he Cordyceps. Maybe some of you find this helpful/useful.
So basically, the Cordyceps is a physical module with 4 knobs and 1 slider. The knobs give an output between 1 and 1000, while the physical slider outputs 0-359. And of course, for this physical module I wrote a plugin to communicate with it. The knobs are intended to be the variables that modifies the design, while the physical slider is intended to be connected to the camera component.
Here I will put up "the recipe" for all to make their own module. You will be able to download the plugin as well.
Please send me a message if you want the 3D-files for the knobs, the box and slider knob. They've been made to directly 3D-print.
Plugin:
https://github.com/zakadjeb/Cordyceps/blob/master/Cordyceps/Cordyce...
Code for Arduino IDE:
https://github.com/zakadjeb/Cordyceps/blob/master/Arduino/_Arduino_...
What you need:
1x - Arduino (Leonardo, UNO or whatever)
4x - Potentiometers
1x - Sliding potentiometer
1x - Breadboard
Bundle of jump wires.
1. So, a potentiometer is a variable resistor, which is basically a component that changes the resistance between the voltage and the ground.
If A is supplied with 5V then B must be connected to Ground. The W will give "read" the resistance, and thus should be placed in Analog input (A0-A5) on the Arduino. The slider potentiometer works the same way.
2. Now connect the 4 pots to each their Analog input. The slider is supposed to be in A4. So to make sure:
A0: Knob1
A1: Knob2
A2: Knob3
A3: Knob4
A4: Slider
3. Now it's time to connect the voltage! Using the breadboard, the voltage can be sent through 1 line, the Ground as well. It should be quite easy to connect them.
4. Now, download the Arduino IDE and copy-paste the code I supplied above. In the IDE, you need to let it know which Arduino you're working with, and which port is should send the script.
5. Almost there. Download the plugin. Open the port you're using through the plugin. Set Start to True and the Cordyceps should be within you.
This recipe will be updated!
Let me know if there are any issues.
// Zakaria Djebbara…
he Cordyceps. Maybe some of you find this helpful/useful.
So basically, the Cordyceps is a physical module with 4 knobs and 1 slider. The knobs give an output between 1 and 1000, while the physical slider outputs 0-359. And of course, for this physical module I wrote a plugin to communicate with it. The knobs are intended to be the variables that modifies the design, while the physical slider is intended to be connected to the camera component.
Here I will put up "the recipe" for all to make their own module. You will be able to download the plugin as well.
Please send me a message if you want the 3D-files for the knobs, the box and slider knob. They've been made to directly 3D-print.
Plugin:
https://github.com/zakadjeb/Cordyceps/blob/master/Cordyceps/Cordyce...
Code for Arduino IDE:
https://github.com/zakadjeb/Cordyceps/blob/master/Arduino/_Arduino_...
What you need:
1x - Arduino (Leonardo, UNO or whatever)
4x - Potentiometers
1x - Sliding potentiometer
1x - Breadboard
Bundle of jump wires.
1. So, a potentiometer is a variable resistor, which is basically a component that changes the resistance between the voltage and the ground.
If A is supplied with 5V then B must be connected to Ground. The W will give "read" the resistance, and thus should be placed in Analog input (A0-A5) on the Arduino. The slider potentiometer works the same way.
2. Now connect the 4 pots to each their Analog input. The slider is supposed to be in A4. So to make sure:
A0: Knob1
A1: Knob2
A2: Knob3
A3: Knob4
A4: Slider
3. Now it's time to connect the voltage! Using the breadboard, the voltage can be sent through 1 line, the Ground as well. It should be quite easy to connect them.
4. Now, download the Arduino IDE and copy-paste the code I supplied above. In the IDE, you need to let it know which Arduino you're working with, and which port is should send the script.
5. Almost there. Download the plugin. Open the port you're using through the plugin. Set Start to True and the Cordyceps should be within you.
This recipe will be updated!
Let me know if there are any issues.
