
Design seminars and a series of lectures support the key objectives of the programme, disseminating fundamental computational techniques, relevant critical thinking, theoretical understanding and professional awareness.
Applications
1) You can make an application by completing the online application found under ‘Links and Downloads’ on the AA Visiting School page. If you are not able to make an online application, email visitingschool@aaschool.ac.uk for instructions to pay by bank transfer. 2) Once you complete the online application and make a full payment, you are registered to the programme. A CV or a portfolio is NOT required.
The deadline for applications is 28 June.
Location AKTO College – Athens Campus 11Α Evelpidon Street (Pedion Areos) Athens, 113 62, Greece
Fees
The AA Visiting School requires a fee of £695 per participant, which includes a £60 Visiting membership fee. Fees do not include flights or accommodation, but accommodation options can be advised.
Eligibility The workshop is open to current Undergrad and Graduate architecture and design students, PhD candidates and young professionals. Software Requirements: Adobe Creative Suite, Rhino 5.
For more information, please visit:
http://www.aaschool.ac.uk/STUDY/VISITING/athens
http://ai.aaschool.ac.uk/athens/
For inquiries, please contact:
alexandros.kallegias@aaschool.ac.uk…
greatly appreciate it!!
You can write the number of the question and write your answer next to it, example:
1) a
2) c
3) a) Washington University in St. Louis
4) 2 weeks (1week+1week shipping)
5) 130
6) b
7) b
The survey questions are as follows:
1)
Did you 3D print before?
5)
How much did it cost (in dollars)?
a.
Yes, for a school project
a.
Between 20 & 50
b.
Yes, for a personal project
b.
Between 50 & 80
c.
Between 80 & 120
2)
Print size
d.
Please specify if otherwise: _____ dollars
a.
Between 2 & 6 cubic inches
b.
Between 6 & 12 cubic inches
6)
Do you think the price was expensive?
c.
Between 12 & 20 cubic inches
a.
Not at all
d.
Please specify if otherwise: ____cubic inches
b.
A little bit expensive
c.
Very expensive
3)
Where did you print your object?
a.
School
7)
Were you satisfied with the printed object?
b.
Outside school: _________________
a.
Yes, it was a great print without problems
b.
Not bad, some issues
4)
How long did it take to print?
c.
I was not satisfied, very bad quality
a.
___ days
b.
___ weeks
Thank you very much to all!!
PS: If you did many 3D prints, you can post multiple answers.
Wassef…
whole design intent, but this is what Inventor is good at. The way it packages bits of 'scripted' components into 'little models' that can be stored and re-assembled is central to MCAD working.
The Inventor model shown is almost 5 years old. We don't model like that any more, however it does offer a good idea of general MCAD modeling approaches.
iParts is useful in certain situations, it could've been useful in the above model, its usefulness is often in function of the quantity of variants/configurations.
So much is scripted in GH, maybe it should also be possible to script/define/constrain/assist the placement/gluing of the results?
...
Starting point: I think we are talking across purposes. AFAIK, the solving sequence of GH's scripted components is fixed. It won't do circular dependencies... without a fight. The inter-component dependencies not 'managed' like constraints solvers do for MCAD apps.
Components and assemblies are individual files in MCAD.
Placement of these within assemblies in MCAD is a product of matrix transforms and persistent constraints. There is no bi-directional link, the link is unidirectional (downflow only), because of the use of proxies.
Consequently, scripting the placement of components is irrelevant in GH, unless you decide that each component needs to be contained in its own separate file.
This also brings up the point that generating components and assemblies in MCAD is not as straightforward. In iParts and iAssemblies, each configuration needs to be generated as a "child" (the individual file needs to be created for each child) before those children can be used elsewhere.
You notice the dilemma, if you generate 100 parts, and then you realize you only need 20, you've created 80 extra parts which you have no need for, thus generating wasteful data that may cause file management issues later on.
GH remains in a transient world, and when you decide to bake geometry (if you need to at all), you can do that in one Rhino file, and save it as the state of the design at that given moment. Very convenient for design, though unacceptable for most non-digital manufacturing methods, which greatly limits Rhino's use for manufacturing unless you combine it with an MCAD app.
One of the reasons why the distributed file approach makes perfect sense in MCAD, is that in industry you deal with a finite set of objects. Generative tools are usually not a requirement. Most mechanical engineers, product engineers and machinists would never have any use for that.
The other thing that MCAD apps like Inventor have, is the 'structured' interface that offers up all that setting out information like the coordinate systems, work planes, parameters etc in a concise fashion in the 'history tree'. This will translate into user speed. GH's canvas is a bit more freeform. I suppose the info is all there and linked, so a bit of re-jigging is easy. Also, see how T-Flex can even embed sliders and other parameter input boxes into the model itself. Pretty handy/fast to understand, which also means more speed.
True. As long as you keep the browser pane/specification tree organized and easy to query.
:)
Would love to understand what you did by sketching.
I'll start by showing what was done years ago in the Inventor model, and then share with you what I did in GH, but in another post.
Let's use one of the beams as an example:
We can isolate this component for clarity.
Notice that I've highlighted the sectional sketch with dimensions, and the point of reference, which is in relation to the CL of the column which the beam bears on. The orientation and location of the beam is already set by underlying geometry.
Here's a perspective view of the same:
The extent of the beam was also driven by reference geometry, 2 planes offset from the beam's XY plane, driven by parameters from another underlying file which serves as a parameter container:
Reference axes and points are present for all other components, here are some of them:
It starts getting cluttered if you see the reference planes as well:
Is I mentioned earlier, over time we've found better ways to define and associate geometry, parameters, manage design change, improving the efficiency of parametric models. But this model is a fair representation of a basic modeling approach, and since an Inventor-GH comparison is like comparing apples and oranges anyways, this model can be used to understand the differences and similarities, for those interested.
