he "return" is comment out as shown below?
After restarting Rhino and Grasshopper, I opened the outdoors_airflow demo file, and the first step of creating the case file is ok:
Then the blockMesh component gives the following error: seems I have to manually start OF first..
so, as the error message suggested, I open OF by Start_OF.bat:
Then come back to the blockMesh component, now it can be executed while the OF command line window is also openning:
... and the blockMesh finished successfully:
... so I proceeded to run snappyHexMesh, checkMesh and update fvScheme:
... up to the simpleFoam component, I got the error again:
The warning message is:
1. Solution exception: --> OpenFOAM command Failed!#0 Foam::error::printStack(Foam::Ostream&) in "/opt/OpenFOAM/OpenFOAM-v1606+/platforms/linux64GccDPInt32Opt/lib/libOpenFOAM.so" #1 Foam::sigFpe::sigHandler(int) in "/opt/OpenFOAM/OpenFOAM-v1606+/platforms/linux64GccDPInt32Opt/lib/libOpenFOAM.so" #2 ? in "/lib64/libc.so.6" #3 double Foam::sumProd<double>(Foam::UList<double> const&, Foam::UList<double> const&) in "/opt/OpenFOAM/OpenFOAM-v1606+/platforms/linux64GccDPInt32Opt/lib/libOpenFOAM.so" #4 Foam::PCG::solve(Foam::Field<double>&, Foam::Field<double> const&, unsigned char) const in "/opt/OpenFOAM/OpenFOAM-v1606+/platforms/linux64GccDPInt32Opt/lib/libOpenFOAM.so" #5 Foam::GAMGSolver::solveCoarsestLevel(Foam::Field<double>&, Foam::Field<double> const&) const in "/opt/OpenFOAM/OpenFOAM-v1606+/platforms/linux64GccDPInt32Opt/lib/libOpenFOAM.so" #6 Foam::GAMGSolver::Vcycle(Foam::PtrList<Foam::lduMatrix::smoother> const&, Foam::Field<double>&, Foam::Field<double> const&, Foam::Field<double>&, Foam::Field<double>&, Foam::Field<double>&, Foam::Field<double>&, Foam::Field<double>&, Foam::PtrList<Foam::Field<double> >&, Foam::PtrList<Foam::Field<double> >&, unsigned char) const in "/opt/OpenFOAM/OpenFOAM-v1606+/platforms/linux64GccDPInt32Opt/lib/libOpenFOAM.so" #7 Foam::GAMGSolver::solve(Foam::Field<double>&, Foam::Field<double> const&, unsigned char) const in "/opt/OpenFOAM/OpenFOAM-v1606+/platforms/linux64GccDPInt32Opt/lib/libOpenFOAM.so" #8 Foam::fvMatrix<double>::solveSegregated(Foam::dictionary const&) in "/opt/OpenFOAM/OpenFOAM-v1606+/platforms/linux64GccDPInt32Opt/lib/libfiniteVolume.so" #9 Foam::fvMatrix<double>::solve(Foam::dictionary const&) in "/opt/OpenFOAM/OpenFOAM-v1606+/platforms/linux64GccDPInt32Opt/bin/simpleFoam" #10 Foam::fvMatrix<double>::solve() in "/opt/OpenFOAM/OpenFOAM-v1606+/platforms/linux64GccDPInt32Opt/bin/simpleFoam" #11 ? in "/opt/OpenFOAM/OpenFOAM-v1606+/platforms/linux64GccDPInt32Opt/bin/simpleFoam" #12 __libc_start_main in "/lib64/libc.so.6" #13 ? in "/opt/OpenFOAM/OpenFOAM-v1606+/platforms/linux64GccDPInt32Opt/bin/simpleFoam"
... and the command lines in the readMe! output are pretty long and it is saved in the text file attached here.
So, my questions are:
1. why I have to manually start OF first before I can use the blockMesh component? Should butterfly automatically start OF?
2. what might be the cause of the unsuccessful run of simpleFoam in the end?
Hope you can kindly advise! Thank you!
- Ji
…
o it would cause troubles with unfolding and fabricating... that's why I used Extrude point component- it will give you similar result, but all surfaces are planar.. you can control extrusion direction with a tip point in rhino...
