s levels of detail by subdividing a 6 sided cube mesh and projecting its vertices according to a referenced height map. This is one of the standard conventions for building full sizes planets. At the lowest level (0) the mesh planet is made of 6 pieces(each 32x32 resolution). The next level down (1) is made of 24 pieces... 6 divided by 4 = 24. Level (2) is 96 quads etc etc. The script will generate each quad at its sub-division level and compare edge vertices to neighboring quads. It will then make sure any shared vertices are in fact at the same projected vector. This ensures a planet quad with edge vertices that match.
The problems comes in texturing each quad.
If I build the quad as a nurb surface from points I can place the texture easily because each surface UV maps squarely to my texture map (which is also square).
If I build the quad as a mesh I cannot just apply the square texture to the mesh UVs. This is because when you unwrap the UVs from a mesh they will not unwrap like a nurb surface's UVs. Therefore to get the correct mapping I would have to manipulate each UV back to an evenly aligned array (which is 1024 points in a 32x32 resolution UV). Maya and blender have 'relax uv' and 'align UV' functions but they don't do the trick and manual corrections are out of the question. So why not skip the mesh method and use the nurb method?
I did this and there is a trade off. The nurb will accept the material texture I want with no other work on my end but when I export the object as an .obj rhino creates its own mesh to describe the nurb(with various unsatisfactory setting options). This works great up to a point because at some level the interpreted mesh will have vertices that do no match at the edges, ie .. creating visible seams in the mesh. The picture below is the nearly seamless planet at LOD(1) made of 24 quads, each with 32x32 vertice resolution and a 512x512 jpg texture running in Unity3d 5. It works but at close level there are seams. This will be resolved simply by having the next LOD(x) instantiate before getting close enough to see the seam but at core nerd level I want the seamless mesh.
So, I can make the seamless mesh but I can not realistically texture map it. I can also make the nurb surface from points and texture it at the expense of the edge vertices matching. I am at the split in the road but I want to have my cake and eat it too. Thoughts, comments, trolls...?
Thanks for reading =)
Footnote: For you pros I am not using seamless noise across the map I am using grasshopper to sew up my otherwise non perfect edges.
Other programs in the pipeline:
-WorldMachine 2
-Wilbur
-Photoshop
-Unity3d…
ect + Geco
TUTORS:
Arturo Tedeschi (Authorized Rhino Trainer) + Maurizio Arturo Degni
Il workshop avanzato ECOLOGIC PATTERNS affronta l’impiego di strategie parametriche all’interno del processo progettuale, approfondendo l’utilizzo di Grasshopper in sinergia con plug-in, software di analisi ambientale e simulazione fisica. Obiettivo fondamentale è la generazione della forma come risultato di tecniche di form-finding e di input ambientali (solari, termici e acustici). Verranno acquisiti nuovi strumenti operativi e di simulazione al fine di costruire modelli parametrici ottimizzati in grado di adattarsi a diverse condizioni di contesto.
MORE INFO…
rves/holes. However, the Kangaroo script itself is prone to locking up so it seems like it might take forever. You can even double click stop the timer from the Windows task bar, I hadn't noticed that before:
You have to use that or right click disable the timer since even with the Reset toggle button input set to True the timer itself locks up the script a bit when you are changing things around.
Just setting the min/max numbers both to a desired mesh size gives a uniform mesh:
Oh weird, it's about if the timer is right click set to so small an interval that it gets ahead of Kangaroo! When you see how long each cycle is taking with the Display > Canvas Widgets > Profiler you just set the timer for above that and the interface comes back into being responsive. It only takes a few Kangaroo cycles to do the inflation, so a full second timer interval is even workable.
A finer mesh:
It's funny running it so slow since it overinflates at first, bulging out, before it equilibrates.
You have control over inflation pressure and mesh stiffness, for a variety of effects.
This is a good system once I realized the timer needed to be mellowed out.
What made it work was the fast custom meshing since a normal mesh is awful and MeshMachine wouldn't work with sharp corner holes at all, breaking out of the boundary even if I fixed curves or vertices or did the equivalent with NURBS surfaces instead of a starting mesh.
There is an initiation time for Kangaroo that doesn't show up on its Profiler time that happens even with the timer off.
There are some fine areas that can't inflate with a reasonable mesh setting:
Worth playing with but no match for ArtCAM since it suffers odd delays in between working fast. If I could get better 2D meshes, that were more adaptive it would be better, but MeshMachine is one of the only re-meshers I know and it's broken for even mildly sharp hole features.
