GH, same as using sweep2 command in Rhino.
The one on the right is what I got so far (the output smooth our the kink of the original rails). Basically I am just following the methods provided by sdk sample: http://wiki.mcneel.com/developer/sdksamples/sweep2 .
The following is the function I copy and use directly from the SDK sample. By using this function, I can generate the sweep surface at right. But I want to have is the one in the middle with the kink edges. Can anyone show me how and where to modify he settings? I guess some sweep arguments need to be changed? I have try couples, such m_simplify, m_bSimpleSweep, m_bSameHeight, m_rebuild_count... but still cannot find a right combination for this function to output the sweep surface I want. Any suggestions or helps are very appreciated. Thanks for your help and time on this.
'Sweep2 function'----------------
Sub Sweep2( ByVal Rail1 As IOnCurve, _
ByVal Rail2 As IOnCurve, _
ByVal sCurves As List(Of IOnCurve), _
ByRef Sweep2_Breps As List(Of OnBrep))
'Define a new class that contains sweep2 arguments
Dim args As New MArgsRhinoSweep2
'Set the 2 rails
Dim Edge1 As New MRhinoPolyEdge
Dim Edge2 As New MRhinoPolyEdge
Edge1.Append(Rail1.DuplicateCurve())
Edge2.Append(Rail2.DuplicateCurve())
'Add rails to sweep arguments
args.m_rail_curves(0) = Edge1
args.m_rail_curves(1) = Edge2
args.m_bClosed = False
Dim section_curves As New List(Of OnCurve)
'Loop through sections to set parameters
For Each Section As IOnCurve In sCurves
Dim sCurve As OnCurve = Section.DuplicateCurve()
section_curves.Add(sCurve)
Dim t0 As Double = 0
If Not Edge1.GetClosestPoint(sCurve.PointAtStart(), t0) Then
If Not Edge1.GetClosestPoint(sCurve.PointAtEnd(), t0) Then
Dim s As Double = 0
sCurve.GetNormalizedArcLengthPoint(0.5, s)
Edge1.GetClosestPoint(sCurve.PointAt(s), t0)
End If
End If
args.m_rail_params(0).Append(t0)
Dim t1 As Double = 0
If Not Edge2.GetClosestPoint(sCurve.PointAtStart(), t1) Then
If Not Edge2.GetClosestPoint(sCurve.PointAtEnd(), t1) Then
Dim s As Double = 0
sCurve.GetNormalizedArcLengthPoint(0.5, s)
Edge2.GetClosestPoint(sCurve.PointAt(s), t1)
End If
End If
args.m_rail_params(1).Append(t1)
Next
'Set shapes
args.m_shape_curves = section_curves.ToArray
'Set the rest of parameters
args.m_simplify = 0
args.m_bSimpleSweep = False
args.m_bSameHeight = False
args.m_rebuild_count = -1 'Sample point count for rebuilding shapes
args.m_refit_tolerance = RMA.Rhino.RhUtil.RhinoApp.ActiveDoc.AbsoluteTolerance()
args.m_sweep_tolerance = RMA.Rhino.RhUtil.RhinoApp.ActiveDoc.AbsoluteTolerance()
args.m_angle_tolerance = RMA.Rhino.RhUtil.RhinoApp.ActiveDoc.AngleToleranceRadians()
Dim sBreps() As OnBrep = Nothing
If (RhUtil.RhinoSweep2(args, sBreps)) Then
For Each b As OnBrep In sBreps
Sweep2_Breps.Add(b)
Next
End If
Return
End Sub
…
r graphics get saved as 24x24 pixel images before they are put into the grasshopper application, which means the icons look like crap when you zoom in. This is the aforementioned problem that needs to be addressed in GH2. There have historically been two approaches to this issue:
Provide pixel images with several sizes.
Render vector graphics directly.
