her people) a tremendous amount of time creating them by hand. Dog Treat was far from perfect, however it was good enough to use almost daily.
Three years is a long time. Since 2016 my Gh knowledge has expanded and I’ve seen how dodgy some of the scripting is. With this in mind I started work on a new build. Many things have been tweaked and some things have been rebuilt from the ground up.
Everything has been designed to be leaner and be a general solution to the problem of creating dog bone corners on geometry for quick, efficient and safe CNC fabrication.
Some of these things are:
Adding prompts about user geometry to make them aware about open curves, varying curve heights and if their geometry had been altered (mostly removing unnecessary points on curves).
Smooth Transfers. If you’re in a rush and need to speed through cutting, smooth transfers mean that a lead in geometry is now created alongside the actual dog bone arc. This means the router bit doesn’t have to come to a minute stop at every corner. This is turned on by default.
Acute Angle Condition If the angle between the two curves adjacent to a dog bone point is acute, previously the dog bone corner was useless. This was because the distance between the end points of the dog bone arc were less than the diameter of the router bit. There are many ways this condition could be addressed. I chose to circumscribe a larger arc based on the original angle between the adjacent curves. While it removes more material from the corner, it minimises tool wear and any potential for material to burn.
Single Curve A single curve can now be input into Dog Treat. It will be output with both internal and external treatments.
I’ll continue to update Dog Treat as the need arises, it’s become somewhat of a hobby now. Maybe one day it will become part of a Plug-in… once I learn to code it though!
Happy Treating!
Hi Everyone,
Here's a tool I've been working on for the past 4 months or so in my free time. It's a dog bone corner generator, however it's a little different to some of the existing ones. It's designed to be used for large amounts of geometry and as such, it avoids using any curve boolean operations that are computationally taxing. You don't have to split your curves up into internal and external lots either, it works it all out so you can be lazy. I've also incorporated Lunch Box's Object Bake Component for a one click operation that bakes geometry back out to Internal and External profile layers.
Let me know how it goes, will update where necessary.
Best,
Darcy
Change Log
06/11/19 - Version 2.0 SECOND DINNER - Rebuild
29/09/17 - Version 1.3 - Now with smooth corners option, True for smooth default/False for original
18/05/17 - Version 1.2 - Now includes variable angle domain input (defaults at 90°) for angled corners
13/11/16 - slight change to enable acceptance of very large interior curves
…
Added by Darcy Zelenko at 8:44pm on November 9, 2016
he example file to this file so you can give it a try with any version of Honeybee that you're already using. The only requirement is to have OpenStudio installed as the component is using OpenStudio libraries to parse gbXML files. If you're using the latest version available on github the component is also available under WIP tab.
Why?
The main purpose of developing this component is to save time and effort for importing Revit models for energy and daylight analysis. It bothers me to see a lot of smart people spend a lot of time to just come up with solutions just to get the geometry from Revit to Honeybee for analysis. This component is not solving all the issue but is a first step forward. In an ideal world, the future version of Honeybee, which works both under DynamoBIM and Grasshopper should address this issue but that can take some time to be fully ready!
How?
To use this component you need to Export your Revit model as gbXML and then use the file path to load the file into Grasshopper. There are several resources available online on how to prepare the analytical model in Revit and export the gbXML file. Here is an image for importing the Revit 2017 sample model using the default settings. As you can see the model will be just as good as what your original gbXML file from Revit is.
What can be improved?
Well, there are several items that can be improved and they are mostly not on us. To get it started I add what I think are the 3 main shortcomings and my thoughts on how they can be addressed in the future. Feel free to add what you think needs to be added to this list in the comments section.
1. Revit analytical models and as the results gbXML files, by design, are not intended to be clean. Watch this presentation from the Autodesk University to see the logic behind this approach which in short is it doesn't matter for a large scale early stage energy model. Well, This will be quite a problem for studies that you can do with Honeybee. Included but not limited to daylight and comfort analysis.
The best solution that I can think of, until Autodesk fixes their exporter, is to use Revit Rooms and Spaces and generate a clean model from the scratch. We have already tried this approach in Revit but since the Revit API doesn't provide access to Room openings we had a very hard time to get it to work.
That's why that I opened an idea on Revit ideas to get over this issue. With your support we already have 81 votes, but it hasn't been enough to make them to consider the idea for an official review. If you haven't voted already and you think this will be a helpful feature take a moment and vote so we can have it implemented at some point in the future.