Ah, how about a crude mesh that is then subdivided, guaranteeing inner vertices everywhere? Sort of works, but is still too dense. Way too dense to even do anything. The subdivision triangulates the quads, vastly increasing the mesh wire density. Better just to make a finer initial mesh with plenty of quads.…
Added by Nik Willmore at 12:57am on February 21, 2016
size component supported only ground PV panels and angled roof PV panels.
Download the newest PV SWH system size component from here (Click on "View Raw" to download it. Then move the downloaded .ghuser file to File->Special Folders->User Objects Folder, an confirm to overwrite it with previously located one).
Just a few opinions on the project you are currently working on:This kind of fixed, non-transparent (overhang) PV panels attached to a building facade are vert convenient for locations with higher latitudes.The reason for this is because they (fixed overhang PV panels) are dimensioned according to the sun position at summer solstice. Elevation angles on summer solstice at higher latitude locations are lower, than those of lower latitude locations.Due to Incheon's low latitude (37), you will get rather short length of the PV panels* : less than 10 centimeters (0.097 meters in the attached .gh file below). As you have mentioned, Galapagos needs to be used too.I will just mention some of the good and bad ways in which the upper issue could be somewhat avoided:1) Increasing the vertical distance between PV panels (PV panels appear above every second window).2) Increase the tilt angle. This will increase the length of PV panels also, but will decrease the final annual AC energy output.An example of this solution has been applied at FKI building in Seoul (latitude: 37N):I already did some tests (with tilt angles: 40, 45, 55) and this does not seem like a good solution, though.3) Shrinking the "sun window" by using the minimalSpacingPeriod_ input. In Photovoltaics, a planner is suppose to make the 9h to 15h part of the sun window free of any obstructions. If you try to decrease the "sun window" to 10 to 14h, the length of your PV panels will increase. You can try to experiment a little bit with this (set your minimalSpacingPeriod_ to 21th of June 10 to 14hours). In general, shrinking the sun window on summer solstice is not a good principle during planning.4) Using tracking PV panels, not fixed ones. But Ladybug Photovoltaics components do not support this kind of PV systems. They only support fixed ones.I would personally go with the first option. You can also experiment with the second and third one.Comment back if you have any other questions.-----------------------* By "length of the PV panels" I mean the: tiltedArrayHeight_ input of the PV SWH system size component.…
answer further on Friday.
The "ghdoc" variable and rhinoscriptsyntaxThe ghdoc variable is provided by the component if you select it as "target".You might ask yourself: "why do we need it"?Its use comes from the very design of the established RhinoScript library. This library is imperative, which means it is build from a set of procedures or functions that act on various geometrical types. Additionally, there is one level of indirection: most of the time, the user does not work with the geometry itself in the variable, but rather with Guid of geometry that is present in a document. This is exactly what ghdoc is: it is the document that the RhinoScript library always implicitly targets with all AddSomething() calls (for example, AddLine()).
Based on this comment...RhinoScript use within GhPython may be less idealThat comment is from a previous version of this component that did not have the ghdoc yet.With the ghdoc variable, the standard Rhino document target of RhinoScript is replaced, therefore we can use Grasshopper while leaving the Rhino document unchanged. This saves uncountable Undo's, and makes it easy to structure ideas through the definition graph
...is the rhinoscriptsyntax target irrelevant if using solely RhinoCommon classesYes. If you create class instances (objects), you will need to create also your own collection objects to store them (mostly lists, trees). You can imagine the ghdoc as being an alternative to them, just that you do not access data by index (number), but by Guid. So you can use the RhinoScript or the RhinoCommon libraries independently or mix them. The RhinoScript implementation in Rhino is open-source and is all written in RhinoCommon. Also the ghdoc implementation is open-source, and is here.
RhinoScript and/or RhinoCommon objects which are not recognized as valid Grasshopper geometryYes, sure, Grasshopper handles only a portion of all available types. Basically, unhandled types are all the types that do not exists in the 'Params' tab. For example, there is no textdot and no leader, so on line 149 there is a throw statement and all TextDot calls (about line 350) are commented out. When/if Grasshopper one day will support these types, these calls will be implemented.
DataTreeHere is a small sample. However, I think that 80% of the times it is not necessary to program for DataTrees, as the logic itself can be applied per-list and Grasshopper handles list-iteration.