Option 1 is common for apps that do not have variable levels of zoom, such as Windows Explorer. When explorer shows file icons it either shows them in 16x16, 32x32, 48x48, 96x96, or these days, various HUGE sizes. As a result *.ico files allow you put in different images for all these target sizes. Since Grasshopper has variable zoom levels, this is not an ideal solution. Also, it requires a lot more work per icon.
Option 2 is becoming more and more popular as increased graphics speed now allows for the real-time rendering of vector graphics. Yet, you still need a renderer that knows how to draw vector geometry crisply at low sizes. All vector renderers I know just interpolate the geometry linearly and if a line happens to end up 'between pixels' it's just fuzzy.
I don't have hard and fast rules for the icons, but I try to adhere to at least these:
Keep a border of 2 pixels free around the icon content. So basically only use the inner 20x20 pixels rather than the 24x24 you're allowed. This is needed because the drop shadow needs to go there.
Only draw silhouette edges around shapes, not inner creases. Typically a 1-pixel line will do. I prefer to use a dark version of the fill colour rather than black for edges.
Loose curves can be drawn in 1 or 2 pixel thicknesses, depending on how important the curve is.
Try to avoid text in your icons (not always possible).
Stick to 1 colour family per icon, preferably per icon family. You can add highlights with another colour if you must, but too many hues make an icon hard to read (for the example the [Voronoi] icon, it has red, green and blue and it's a bit of a mess, on the other hand [Colour Wheel] has the full spectrum and seems to work quite well...).
Very roughly speaking, if there's both black and red geometry in an icon, it means the red is component input and the black is component output.
Drop shadows are pixel effects, applied to the 24x24 image. They have a blurring radius of 2 pixels, a horizontal offset of 1 pixel to the right, a vertical offset of 1 pixel to the bottom and they are 65% black.
When you use high contrast shapes (for example black edges on a light background) the anti-aliasing provided by vector renderers such as Xara or Illustrator won't be enough to make it look smooth. I'd recommend avoiding high contrast if at all possible, but if not possible then draw a 1-pixel line around the dark bits in 95% transparent black. This effectively extends the anti-aliasing range from 1.5 to 2.5 pixels and it helps make things looks smoother.
--
David Rutten
david@mcneel.com…
s levels of detail by subdividing a 6 sided cube mesh and projecting its vertices according to a referenced height map. This is one of the standard conventions for building full sizes planets. At the lowest level (0) the mesh planet is made of 6 pieces(each 32x32 resolution). The next level down (1) is made of 24 pieces... 6 divided by 4 = 24. Level (2) is 96 quads etc etc. The script will generate each quad at its sub-division level and compare edge vertices to neighboring quads. It will then make sure any shared vertices are in fact at the same projected vector. This ensures a planet quad with edge vertices that match.
The problems comes in texturing each quad.
If I build the quad as a nurb surface from points I can place the texture easily because each surface UV maps squarely to my texture map (which is also square).
If I build the quad as a mesh I cannot just apply the square texture to the mesh UVs. This is because when you unwrap the UVs from a mesh they will not unwrap like a nurb surface's UVs. Therefore to get the correct mapping I would have to manipulate each UV back to an evenly aligned array (which is 1024 points in a 32x32 resolution UV). Maya and blender have 'relax uv' and 'align UV' functions but they don't do the trick and manual corrections are out of the question. So why not skip the mesh method and use the nurb method?
I did this and there is a trade off. The nurb will accept the material texture I want with no other work on my end but when I export the object as an .obj rhino creates its own mesh to describe the nurb(with various unsatisfactory setting options). This works great up to a point because at some level the interpreted mesh will have vertices that do no match at the edges, ie .. creating visible seams in the mesh. The picture below is the nearly seamless planet at LOD(1) made of 24 quads, each with 32x32 vertice resolution and a 512x512 jpg texture running in Unity3d 5. It works but at close level there are seams. This will be resolved simply by having the next LOD(x) instantiate before getting close enough to see the seam but at core nerd level I want the seamless mesh.