// Zakaria Djebbara…
ve Intermediate Insight of Computational Design Strategies While Exploring Rangoli Art form in 2 Dimension and 3Dimesion in which Participants will not only be trained to Digitally Design using Parametric software's but they will also be trained to Fabricate them in reality.
This Course will be explored in manner where Participants will understand inter-dependency of Rhinoceros3D & Grasshoper3D through a unique Hybrid Teaching Method While Exploring Rangoli Geometry .
The course will also take participants through Topics such as - Computational Thinking, - Computational / Parametric Design, - Computational Rangoli Exploration, - Digital Fabrication, - 3D Visualization ( Rhino3D 6), - Making Info-graphics & Design Diagrams ( Rhino3d 6 ).
Participants will also be doing a Project at the last Leg of Workshop in which they will implement the skill they gained in first Few Weeks.
{ Tutor } Nitant Pixelkar (Computational Artist / Designer, Mumbai)
Nitant Hirlekar A.k.a. Pixelkar, is a Computational Artist. He graduated from Rachana Sansad school of Interior Design 2011, Mumbai. In Academics He Bagged Two Gold and One Silver Medal on National Level.
In his post academic days, he came across the Emerging Computational Techniques in Design industry in which Algorithm serves as a main Functional part. He uses Algorithms to Deconstruct the Captured images in Pixelated form using the Grid of the Desired Indian Art Forms.
He Heads Collective Group Named "Mutation Lab” which is a multidisciplinary Design & Art Cell. Where they Explore Computational Approach while Designing Various Scales Spatial Installation, Digital Fabrication, Interactive Installations and Computational Consultancy for Various Architects.
He has exhibited his first artwork in Kalaghoda Arts Festival for in 2014 And further in 2016 and 2017.In 2015 he exhibited in Dharavi Biennale” organized by Wellcome Trust,London & Sneha Organisation, Mumbai Which was internationally acclaimed. In 2016 he got Featured on a TV show - The Creative Indian's as an Absolut Creative Indian of the Week.
Academically he is been involved in Many Computational Design Workshops / Elective Studios for School of Interior Design (Rachna Sansad), LS Raheja College of Architecture & Rat-Lab (Delhi).
{ Participants } The Course is aimed at Architecture, Interior Design, Product Design,Furniture Design & Fashion Design Students and Professionals. However we would be thrilled to have any Interdisciplinary Artist / Creator/ Maker to join the Course as well.
{ Level }
Intermediate
{ Timing } Monday To Friday - 6:00 PM to 9:00 PM (15 Hours/ Week = 5 Week X 15 Hours = 75 Hours )
{ Dates } Registration Ends - 24th April 2020 **Subejct to Availablity
{ Workshop Dates } 4th May 2020 To 5th June 2020
{ Venue } Lower Parel,Mumbai ( Details To Be Announced )
{ Schedule }
{Registration Form}…
ies and ideas (in this case agent-based modelling) simply because they are the new cool thing to do and, if we think carefully about how the integration of agent-based modeling will improve the accuracy and usefulness of our models, we are more likely to make lasting contributions through their integration.
For example, it seems vital to me that such agent-based models be grounded in some clear quantifiable observations of human behavior in real buildings as opposed to relying on our own coefficients to represent how valuable we think certain things are to the occupants. I will give an example of two agent-based ideas that I have had - one of which has turned out to seem much more valuable in the long-run because of it's grounding in real-world data and I plan to implement soon.
