nowledge, tools, materials and machines. The Clusters provide a focus for workshop participants working together within a common framework.
Clusters provide a forum for the exchange of ideas, processes and techniques and act as a catalyst for design resolution. The Workshop is made up of ten Clusters that respond in diverse ways to the sg2012 Challenge Material Intensities. The Call for Clusters is now open to proposals which respond in innovative ways to this year's challenge.
Deadline: September 19 2011
More information can be found here:
http://smartgeometry.org/index.php?option=com_content&view=article&id=129&Itemid=146
sg2012 takes place from 19-24 March 2012 at EMPAC (http://empac.rpi.edu/) and is hosted by Rensselaer Polytechnic Institute in Troy, upstate New York USA. The Workshop and Conference will be a gathering of the global community of innovators and pioneers in the fields of architecture, design and engineering.
The event will be in two parts: a four day Workshop 19-22 March, and a public conference beginning with Talkshop 23 March, followed by a Symposium 24 March. The event follows the format of the highly successful preceding events sg2010 Barcelona and sg2011 Copenhagen.
sg2012 Challenge Material Intensities
Simulation, Energy, Environment
Imagine the design space of architecture was no longer at the scale of rooms, walls and atria, but that of cells, grains and vapour droplets. Rather than the flow of people, services, or construction schedules, the focus becomes the flow of light, vapour, molecular vibrations and growth schedules: design from the inside out.
The sg2012 challenge, Material Intensities, is intended to dissolve our notion of the built environment as inert constructions enclosing physically sealed spaces. Spaces and boundaries are abundant with vibration, fluctuating intensities, shifting gradients and flows. The materials that define them are in a continual state of becoming: a dance of energy and information.Material potential is defined by multiple properties: acoustical, chemical, electrical, environmental, magnetic, manufacturing, mechanical, optical, radiological, sensorial, and thermal. The challenge for sg2012 Material Intensities is to consider material economy when creating environments, micro-climates and contexts congenial for social interaction, activities and organisation. This challenge calls for design innovation and dialogue between disciplines and responsibilities.sg2010 Working Prototypes strove to emancipate digital design from the hard drive by moving from the virtual to the actual in wrestling with the tangible world of physical fabrication. sg2011 Building the Invisible focused on informing digital design with real world data. sg2012 Material Intensities strives to energise our digital prototypes and infuse them with material behaviour. They have the potential to become rich simulations informed by the material dynamics, chemical composition, energy flows, force fields and environmental conditions that feed back into the design process.
More information can be found at http://www.smartgeometry.org…
es has guided me in a - what I once thought - specific path within architecture, but recent discoveries (like the Grasshopper-community etc.) have learned me that the field of digital and parametric architecture is so-to-speak alive and kicking. This is also the main subject I would like to write my thesis about. It is however mainly the subject and defining its boundaries – what do I really want to explore and research? – which is the most difficult factor at this time.
A concrete idea is non-existant, and my current visions will probably be redirected when I have a first meeting with the promotors in February. Moreover there is the knowledge that it is impossible to make a thesis at the institute in Antwerp on no matter what subject in the world of digital architecture. Understandably too, it’s a small world and does not always result in realised projects, but in impressive imagery. At this moment however, I am thinking of two possible research fields to focus on.
In a first option the focus might lie on how digital design tools can be used to bring a certain aspect of interactivity to building facades. Such interactivity can occur both in the design phase and throughout the use of the building. The first scenario, in which the interactivity occurs when designing, I would focus on how the designer can shape a building’s outer perspective in function of environmental parameters: obstacles, elements that block sunlight from entering the building, visually important landmarks, etc. It should be noted however that focus will mostly lie on the design element, and less on the energy-efficiency and sustainability. Tools that will be researched would include Grasshopper, Rhino Scripting, Processing and ParaCloud.
A second possible approach could be categorized under both Swarm Intelligence and Generative Design and might study how the aforementioned digital techniques might be implemented in the new urbanism. We notably see more (innovative) interventions in which the design and planning is heavily influenced by movement patterns and morphogenetic parameters and functions. Based on the outcome of these scripted techniques, designers tend to work towards a proposal which answers a certain urbanistic issue.
All additional insights, guidelines, tips, comments are more than welcome in order to help me define the scope of my thesis subject. I must admit I am pretty new to this digital design world (it is not actively promoted at my home university, but it is promoted at the university where I am studying for one year now) and thus have limited experience at the time of writing.
