llowing for higher skyline and construction areas along public transportation corridors. Up until now, neighborhoods once characterized by two-story houses, gardens and ground- floor open shopfront programs, have been completely transformed by the introduction of fortressed monolithic residential and office towers, which lack any sort of urban street life.
The new master-plan, however, now requires buildings to have an open street façade to accommodate multiple programs. Led by tutors from UNStudio (www.unstudio.com), the AA Visiting School São Paulo will address the changes being prescribed by the new masterplan through the redefinition of the tower typology in the extending of the ground of street culture, green landscapes and ecological mediation along the vertical axis of these buildings. For this, the workshop will teach advanced digital design and fabrication techniques to explore a series of novel differentiating structural and environmental organizations in the redefinition of the São Paulo skyscraper.
For more information:
saopaulo.aaschool.ac.uk
Applications:
https://www.aaschool.ac.uk/STUDY/ONLINEAPPLICATION/visitingApplication.php?schoolID=303
For any queries, please email: brazilvisitingschool@aaschool.ac.uk.…
llowing for higher skyline and construction areas along public transportation corridors. Up until now, neighborhoods once characterized by two-story houses, gardens and ground- floor open shopfront programs, have been completely transformed by the introduction of fortressed monolithic residential and office towers, which lack any sort of urban street life.
The new master-plan, however, now requires buildings to have an open street façade to accommodate multiple programs. Led by tutors from UNStudio (www.unstudio.com), the AA Visiting School São Paulo will address the changes being prescribed by the new masterplan through the redefinition of the tower typology in the extending of the ground of street culture, green landscapes and ecological mediation along the vertical axis of these buildings. For this, the workshop will teach advanced digital design and fabrication techniques to explore a series of novel differentiating structural and environmental organizations in the redefinition of the São Paulo skyscraper.
For more information:
saopaulo.aaschool.ac.uk
Applications:
https://www.aaschool.ac.uk/STUDY/ONLINEAPPLICATION/visitingApplication.php?schoolID=303
For any queries, please email: brazilvisitingschool@aaschool.ac.uk.…
fear that it would be too hard, but I was pleasantly surprised. Not that bad, even for a C# novice. I am attaching the *.cs files for three components:
SerialCreate component creates the serial port instance. This component controls port parameters and opens/closes the port. (It won't close the port, however.) SerialWrite and Read try to interact with the port created by SerialCreate. I can verify that the port opens because it's unavailable to other terminal applications, but if I try to close the port, it won't...it stays open until I restart Rhino. SerialWrite works, because I can see the rx light on my device light up when I enter text in grasshopper. SerialRead does not work. I blue screen with a DPC WATCHDOG VIOLATION.
All in all, not too bad for a day's work. I'll forget the user objects and go for custom components. The question that still remains is that I don't think I'm correctly or efficiently sharing the serial port instance with the other classes. Again, this is just a hack, but I'm happy I'm closer to solving the problem (or so it seems). If anyone has any ideas about how to better go about this, I'd appreciate any suggestions.
Thanks again,
~BB~…
glass panel).
2. This actually means that the parts on duty they don't differ that much. Meaning that we can use an "average" size (and "local" topology) acting as the Jack for all trades.
3. Meaning that we can effectively solve the abstract topology with an abstract app the likes of GH and then place in properly defined coordinate systems all the real-life bits and nuts ... closely "emulating" a pro solution (that could "adjust" the parts as well).
4. This means that one particular C# needs more lines of code since as it is it defines cable axis on a per nod to node basis ... but in fact these are defined as the min segment between curves (circles to be exact).
5. Additionally the end part of each strut differs depending on how many pairs of stabilizing cables are used (either 2 or 1). Meaning some lines of code more for defining the proper coordinate systems for the instance definitions.
6. This is the reason that I've postponed mailing to you the 4 horsemen (because PRIOR finishing the whole you MUST define what parts to use: the classic bottom-top design approach).