2. There is no way (that I know) to export only part of the model. The way export gbXML is set up in Revit is to export the whole model once together. As a result, if you have a huge model with 100 rooms and you want to get one of the rooms into Honeybee using this component you have to export the whole model, which can take some time, and then import them all back into Grasshopper. To partially address this issue I added an input to the component that allows you input a list of names for rooms that you're interested to be loaded into Grasshopper. You can use the name of the room/space in Revit as an input for the component.
3. The component doesn't import adjacencies, loads, schedules and HVAC systems. I wasn't able to export a gbXML file from Revit with any of this data except for the adjacency, but even if you can do that, the component currently can only import geometries and constructions. I hope we get access to 1 and so we don't have to use the xml file approach at all, but if that takes a very long time then we will add these features to the component.
Happy 2017!
Mostapha…
inventive collaborative environment.
The workshop is part of a series of PARAMETRICA events, promoting computational design thinking and exploring the new possibilities of parametric design.
The workshop is aimed at: students, postgraduates, architects, interior, product and urban designers, engineers, anybody interested.
> Workshop CONCEPT (16th – 28th July 2013):
The advancement of digital technology is helping architects to understand and respond to the complexity of the environment surrounding us.
In this 14 day workshop the various energies which exist in a given environment will be identified, analysed and then digital simulated.
Experimental structures capable of reconfiguring themselves in response to the mapped forces will be generated and fabricated.
> Conference CONCEPT (29th July 2013):
During this day we will present the final workshop projects and our special guest, Patrik Schumacher will exploit the subject of computational design thinking and parametric architecture, by putting the accent on the subject “Parametric Semiology – Architecture as the interface of communication”
> OBJECTIVES:
The workshop objectives are two-fold, in the first phase the workshop focuses on the identification and analysis of resources inherent to the environmental context, thus developing a better understanding of their nature as well as optimized methods of use or response.
In the next phase, the objective is to generate structures which through either means of fabrication or material properties can respond to, or utilize the environmental energy sources.
> The project TEAM:
Key lecturer: PATRIK SCHUMACHER (DE)
Profile: Director, Zaha Hadid Architects, London
Dr Phil, Dip Ing, ARB, RIBA
Founder AA Design Reseach Lab London
Lecturer: Ina Leonte (RO)
Profile: PhDc, teaching assistant (UAIM, Bucharest, Romania)
Co-founder, Zest
Workshop main tutors:
HOOMAN TALEBI [IR]
Profile: MArch (AADRL, London), MSc (AUT, Tehran)
Lead Designer, Zaha Hadid – London
FARSHAD MEHDI’ZADEH [IR]
Profile: March (IaaC-UPC, Barcelona, Spain)
Co-founder, Tehran Architecture Studio (Iran)
Workshop assistant:
MOHSEN MARIZAD [IR]
Profile: MAA 2010 - Architect (IaaC-UPC, Barcelona, Spain)
Parametric design expert
Workshop coordinator: Diana Nitreanu (RO)
Profile: MAA 2010 - Architect/Urban Designer (IaaC-UPC, Barcelona, Spain)
Official Rhino Trainer
Co-founder, Laboratorul de Arhitectura; Co-founder & Tutor, Parametrica
> EQUIPMENT Workshop: Each participant must provide their own laptop with the following software installed: A. Rhinoceros 3D 5.0 B. Grasshopper 3D (Latest Version) C. Arduino
Machines to work on: 1. Laser Cutter - small laser for prototyping 2. Big laser cutter for final production
Materials (provided by Parametrica) - To be specified according to the subject of study for each group;
FOR MORE INFO®ISTRATION:
www.dynamicfields.ro
www.parametrica.ro
office@parametrica.ro
…
will engage a debate on the same theme of the 14th Biennale: "Fundamentals”. Therefore the discussion will focus not on architects, but on buildings, their characteristics and performance in accommodating fundamental requirements.
