la corretta comprensione del software che di livello specialistico per un confronto diretto con alcuni aspetti fondamentali dell’ architettura e del design.
Attraverso l'utilizzo di Grasshopper rivoluzionaria plug-in di Rhinoceros, si insegneranno nuove tecniche di modellazione parametrica.
Grasshopper, permette di esprimere al massimo le qualità e le potenzialità della modellazione Nurbs abbandonando in parte l'interfaccia classica di Rhinoceros. Quest'ultimo infatti viene sostituito da un menù a tendine dove vengono collezionati nodi utili alla composizione di algoritmi risolutivi.
La plug-in Grasshopper, dimostra come il linguaggio del computer stia diventando un reale strumento progettuale.
Il corso si svolgerà nei seguenti giorni: Sabato 26 Ottobre dalle ore 10.00 alle ore 19.00 Domenica 27 Ottobre dalle ore 10.00 alle ore 19.00 Scadenza preiscrizione per Grasshopper: 23/10
Contenuti
Nella prima parte del corso attraverso degli esercizi base si insegneranno i metodi di esplicitazione degli algoritmi generativi. In queste ore di lezione si illustreranno, attraverso fasi operative, i seguenti argomenti:
Suddivisione degli algoritmi in parametri e componenti;
Tipologie di dati comptiili con Grasshopper e loro combinazione creando definizioni minime;
Funzioni matematiche e logiche;
Data flow, liste e filtri di esclusione;
Costruzione di curve e superfici e loro trasformazione;
Nella seconda parte del corso lo strumento viene specializzato affrontando editing e trasformazioni complesse sulle superfici:
Elaborazione delle superfici di suddivisione;
Tassellazione spaziale di superfici a doppia curvatura;
Gestione di parametri variabili per la progettazione di definizioni finalizzate al controllo del movimento;
Ideazione di algoritmi per il passaggio dal modello digitale al modello reale attraverso la tecnica dello sliceing;
Alla fine del corso, verrà rilasciato l’attestato di partecipazione ad un corso di Rhinoceros qualificato certificato dalla casa sviluppatrice McNeel, valido anche per la richiesta di crediti formativi universitari.
Tutor del corso
Il corso sarà tenuto da un docente qualificato, esperto in disegno e rappresentazione dell' architettura e del design:
Michele Calvano| _architetto, dottore di ricerca in rappresentazione architettonica specializzato nella modellazione matematica (Nurbs) e modellazione parametrica.
Docente ART (Autorized Rhino Trainer)
Info
Responsabile didattico e docente del corso: arch. Michele Calvano cell: 340 3476330
Info mail: parametricart@gmail.com
…
azione tramite interfaccia grafica 6 ore
Interfaccia Grasshopper
Parametri e Componenti
Operazione di Logica e Matematica
Vettori
Case study: concetto base di attrattore
Gestione data matching
Primi approcci alla modellazione parametrica – 4 ore
Trasformazioni di base (sposta ruota scala orienta)
Strumenti di Morphing
Utilizzo di Sweep e Loft e di altri strumenti di creazione superfici già noti da Rhinoceros
Esercitazione pratica: creazione del modello concettuale della Serpentine Gallery - B.I.G.
Focus sulla gestione dei dati - 4 ore
Creazione e gestione delle liste
Studio del data tree
Esercitazione pratica: creazione di un soffitto cassettonato
Creazione di geometrie tramite mesh – 6 ore
Utilizzo degli algoritmi di Delaunay
Utilizzo del Facet Dome
Utilizzo del Substrate
Utilizzo degli algoritmi di Voronoi
Esercitazione pratica: creazione di un gazebo attraverso l’uso di pattern
Creazione di ‘paneling’ di superfici curve – 6 ore
Discretizzazione di una superficie a doppia curvatura tramite pannelli piani
Strumenti analisi superfici
Visualizzazione superfici tramite falsi colori
Esercitazione pratica: creazione di una facciata interattiva
Digital Fabrication e messa in tavola – 6 ore
Interoperabilità tra Grasshopper e altri applicativi
Creazione di Truss parametrica
Gestione dell’abaco dei pezzi
Esercitazione pratica: la Facciata dello Stadio Friuli di Udine - Ipotesi di costruzione e gestione tramita fabbricazione digitale
Requisiti di accesso
Conoscenza delle tematiche CAD di base e dei comandi principali e interfaccia Rhinoceros 5.