Please also feel free to check out the blog post concerning this topic, which is a little more elaborate: http://nielswouters.be/thesis-digital-design-english/
Thanks for all your help!
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ou will see all of the available components on a ribbon at once so there is no need to keep clicking drop down menus.
It's all about discoverability with GH. What if you're a beginner and don't know about the Create Facility (dbl click canvas) how can you find Extr?
Even if you hover over every component or use the drop down lists you will not see the name Extr appear anywhere.
Sure it makes sense that Extr is short for Extrude but it's also the Nick Name of Extrude to Point component
So you can easily miss the fact that one has a Distance Input verses a Point Input.
I think I made the move to Icons around about the move from version 0.5 to 0.6, possibly before. I initially thought that I would go back to text because I loved the mono chromatic look of the text but I soon realised that Icons were the way forward. The greatest benefit is speed. You don't need to digest and decipher every component (which is written 90 degrees to the norm).
I'm not saying you should move to Icons forthwith but at least consider that once you have a better knowledge and understanding of GH, Icons will set you free.
My top ten tips that I would highly recommend to anyone wanting to better themselves with GH.
1) Turn on Draw Icons
2) Turn on Draw Fancy Wires
3) Turn on Obscure Components
4) Use the Create Facility like a Command Line eg "Slider=-1<0.75<2" or "Shiftlist=-1"
5) Use Component Aliases to customise your use of the Create Facility eg giving the Point XYZ component an alias of XYZ will bring it up as the first option on the Create Facility as opposed to the other possibilities.
6) Try to answer other people's questions even if it's not relevant to your own area. By looking into solving a problem outside of your comfort zone and then posting your results it is very rewarding but it also lets you see the other approaches that get posted in a new light.
7) Take the time to understand Data/Path structures.
8) Buy a second monitor - There is nothing that can compare to real estate when working in Grasshopper.
9) Read Rajaa Issa's Essential Mathematics
10) Pick a panel in a tab on the ribbon and get to know every component inside and out and then move on. Start with the Sets Tab > List Panel…
greatly appreciate it!!
You can write the number of the question and write your answer next to it, example:
1) a
2) c
3) a) Washington University in St. Louis
4) 2 weeks (1week+1week shipping)
5) 130
6) b
7) b
The survey questions are as follows:
1)
Did you 3D print before?
5)
How much did it cost (in dollars)?
a.
Yes, for a school project
a.
Between 20 & 50
b.
Yes, for a personal project
b.
Between 50 & 80
c.
Between 80 & 120
2)
Print size
d.
Please specify if otherwise: _____ dollars
a.
Between 2 & 6 cubic inches
b.
Between 6 & 12 cubic inches
6)
Do you think the price was expensive?
c.
Between 12 & 20 cubic inches
a.
Not at all
d.
Please specify if otherwise: ____cubic inches
b.
A little bit expensive
c.
Very expensive
3)
Where did you print your object?
a.
School
7)
Were you satisfied with the printed object?
b.
Outside school: _________________
a.
Yes, it was a great print without problems
b.
Not bad, some issues
4)
How long did it take to print?
c.
I was not satisfied, very bad quality
a.
___ days
b.
___ weeks
Thank you very much to all!!
PS: If you did many 3D prints, you can post multiple answers.
Wassef…
whole design intent, but this is what Inventor is good at. The way it packages bits of 'scripted' components into 'little models' that can be stored and re-assembled is central to MCAD working.
The Inventor model shown is almost 5 years old. We don't model like that any more, however it does offer a good idea of general MCAD modeling approaches.
iParts is useful in certain situations, it could've been useful in the above model, its usefulness is often in function of the quantity of variants/configurations.
So much is scripted in GH, maybe it should also be possible to script/define/constrain/assist the placement/gluing of the results?
...
Starting point: I think we are talking across purposes. AFAIK, the solving sequence of GH's scripted components is fixed. It won't do circular dependencies... without a fight. The inter-component dependencies not 'managed' like constraints solvers do for MCAD apps.
Components and assemblies are individual files in MCAD.
Placement of these within assemblies in MCAD is a product of matrix transforms and persistent constraints. There is no bi-directional link, the link is unidirectional (downflow only), because of the use of proxies.
Consequently, scripting the placement of components is irrelevant in GH, unless you decide that each component needs to be contained in its own separate file.
