en la práctica de nuevos métodos de diseño y fabricación utilizando herramientas digitales. Estos procedimientos emergentes están cambiando radicalmente la manera en que nos aproximamos al proceso de diseño en términos de concepción y producción. Los participantes serán introducidos en el uso de softwares de modelado 2d y 3d para la generación de geometrías que serán posteriormente mecanizadas in situ en una máquina de control numérico CNC de 3 ejes.
¡AL FINAL DEL CURSO TE LLEVAS TU LÁMPARA A CASA!
Profesores: Equipo MEDIODESIGN* + TOOLINGROUP*
*Official Rhino Trainners. Acreditación otorgada por McNeel, desarrolladores del software Rhinoceros.
Lugar: Mediodesign. Pallars 85-91 5-2 BCN
Duración: 16 / 20 horas
Fecha: sábado 9 / domingo 10 julio de 2011
Horario: de 10h a 14h / de 16h a 20h
Plazas: 20 participantes
REQUISITOS
< Dirigido a estudiantes y profesionales de la arquitectura, diseño y profesiones afines.
< Ordenador portátil.
< Softwares instalados. En el momento de la inscripción, los participantes recibirán las instrucciones para la descarga e instalación de versiones gratuitas (trials) de los softwares.
CONTENIDOS
< Introducción al diseño avanzado y la fabricación digital.
< Entorno Rhinoceros y sus plug-ins.
< Herramientas y estrategias de trabajo CNC.
< Materiales y sus características.
< Planteamiento del ejercicio: diseño de una luminaria
< Desarrollo del archivo de RhinoCam para el mecanizado CNC.
< Mecanizado y post-producción.
< Entrega de propuestas: Presentación en formato digital del proceso de diseño y fabricación (pdf, powerpoint, etc…) y del prototipo de luminaria realizado.
INSCRIPCIONES
Precio: 199 € Materiales incluidos.
Forma de pago: mediante transferencia bancaria.
Límite fecha de inscripción: lunes 4 de julio 2011
Se otorgará certificado de asistencia. …
project below- should I be learning Grasshopper & Rhino or just Rhino first?
I'm trying to panel modules with low tolerances- I've prototyped regular shapes like geodesics and am now looking to experiment with irregular shapes with lots of different panel shapes.
I understand some things are best done through Grasshopper when using Paneling Tools- I'm trying to figure out if I can do what I want to achive with PT alone or should do it through Grasshopper (or some other route).
I’m on the MAC WIP - The module was built in Sketchup - all the components seem to be in order as blocks though am having problems running the ptpanel3dcustom command - thinking maybe a bug in the WIP or something wrong with my input or that I imported the sketchup file the wrong way. (I dropped it in the window) - If the 3D command is run it doesn’t do anything - if 2D (ptpanelgridcustom) it crashes.
The tileing pattern - the green rectangle is a refrence. each tile contains 4 blocks with 3 more nested in each.
How the module tiles.
The other thing I'm trying to do is specify that most of the lines in the panels don’t bend/curve when they are paneled (or something like Cage Edited). For my purposes the length & angles can change while the lines must remain straight.
These images show a test tile to be panneled on a ellipsoid. When the tile is mapped to the grid the lines curve, this is an extreme example but notice allot of tiles far from the hemespheres are also bent slightly.
These two questions have me stumped the most for now. What should I look into get a better handle on these problem areas? Maybe I should try recreating the work on a windows machine? or perhaps I should get started with Grasshopper?
Thanks for reading.
Lu…
ts in extreme aliasing effects that carry into the 3D realm as regular steps along what should be smooth surfaces.
On sleeping on it, I realized I hadn't yet tried fast Unary Force on fine quad meshes from the standard Grasshopper meshing system that includes the meshing options component.
Bingo! It's fast now. Workable. I don't need super fine meshing since I'm not running from aliasing. I can still use rather fine local meshes since Unary Force lets Kangaroo do a simple thing just in the Z direction rather than a full 3D force.
After only a minute or so of Kangaroo initialization that slows the interface, each of a dozen needed cycles takes half a second, FOR THE ENTIRE GRAPHIC.
I just set the timer to 1 second so I can move around the interface, and I double click the Windows taskbar timer shut-off to enjoy the result.
WHILE RUNNING VIA TIMER, IF I CHANGE A SPRING/FORCE SETTING IT SUFFERS NO DELAY AT ALL AND JUST ALTERS THE OUTPUT OVER TIME. I can change Unary Force from 20 to 100 and immediately see the bigger areas balloon like crazy:
It's fast enough overall to play with, yet the individual steps are slow enough that it's fun to watch the hysteresis as it overshoots back from 100 to 20 Unary Force, going concave in the middle of bulges then back to more shallow hills.
A force of 1000 is a bit disturbing, I wonder if I can tamp it down with greater spring strength or will that just give me the same result as before?