But in order to receive the Salvation (aka: Apocalypse) you MUST answer correctly to a simple puzzle:
Provided that money is no object, pick your car:
1. Ferrari 245 (Less is more)
2. Lancia Stratos (Lethal).
3. Cobra 427 (Men only)
4. Ford GT40 (Mama mia)
5. Ariel Atom (Mental)
6. Aston Zagato GTB4 (Sweet Jesus)
7. Fulvia HF Fanalone (THE racer)
8. Lambo Miura (Enough said)
9. Lotus Elise (Just add lightness)
10. Alfa Romeo 8C Competizione (In red)…
ive collaborative environment.
TYPE : Course module and Workshop
The event is open for anybody interested from all the fields of design, including: architecture, interior design, furniture design, product design, fashion design, scenography, and engineering.
1. COURSE MODULE (20-23 April 2014) - optional
+ type: 3 days intensive course regarding basic knowledge in parametric design (LEVEL 1)
+ software: Rhinoceros & Grasshopper
+ plugins: Kangaroo, Weaver Bird, Lunch box, Ghowl, Geco
+ achievements:
- acquainting to the components & the concept of Generative Design
- understanding the strategies in Algorithmic Design
- how to easily insert simple mathematical equation into the project to gain more control
- how to utilize proper plugins with respect to their nature of the project
- interacting with different analysis platforms such as Ecotect & remote controller
- solving several exercises with different scales( 2D- 3D ) during each phase of the workshop
2. WORKSHOP (23-27 April 2014)
A 5 day Design-Based Research Workshop exploring new techniques in Digital Architecture/Fabrication, with a specific focus on the use of generative systems and parametric modeling as tools for creative expression.
Our ultimate goal is to increasing the efficiency of utilizing digital tools in parallel with geometric performance of the primitive design agent.
+ + CONCEPT
Fashion and Architecture are both based on basic life necessities – clothing and shelter.
However, they are also forms of self-expression – for both creators and consumers.
Both fashion and architecture affect our emotional being in many ways.
The agenda of this workshop is to investigate on the overlap between these two areas of design, art & fashion.
Fashion and architecture express ideas of personal, social and cultural identity, reflecting the concerns of the user and the ambition of the age. Their relationship is a symbiotic one and throughout history, clothing and buildings have echoed each other in form and appearance. This only seems natural as they not only share the primary function of providing shelter and protection for the body, but also because they both create space and volume out of flat, two-dimensional materials.
While they have much in common, they are also intrinsically different – address the human scale, but the proportions, sizes and shapes differ enormously.
+ + + OBJECTIVES
So far, Architects have been using techniques such as folding, bending etc. to create space, structural roofs or different other structural shapes.
The agenda of this workshop goes further with the investigation of algorithmic thinking through generative tools Integrated in design.
The challenge is creating a bridge that connects these two areas of design, architecture and fashion that perform at two opposite scales.
+ + + + TECHNICAL BRIEF
In the early stages physical models and low-tech strategies will be used, allowing the participants to gain a greater understanding of materials, fabrication and assembly methods as well as simple, yet pragmatic structural solutions.
Later in the workshop these strategies will be digitalized and elaborated using software visualizing tools such as Rhinoceros and the algorithmic plug-in Grasshopper.…
o Common - just like C#. But Rhino Python has a "Scripting Language Wrapper" which breaks commonly used taks down to simpler functions.
Here's a general Example:
Take a look at the code on this website http://wiki.mcneel.com/developer/rhinocommonsamples/addline). Generally it's Rhino Common code in three language to create a line. They look equally difficult.
But if you use Rhino Python Scripting you can use an simplified syntax to get the same result. It's very similar to Rhino Script.
The code would be:
import rhinoscriptsyntax as rsstart_point = rs.GetPoint("Get start point")end_point = rs.GetPoint("Get end point")line_id = rs.AddLine(start_point, end_point)
OK - No Error Tracking here, but still you can see that the syntax is much simpler. (And in the end you just have less lines of code you have to debug.
And the good thing about Rhino Python is, that you can mix these approaches. Once you reach a level where Rhino Python Script doesn't get you there, which by the way happens very rarely, you can still use the Rhino Common methods.
Also, in Python Sycripting 99% of what you probably would like to do is available as a "wrapped" script function.
Rhino Python Script is currently also better documented than Rhino Common for C# and VB.Net. If you have used Rhino VB Script before, these functions will be very familar to you.
