he plug-in supports intuitive design of paneling concepts as well as rationalize complex geometry into a format suitable for analysis and fabrication. The plug-in is closely integrated with Rhino 7 and is widely used for architectural and other building designers.
Download
The new PanelingTools for the new Rhino 7.2 is now available. You can access Rhino 7 evaluation and upgrades from here…
Documentation
For documentation and examples, please check:
PanelingTools Manual for detailed description of commands and options.
PanelingTools for Grasshopper Manual includes tutorials and description of PT-GH components.
Paneling Scripting page has a listing of paneling methods for RhinoScript.
Paneling Tutorials page has links to video tutorials.
Paneling Short Clips page has short video tutorials that covers the core functionality of PanelingTools.
Paneling Gallery page has users projects with PanelingTools.
Videos
**NEW** PanelingTools Webinar Course - December 2014 learn how Paneling tools works and how best to integrate it into your design process.
Paneling Tools Webinar - February 11, 2011
Paneling Tools Webinar on Vimeo
Feedback
Please tell us what you think and how you are using PanelingTools to help shape future development.
Join the PanelingTools Group in Rhino Forum and post photos, news and discussions. Make sure to tag with keyword “PanelingTools”.
For questions and feedback, contact the developer.
Source: McNeel Wiki
Keshia C. Stich
Grid Paneling Group
…
levator over the automobile, complex issues are at play in concentrating population and built infrastructure in contemporary high-rise cities. How do you meet the challenges of system design for high quality compact urban environments?
The Smartgeometry Workshop is a unique creative cauldron attracting attendees from across the world of academia, professional practice and industry. The workshop is open to 100 applicants who come together for four intensive days of design and collaboration.
More Info and to Apply
The application deadline to attend the sg2014 Workshop has been extended to June 1st, 2014 at midnight PST. Reviews and early notifications will proceed for those who have already applied.
Image: Cities without Ground - Adam Frampton, Jonathan D Solomon and Clara Wong
WORKSHOP CLUSTERS
The sg2014 Workshop will be organised around Clusters. Clusters are hubs of expertise. They comprise of people, knowledge, tools, materials and machines. The Clusters provide a focus for workshop participants working together within a common framework.
Clusters provide a forum for the exchange of ideas, processes and techniques and act as a catalyst for design resolution. The sg2014 Workshop is made up of ten Clusters that respond in diverse ways to the challenge Urban Compaction.
sg2014 WORKSHOP CLUSTERS
The Bearable Lightness of Being
Block
Deep Space
Design Space Exploration
Flows, Bits, Relationships
Fulldome Projections
HK_smarTowers
Private Microclimates
Resilient Networks
Spaces in Experience
CONFERENCE
After four intense days of innovative work, the 2-day sgConference offers an opportunity for critical reflection on what has been accomplished in the Workshop and in the global design arena. It will be an opportunity to open debates, pose questions, challenge orthodoxies, and propose new ideas.
The sgConference features invited keynote speakers showcasing major projects and research from around the globe, mixed with panel sessions for open debate. The end of the first day will include reports and highlights from the Workshop, giving an opportunity to view work created during the previous four days of intensive collaboration, design and development, followed by an exhibition of the work.
Invited Speakers & Panelists:Carlo Ratti Sensable City Lab, MITCristiano Ceccato Zaha HadidTom Kvan & Justyna Karakiewicz Melbourne UniversityJun Sato Jun Sato Structural EngineersMario Carpo Yale UniversityEddie Can Zaha HadidLi Xinggang Atelier Li Xinggang, China Architecture Design & Research GroupMartin Reise FrontPhilip Yuan Tongji ShanghaiYusuke Obuchi Tokyo UniversityYusushi Ikada Ikada-Lab Keio University, Japan
Additional speakers to be announced soon. Registration to open soon.
www.Smartgeometry.org…
ther math and logic. i can usually conceptualise what i want to do and cobble some semi working thing together but don't know which components to use and how to patch it. so i'm super happy to have someone who knows what he's doing to find this interesting.
and i'm glad you mention the fanned frets again, there is one input parameter that's still missing for the multiscale frets to be fully parametric, it's the angle of the nut or which fret should be straight. it depends a bit on personal preferences and playing posture what is more comfortable. so being able to adjust this easily would be cool. again i have no idea how the maths for that work or if you can just rotate each fret the same amount around it's middle point. The input either as fret number (for the straight fret) or as a simple slider from bridge to nut should do as input setting.