So, I can make the seamless mesh but I can not realistically texture map it. I can also make the nurb surface from points and texture it at the expense of the edge vertices matching. I am at the split in the road but I want to have my cake and eat it too. Thoughts, comments, trolls...?
Thanks for reading =)
Footnote: For you pros I am not using seamless noise across the map I am using grasshopper to sew up my otherwise non perfect edges.
Other programs in the pipeline:
-WorldMachine 2
-Wilbur
-Photoshop
-Unity3d…
:
______________________________________________________________________
As most of you know by now, Grasshopper will be included in Rhino 6 for Windows. We are almost finished with the Grasshopper in Rhino 6 development and you are invited to try it.
There are many enhancements, including:
High DPI displays are now supported.
Compatible with existing Grasshopper plug-ins.
New components including Make2D, Bend, Flow, Maelstrom, Splop, Splorph, Stretch, Taper, and Twist...
GhPython is now included. It features its own GHA compiler and a major node-in-code speed up.
Stable development target: Your plug-ins continue to work each minor Grasshopper upgrade.
RhinoCommon enhanced: More Rhino core functionality is accessible from within Grasshopper.
Developer documentation is online with guides and API references.
Now:
Download the current Rhino WIP for Windows
Try all your existing Grasshopper definitions
Report any problems you find here...
We want to make sure this new Grasshopper works for you. If you have any issues, David needs to hear from you very soon.
Thank you,
- Bob
Visit Grasshopper at: http://www.grasshopper3d.com/?xg_source=msg_mes_network
______________________________________________________________________
So...
Any news about OS X version? Many of us won't use Parallels or whatever win emulator or have a win machine nearby.
Hope you are working at it.
Cheers
gbrl
…
Added by Gabriel Netto at 3:44pm on October 29, 2016
ive collaborative environment.
TYPE : Course module and Workshop
The event is open for anybody interested from all the fields of design, including: architecture, interior design, furniture design, product design, fashion design, scenography, and engineering.
1. COURSE MODULE (20-23 April 2014) - optional
+ type: 3 days intensive course regarding basic knowledge in parametric design (LEVEL 1)
+ software: Rhinoceros & Grasshopper
+ plugins: Kangaroo, Weaver Bird, Lunch box, Ghowl, Geco
+ achievements:
- acquainting to the components & the concept of Generative Design
- understanding the strategies in Algorithmic Design
- how to easily insert simple mathematical equation into the project to gain more control
- how to utilize proper plugins with respect to their nature of the project
- interacting with different analysis platforms such as Ecotect & remote controller
- solving several exercises with different scales( 2D- 3D ) during each phase of the workshop
2. WORKSHOP (23-27 April 2014)
A 5 day Design-Based Research Workshop exploring new techniques in Digital Architecture/Fabrication, with a specific focus on the use of generative systems and parametric modeling as tools for creative expression.
Our ultimate goal is to increasing the efficiency of utilizing digital tools in parallel with geometric performance of the primitive design agent.
+ + CONCEPT
Fashion and Architecture are both based on basic life necessities – clothing and shelter.
However, they are also forms of self-expression – for both creators and consumers.
Both fashion and architecture affect our emotional being in many ways.
The agenda of this workshop is to investigate on the overlap between these two areas of design, art & fashion.
Fashion and architecture express ideas of personal, social and cultural identity, reflecting the concerns of the user and the ambition of the age. Their relationship is a symbiotic one and throughout history, clothing and buildings have echoed each other in form and appearance. This only seems natural as they not only share the primary function of providing shelter and protection for the body, but also because they both create space and volume out of flat, two-dimensional materials.
While they have much in common, they are also intrinsically different – address the human scale, but the proportions, sizes and shapes differ enormously.
+ + + OBJECTIVES
So far, Architects have been using techniques such as folding, bending etc. to create space, structural roofs or different other structural shapes.
The agenda of this workshop goes further with the investigation of algorithmic thinking through generative tools Integrated in design.