I'm not sure, why it's currently a separate plug-in. I belive the reason is that Rhino 4 (which is supported by GH) doesn't support Rhino Python. Also it's currently WIP, so it needed to be updated more frequently than GH itself. In the long run (I believe) it might be integrated into GH as a general component
- Martin
P.S.: To use Rhino Python within GH is a little more tricky than my example - but nothing compared to developing C#
P.S.2 Here's the code with Error Tracking:
import rhinoscriptsyntax as rsdef AddLine(): start_point = rs.GetPoint("Get start point") if start_point is None: print "No start point was selected" return end_point = rs.GetPoint("Get end point") if end_point is None: print "No end point was selected" return line_id = rs.AddLine(start_point, end_point) return line_idAddLine()
…
windows. I manage to have proper HBZones with RADMaterials and EPConstructions (I've run Daylight calculation on them successfully), but when I plug the zones to GrizzlyBear this error appears:
Solution exception:'EPZone' object has no attribute 'getCurrentLoads'
In addition, something similar happens when I plug these HBZones to the newest decomposeByType component, althought it works properly when plugged to the previous version of it. This is what the error says:
Solution exception:'hb_EPZoneSurface' object has no attribute 'BC'
Same thing with SetEPZoneConstruction:
Solution exception:'hb_EPZoneSurface' object has no attribute 'BCObject'
Any thought?
Ander…
ve Intermediate Insight of Computational Design Strategies While Exploring Rangoli Art form in 2 Dimension and 3Dimesion in which Participants will not only be trained to Digitally Design using Parametric software's but they will also be trained to Fabricate them in reality.
This Course will be explored in manner where Participants will understand inter-dependency of Rhinoceros3D & Grasshoper3D through a unique Hybrid Teaching Method While Exploring Rangoli Geometry .
The course will also take participants through Topics such as - Computational Thinking, - Computational / Parametric Design, - Computational Rangoli Exploration, - Digital Fabrication, - 3D Visualization ( Rhino3D 6), - Making Info-graphics & Design Diagrams ( Rhino3d 6 ).
Participants will also be doing a Project at the last Leg of Workshop in which they will implement the skill they gained in first Few Weeks.
{ Tutor } Nitant Pixelkar (Computational Artist / Designer, Mumbai)
Nitant Hirlekar A.k.a. Pixelkar, is a Computational Artist. He graduated from Rachana Sansad school of Interior Design 2011, Mumbai. In Academics He Bagged Two Gold and One Silver Medal on National Level.
In his post academic days, he came across the Emerging Computational Techniques in Design industry in which Algorithm serves as a main Functional part. He uses Algorithms to Deconstruct the Captured images in Pixelated form using the Grid of the Desired Indian Art Forms.
He Heads Collective Group Named "Mutation Lab” which is a multidisciplinary Design & Art Cell. Where they Explore Computational Approach while Designing Various Scales Spatial Installation, Digital Fabrication, Interactive Installations and Computational Consultancy for Various Architects.
He has exhibited his first artwork in Kalaghoda Arts Festival for in 2014 And further in 2016 and 2017.In 2015 he exhibited in Dharavi Biennale” organized by Wellcome Trust,London & Sneha Organisation, Mumbai Which was internationally acclaimed. In 2016 he got Featured on a TV show - The Creative Indian's as an Absolut Creative Indian of the Week.
Academically he is been involved in Many Computational Design Workshops / Elective Studios for School of Interior Design (Rachna Sansad), LS Raheja College of Architecture & Rat-Lab (Delhi).
{ Participants } The Course is aimed at Architecture, Interior Design, Product Design,Furniture Design & Fashion Design Students and Professionals. However we would be thrilled to have any Interdisciplinary Artist / Creator/ Maker to join the Course as well.
{ Level }
Intermediate
{ Timing } Monday To Friday - 6:00 PM to 9:00 PM (15 Hours/ Week = 5 Week X 15 Hours = 75 Hours )
{ Dates } Registration Ends - 24th April 2020 **Subejct to Availablity
{ Workshop Dates } 4th May 2020 To 5th June 2020
{ Venue } Lower Parel,Mumbai ( Details To Be Announced )
{ Schedule }
{Registration Form}…