PROGRAMME
> 10.00
Presentation Aldo Norsa
Iuav - Venice
> 10.20
Architectural Envelopes
Introduction
John Iorio
J&A, Milan
Invited Speakers
Giorgio Buffoni
Arup, London
Sergio De Gaetano
Thornton Tomasetti, London
Ranieri Fontana Giusti
Kpf, New York
Kim Groves
consultant to Morphosis, Los Angeles
Alex Kunz
Gehry Technologies, Los Angeles and Paris
Edmondo Occhipinti
3-im, Paris and Milan
Mic Patterson
Advanced Technology Studios – Enclos, Los Angeles and New York
Lorenzo Vianello AA School of Architecture, London
13.20 > 14.40
Lunch Break (on site)
> 14.40
Interface between Skin and Structure
Franco Mola
Ecsd, Milan
> 15.00
Life Cycle Thinking in Tall Buildings
Dario Trabucco
Ctbuh / Iuav, Venice
> 15.20
Fast Mobility – Vertical amd Horizontal
Leonardo Cavalli
Oneworks, Milan, with a short film produced by Leitner (Vipiteno/Sterzing)*
> 16.00
Living Green in High Rises
Elena Giacomello
Iuav, Venice
> 16.20
Two distinguished speakers illustrate their life long experience in designing and delivering tall buildings:
Dante O. Benini
Founder, Dante O. Benini & Partners Architects, Milan
A.Eugene Kohn
Founder, Kpf – Kohn Pedersen Fox Associates, New York
> 17.40
Conclusions
Renzo Dubbini
Dacc – Iuav, Venice
(Top image: Lamellae Tower by Lorenzo Vianello, Giulia Conti, Huang Shigang, Lin Zhigong)…
Organic form and nature...
On Growth and Form: The Complete Revised Edition by D'Arcy Wentworth Thompson - The classic
Patterns in Nature - by Peter S. Stevens
A new kind of Science - Q
ther math and logic. i can usually conceptualise what i want to do and cobble some semi working thing together but don't know which components to use and how to patch it. so i'm super happy to have someone who knows what he's doing to find this interesting.
and i'm glad you mention the fanned frets again, there is one input parameter that's still missing for the multiscale frets to be fully parametric, it's the angle of the nut or which fret should be straight. it depends a bit on personal preferences and playing posture what is more comfortable. so being able to adjust this easily would be cool. again i have no idea how the maths for that work or if you can just rotate each fret the same amount around it's middle point. The input either as fret number (for the straight fret) or as a simple slider from bridge to nut should do as input setting.
Here are the two extremes and the middle ground:
i've been thinkin today while analysing your patches and cleaning up my mess what exactly the monster should do.
Here are the input parameters needed, i think it's the complete list
scale length low E string
scale length high e string
fret angle/straight fret
string width at nut
string width at bridge
number of frets
fretboard overhang at nut (distance from string to fretboard bounds)
fretboard overhang at last fret
string gauges
string tensions
fretboard radius at nut (for compound radius fretboard radius at bridge is calculated with the stewmac formula)
fretwire crown width
fretwire crown height
action height at nut (distance between bottom of string and fretwire crown top)
action height at last fret
pickup 1 neck position
pickup 2 middle position
pickup 3 bridge position
nut width
the pickup positions should be used to draw circles for the magnet poles on each string so they are perfectly aligned and can be used for the pickup flatwork construction. ideally they would need a rotation control aligning the center line of the pickup so it's somewher between the last fret angle and bridge angle. personally i do this visually depending on the design i'm looking for, some people have huge theories on pickup positioning but personally i don't believe in it.
that should result in everything needed to quickly generate all the necessary construction curves or geometry for nut/fingerboard/frets/pickups. this is the core of what makes a guitar work, the more precise this dynamic system is the better the guitar plays and sounds.
i posted another thread trying to understand how i could use datasets form spreadsheets,databse, csv to organize the input parameters. What would make sense for the strings for example is hook into a spreadsheet with the different string sets, i attached one for the d'Addario NYXL string line which basically covers all combos that make sense.
The string tension is an interesting one, and implmenting it would sure be overkill albeit super interesting to try. it should be possible to extrapolate from the scale length of each string what the tension for a given string gauge of that string would be so that you could say 'i want a fully balanced set' or 'heavy top light bottom) and it would calculate which SKU from d'addario would best match the required tension. All the strings listed in the spreadsheet are available as single strings to buy.
i'm trying to reorganize everything which helps me understand it. i just discovered the 'hidden wires' feature which is great since once i understood what a certain block does or have finished one of my own, i can get the wires out of the way to carry on undistracted. a bit risky to hide so many wires but it makes it so much easier not to get completely lost :-)
btw, the 'fanned fret' term is trademarked, some guy tried to patent it in the 80's which is a bit silly since it has been done for centuries. there is a level of sophistication above this as well, check out http://www.truetemperament.com/ and that really is something else. it really is astounding how superior the tuning is on those wigglefrets, the problem is that it's rather awkward for string bending and also you can't easily recrown or level the frets when they are used. …
e matching with a dedicated component which creates combinations of items. You can find the [Cross Reference] component in the Sets.List panel.