To start with the more valuable example, ever since I read this awesome book on adaptive thermal comfort (https://books.google.com/books?id=vE7FBQAAQBAJ&printsec=frontcover&dq=adaptive+thermal+comfort&hl=en&sa=X&ved=0ahUKEwjDmO6avNnJAhUD9h4KHXWVBuAQ6AEIHDAA#v=onepage&q=adaptive%20thermal%20comfort&f=false), I have had several ideas for how to integrate the findings of recent comfort surveys into our energy models. Generally, the focus of thermal comfort research seems to be shifting from theoretical human energy balance calculations to surveys of occupant behavior, giving us a lot of great data that helps incorporate these behavioral factors in our energy models. To continue one of the ideas that you mention, Theodore, here is a plot from the book that describes the window-opening behavior of occupants as the indoor temperature increases:
Currently, EnergyPlus does not easily allow you to set such a function for window-opening, as you point out but the incorporation of this behavior seems necessary to produce an accurate model of a naturally ventilated building (since opening all of the windows as soon as the indoor temperature hits 21 C is far from realistic). To get around this, I was thinking of including an option on the nat vent component that will put in a series of IF/THEN nat vent objects that approximate this smooth function through a step function:
IF 19 < indoor temperature < 20 THEN WindowOpening = 10%
IF 20 < indoor temperature < 21 THEN WindowOpening = 15%
IF 21 < indoor temperature < 22 THEN WindowOpening = 21%
IF 22 < indoor temperature < 23 THEN WindowOpening = 35%
...
I am hoping to implement this soon.
To describe the example that I have realized was not so helpful with time, when I was first drafting the idea for high-resolution comfort maps (https://www.youtube.com/playlist?list=PLruLh1AdY-Sj3ehUTSfKa1IHPSiuJU52A), I originally thought that I would develop computer models an animations of occupants moving around the thermally diverse space to make themselves more comfortable. Once I started to get into this, however, I realized that the social characteristics of a space usually have a much larger impact on where people place themselves than the thermal characteristics and it is not until the thermal characteristics become very uncomfortable or the presence of other people is completely removed that the thermal environment dominates the movement behavior. Thus, in order to model the occupant behavior, I would have to code in the relative importance of a large number of these social characteristics in relation to thermal comfort, which would have been a process of me simply making up coefficients to produce cool-looking but somewhat meaningless animations. It is only when my nicely-designed thermal environments were aligned with the social/programmatic characteristics of the space that I could argue that I was justifiably adding value since the thermal characteristics were not in contradiction to or being weighted against the social ones. So, in the end, realized that all I needed in order to produce a good design was to align the thermal environment with the placing of program and the agent-based modelling would not have enabled the production of a much better design. This is the reason why the human silhouettes are manually placed in the thermal animations on the youtube playlist in the above link and is the reason why I do not intend to incorporate agent-based modelling in this particular manner.
Let me know your thoughts on this as I realize I may also be looking at this from a narrow perspective that is not informed by all that agent-based modelling has to offer.
-Chris…
ed file and code below:
Color ColorAt(Mesh mesh, int faceIndex, double t0, double t1, double t2, double t3) { // int rc = -1; var color = Rhino.Display.Color4f.Black;
if( mesh.VertexColors.Count != 0) { // test to see if face exists if( faceIndex >= 0 && faceIndex < mesh.Faces.Count ) { /// Barycentric quad coordinates for the point on the mesh /// face mesh.Faces[FaceIndex].
/// If the face is a triangle /// disregard T[3] (it should be set to 0.0).
/// If the face is /// a quad and is split between vertexes 0 and 2, then T[3] /// will be 0.0 when point is on the triangle defined by vi[0], /// vi[1], vi[2]
/// T[1] will be 0.0 when point is on the /// triangle defined by vi[0], vi[2], vi[3].
/// If the face is a /// quad and is split between vertexes 1 and 3, then T[2] will /// be -1 when point is on the triangle defined by vi[0], /// vi[1], vi[3]
/// and m_t[0] will be -1 when point is on the /// triangle defined by vi[1], vi[2], vi[3].