The challenge is creating a bridge that connects these two areas of design, architecture and fashion that perform at two opposite scales.
+ + + + TECHNICAL BRIEF
In the early stages physical models and low-tech strategies will be used, allowing the participants to gain a greater understanding of materials, fabrication and assembly methods as well as simple, yet pragmatic structural solutions.
Later in the workshop these strategies will be digitalized and elaborated using software visualizing tools such as Rhinoceros and the algorithmic plug-in Grasshopper.…
o Common - just like C#. But Rhino Python has a "Scripting Language Wrapper" which breaks commonly used taks down to simpler functions.
Here's a general Example:
Take a look at the code on this website http://wiki.mcneel.com/developer/rhinocommonsamples/addline). Generally it's Rhino Common code in three language to create a line. They look equally difficult.
But if you use Rhino Python Scripting you can use an simplified syntax to get the same result. It's very similar to Rhino Script.
The code would be:
import rhinoscriptsyntax as rsstart_point = rs.GetPoint("Get start point")end_point = rs.GetPoint("Get end point")line_id = rs.AddLine(start_point, end_point)
OK - No Error Tracking here, but still you can see that the syntax is much simpler. (And in the end you just have less lines of code you have to debug.
And the good thing about Rhino Python is, that you can mix these approaches. Once you reach a level where Rhino Python Script doesn't get you there, which by the way happens very rarely, you can still use the Rhino Common methods.
Also, in Python Sycripting 99% of what you probably would like to do is available as a "wrapped" script function.
Rhino Python Script is currently also better documented than Rhino Common for C# and VB.Net. If you have used Rhino VB Script before, these functions will be very familar to you.
I'm not sure, why it's currently a separate plug-in. I belive the reason is that Rhino 4 (which is supported by GH) doesn't support Rhino Python. Also it's currently WIP, so it needed to be updated more frequently than GH itself. In the long run (I believe) it might be integrated into GH as a general component
- Martin
P.S.: To use Rhino Python within GH is a little more tricky than my example - but nothing compared to developing C#
P.S.2 Here's the code with Error Tracking:
import rhinoscriptsyntax as rsdef AddLine(): start_point = rs.GetPoint("Get start point") if start_point is None: print "No start point was selected" return end_point = rs.GetPoint("Get end point") if end_point is None: print "No end point was selected" return line_id = rs.AddLine(start_point, end_point) return line_idAddLine()
…
ve Intermediate Insight of Computational Design Strategies While Exploring Rangoli Art form in 2 Dimension and 3Dimesion in which Participants will not only be trained to Digitally Design using Parametric software's but they will also be trained to Fabricate them in reality.
This Course will be explored in manner where Participants will understand inter-dependency of Rhinoceros3D & Grasshoper3D through a unique Hybrid Teaching Method While Exploring Rangoli Geometry .
The course will also take participants through Topics such as - Computational Thinking, - Computational / Parametric Design, - Computational Rangoli Exploration, - Digital Fabrication, - 3D Visualization ( Rhino3D 6), - Making Info-graphics & Design Diagrams ( Rhino3d 6 ).
Participants will also be doing a Project at the last Leg of Workshop in which they will implement the skill they gained in first Few Weeks.
{ Tutor } Nitant Pixelkar (Computational Artist / Designer, Mumbai)
Nitant Hirlekar A.k.a. Pixelkar, is a Computational Artist. He graduated from Rachana Sansad school of Interior Design 2011, Mumbai. In Academics He Bagged Two Gold and One Silver Medal on National Level.
In his post academic days, he came across the Emerging Computational Techniques in Design industry in which Algorithm serves as a main Functional part. He uses Algorithms to Deconstruct the Captured images in Pixelated form using the Grid of the Desired Indian Art Forms.
He Heads Collective Group Named "Mutation Lab” which is a multidisciplinary Design & Art Cell. Where they Explore Computational Approach while Designing Various Scales Spatial Installation, Digital Fabrication, Interactive Installations and Computational Consultancy for Various Architects.