When Grasshopper iterates over lists of items, it will match the first item in list A with the first item in list B. Then the second item in list A with the second item in list B and so on and so forth. Sometimes however you want all items in list A to combine with all items in list B, the [Cross Reference] component allows you to do this.
Here we have two input lists {A,B,C} and {X,Y,Z}. Normally Grasshopper would iterate over these lists and only consider the combinations {A,X}, {B,Y} and {C,Z}. There are however six more combinations that are not typically considered, to wit: {A,Y}, {A,Z}, {B,X}, {B,Z}, {C,X} and {C,Y}. As you can see the output of the [Cross Reference] component is such that all nine permutations are indeed present.
We can denote the behaviour of data cross referencing using a table. The rows represent the first list of items, the columns the second. If we create all possible permutations, the table will have a dot in every single cell, as every cell represents a unique combination of two source list indices:
Sometimes however you don't want all possible permutations. Sometimes you wish to exclude certain areas because they would result in meaningless or invalid computations. A common exclusion principle is to ignore all cells that are on the diagonal of the table. The image above shows a 'holistic' matching, whereas the 'diagonal' option (available from the [Cross Reference] component menu) has gaps for {0,0}, {1,1}, {2,2} and {3,3}:
If we apply this to our {A,B,C}, {X,Y,Z} example, we should expect to not see the combinations for {A,X}, {B,Y} and {C,Z}:
The rule that is applied to 'diagonal' matching is: "Skip all permutations where all items have the same list index". 'Coincident' matching is the same as 'diagonal' matching in the case of two input lists which is why I won't show an example of it here (since we are only dealing with 2-list examples), but the rule is subtly different: "Skip all permutations where any two items have the same list index".
The four remaining matching algorithms are all variations on the same theme. 'Lower triangle' matching applies the rule: "Skip all permutations where the index of an item is less than the index of the item in the next list", resulting in an empty triangle but with items on the diagonal.
'Lower triangle (strict)' matching goes one step further and also eliminates the items on the diagonal:
'Upper Triangle' and 'Upper Triangle (strict)' are mirror images of the previous two algorithms, resulting in empty triangles on the other side of the diagonal line:
…
it seems that was this. Now all is working fine !
Glad that it worked! But I am still a bit worried. Gismo components only modify the gdal-data/osmconf.ini file and no other MapWinGIS file. So your MapWinGIS installation files should not be compromised. The fact that you did not get the "COM CLSID" error message when running the "Gismo Gismo" component suggests that MapWinGIS has been properly installed. So I wonder if the cause for the permanent "invalid shapes" warning has again something with the fact that your system is again not allowing the MapWinGIS to properly edit the osmconf.ini. Maybe this problem will appear again, and again, and reinstallation of MapWinGIS every time can be somewhat bothersome.
- About the terrain generation, is it possible to have the texture from google or other provider mapped onto the terrain surface from gismo component ? (Same as using the ladybug terrain generator in fact). I try to used the image extracted by ladybug component and then applied it to the gismo terrain but the texture is rotated by 90°.
The issue with the rotation can be solved by swapping/reversing the U,V directions of the terrain surface. A slightly more important issue is that terrain surface generated with Gismo "Terrain Generator" component might have a bit smaller radius than what the radius_ input required. This stems from the fact that the terrain data first needs to be downloaded in geographic coordinate system, and then projected. Some projecting issues may occur at the very edges of the projected terrain, so I had to slightly cut out the very edges of the terrain which results in the actual terrain diameters being slightly shorted in both directions. This means that if you apply the same satellite image from Ladybug "Terrain Generator" component to Gismo "Terrain Generator" component the results may not be the same.I attached below a python component which tries to solve this issue by extending the edges of Gismo "Terrain Generator" terrain, and then cutting them with the cuboid of the exact dimensions as the radius_ input. Have in mind that this extension of the original terrain at its edges is not a correct representation of the actual terrain in that location. But rather just an extension of the isoparameteric curve of the terrain surface. So basically: some 0 to 10% (0 to 10 percent of the width and length) of the terrain around all four edges is not the actual terrain for that location, but rather just its extension.The python component is located at the very right of the definition attached below.