This also brings up the point that generating components and assemblies in MCAD is not as straightforward. In iParts and iAssemblies, each configuration needs to be generated as a "child" (the individual file needs to be created for each child) before those children can be used elsewhere.
You notice the dilemma, if you generate 100 parts, and then you realize you only need 20, you've created 80 extra parts which you have no need for, thus generating wasteful data that may cause file management issues later on.
GH remains in a transient world, and when you decide to bake geometry (if you need to at all), you can do that in one Rhino file, and save it as the state of the design at that given moment. Very convenient for design, though unacceptable for most non-digital manufacturing methods, which greatly limits Rhino's use for manufacturing unless you combine it with an MCAD app.
One of the reasons why the distributed file approach makes perfect sense in MCAD, is that in industry you deal with a finite set of objects. Generative tools are usually not a requirement. Most mechanical engineers, product engineers and machinists would never have any use for that.
The other thing that MCAD apps like Inventor have, is the 'structured' interface that offers up all that setting out information like the coordinate systems, work planes, parameters etc in a concise fashion in the 'history tree'. This will translate into user speed. GH's canvas is a bit more freeform. I suppose the info is all there and linked, so a bit of re-jigging is easy. Also, see how T-Flex can even embed sliders and other parameter input boxes into the model itself. Pretty handy/fast to understand, which also means more speed.
True. As long as you keep the browser pane/specification tree organized and easy to query.
:)
Would love to understand what you did by sketching.
I'll start by showing what was done years ago in the Inventor model, and then share with you what I did in GH, but in another post.
Let's use one of the beams as an example:
We can isolate this component for clarity.
Notice that I've highlighted the sectional sketch with dimensions, and the point of reference, which is in relation to the CL of the column which the beam bears on. The orientation and location of the beam is already set by underlying geometry.
Here's a perspective view of the same:
The extent of the beam was also driven by reference geometry, 2 planes offset from the beam's XY plane, driven by parameters from another underlying file which serves as a parameter container:
Reference axes and points are present for all other components, here are some of them:
It starts getting cluttered if you see the reference planes as well:
Is I mentioned earlier, over time we've found better ways to define and associate geometry, parameters, manage design change, improving the efficiency of parametric models. But this model is a fair representation of a basic modeling approach, and since an Inventor-GH comparison is like comparing apples and oranges anyways, this model can be used to understand the differences and similarities, for those interested.
I haven't even gotten to your latest post yet, I will eventually.…
Added by Santiago Diaz at 10:36am on February 26, 2011
he picture (4).
Previously, I had a problem with generating intersections between the two directions of the beams, but a colleague helped me by extending beams, so there was no problem with lines of intersection. But this solution has generated curl (5) at the highest vertex geometry, which I ignored in order to repair it before printing, perhaps this mean my problem with my beam spread properly. Only when the beams is 19, does not jump no problem, but I still can not distribute them properly.
(1)
(2)
(3)
(4)
(5)
I tried to show as simply as possible by removing or signing my code in GHX file.
Thank you in advance for your help
…
y in English. ○Presenter
Robert (Bob) McNeel (McNeel & Associates founder) Robert (Bob) McNeel is the founder and president of Robert McNeel & Associates (RMA). Founded in 1978, RMA originally focused on developing accounting software for accounting, architecture, engineering, and other personal services firms. Within a few years, RMA expanded its services to include selling and supporting microprocessor-based engineering and design software including AutoCAD. By 1985, the main focus of the business had shifted to AutoCAD sales, service, training, and software development. Bob McNeel grew up in the mountains of southern Washington State on a subsistence dairy farm. To pay for college, he worked in construction as a carpenter, welder, and cement finisher. Bob has a BA in Accounting from Washington State University. Prior to founding McNeel & Associates, he was a practicing Certified Public Accountant and the comptroller for a large construction company in Spokane. Andrés González (Rhino Fablab director) Andrés is a software trainer and developer since the 1980s. He has developed applications for diverse design markets as well as training materials for different CAD and Design software including the community of training materialswww.Rhino3D.TV Andrés has been working with the Rhino Team since the very early stages. He is now the head of the McNeel Southeast US & Latin American Division. He is the worldwide director of the digital fabrication community called RhinoFabLabwww.RhinoFabLab.com as well as the Generative Jewelry & Fashion Design community GJD3D www.GJD3d.com and Generative Furniture Design community GFD3D www.GFD3d.com 1981 -1985 University of North Carolina at Charlotte N.C. - EE.UU. B.S., Bachelor of Science in Engineering
…
Added by Yusuke Oono at 9:28pm on October 16, 2013
onents (radiation, sunlight-hours and view analysis) which let you study the effect of the orientation of your building and the analysis result. When you come to a question similar to "what is the orientation that the building receives the most/least amount of radiation?" is probably the right time to use this component.