2)I changed tagging so every tube has 8 points form list A and 8 points from list B... first number of tag is a number of point within one tube... last number of the tag is order of tubes (I draw a little picture in GH, hope you'll understand)...I think original way of tagging wasn't really usefull.. but you can change tagging by yourself...
3) the definition is really messy, sorry about that, but it's just quite complicated task...
4)if you find some incorrect order of tagging, use the slider that controls Shift List component ... it will shift tagging..
5) if you won't be using this definition or find some better way, pleeeease don't tell me - I'll jump out the window :D ... it took me whole day to make it work :D
6)I can't guarantee you anything- I hope it works, but if not - at least I tried... so check everything (especially order of tags and points) twice before you fabricate it.. or print few tubes and make them paper first..
7)there is a part of original definition, that is not useful anymore.. I left it there, but you can delete it (I called it "UNUSED PARTS OF ORIGINAL FILE")
..good luck
Dimitri…
been covered since 0051 (correct me if I'm wrong):
1) Shoot for the moon first -- "Control Panel Mode" which allows for advanced interface design. See Max/MSP for example of modal function. I spent a lot of time laying out control panels so they are nice for clients and team members to look at. I spend a lot of time disabling wire display and dragging sliders and panels and graphs around into nice little clusters. Could be something as simple as a mode that disables the view of all component handles, cleans up graph objects, sliders, etc. I know the Remote Control Panel has been requested over and over again since it disappeared, but honestly it wouldn't be much use to me unless it was a full blown customizable interface. In the meantime I'll stick to my own "Canvas Control Panel" methods. (See below...)
2) More control over graph objects. Right now the bar graph for instance automatically sets the lowest and highest value displayed. Would be nice to be able to set extents manually so that you can compare apples to apples on two different lists that have different extents. Also would love to force the bar graph to show all values along x axis, not just first and last. Same goes for showing the numbers of instances for each value. Now it only shows instance numbers in oddball cases. Would like to force them to show for statistical purposes. Love percentages, but usually I also want accurate tallies. I tend to use a member index sets to generate my own lists.
3) Color input for Vectors -- there are fakey fake workarounds but none that are as versatile as simply having a color input.
4) COLOR INPUT FOR TEXT TAGS -- sorry to yell... this one really frustrates me. I often build interactive feedback systems that involve a lot of different types of data, and it is difficult to convey that input when all text is red (or green when selected).
5) Ability to justify text tags using paragraph controls -- currently default is left-justified. Would like to be able to center text horizontally and vertically, among other things.
6) Ability for text tags to handle multi-line text. Not sure the best way to implement this, but often I find myself wanting to attach 3 items of information to a particular object, and I have to string it all together in one line. Would be great if I could insert a "^M" character that stands for carriage return and have that display as multiline text (used in conjunction with above justification controls).
7) More control over Text panels. Thank you for including justification options... but sadly now it begs the question for margin and header control. Text slammed up against the left edge is pretty unsightly. Moreover, if you have labeled a text box, the drop shadow from the title bar tends to overshadow the first line of text if you have Path display turned off. Would like to add some header space to fix the problem and create a cleaner look.
8) Easier access to text font size. Buried in a Special Font... menu. I want to be able to up up down down (left right left right select start) if you know what I mean.
I guess that's it for now... just the things on the top of my head in this category. Looking forward to installing the new release, have to wait until this major project is over though.
Cheers,
Marc
…
greatly appreciate it!!
You can write the number of the question and write your answer next to it, example:
1) a
2) c
3) a) Washington University in St. Louis
4) 2 weeks (1week+1week shipping)
5) 130
6) b
7) b
The survey questions are as follows:
1)
Did you 3D print before?
5)
How much did it cost (in dollars)?
a.
Yes, for a school project
a.
Between 20 & 50
b.
Yes, for a personal project
b.
Between 50 & 80
c.
Between 80 & 120
2)
Print size
d.
Please specify if otherwise: _____ dollars
a.
Between 2 & 6 cubic inches
b.
Between 6 & 12 cubic inches
6)
Do you think the price was expensive?
c.
Between 12 & 20 cubic inches
a.
Not at all
d.
Please specify if otherwise: ____cubic inches
b.
A little bit expensive
c.
Very expensive
3)
Where did you print your object?
a.
School
7)
Were you satisfied with the printed object?
b.
Outside school: _________________
a.
Yes, it was a great print without problems
b.
Not bad, some issues
4)
How long did it take to print?
c.
I was not satisfied, very bad quality
a.