Also, if you would like to use the satellite images from Ladybug "Terrain Generator" component along with "OSM shapes", sometimes you may find slight differences in position of the shapes. This is due to openstreetmap data not being based on Google Maps (that's what Ladybug "Terrain Generator" component is using), but rather on Bing, MapQuest and a few others.
- About the requiredKeys_ input of OSM shapes, I understand what you mean and your advice, but in most cases I use it, the component was working fine even without input. I think it's better to extract all tags, values and keys of the selected area, instead of searching for specific ones as I try to find all data related to what I want after, isn't it ? To check what keys are present on the area also.
Ineed, you are correct.I though you were trying to only create a terrain, 3d buildings and maybe find some school or similar 3d building, for these two locations. The recommendation I mentioned previously is due to shapefiles having a limit (2044) to how many keys it can contain. This requires further testing of some big cities locations with maybe larger radii, which I haven't performed due to my poor PC configuration. But in theory, I imagine that it may happen that a downloaded .osm file may have more than 2044 keys. In that case shapefile will only record 2044 of them, and disregard the others. That was my point.But again 2044 is a lot of keys, and I haven't been checking much this in practice. For example, when I set the radius_ to 1000 meters, and use your "3 Rue de Bretonvilliers Paris" location I get around 350 something keys, which is way below the 2044.Another reason why one should use the requiredKeys_ input is to make the Gismo OSM components run quicker: for example, the upper mentioned 350 something keys will result in 350 values for each branch of the "OSM shapes" component's "values" output.Which means if you have 10 000 shapes, the "OSM shapes" component will have 10 000 branches with 350 items on each branch (values). This can make all Gismo OSM components very heavy, and significantly elongate the calculation process.With requiredKeys_ input you may end up with only a couple of tens of items per each branch.Sorry for the long reply.…
Added by djordje to Gismo at 8:57am on June 11, 2017
ating to new speakers.
For more information: https://medium.com/@carspeakerland/a-guide-to-the-simple-way-difference-in-car-speakers-2-way-3-way-4-way-25e0bf215b00
Adding new speakers for your automobile could improve the sound quality dramatically. Some sound technicians say it is the number-one update you may make to improve the overall quality of your vehicle.
"They do not care how it sounds. Speakers are often form of continue on the list. Updating to new speakers offers you a much fuller sound."
There is a whole lot to pick from in regards to car speakers. (Photo from Eldon Lindsay)
"New speakers will make a greater fidelity and clarity of sound," states Robert Nevitt, proprietor of Audio Electronics at Indianapolis. "The audio is more different without distortion. People will not get bored listening to it."
Cook says customers need to pick the type of sound they enjoy. The very first thing Cook does having a customer is sit in the car together to talk about their personal taste.
"Everybody's ear is different," he states. "That which I believe sounds great, you might believe is dreadful. It is a fantastic idea to get outside and listen to everything you enjoy and do not like about doing it."
When you've discovered a sound you want, you are going to discover the sky's actually the limitation in regards to purchasing car speakers. There are scores of manufactures and models, sizes and power levels to select from.
Columbus Car Audio & Accessories offers three types of automobile speakers to pick from: complete array speakers, component speakers along with coaxial speakers.
• Total range speakers arrive with a tweeter to make to your high-pitched sounds along with a woofer for those lows. This option offers a number of different sizes.
• Unit speakers, nonetheless, include separate tweeters and woofers.
• Coaxial speakers arrive with a tweeter plus motorist.
When you've selected a type of automobile speaker, you are going to want to determine how many you desire. Cook states some cars arrive with as little as just two speakers, whereas bigger, luxury vehicles might have too many 32. He adds a normal sedan generally has four. What are The Speaker Sizes in My Car | Speaker Size for My Car
"It simply depends if you would like to replace all of these," Cook says. "I would advise doing all of four. If you are budget-minded, I'd begin with the ones at the front. That is where you are at. And you are likely to be at the automobile 100 percent of their moment."