I haven't even gotten to your latest post yet, I will eventually.…
Added by Santiago Diaz at 10:36am on February 26, 2011
he picture (4).
Previously, I had a problem with generating intersections between the two directions of the beams, but a colleague helped me by extending beams, so there was no problem with lines of intersection. But this solution has generated curl (5) at the highest vertex geometry, which I ignored in order to repair it before printing, perhaps this mean my problem with my beam spread properly. Only when the beams is 19, does not jump no problem, but I still can not distribute them properly.
(1)
(2)
(3)
(4)
(5)
I tried to show as simply as possible by removing or signing my code in GHX file.
Thank you in advance for your help
…
r graphics get saved as 24x24 pixel images before they are put into the grasshopper application, which means the icons look like crap when you zoom in. This is the aforementioned problem that needs to be addressed in GH2. There have historically been two approaches to this issue:
Provide pixel images with several sizes.
Render vector graphics directly.
Option 1 is common for apps that do not have variable levels of zoom, such as Windows Explorer. When explorer shows file icons it either shows them in 16x16, 32x32, 48x48, 96x96, or these days, various HUGE sizes. As a result *.ico files allow you put in different images for all these target sizes. Since Grasshopper has variable zoom levels, this is not an ideal solution. Also, it requires a lot more work per icon.
Option 2 is becoming more and more popular as increased graphics speed now allows for the real-time rendering of vector graphics. Yet, you still need a renderer that knows how to draw vector geometry crisply at low sizes. All vector renderers I know just interpolate the geometry linearly and if a line happens to end up 'between pixels' it's just fuzzy.
I don't have hard and fast rules for the icons, but I try to adhere to at least these:
Keep a border of 2 pixels free around the icon content. So basically only use the inner 20x20 pixels rather than the 24x24 you're allowed. This is needed because the drop shadow needs to go there.
Only draw silhouette edges around shapes, not inner creases. Typically a 1-pixel line will do. I prefer to use a dark version of the fill colour rather than black for edges.
Loose curves can be drawn in 1 or 2 pixel thicknesses, depending on how important the curve is.
Try to avoid text in your icons (not always possible).
Stick to 1 colour family per icon, preferably per icon family. You can add highlights with another colour if you must, but too many hues make an icon hard to read (for the example the [Voronoi] icon, it has red, green and blue and it's a bit of a mess, on the other hand [Colour Wheel] has the full spectrum and seems to work quite well...).
Very roughly speaking, if there's both black and red geometry in an icon, it means the red is component input and the black is component output.
Drop shadows are pixel effects, applied to the 24x24 image. They have a blurring radius of 2 pixels, a horizontal offset of 1 pixel to the right, a vertical offset of 1 pixel to the bottom and they are 65% black.
When you use high contrast shapes (for example black edges on a light background) the anti-aliasing provided by vector renderers such as Xara or Illustrator won't be enough to make it look smooth. I'd recommend avoiding high contrast if at all possible, but if not possible then draw a 1-pixel line around the dark bits in 95% transparent black. This effectively extends the anti-aliasing range from 1.5 to 2.5 pixels and it helps make things looks smoother.
--
David Rutten
david@mcneel.com…
s levels of detail by subdividing a 6 sided cube mesh and projecting its vertices according to a referenced height map. This is one of the standard conventions for building full sizes planets. At the lowest level (0) the mesh planet is made of 6 pieces(each 32x32 resolution). The next level down (1) is made of 24 pieces... 6 divided by 4 = 24. Level (2) is 96 quads etc etc. The script will generate each quad at its sub-division level and compare edge vertices to neighboring quads. It will then make sure any shared vertices are in fact at the same projected vector. This ensures a planet quad with edge vertices that match.
The problems comes in texturing each quad.
If I build the quad as a nurb surface from points I can place the texture easily because each surface UV maps squarely to my texture map (which is also square).
If I build the quad as a mesh I cannot just apply the square texture to the mesh UVs. This is because when you unwrap the UVs from a mesh they will not unwrap like a nurb surface's UVs. Therefore to get the correct mapping I would have to manipulate each UV back to an evenly aligned array (which is 1024 points in a 32x32 resolution UV). Maya and blender have 'relax uv' and 'align UV' functions but they don't do the trick and manual corrections are out of the question. So why not skip the mesh method and use the nurb method?
I did this and there is a trade off. The nurb will accept the material texture I want with no other work on my end but when I export the object as an .obj rhino creates its own mesh to describe the nurb(with various unsatisfactory setting options). This works great up to a point because at some level the interpreted mesh will have vertices that do no match at the edges, ie .. creating visible seams in the mesh. The picture below is the nearly seamless planet at LOD(1) made of 24 quads, each with 32x32 vertice resolution and a 512x512 jpg texture running in Unity3d 5. It works but at close level there are seams. This will be resolved simply by having the next LOD(x) instantiate before getting close enough to see the seam but at core nerd level I want the seamless mesh.
So, I can make the seamless mesh but I can not realistically texture map it. I can also make the nurb surface from points and texture it at the expense of the edge vertices matching. I am at the split in the road but I want to have my cake and eat it too. Thoughts, comments, trolls...?
Thanks for reading =)
Footnote: For you pros I am not using seamless noise across the map I am using grasshopper to sew up my otherwise non perfect edges.
Other programs in the pipeline:
-WorldMachine 2
-Wilbur
-Photoshop
-Unity3d…