He has exhibited his first artwork in Kalaghoda Arts Festival for in 2014 And further in 2016 and 2017.In 2015 he exhibited in Dharavi Biennale” organized by Wellcome Trust,London & Sneha Organisation, Mumbai Which was internationally acclaimed. In 2016 he got Featured on a TV show - The Creative Indian's as an Absolut Creative Indian of the Week.
Academically he is been involved in Many Computational Design Workshops / Elective Studios for School of Interior Design (Rachna Sansad), LS Raheja College of Architecture & Rat-Lab (Delhi).
{ Participants } The Course is aimed at Architecture, Interior Design, Product Design,Furniture Design & Fashion Design Students and Professionals. However we would be thrilled to have any Interdisciplinary Artist / Creator/ Maker to join the Course as well.
{ Level }
Intermediate
{ Timing } Monday To Friday - 6:00 PM to 9:00 PM (15 Hours/ Week = 5 Week X 15 Hours = 75 Hours )
{ Dates } Registration Ends - 24th April 2020 **Subejct to Availablity
{ Workshop Dates } 4th May 2020 To 5th June 2020
{ Venue } Lower Parel,Mumbai ( Details To Be Announced )
{ Schedule }
{Registration Form}…
, Engineer and Researcher from France with broad programming experience. He is the author of the City in 3D Rhinoceros plugin for creation of buildings according to geojson file and with real elevation. Guillaume already created a new component: "Address to Location". It enables getting latitude and longitude values for the given address:
2) Support of Bathymetry data: automatic creation of underwater (sea/river/lake floor) terrain. This feature is now available through new source_ input of the "Terrain generator" component. Here is an example of terrain of the Loihi underwater volcano, of the coast of Hawaii:
3) A new terrain source has been added: ALOS World 3D 30m. ALOS is a Japanese global terrain data. Gismo "Terrain Generator" component has been using SRTM 30m terrain data, which hasn't been global and was limited to -56 to +60 latitude range. With this addition, it is possible to switch between SRTM and ALOS World 3D 30m models with the use of source_ input.
4) 9 new components have been added:
"Address To Location" - finds latitude and longitude coordinates for the given address.
"XY To Location" - finds latitude and longitude coordinates for the given Rhino XY coordinates. "Location To XY" - vice versa from the previous component: finds Rhino XY coordinates for the given latitude longitude coordinates. "Z To Elevation" - finds elevation for particular Rhino point. "Rhino text to number" - convert numeric text from Rhino to grasshopper number. "Rhino unit to meters" - convert Rhino units to meters. "Deconstruct location" - deconstructs .epw location. "New Component Example" - this component explains how to make a new Gismo component, in case you are interested to make one. We welcome new developers, even if you contribute a single component to Gismo! "Support Gismo" - gives some suggestions on how to make Gismo better, how to improve it and support it.
5) Ladybug "Terrain Generator" component now supports all units, not only Meters. So any Gismo example file which uses this component, can now use Rhino units other than Meters as well. Thank you Antonello Di Nunzio for making this happen!!
Basically just forget about this yellow panel:
This panel is not valid anymore, so just use any unit you want.
6) A number of bugs have been fixed, reported in topics for the last couple of weeks. We would like to thank members in the community who invested their time in testing, finding these bugs and reporting them: Rafat Ahmed, Peter Zatko, Mathieu Venot, Abraham Yezioro, Rafael Alonso. Thank you guys!!! Apologies if we forgot to mention someone.