Certificazioni
Alla fine del corso verranno rilasciate le certificazioni ufficiali da ART (Authorized Rhinoceros Trainer)
Numero partecipanti
Il corso parte al raggiungimento di un minimo di 4 persone ad un massimo di 8. Ogni partecipante dovrà essere munito di proprio computer con Rhinoceros.
Costo del corso
Il costo del corso è di 600 € + IVA
Sconto di 50,00 € per i giovani che hanno meno di 26 anni.
Ulteriore sconto di 50,00 € Early Bird per tutti coloro che si iscriveranno entro il 5 Settembre 2016
Nel prezzo è compresa l’iscrizione al FabLab Toscana – maggiori informazioni qui
FabLab Toscana
Il FabLab Toscana presenta un insieme di per i propri associati: sarà possibile l’accesso ai laboratori del FabLab (durante i normali orari di apertura), partecipare ai workshops gratuitamente o a prezzi calmierati, l’utilizzo della macchine (seguendo il regolamento interno), …
ating to new speakers.
For more information: https://medium.com/@carspeakerland/a-guide-to-the-simple-way-difference-in-car-speakers-2-way-3-way-4-way-25e0bf215b00
Adding new speakers for your automobile could improve the sound quality dramatically. Some sound technicians say it is the number-one update you may make to improve the overall quality of your vehicle.
"They do not care how it sounds. Speakers are often form of continue on the list. Updating to new speakers offers you a much fuller sound."
There is a whole lot to pick from in regards to car speakers. (Photo from Eldon Lindsay)
"New speakers will make a greater fidelity and clarity of sound," states Robert Nevitt, proprietor of Audio Electronics at Indianapolis. "The audio is more different without distortion. People will not get bored listening to it."
Cook says customers need to pick the type of sound they enjoy. The very first thing Cook does having a customer is sit in the car together to talk about their personal taste.
"Everybody's ear is different," he states. "That which I believe sounds great, you might believe is dreadful. It is a fantastic idea to get outside and listen to everything you enjoy and do not like about doing it."
When you've discovered a sound you want, you are going to discover the sky's actually the limitation in regards to purchasing car speakers. There are scores of manufactures and models, sizes and power levels to select from.
Columbus Car Audio & Accessories offers three types of automobile speakers to pick from: complete array speakers, component speakers along with coaxial speakers.
• Total range speakers arrive with a tweeter to make to your high-pitched sounds along with a woofer for those lows. This option offers a number of different sizes.
• Unit speakers, nonetheless, include separate tweeters and woofers.
• Coaxial speakers arrive with a tweeter plus motorist.
When you've selected a type of automobile speaker, you are going to want to determine how many you desire. Cook states some cars arrive with as little as just two speakers, whereas bigger, luxury vehicles might have too many 32. He adds a normal sedan generally has four. What are The Speaker Sizes in My Car | Speaker Size for My Car
"It simply depends if you would like to replace all of these," Cook says. "I would advise doing all of four. If you are budget-minded, I'd begin with the ones at the front. That is where you are at. And you are likely to be at the automobile 100 percent of their moment."
Subwoofers are designed to reproduce low bass frequencies also may be included with new speakers or could be added separately to existing car speakers.
"Many speakers can not play down low in these frequencies such as a subwoofer may," Cook says.
Related Article
Wondering about speakers? Below are a few techniques to establish a home entertainment experience whatever your budget.
A speaker update might charge as little as $100 up to a few million dollars depending on the scope of job and type of speaker.
Cook states that the price of a subwoofer can operate as low as $37. Columbus Car Audio & Accessories sells a subewoofer bundle that includes an amplifier and a enclosure for about $ 299.