___ days
b.
___ weeks
Thank you very much to all!!
PS: If you did many 3D prints, you can post multiple answers.
Wassef…
dello spazio. In dipendenza dal proprio modo di interazione ambientale, gli edifici possono essere distrubuiti e/o aggregati in modalità appropriate in modo da accumulare o disperdere gli effetti della loro interazione e il proprio impatto sull'evoluzione delle relazioni future. A livelli più bassi si può, ad esempio, considerare la distribuzione di componenti o caratteristiche lungo un involucro.
Approcci basati su unità funzionali operano una proliferazione basata sulla ripetizione indifferenziata e insensibile all'ambiente, risultando in una discretizzazione di matrice convenzionale e nella separazione tra edifici, edifici e contesto o spazi interni ed esterni; un diverso tipo di approccio, basato sulla condizione (termine usato nella sua doppia accezione di indicatore dinamico della tendenza di sviluppo dell'ecosistema e in quella causale – if a then b), introduce una forma di proliferazione che sfida e scioglie la dicotomia artificiale: molte piante crescono ovunque le condizioni portino ad esse beneficio, senza riguardo per limiti codificati nello spazio in cui si sviluppano. Le implicazioni sulla negoziazione dello spazio e sulla definizione di soglia sono notevoli; il sistema produce un campo armonicamente articolato e differenziato di fenotipi a partire dal genotipo attraverso un processo di "estetica delle forze" guidata attraverso lo strumento digitale.
A livello urbano questo può tradursi nella proliferazione di infrastrutture o di spazi che mettono in discussione la concezione statica di "confine" e "unità" in favore di modelli in grado di generare una gamma più estesa di inflessioni tra livelli di complessità e indirizzarli per abilitare e rendere accessibili potenzialità d'uso a loro volta articolate e complesse.
Il tema sarà dipanato attraverso le giornate del workshop sviluppando aspetti teorici e tecnici dell'approccio parametrico generativo, con particolare attenzione a strategie di design urbano basate su caratteristiche endogene (vincoli interni del sistema) ed esogene (fattori ambientali) allo scopo di stimolare l'esplorazione di soluzioni sistemiche innovative.
Il numero dei partecipanti è stabilito tra le 15 e le 20 persone per offrire un tutoraggio proficuo ed una effettiva esperienza di learning ad ogni iscritto.
[.] Temi
. teoria
. condizione, genotipo/fenotipi, transizione, mappatura, eleganza, sensibilità, spazio
. tecnica
. dati:gestione, manipolazione, visualizzazione
. generazione di geometria da dati
. logiche parametriche applicate al design
. genotipo/fenotipi
. attrattori, mappers, drivers e tecniche di modulazione
[.] Dettagli
Istruttori: Alessio Erioli + Andrea Graziano + Davide Del Giudice – Co-de-iT (GH & design tutors).
Si richiede esperienza di base nella modellazione in Rhino (equivalente a Rhino training Level 1, il Level 2 è gradito – la documentazione per il training è disponibile gratuitamente all'indirizzo: http://download.rhino3d.com/download.asp?id=Rhino4Training&language=it).
Luogo :
presso NETFORM – via Alessandro Cialdi 7, Roma
Orario :
9.00-18.00.
info:
info@a-m-u-r-i.it
Phone:
+39 338 4201162
iscrizioni:
http://www.cesarch.it/…
his comes in the form of an HTML page with links to every component, so you will need to view it in your web browser. (I use Chrome and it doesn't seem to be working correctly, but when opened in IE its fine.)
2) Included in each help topic for each component is the Inputs and Outputs descriptions and data types.
3) You supply the data. What you supply and how you supply it is for you to decide. There are umpteen different ways. Are you asking for a list of those ways for each input?
4) Points can either be Rhino objects or 3D co-ordinates. To create a point you can use any of these methods, but it mostly comes down to user preference. I like using Panels as this displays outside of the component.
5) Because of the nature of vectors they represent magnitude and direction but they don't have an independent location, so there is a component that will display vectors in Rhino.
6) The user.
7) There is a Primer on the front page. Here you find the Basics, but because GH is ever evolving in its current beta state you might find things that aren't relevant any more or simply don't work the same. And here is the reason why nobody is writing an update because it could be soon out of date.
8) Importing images by either dragging them from explorer onto the canvas or right click context menu Image...