Looks like it's the same, just the ratio matters. Makes sense I guess. At one point it blew up though. Hitting the reset button...a minute later it blows up again...and just doesn't like huge numbers, so I don't see an advantage playing with bombs. The high mesh strength is pulling the mesh apart.
With low Unary Force and moderate mesh tension, you get flat tops, as if the overall force on the mesh fighting its anchored edge vertices, is enough to displace it, but the surface itself is too stiff to care about local gravity.
Then you have less flat areas as you increase Unary Force:
Weird, there *is* some sort of absolute effects, rather than just relative, between Unary Force and spring stiffness, since now I'm getting flat tops even in the extreme:
Oh, wait, strike that, I may be seeing but a single step with the timer off, subject to hysteresis. With the timer back on...it can sit there a minute...not locked up but just idling...until you see the Display > Widgets > Profiler time start cycling to near half minute numbers...makes you want to hit the reset button...and indeed that locks the interface for another initialization...and yes, it was merely hysteresis, not an equilibrium result. My former flat tops may have been due to that too, due to my use of the Windows taskbar timer disabler. The lesson is that you can obtain different results by using a long timer setting and just stopping it before it equilibrates.
This script is a keeper, fast and fun after the relatively mild Kangaroo initialization period is over.
The uniform mostly quad meshing is all done in Grasshopper too, from any flat surface with holes, especially from images of shapes that are traced with potrace to give surfaces with holes.
Could I switch to hex meshes from triangular meshes to do the same thing with fewer vertices?
Are there other forces I can add to smooth the bulging? Letting things bulge is not so bad if you then just scale down the result in Z afterwards (though perhaps the same result could be had with lesser force):
Also, can this same thing be done with possibly faster Kangaroo 2?…
Added by Nik Willmore at 10:02pm on February 21, 2016
Introduction to Grasshopper Videos by David Rutten.
Wondering how to get started with Grasshopper? Look no further. Spend an some time with the creator of Grasshopper, David Rutten, to learn the
a modélisation paramétrique avec Grasshopper pour Rhinoceros3D ainsi que démontrer plusieurs façons de l’appliquer à votre travail architectural.
Cette formation est conçue comme une expérience augmentée autour de l’architecture paramétrique et elle comprend aussi :
+ Une introduction au design paramétrique par Francesco Cingolani+ Une étude de cas d’un projet de l’agence de l’agence HDA Hugh Dutton Associés+ Acces gratuit 3 journées à l’espace de coworking SUPERBELLEVILLE
INSTRUCTEURS
FRANCESCO CINGOLANI . designer, enseignant en architecture paramétrique, co-fondateur deSUPERBELLEVILLE coworking, collaborateur de l’agence Hugh Dutton Associés. – voir le profil Linked-in
ŞULE ERTÜRK . Architecte diplômée de l’Université Yildiz Teknik à Istanbul, Master en architecture paramétrique, travaille actuellement aux Ateliers Jean Nouvel dans le département 3D. - voir le profil Linked-in
QUENTIN GAUCHER . Architecte DE-HMONP, diplômé de l’ENSA Paris La Villette, intervenant en architecture paramétrique sur divers projets - voir le profil Linked-in
DATES 25 mars 2013 . Annonce de la formation / Début des inscriptions5 avril 2013 . Fin des inscriptions13 – 14 avril 2013 . Formation
HORAIRES Samedi et Dimanche 13 et 14 avril . 10:00 > 13:00 – 14:00 > 19:00Total : 16 heures
TARIF700 € professionnels400 € étudiants
RÈGLEMENT50% est à régler lors de l’inscription (au plus tard le 5 avril)50% au début de la formation.Les règlements s’effectuent par carte bancaire via Paypal ou par virement bancaire.
NOMBRE DE PARTICIPANTSMinimum pour l’activation de la formation : 5Maximum : 7
CONTACTInscriptions et réglements : fr.cingolani@gmail.com . SUPERBELLEVILLE coworkingInformations : quentin.gaucher@gmail.comimmaginoteca.com/grasshopper
EN BONUSLe café italien et les plats faits maison de Claudia offerts aux participants :)…
racting isocurves in Grasshopper in order to use them as more curves. If I could figure out the thorny use of Grasshopper data trees within Daniel Piker's Geometry Wrapper VB script that is used here, it would be considerably faster than having to include each isocurve in a separate field strength lookup.
The way marching cubes and an isosurface work in the code, is to simply find the distance to the closest point on each curve and run the distance to that point through a slow equation to determine field strength there, usually an r^2 operation, and this causes awful bulging where geometry clusters, so I just hacked it to use no math and instead yes/no values based on a fixed radius value, doubling the speed of the script and removing all bulging effects, so it's not really metaballs any more but after MeshMachine relaxes the mesh under tension, the result is similarly smooth. To build up a full 3D spacial field, it simply adds the field values from each curve (or point) together via a loop over all those geometry objects, so there is no big implicit equation created except such summation.
HOW DO I ADD SURFACE ISOFIELD TO THE SCRIPT ITSELF SO I CAN AVOID THE ISOCURVE KLUDGE?