To get a set of automobile speakers, Columbus Car Audio & Accessories begin prices at $39, with an average price tag of about $70 for setup. Adding an anti-vibrator into a set of speakers prices an additional $25.
Nevitt, meanwhile, fees as little as $99 to get a set of "some good speakers." The price of one hour of installion, that is typically how long it takes to put in a set of speakers, is 67.
However, most customers spend far more.
"Paying a total amount of 800 to $1000 isn't from this world of possibility," Nevitt states. "A price somewhere in the center could be $400 or $500."
Cook says several vehicle speaker technicians began with DIY projects and adds there is nothing wrong with trying to set up car speakers all on your own. But you are going to want the correct tools for your job along with just a little understand. Installing speakers requires carrying out your car door.
See Also: https://www.scoop.it/t/how-to-choose-best-car-speakers-6x9-inch-6-5-inch-6x8-inch-4-inch
Choosing a professional to set up speakers ensures that the job is done correctly.
"If you do it yourself, then you might wind up breaking something. That is some thing we do everyday. I am not planning to inform you we will not violate something. But we will look after it if we perform. We all do so with being honest and up front with people."
If you are getting speakers set up, experts say to expect to place an appointment to the setup. …
DP ($$$ aside), GC, and Grasshopper. Arthur’s original question is very important
and the exact question (and hopefully answer) I was hoping to find on a
forum.
“How to take intelligent 3D parametric generative design models (scripting, etc.) into 2D documents?" Or, deliver the 3D design for evaluation, bid, construction, etc.
I am intrigued by Jon’s comments in the same thread and would like to know how I can learn more about the process (and
pitfalls) of turning over a 3D digital generative models to a contractor/fabricator.
Are there any industry guidelines established I could use as a reference to guide our firm through this type of uncharted territory?
Arthur’s question is very reminiscent of 10 years ago when I was frustrated with the amount of time spent on the development of a 3D model design (physical and/or virtual) only to have to wipe the table clean and start the process all over again in 2D in order to document the project for delivery. From this I jumped head first into BIM and Revit, vowing never to go back to unintelligent 2D line work. I am now working on Bentley software (v8i: Microstation and Bentley Architecture) with the access and desire to venture into Generative Components. I am very intrigued by Rhino/Grasshopper primarily with the apparent ease of use and available resources assisting in the learning process – something not really available with Bentley.
In hindsight, as I am doing my software research I think the current use of Revit and BA (Bentley Architecture) are more of a “bridge”
between the past (decades of digital 2D work, i.e. AutoCAD) and where hopefully
we all will be someday in the near future (100% 3D modeling, i.e. Digital
Project??). Without having the experience
it would appear that DP/CATIA (PLM software) are closer to this than any other
type of software. As complicated as the
industry standards are for the automobile and airline industry, I feel we
(architectural industry and others) are heading in a similar direction with
total understanding (PLM/ Evidence Based Design) of a design (a whole other topic). If anything I think the market will begin to
demand it sooner or later.
Gehry (DP) article NY Times:
http://www.nytimes.com/2009/02/11/business/11gehry.html
I know these type of broad discussions (software vs. software) can be blown out of proportion on forums, but I am would like to read
the pulse of those who are already in the trenches (using Grasshopper, CATIA, Digital Project, Generative Components, others??) and hear your thoughts. Just as valuable would be other threads,
industry articles/reviews of 3D parametric generative design software.
Thanks,
Boyd…
he picture (4).
Previously, I had a problem with generating intersections between the two directions of the beams, but a colleague helped me by extending beams, so there was no problem with lines of intersection. But this solution has generated curl (5) at the highest vertex geometry, which I ignored in order to repair it before printing, perhaps this mean my problem with my beam spread properly. Only when the beams is 19, does not jump no problem, but I still can not distribute them properly.
(1)
(2)
(3)
(4)
(5)
I tried to show as simply as possible by removing or signing my code in GHX file.