Here are the two extremes and the middle ground:
i've been thinkin today while analysing your patches and cleaning up my mess what exactly the monster should do.
Here are the input parameters needed, i think it's the complete list
scale length low E string
scale length high e string
fret angle/straight fret
string width at nut
string width at bridge
number of frets
fretboard overhang at nut (distance from string to fretboard bounds)
fretboard overhang at last fret
string gauges
string tensions
fretboard radius at nut (for compound radius fretboard radius at bridge is calculated with the stewmac formula)
fretwire crown width
fretwire crown height
action height at nut (distance between bottom of string and fretwire crown top)
action height at last fret
pickup 1 neck position
pickup 2 middle position
pickup 3 bridge position
nut width
the pickup positions should be used to draw circles for the magnet poles on each string so they are perfectly aligned and can be used for the pickup flatwork construction. ideally they would need a rotation control aligning the center line of the pickup so it's somewher between the last fret angle and bridge angle. personally i do this visually depending on the design i'm looking for, some people have huge theories on pickup positioning but personally i don't believe in it.
that should result in everything needed to quickly generate all the necessary construction curves or geometry for nut/fingerboard/frets/pickups. this is the core of what makes a guitar work, the more precise this dynamic system is the better the guitar plays and sounds.
i posted another thread trying to understand how i could use datasets form spreadsheets,databse, csv to organize the input parameters. What would make sense for the strings for example is hook into a spreadsheet with the different string sets, i attached one for the d'Addario NYXL string line which basically covers all combos that make sense.
The string tension is an interesting one, and implmenting it would sure be overkill albeit super interesting to try. it should be possible to extrapolate from the scale length of each string what the tension for a given string gauge of that string would be so that you could say 'i want a fully balanced set' or 'heavy top light bottom) and it would calculate which SKU from d'addario would best match the required tension. All the strings listed in the spreadsheet are available as single strings to buy.
i'm trying to reorganize everything which helps me understand it. i just discovered the 'hidden wires' feature which is great since once i understood what a certain block does or have finished one of my own, i can get the wires out of the way to carry on undistracted. a bit risky to hide so many wires but it makes it so much easier not to get completely lost :-)
btw, the 'fanned fret' term is trademarked, some guy tried to patent it in the 80's which is a bit silly since it has been done for centuries. there is a level of sophistication above this as well, check out http://www.truetemperament.com/ and that really is something else. it really is astounding how superior the tuning is on those wigglefrets, the problem is that it's rather awkward for string bending and also you can't easily recrown or level the frets when they are used. …
e matching with a dedicated component which creates combinations of items. You can find the [Cross Reference] component in the Sets.List panel.
When Grasshopper iterates over lists of items, it will match the first item in list A with the first item in list B. Then the second item in list A with the second item in list B and so on and so forth. Sometimes however you want all items in list A to combine with all items in list B, the [Cross Reference] component allows you to do this.
Here we have two input lists {A,B,C} and {X,Y,Z}. Normally Grasshopper would iterate over these lists and only consider the combinations {A,X}, {B,Y} and {C,Z}. There are however six more combinations that are not typically considered, to wit: {A,Y}, {A,Z}, {B,X}, {B,Z}, {C,X} and {C,Y}. As you can see the output of the [Cross Reference] component is such that all nine permutations are indeed present.