I hope this helps,
- Giulio_______________giulio@mcneel.comMcNeel Europe…
ger at the scale of rooms, walls and atria, but that of cells, grains and vapour droplets. Rather than the flow of people, services, or construction schedules, the focus becomes the flow of light, vapour, molecular vibrations and growth schedules: design from the inside out.
The sg2012 challenge, Material Intensities, is intended to dissolve our notion of the built environment as inert constructions enclosing physically sealed spaces. Spaces and boundaries are abundant with vibration, fluctuating intensities, shifting gradients and flows. The materials that define them are in a continual state of becoming: a dance of energy and information.Material potential is defined by multiple properties: acoustical, chemical, electrical, environmental, magnetic, manufacturing, mechanical, optical, radiological, sensorial, and thermal. The challenge for sg2012 Material Intensities is to consider material economy when creating environments, micro-climates and contexts congenial for social interaction, activities and organisation. This challenge calls for design innovation and dialogue between disciplines and responsibilities.sg2010 Working Prototypes strove to emancipate digital design from the hard drive by moving from the virtual to the actual in wrestling with the tangible world of physical fabrication. sg2011 Building the Invisible focused on informing digital design with real world data. sg2012 Material Intensities strives to energise our digital prototypes and infuse them with material behaviour. They have the potential to become rich simulations informed by the material dynamics, chemical composition, energy flows, force fields and environmental conditions that feed back into the design process.
More information can be found at http://www.smartgeometry.org
sg2012 take place at Rensselaer Polytechnic Institute, Troy, in upstate New York from 19-24 March 2012. The Workshop and Conference will be a gathering of the global community of innovators and pioneers in the fields of architecture, design and engineering.
The event will be in two parts, a four day Workshop 19-22 March, and a public conference beginning with Talkshop 23 March, followed by a Symposium 24 March. The event follows the format of the highly successful preceding events sg2010 Barcelona and sg2011 Copenhagen.…
Introduzione a Grasshopper", il primo manuale su Grasshopper.
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I corsi PLUG IT nascono dalla volontà di promuovere le nuove tecnologie digitali di supporto alla progettazione e condividere il know-how maturato attraverso ricerca, collaborazione con i più importanti studi di architettura e pubblicazioni internazionali.
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Verranno introdotte le nozioni base di Grasshopper approfondendo le metodologie della progettazione parametrica e le tecniche di modellazione algoritmica per la generazione di forme complesse. Il corso è rivolto a studenti e professionisti con esperienza minima nella modellazione 3D e si articolerà in lezioni teoriche ed esercitazioni.
. Argomenti trattati:
- Introduzione alla progettazione parametrica: teoria, esempi, casi studio - Grasshopper: concetti base, logica algoritmica, interfaccia grafica - Nozioni fondamentali: componenti, connessioni, data flow
- Funzioni matematiche e logiche, serie, gestione dei dati - Analisi e definizione di curve e superfici
- Definizione di griglie e pattern complessi - Trasformazioni geometriche, paneling - Attrattori, image sampler
- Data tree: gestione di dati complessi - Digital fabrication: teoria ed esempi - Nesting: scomposizione di oggetti tridimensionali in sezioni piane per macchine CNC
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Verrà rilasciato un attestato finale.
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Ulteriori info e programma completo su: www.arturotedeschi.com e su www.edizionilepenseur.it…
ss lots of questions,Hope guys show me some more different ways to figure out thoes kinds of problems,Thanks.
That is a construction project,the balconies should be overhang between 1 to 3 meters.
Program A is a patten consist of increasing balconies as the floors get upper.(In the picture is 29 at the first floor and ended with 2 more balconies for each floor, )Each part for a different floor,the twelfth floor have 29+(12-1)*2=51 balconies.
Questions From A,
A1:How to use the {(series)} to creat this atrium,As the floors increase the number of the balconies change by arithmetic progression.
A2:How to control the angle of the balconies,both the angle with floor and the balconies ending part.
Program B is use line to shape the commercial atrium,program A is more small pieces of rectangles.The {(TweenCrv)} command.
Questions From B,
B1:How to draw random points between the 1 to 3 meters region of the balcony,And those point form a shape also belongs to that region.
B2:Use a curve or other ways to control the changing speed of each floors' balcony.Right now the balcony is a Linear change.
Thanks for your Help.
Q1:Is there a way in Grasshopper to control the model to Modulus,less different unit parts to build such a Atrium.(For Exanple,only use 900mm and 600mm two different width of the Glass railings to bulid the model A OR B)…