MeshFace face = mesh.Faces[faceIndex];
// Collect data for barycentric evaluation. Color p0, p1, p2;
if(face.IsTriangle) { p0 = mesh.VertexColors[face.A]; p1 = mesh.VertexColors[face.B]; p2 = mesh.VertexColors[face.C]; } else { if( t3 == 0 ) { // point is on subtriangle {0,1,2} p0 = mesh.VertexColors[face.A]; p1 = mesh.VertexColors[face.B]; p2 = mesh.VertexColors[face.C]; } else if( t1 == 0 ) { // point is on subtriangle {0,2,3} p0 = mesh.VertexColors[face.A]; p1 = mesh.VertexColors[face.C]; p2 = mesh.VertexColors[face.D]; //t0 = t0; t1 = t2; t2 = t3; } else if( t2 == -1 ) { // point is on subtriangle {0,1,3} p0 = mesh.VertexColors[face.A]; p1 = mesh.VertexColors[face.B]; p2 = mesh.VertexColors[face.D]; //t0 = t0; //t1 = t1; t2 = t3; } else { // point must be on remaining subtriangle {1,2,3} p0 = mesh.VertexColors[face.B]; p1 = mesh.VertexColors[face.C]; p2 = mesh.VertexColors[face.D]; t0 = t1; t1 = t2; t2 = t3; } }
/** double r = t0 * p0.FractionRed() + t1 * p1.FractionRed() + t2 * p2.FractionRed(); double g = t0 * p0.FractionGreen() + t1 * p1.FractionGreen() + t2 * p2.FractionGreen(); double b = t0 * p0.FractionBlue() + t1 * p1.FractionBlue() + t2 * p2.FractionBlue();
ON_Color color; color.SetFractionalRGB(r, g, b);
unsigned int abgr = (unsigned int)color; rc = (int) ABGR_to_ARGB(abgr); **/ var c0 = new Rhino.Display.Color4f(p0); var c1 = new Rhino.Display.Color4f(p1); var c2 = new Rhino.Display.Color4f(p2); float s0 = (float) t0; float s1 = (float) t1; float s2 = (float) t2;
float R = s0 * c0.R + s1 * c1.R + s2 * c2.R; float G = s0 * c0.G + s1 * c1.G + s2 * c2.G; float B = s0 * c0.B + s1 * c1.B + s2 * c2.B; color = new Rhino.Display.Color4f(R, G, B, 1); } } return color.AsSystemColor(); }
…
ort and export from the images below and also from the HELP file of DB in attachments (Page 71: Importing Geometric Data; Page 78-80: Import 3 - D CAD Data). In their HELP file, they mention about "import geometric data".
However, regarding the input of schedules, loads, constructions and etc., DB normally uses "Component " and "Template" (Page 29: Templates And Components; Page 591: Templates; Page 533: Components). "Templates" are databases of typical generic data, including Activity templates, Construction templates, Glazing templates, Facade templates, HVAC templates, Location Templates, and etc. "Component " are databases of individual data items (e.g. a construction type, material, window pane).
Both "Component " and "Template" are allowed to be imported and exported by using "Import / Export library data" command (.ddf format - DB Database File; Page 734: Import Components/Templates, Export Components/Templates). DB also allows us to build up our own libraries of templates and components (Page 731: Library Management; Page 733: Template Library Management).
In order to import both geometric information and other information related to schedules, loads, constructions and etc. from GH to BD, we supposed the following two ways:
1. GH(HB+GB) --> gbXML (both geometric and "Component " and "Template" information) --> DB
This is the way we most prefer. We did see information related to schedules, loads, constructions encoded in the gbXML file generated by GB, but still do not know the reason why DB did not take this information (I also mentioned this in Q6 within the gh file). We assume this might because the gbXML file we create encodes the schedules based on a different template / schema than the one DB expects. We also post this question to the DB forum for help.
(http://www.designbuilder.co.uk/component/option,com_forum/Itemid,25/page,viewtopic/p,13755/#13755)
2. GH(HB+GB) --> gbXML (geometric information only) + .ddf ("Component " and "Template" information only) --> DB
If the first way doesn't work and DB only takes geometric information from the gbXML, then we might think of the other way - generating the .ddf files from GH(HB+GB) to pass the schedule, load and construction information to DB.
I was wondering if it is feasible for HB and GB to have this function? And what is your suggestion to achieve this?