We can denote the behaviour of data cross referencing using a table. The rows represent the first list of items, the columns the second. If we create all possible permutations, the table will have a dot in every single cell, as every cell represents a unique combination of two source list indices:
Sometimes however you don't want all possible permutations. Sometimes you wish to exclude certain areas because they would result in meaningless or invalid computations. A common exclusion principle is to ignore all cells that are on the diagonal of the table. The image above shows a 'holistic' matching, whereas the 'diagonal' option (available from the [Cross Reference] component menu) has gaps for {0,0}, {1,1}, {2,2} and {3,3}:
If we apply this to our {A,B,C}, {X,Y,Z} example, we should expect to not see the combinations for {A,X}, {B,Y} and {C,Z}:
The rule that is applied to 'diagonal' matching is: "Skip all permutations where all items have the same list index". 'Coincident' matching is the same as 'diagonal' matching in the case of two input lists which is why I won't show an example of it here (since we are only dealing with 2-list examples), but the rule is subtly different: "Skip all permutations where any two items have the same list index".
The four remaining matching algorithms are all variations on the same theme. 'Lower triangle' matching applies the rule: "Skip all permutations where the index of an item is less than the index of the item in the next list", resulting in an empty triangle but with items on the diagonal.
'Lower triangle (strict)' matching goes one step further and also eliminates the items on the diagonal:
'Upper Triangle' and 'Upper Triangle (strict)' are mirror images of the previous two algorithms, resulting in empty triangles on the other side of the diagonal line:
…
EP output variables are to calculate outdoorAirEnergy?
Thank you very much!
Output variables on the Read EP Results component:[1] totalThermalEnergy=cooling+heating[2] thermalEnergyBalance=cooling (-)andheating (+)[3] cooling= Zone Ideal Loads Supply Air Total Cooling Energy [J](Hourly)=Zone Ideal Loads Supply Air Sensible Cooling Energy [J](Hourly)+ Zone Ideal Loads Supply Air Latent Cooling Energy [J](Hourly)[4] heating= Zone Ideal Loads Supply Air Total Heating Energy [J](Hourly)= Zone Ideal Loads Supply Air Sensible Heating Energy [J](Hourly) + Zone Ideal Loads Supply Air Latent Heating Energy [J](Hourly)[5] electricLight=Zone Lights Electric Energy [J](Hourly)[6] electricEquip=Electric Equipment Electric Energy [J](Hourly)[7] peopleGains=Zone People Total Heating Energy [J](Hourly)[8] totalSolarGain=Zone Windows Total Transmitted Solar Radiation Energy[9] infiltrationEnergy=Zone Infiltration Total Heat Gain Energy (+)andZone Infiltration Total Heat Loss Energy (-)[10] outdoorAirEnergy= ???[11] natVentEnergy=Zone Ventilation Total Heat Gain Energy (+)andZone Ventilation Total Heat Loss Energy (-)[12] operativeTemperature=Zone Operative Temperature[13] airTemperature=Zone Mean Air Temperature[14] meanRadTemperature=Zone Mean Radiant Temperature[15] relativeHumidity=Zone Air Relative Humidity[16] airFlowVolume=[infiltrationFlow] Zone Infiltration Standard Density Volume Flow Rate+[natVentFlow] Zone Ventilation Standard Density Volume Flow Rate+[mechSysAirFlow] Zone Mechanical Ventilation Standard Density Volume Flow Rate+[earthTubeFlow] Earth Tube Air Flow Volume[17] airHeatGainRate=[surfaceAirGain] Zone Air Heat Balance Surface Convection Rate+[systemAirGain] Zone Air Heat Balance System Air Transfer Rate
Output variables on the Read EP Surface Results component:[1] surfaceIndoorTemp= Surface Inside Face Temperature[2] surfaceOutdoorTemp=Surface Outside Face Temperature[3] surfaceEnergyFlow=[opaqueEnergyFlow] Surface Average Face Conduction Heat Transfer Energy+[glazEnergyFlow] Surface Window Heat Gain Energy[4] opaqueEnergyFlow =Surface Average Face Conduction Heat Transfer Energy[5] glazEnergyFlow= Surface Window Heat Gain Energy[6] windowTotalSolarEnergy=Surface Window Transmitted Solar Radiation Energy[7] windowBeamEnergy=Surface Window Transmitted Beam Solar Radiation Energy[8] windowDiffEnergy=Surface Window Transmitted Diffuse Solar Radiation Energy[9] windowTransmissivity=Surface Window System Solar Transmittance…
DP ($$$ aside), GC, and Grasshopper. Arthur’s original question is very important
and the exact question (and hopefully answer) I was hoping to find on a
forum.