Thank you in advance for your help
…
ers and researchers, programmers and artists, professionals and academics who come together for 4 days of intense collaboration, development, and design.
The sg2012 Workshop will be organised around Clusters. Clusters are hubs of expertise. They comprise of people, knowledge, tools, materials and machines. The Clusters provide a focus for workshop participants working together within a common framework.
Clusters provide a forum for the exchange of ideas, processes and techniques and act as a catalyst for design resolution. The Workshop is made up of ten Clusters that respond in diverse ways to the sg2012 Challenge Material Intensities.
Applicants to the sg2012 Workshop will select their preferred cluster from the following:
Beyond Mechanics
Micro Synergetics
Composite Territories
Ceramics 2.0
Material Conflicts
Transgranular Perspiration
Reactive Acoustic Environments
Form Follows Flow
Bioresponsive Building Envelopes
Gridshell Digital Tectonics
More information about the Workshop and Clusters can be found here:
http://smartgeometry.org/index.php?option=com_content&view=article&id=116&Itemid=131
The application process will close on January 15th, 2012.
Full Fee $1500
Reduced Fee $750
Scholarship Fee $350
Fees include attendance to both the workshop and conference from March 19th-24th.
Reduced Fee and Scholarships are available only for Academics, Students and Young Practitioners, and are awarded during a competitive peer review process.
sg2012 takes place from 19-24 March 2012 at EMPAC (http://empac.rpi.edu/) and is hosted by Rensselaer Polytechnic Institute in Troy, upstate New York USA. The Workshop and Conference will be a gathering of the global community of innovators and pioneers in the fields of architecture, design and engineering.
The event will be in two parts: a four day Workshop 19-22 March, and a public conference beginning with Talkshop 23 March, followed by a Symposium 24 March. The event follows the format of the highly successful preceding events sg2010 Barcelona and sg2011 Copenhagen.
sg2012 Challenge Material Intensities
Simulation, Energy, Environment
Imagine the design space of architecture was no longer at the scale of rooms, walls and atria, but that of cells, grains and vapour droplets. Rather than the flow of people, services, or construction schedules, the focus becomes the flow of light, vapour, molecular vibrations and growth schedules: design from the inside out.
The sg2012 challenge, Material Intensities, is intended to dissolve our notion of the built environment as inert constructions enclosing physically sealed spaces. Spaces and boundaries are abundant with vibration, fluctuating intensities, shifting gradients and flows. The materials that define them are in a continual state of becoming: a dance of energy and information. Material potential is defined by multiple properties: acoustical, chemical, electrical, environmental, magnetic, manufacturing, mechanical, optical, radiological, sensorial, and thermal. The challenge for sg2012 Material Intensities is to consider material economy when creating environments, micro-climates and contexts congenial for social interaction, activities and organisation. This challenge calls for design innovation and dialogue between disciplines and responsibilities. sg2010 Working Prototypes strove to emancipate digital design from the hard drive by moving from the virtual to the actual in wrestling with the tangible world of physical fabrication. sg2011 Building the Invisible focused on informing digital design with real world data. sg2012 Material Intensities strives to energise our digital prototypes and infuse them with material behaviour. They have the potential to become rich simulations informed by the material dynamics, chemical composition, energy flows, force fields and environmental conditions that feed back into the design process.
More information can be found at http://www.smartgeometry.org
Follow us on Twitter at http://twitter.com/smartgeometry…
Added by Shane Burger at 12:29pm on December 13, 2011
ting at multiple geometries in the same location. I simply sorted the list of values and used the Delete Consecutive component. This potentially rearranges the order of values but I don't think that matters in your case. I also threw in an Int component which actually seems to make a difference (try sidestepping it and you will see!).
2-I flattened the output of the mesh component before sending it to union. This ensures that the original mesh is booleaned once with all the components rather than individually with each of the 86 components.
Is this what the result should look like?
One suggestion for future postings: when referencing geometry in rhino, it often helps if you attach your rhino file as well so people don't have to guess where you are starting from.
If you have further questions, just ask ;-)
cbass…