The version 0.0.2 can be downloaded from here:
https://github.com/stgeorges/gismo/zipball/master
And example files from here:
https://github.com/stgeorges/gismo/tree/master/examples
Any new suggestions, testing and bug reports are welcome!!…
Added by djordje to Gismo at 5:13pm on March 1, 2017
well, very similar input data must result in wildly different hashes. For example, imagine we have an algorithm which computes hashes of text, and the hashes it computes are all numbers between 0 and 999. We then apply this algorithm to a piece of text:
"When Spring comes back with rustling shade" = 385
So far so good. Now imagine we change the text slightly, for example by removing a single "l":
"When Spring comes back with rusting shade" = 973
Minor change -> very different hash. There are of course way more unique texts than there are numbers between 0 and 999. This must therefore mean that a lot of text will result in the same hash. For example "When Spring brings back blue days and fair." may also result in a hash of 385. Because of the pigeonhole principle, there is nothing to be done about this.
Now for the tricky bit. Hashes are often used to validate executable code. Say your friend James at MI6 sends you a small program that will allow you to eavesdrop on Angela Merkel, and -over the phone- he tells you the hashcode for that application. You can then hash the application yourself, verify that it indeed results in the same hashcode and then you know you can trust the executable.
But now Jack from the FBI intercepts the email and adds a few sneaky lines of code to the original application allowing him to determine from your internet search history with up to 95% accuracy whether you like extra cheese on your pizza. The application has now been tampered with, it can no longer be trusted and you should be able to figure this out as it will no longer result in the same hash code.
But wait! Some hashing algorithms are more secure than others. MD5 is now officially considered to be 'hacked' and it is no longer recommended for doing naughty spying. Specifically, Jack will be able to inject his own code in such a way that it does not result in a different hash. Instead, the SHA family of hashers are to be used, as it is not yet known how to trick these hashers.
This is where the problem comes in, because apparently the US government has forcefully disabled the use of MD5 for all purposes. This is a shame because I use it to quickly compare bitmap icons for identicalness so I only have to store an icon in memory once. There is no security hole due to this, because I'm not hashing secure data. MD5 is somewhat faster than SHA, and since I have to hash several hundred icons on Grasshopper start, I opted for the faster one.
(Very) long story short; you're hosed. Grasshopper uses MD5; USgov does not like; Grasshopper does not run on USgov computers.
I'll do some testing to see if I can switch to SHA and then we can see whether or not that solves the problem. This however will take a while as I'm going on a business trip next week and have yet to prepare my presentations.
--
David Rutten
david@mcneel.com…
Added by David Rutten at 12:06pm on March 31, 2014
azione parametrica e generativa attraverso Grasshopper, plug-in di programmazione visuale per Rhinoceros 3D (uno dei più diffusi modellatori NURBS per l‘architettura e il design). Il workshop mira a gestire e sviluppare il rapporto tra informazione e geometria lavorando sui sistemi ad involucro in condizioni specifiche.La discretizzazione di superfici (pannellizazione Nurbs o Mesh), la modellazione delle geometrie attraverso informazioni (siano esse provenienti da analisi ambientali, mappe o database) e l’estrazione e la gestione di queste informazioni, richiede la comprensione di strutture di dati al fine di gestire completamente processo che va dalla progettazione alla costruzione.I partecipanti impareranno come costruire e sviluppare strutture di dati parametrici per informare geometrie ‘data-driven’ e come estrarre le informazioni rilevanti da tali modelli per il processo di costruzione.
Modulo 2 – Il workshop, volto a promuovere le nuove tecnologie digitali di supporto alla progettazione e alla fabbricazione, esplorerà l’integrazione tra design e prototipazione tramite processi di stampa 3d di materiale ceramico al fine di comprenderne allo stesso tempo sia il comportamento del materiale che i vincoli e le opportunità offerte dall’utilizzo di tali tecnologie.Infatti utilizzando grasshopper ed una macchina a controllo numerico i partecipanti apprenderanno le modalità per la generazione parametrica dei modelli e la creazione del codice per la loro prototipazione (Gcode creato direttamente in Grasshopper). Il workshop darà quindi ai partecipanti la possibilità di testare direttamente i loro elaborati digitali stampandoli in modo da comprendere come le informazioni articolate tramite tali strumenti di design producano specifici effetti sia morfologici che estetici.…