HOW?
I'll try to explain the steps using a simple example. Here is my design geometries. The building in the center is the building to be designed and the rest of the buildings are context. I want to see the effect of orientation on the amount of the radiation on the test building surfaces from the start of Oct. to the end of Feb. for Chicago.
First I need to set up the normal radiation analysis and run it for the building as it is right now. [I'm not going to explain how you can set up this since you can find it in the sample file (Download the sample file from here)]
Now I need to set up the parameters for orientation study using orientationStudyPar component. You can find it under the Extra tab:
At minimum I need to input the divisionAngle, and the totalAngle and set runTheStudy to True. In this case I put 45 for divisionAngle and 180 for the totalAngle which means I want the study to be run for angles 0, 45, 90, 135 and 180.
[Note1: The divisionAngle should be divisible by totalAngle.]
[Note 2: If you don't provide any point for the basePoint, the component will use the center of the geometry as the center of the rotation.]
[Note 3: You can also rotate the context with the geometry! Normally you don't have the chance to change the context to make your design work but if you got lucky the rotateContext input is for you! Set it to True. The default is set to False.]
You're all set for the orientation study, just connect the orientationStudyPar output to OrientationStudyP input in the component and wait for the result!
The component will run the study for all the orientations and preview the latest geometry. To see the result just grab a quick graph and connect it to totalRadiation. As you can see in the graph 135 is the orientation that I receive the maximum radiation. Dang!
If you want to see all the result geometries set bakeIt to True, and the result will be baked under LadyBug> RadaitionStudy>[projectname]> . The layer name starts with a number which is the totalRadiation.
Mostapha…
her people) a tremendous amount of time creating them by hand. Dog Treat was far from perfect, however it was good enough to use almost daily.
Three years is a long time. Since 2016 my Gh knowledge has expanded and I’ve seen how dodgy some of the scripting is. With this in mind I started work on a new build. Many things have been tweaked and some things have been rebuilt from the ground up.
Everything has been designed to be leaner and be a general solution to the problem of creating dog bone corners on geometry for quick, efficient and safe CNC fabrication.
Some of these things are:
Adding prompts about user geometry to make them aware about open curves, varying curve heights and if their geometry had been altered (mostly removing unnecessary points on curves).
Smooth Transfers. If you’re in a rush and need to speed through cutting, smooth transfers mean that a lead in geometry is now created alongside the actual dog bone arc. This means the router bit doesn’t have to come to a minute stop at every corner. This is turned on by default.
Acute Angle Condition If the angle between the two curves adjacent to a dog bone point is acute, previously the dog bone corner was useless. This was because the distance between the end points of the dog bone arc were less than the diameter of the router bit. There are many ways this condition could be addressed. I chose to circumscribe a larger arc based on the original angle between the adjacent curves. While it removes more material from the corner, it minimises tool wear and any potential for material to burn.
Single Curve A single curve can now be input into Dog Treat. It will be output with both internal and external treatments.
I’ll continue to update Dog Treat as the need arises, it’s become somewhat of a hobby now. Maybe one day it will become part of a Plug-in… once I learn to code it though!
Happy Treating!
Hi Everyone,
Here's a tool I've been working on for the past 4 months or so in my free time. It's a dog bone corner generator, however it's a little different to some of the existing ones. It's designed to be used for large amounts of geometry and as such, it avoids using any curve boolean operations that are computationally taxing. You don't have to split your curves up into internal and external lots either, it works it all out so you can be lazy. I've also incorporated Lunch Box's Object Bake Component for a one click operation that bakes geometry back out to Internal and External profile layers.
Let me know how it goes, will update where necessary.
Best,
Darcy
Change Log
06/11/19 - Version 2.0 SECOND DINNER - Rebuild
29/09/17 - Version 1.3 - Now with smooth corners option, True for smooth default/False for original
18/05/17 - Version 1.2 - Now includes variable angle domain input (defaults at 90°) for angled corners
13/11/16 - slight change to enable acceptance of very large interior curves
…
Added by Darcy Zelenko at 8:44pm on November 9, 2016