Subwoofers are designed to reproduce low bass frequencies also may be included with new speakers or could be added separately to existing car speakers.
"Many speakers can not play down low in these frequencies such as a subwoofer may," Cook says.
Related Article
Wondering about speakers? Below are a few techniques to establish a home entertainment experience whatever your budget.
A speaker update might charge as little as $100 up to a few million dollars depending on the scope of job and type of speaker.
Cook states that the price of a subwoofer can operate as low as $37. Columbus Car Audio & Accessories sells a subewoofer bundle that includes an amplifier and a enclosure for about $ 299.
To get a set of automobile speakers, Columbus Car Audio & Accessories begin prices at $39, with an average price tag of about $70 for setup. Adding an anti-vibrator into a set of speakers prices an additional $25.
Nevitt, meanwhile, fees as little as $99 to get a set of "some good speakers." The price of one hour of installion, that is typically how long it takes to put in a set of speakers, is 67.
However, most customers spend far more.
"Paying a total amount of 800 to $1000 isn't from this world of possibility," Nevitt states. "A price somewhere in the center could be $400 or $500."
Cook says several vehicle speaker technicians began with DIY projects and adds there is nothing wrong with trying to set up car speakers all on your own. But you are going to want the correct tools for your job along with just a little understand. Installing speakers requires carrying out your car door.
See Also: https://www.scoop.it/t/how-to-choose-best-car-speakers-6x9-inch-6-5-inch-6x8-inch-4-inch
Choosing a professional to set up speakers ensures that the job is done correctly.
"If you do it yourself, then you might wind up breaking something. That is some thing we do everyday. I am not planning to inform you we will not violate something. But we will look after it if we perform. We all do so with being honest and up front with people."
If you are getting speakers set up, experts say to expect to place an appointment to the setup. …
nowledge, tools, materials and machines. The Clusters provide a focus for workshop participants working together within a common framework.
Clusters provide a forum for the exchange of ideas, processes and techniques and act as a catalyst for design resolution. The Workshop is made up of ten Clusters that respond in diverse ways to the sg2012 Challenge Material Intensities. The Call for Clusters is now open to proposals which respond in innovative ways to this year's challenge.
Deadline: September 19 2011
More information can be found here:
http://smartgeometry.org/index.php?option=com_content&view=article&id=129&Itemid=146
sg2012 takes place from 19-24 March 2012 at EMPAC (http://empac.rpi.edu/) and is hosted by Rensselaer Polytechnic Institute in Troy, upstate New York USA. The Workshop and Conference will be a gathering of the global community of innovators and pioneers in the fields of architecture, design and engineering.
The event will be in two parts: a four day Workshop 19-22 March, and a public conference beginning with Talkshop 23 March, followed by a Symposium 24 March. The event follows the format of the highly successful preceding events sg2010 Barcelona and sg2011 Copenhagen.
sg2012 Challenge Material Intensities
Simulation, Energy, Environment
Imagine the design space of architecture was no longer at the scale of rooms, walls and atria, but that of cells, grains and vapour droplets. Rather than the flow of people, services, or construction schedules, the focus becomes the flow of light, vapour, molecular vibrations and growth schedules: design from the inside out.
The sg2012 challenge, Material Intensities, is intended to dissolve our notion of the built environment as inert constructions enclosing physically sealed spaces. Spaces and boundaries are abundant with vibration, fluctuating intensities, shifting gradients and flows. The materials that define them are in a continual state of becoming: a dance of energy and information.Material potential is defined by multiple properties: acoustical, chemical, electrical, environmental, magnetic, manufacturing, mechanical, optical, radiological, sensorial, and thermal. The challenge for sg2012 Material Intensities is to consider material economy when creating environments, micro-climates and contexts congenial for social interaction, activities and organisation. This challenge calls for design innovation and dialogue between disciplines and responsibilities.sg2010 Working Prototypes strove to emancipate digital design from the hard drive by moving from the virtual to the actual in wrestling with the tangible world of physical fabrication. sg2011 Building the Invisible focused on informing digital design with real world data. sg2012 Material Intensities strives to energise our digital prototypes and infuse them with material behaviour. They have the potential to become rich simulations informed by the material dynamics, chemical composition, energy flows, force fields and environmental conditions that feed back into the design process.
More information can be found at http://www.smartgeometry.org…