“How to take intelligent 3D parametric generative design models (scripting, etc.) into 2D documents?" Or, deliver the 3D design for evaluation, bid, construction, etc.
I am intrigued by Jon’s comments in the same thread and would like to know how I can learn more about the process (and
pitfalls) of turning over a 3D digital generative models to a contractor/fabricator.
Are there any industry guidelines established I could use as a reference to guide our firm through this type of uncharted territory?
Arthur’s question is very reminiscent of 10 years ago when I was frustrated with the amount of time spent on the development of a 3D model design (physical and/or virtual) only to have to wipe the table clean and start the process all over again in 2D in order to document the project for delivery. From this I jumped head first into BIM and Revit, vowing never to go back to unintelligent 2D line work. I am now working on Bentley software (v8i: Microstation and Bentley Architecture) with the access and desire to venture into Generative Components. I am very intrigued by Rhino/Grasshopper primarily with the apparent ease of use and available resources assisting in the learning process – something not really available with Bentley.
In hindsight, as I am doing my software research I think the current use of Revit and BA (Bentley Architecture) are more of a “bridge”
between the past (decades of digital 2D work, i.e. AutoCAD) and where hopefully
we all will be someday in the near future (100% 3D modeling, i.e. Digital
Project??). Without having the experience
it would appear that DP/CATIA (PLM software) are closer to this than any other
type of software. As complicated as the
industry standards are for the automobile and airline industry, I feel we
(architectural industry and others) are heading in a similar direction with
total understanding (PLM/ Evidence Based Design) of a design (a whole other topic). If anything I think the market will begin to
demand it sooner or later.
Gehry (DP) article NY Times:
http://www.nytimes.com/2009/02/11/business/11gehry.html
I know these type of broad discussions (software vs. software) can be blown out of proportion on forums, but I am would like to read
the pulse of those who are already in the trenches (using Grasshopper, CATIA, Digital Project, Generative Components, others??) and hear your thoughts. Just as valuable would be other threads,
industry articles/reviews of 3D parametric generative design software.
Thanks,
Boyd…
greatly appreciate it!!
You can write the number of the question and write your answer next to it, example:
1) a
2) c
3) a) Washington University in St. Louis
4) 2 weeks (1week+1week shipping)
5) 130
6) b
7) b
The survey questions are as follows:
1)
Did you 3D print before?
5)
How much did it cost (in dollars)?
a.
Yes, for a school project
a.
Between 20 & 50
b.
Yes, for a personal project
b.
Between 50 & 80
c.
Between 80 & 120
2)
Print size
d.
Please specify if otherwise: _____ dollars
a.
Between 2 & 6 cubic inches
b.
Between 6 & 12 cubic inches
6)
Do you think the price was expensive?
c.
Between 12 & 20 cubic inches
a.
Not at all
d.
Please specify if otherwise: ____cubic inches
b.
A little bit expensive
c.
Very expensive
3)
Where did you print your object?
a.
School
7)
Were you satisfied with the printed object?
b.
Outside school: _________________
a.
Yes, it was a great print without problems
b.
Not bad, some issues
4)
How long did it take to print?
c.
I was not satisfied, very bad quality
a.
___ days
b.
___ weeks
Thank you very much to all!!
PS: If you did many 3D prints, you can post multiple answers.
Wassef…