In addition, we notice that DB can export XML files (not gbXML), so we are trying to figure out if DB also accepts / reads the XML file. If so, we might be able to convert the gbXML (with both geometric and schedule information) to XML. What do you think about that?
Thank you again for all your help!
Best,
Ding
DB import
DB export
Template libraries
Component libraries
…
will work slightly different from before. Sorry about breaking this, but it proved impossible to improve the selection logic with the fairly ambiguous notation that was implemented already.
Not every change is breaking though and I hope that most simple matching rules will work as before. There will be a McNeel webinar on Wednesday the 6th of November where I discuss the new selection rules (as well as path mapping syntax and relative offsets within one or more data trees). This will be a pretty hard-core webinar aimed at expert users. The event will be recorded so you can always go and watch it later. I figured I'd briefly explain the new selection rules on Ning before I release the update though.
-------------------------------------------------------------------------------
Imagine we have the following data tree, containing a bunch of textual characters:
{0;0} = [a,e,i,o,u,y] {0;1} = [ä,ë,ê,ï,î,ö,ô,õ,ü,û,ÿ,ý] {1;0} = [b,c,d,f,g,h,j,k,l,m,n,p,q,r,s,t,v,w,x,z] {1;1} = [ç,ĉ,č,ĝ,ř,š,ş,ž]
There are a total of four branches {0;0}, {0;1}, {1;0} and {1;1}. The first branch contains all the vowels that are part of the standard English alphabet. The second branch contains all non-standard vowels and branches three and four contain the standard and non-standard consonants respectively.
So what if we want to select from this tree only the standard vowels? Basically include everything in the first branch and disregard everything else. We can use the [Tree Split] component with a selection rule to achieve this:
{0;0}
This selection rule hard-codes the number zero in both tree path locations. It doesn't define an item index rule, so all items in {0;0} will be selected.
If we want all the vowels (both standard and non-standard), then we have several options:
{0;?} = select all branches that start with 0
{0;(0,1)} = select all branches that start with 0 and end in either 0 or 1
{0;(0 to 1)} = ......................................... and end in the range 0 to 1.
Conversely, selecting all standard vowels and consonants while disregarding all non-standard character can be achieved with rules as follows:
{?;0}
{(0,1);0}
{(0 to 1);0}
It is also possible to select items from each branch in addition to limiting the selection to specific branches. In this case another rule stated in square brackets needs to be appended:
{0;?}[0 to 2]
The above rule will select the first three vowels from the standard and the non-standard lists.
Basically, rules work in a very consistent way, but there are some syntax conventions you need to know. The first thing to realize is that every individual piece of data in a data-tree can be uniquely and unambiguously identified by a collection of integers. One integer describes its index within the branch and the others are used to identify the branch within the tree. As a result a rule for selection items always looks the same:
{A;B;C;...;Z}[i] where A, B, C, Z and i represent rules.
It's very similar to the Path Mapper syntax except it uses square brackets instead of parenthesis for the index (the Path Mapper will follow suit soon, but that won't be a breaking change). You always have to define the path selector rule in between curly brackets. You can supply any number of rules as long as you separate them with semi-colons.
The index rule is optional, but -when provided- it has to be encased in square brackets after the path selection rule(s).
The following rule notations are allowed:
* Any number of integers in a path
? Any single integer
6 Any specific integer
!6 Anything except a specific integer
(2,6,7) Any one of the specific integers in this group.
!(2,6,7) Anything except one of the integers in this group.
(2 to 20) Any integer in this range (including both 2 and 20).
!(2 to 20) Any integer outside this range.
(0,2,...) Any integer part of this infinite sequence. Sequences have to be at least two integers long, and every subsequent integer has to be bigger than the previous one (sorry, that may be a temporary limitation, don't know yet).
(0,2,...,48) Any integer part of this finite sequence. You can optionally provide a single sequence limit after the three dots.
!(3,5,...) Any integer not part of this infinite sequence. The sequence doesn't extend to the left, only towards the right. So this rule would select the numbers 0, 1, 2, 4, 6, 8, 10, 12 and all remaining even numbers.