9) Single line = Single Item of Data. Double line = Multiple items of data on the same Branch. Dashed Double Line = Multiple Data on Multiple Branches.
10) User preference
11) Toolbar management is probably the bane of David's life. Most things are logically placed. For example the Curve Tab, Primitives are any simple curve types that you are creating from scratch. Similarly Splines is for more complex curve types created from scratch. Analysis is where you find components that are finding answers supplied by curves, control points, curvature, parameters, end points etc. Division is a subset of this category but has a group of its own. And Utilities is where you find curve related actions that you want to perform, offsetting, rebuilding projecting, exploding etc.
12) I would image it would have been the Point On Curve component in Curve>Analysis. Why that group? You are not putting a point on a curve you are analysing a curve for the location of a point based on some parameters that you are supplying. For example "what is the mid point?"
I hope this goes some way towards answering you questions. No doubt this will have generated more so don't be afraid to ask, it took me several releases of Explicit History (aka Grasshopper) before I realised what the egg did, it never occurred to me that I could put my objects into Rhino when I was finished. Or the fact that I could use panels to 'see' data outputs.
Al the best,
Danny…
Added by Danny Boyes at 3:48am on December 9, 2010
http://www.pilkington.com/) dominates the planar market. Charges "around" 1K Euros per m2 for a "plain" system. Personally in bespoke projects I design my own stuff but due to economies of scale ... they cost a bit more (but they look far more sexier, he he) . On the other hand only in a bespoke project I could dare to suggest such a solution (for a large scale building we are talking lots and lots of dollars).
3. Several scales below (aesthetics) you can find static alu systems (either structural or semi-structural):
Or hinged systems (either structural or semi-structural) capable to adapt in contemporary double curvature facades/roofs/envelopes/cats/dogs etc etc ... pioneered worldwide many years ago by my best friend Stefanos Tampakakis (everybody in UAE knows that genius man: http://www.alustet.gr/company.html):
4. With the exception of some paranoid things that Guru Stefanos does for Zaha these days we are talking about planar "facets" (obviously a triangle is such a planar facet). The current trend is: the more edges the better (humans excel in vanity matters). But achieving planarity in, say, quads (like yours) it adds another "restriction" on what you are doing. Until recently Evolute Tools Pro was the only answer. But right now ... well let's say that in short time you'll be greatly surprised by some WOW things in this Noble Forum, he he.
5. MERO (and obviously custom systems) can adapt (at almost no extra charge) in anything imaginable. But in a bespoke building ... well.. you know ultra rich people: they don't want MERO anymore since "everybody" does MERO solutions. Vanity, what else?
6. Smart Glass would become a must in the years to come: Eco-Architecture MUST dominate everything you do. On the other hand spending millions to do some extra WOW stuff (Vanity) ... it doesn't look to me very Eco-Friendly/Whatever ... but let's pretend so, he he.
7. I'm Architect but a bit different from the norm: for instance I smoke cigars (highly politically incorrect stuff) I always talk openly (ditto) and I ride lethal bikes (ditto).
may the Force (as always the Dark Option) be with you: go out there and kill them all.
best, Peter
…
nted" in space (at instance definition creation phase): indicates the obvious fact that if garbage in > garbage out (try it).
2. Load the GH thing. Task for you: Using Named Views locate the points of interest as described further and make a suitable view. That way you can navigate rather easily around (hope dies last).
3. Your attractors are controlled from here:
The slider in blue picks some attractor to play with. You can use this while the K2 is running.
4. Don't change anything here (think of it as a black box: who cares how it works? nobody actually):
5. Enable the other "black box": job done your real-life stuff is placed:
6. Enable the solver: your "real-life" things start to bounce around:
7. Go there are play with the slider. A different attractor yields an other solution:
8. With real-life things in place if you disable the C# ... they are instantly deleted and you are back in lines/points and the likes:
9. Either with instance definitions or Lines/points change ... er ... hmm ... these "simple" parameters and discover the truth out there:
10. Since these are a "few" and they affect the simulation with a variety of ways ... we need a "self calibrating" system: some mini big Brother that does the job for us. Kinda like applying safely the brakes when it rains (I hate ABS mind).
NOTE: the rod with springs requires some additional code ,more (that deals with NESTED instance definitions) in order to (b) bounce as a whole and at the same time (b) elongates or shrinks a bit.
More soon.
…