!(7,10,21,...,425) Any integer not part of this finite sequence.
Furthermore, it is possible to combine two or more rules using the boolean and/or operators. If you want to select the first five items in every list of a datatree and also the items 7, 12 and 42, then the selection rule would look as follows:
{*}[(0 to 4) or (6,11,41)]
The asterisk allows you to include all branches, no matter what their paths looks like.
It is at present not possible to use the parenthesis to define rule precedence, rules are always evaluated from left to right. It is at present also not possible to use negative integers to identify items from the end of a list.
If you want to know more, join the Webinar on Wednesday!
--
David Rutten
david@mcneel.com
Seattle, WA…
Added by David Rutten at 8:57pm on November 3, 2013
of the new challenges presented to the society and architecture in Portugal. With technological developments, tools once limited to not creative areas begin to be part of the everyday life of students in University Architecture Laboratories and change its design processes. The architecture design methods are changing rapidly with the introduction of CAD-CAM software’s. In recent years, new software’s have been available for 3D representation and digital fabrication, which have allowed creating new ways of interacting with the computer and architecture. Contemporary architecture in its various scales, seeks greater flexibility, adaptability and interactivity taking into account both the means and goals of kinetic systems. Thus, it is essential to the creative industry players to acquire new knowledge about the latest technological innovations and how they can solve some of the problems and challenges of today’s society.
The workshop will explore the use of Grasshopper, Firefly and Arduino as creative and technical tools in all the design process, to simulation and prototype 3D interactive architecture solutions.
The theoretical and practical workshop (64 hours) taught in English and Portuguese, will be composed of two modules: (1) LS_01: Firefly +Grasshopper + Arduino and Scale Model Fabrication; (2) LS_02: Design Studio – Discursive Wall.
This workshop is intended for students and professionals from different areas of knowledge, (architecture, design, fine arts, engineering, music and programming) who are interested in the process of design: from ideation to prototyping. The participants will generate scale models.
Registration is limited to 20 participants with or without software knowledge. Participants will work individually and in group. Participants must take their own laptops to the workshop. Registrants should complete the form by 28 February 2012. Once registered, you will receive an email confirming your acceptance.
Questions or doubts contact us:
alivingsystem@gmail.com
…
Added by Brimet Silva at 7:07pm on January 16, 2012
rendo posizioni lavorative fino a qualche tempo fa impensabili. Questo nuovo approccio ha infatti la caratteristica di avvicinarsi alla programmazione informatica, ma con un approccio facilitato grazie ai componenti visuali.Hai bisogno di un motivo in più per usare Grasshopper? Eccolo! Trattandosi di uno strumento ancora in fase di testing (anche se perfettamente funzionante) l’applicativo è completamente gratuitoScarica la tua versione e inizia subito ad usarlo!Corsi certificatiLe lezioni sono tenute da Antoni(n)o Marsala, docente certicato McNeel, con alle spalle oltre 5 anni di esperienza nell’insegnamento di Rhinoceros. Negli ultimi anni abbiamo tenuto in grande considerazione l’evolversi di questo plugin e abbiamo deciso di investire sulle sue potenzialità.Nel Febbraio del 2011, grazie ad Antoni(n)o Marsala, è uscito Algoritmi Generativi, edizione italiana del libro di Zubin Khabazi Generative Algorithms with Grasshopper. Entrami sono scaricabili gratuitamente e rappresentano dei validi strumenti per capire il mondo di Grasshopper.Da diversi mesi inoltre, il Mandarino BLU, ha attivato una collaborazione con La Bottega di Galileo di Pisa, officina del libero scambio di idee, presentando dei progetti formativi post universitari, per coloro che vogliono entrare nel mondo della progettazione di nuova generazione.Dalla collaborazione con Multiverso, nasce invece un progetto formativo più ampio sviluppato a Firenze in via Campo d’Arrigo 40rLeggi il nostro programma didattico o scarica la versione in pdf…