It's not the VB I'm thrown off by but the lack of a real loop where a data tree is used:
I can likely write my own calculate_surface_field function since it just needs to spit out one of two fixed numbers depending on using Rhinocommon to find the distance of the test point (a corner of a marching cube) to the closest point on the surface. But the above loop doesn't cooperate with my attempt to rewrite it as simple loops going through each point, curve, and surface for each test point. I can barely tell what's looping here, as he has stuffed all geometry into one container and then tests for curves. I'd rather just make loops for separate Points, Curves and Surfaces inputs and get rid of the baffling data tree.
The overall canvas is also rudely updating the preview twice, making it much slower than the two big components actually take so solve, as I believe it may be regenerating a display mesh between VB and MeshMachine solutions?
…
arametric Design, in the history of architecture, has defined many rules for current designers and for future practitioners to follow. One of the strongest aspects that are prominent from this style is ‘geometry’. Arguably, there is nothing new about geometry and aesthetics forming the most prominent aspect of any style or era. The language of any style, in the long history of architecture, is visually defined by geometry or shape, beyond the principles that define the core of the style. In the distinguishable style of parametric architecture, geometry has played and is continuing to play an integral role. And with this fairly young style, there are many strings of myths and false notions associated.
The workshop aims to provide a detailed insight to ‘parametric design’ and embedded logics behind it through a series of design explorations using Rhinoceros & Grasshopper platforms, along with understanding of data-driven fabrication strategies. An insight to Computational Design and its subsets of Parametric Design, Algorithmic Design, Generative Design and Evolutionary Design will be provided through presentations, technical sessions & studio work, with highlighting agenda of using data into Hands-on fabrication of a parametrically generated design. A strong focus will be made on ‘geometry’ and ‘matter’.
// Methodology
Workshop has been structured to teach participants the use of Grasshopper® (Generative modelling plug-in for Rhinoceros) as a generative tool, and ways to integrate it with Hands-on Fabrication process. A strong agenda on ‘geometry’ and ‘matter’ will form the focus of the studio with design experimentation through computational & parametric techniques, culminating into a manually fabricated wall panel using understanding of data-driven design during the course of workshop.
Day 1 Topics / Agenda
Rhinoceros 3D GUI and basic use
Installing Grasshopper & plug-ins
Grasshopper GUI
Basic logic, components, parameters, inputs, numbers, simple geometry, referenced geometry, locally defined geometry, baking, etc.
Lists & Data Tree: management, manipulation, visualization, etc.
Design Experimentations with Geometry & Data
Understanding Data for Manual Fabrication
Day 2 Topics / Agenda
Design Experimentations with Geometry, Form, Matter
Data for effective numbering and strategizing during Manual Fabrication
Collaborative effort for Hands-on ‘making’ process
Analysis & Evaluation of Fabricated Geometry
Documentation…
could represent at least three immaterial substances: his subconscious, the negative mass surrounding the sculpture and a parallel world where material is forbidden.
Has Architects' engagement with virtual space meant a vanishing sensitivity towards material and other immaterial realms?
The AA Rome Visiting School 10 day workshop encourages the observation of material elements and their use in the design of architecture featuring subconscious experiences, spatial voids and virtual communities. Students will investigate modern materials and their digital fabrication by direct experience. They will work with algorithms and sensors able to recognise and respond to human feelings and attitudes. Students will feed novel expressions of void spaces into the Roman tradition featuring examples like the ancient catacombs and the Nolli map. Through augmented reality design the projects will open a window into an digital virtual world.
By the end of the workshop students will unveil their interpretation of the material/immaterial form hidden in the real matter.
Applications
1) You can make an application by completing the online application found under ‘Links and Downloads’ on the AA Visiting School page. If you are not able to make an online application, email visitingschool@aaschool.ac.uk for instructions to pay by bank transfer.
2) Once you complete the online application and make a full payment, you are registered to the programme. A CV or a portfolio is not required.
All participants travelling from abroad are responsible for securing any visa required, and are advised to contact their home embassy early. After payment of fees, the AA School can provide a letter confirming participation in the workshop.
Fees
The AA Visiting School requires a fee of £695 per participant, which includes a £60 Visiting membership fee.
Fees do not include flights or accommodation, but accommodation options can be advised. Students need to bring their own laptops, digital equipment and model making tools. Please ensure this equipment is covered by your own insurance as the AA takes no responsibility for items lost or stolen at the workshop.
Eligibility
The workshop is open to current architecture and design students, phd candidates and young professionals. Software Requirements: basic knowledge of Rhinoceros or other 3D modeling software.
Venue of workshop: Galleria “Come Se”, via dei Bruzi 4, 00185 Roma, Italy
…
n complex architectural design and fabrication processes, relying heavily on materiality and performance. The programme brings together a range of experts – tutors and lecturers – from internationally acclaimed academic institutions and practices, Architectural Association, Zaha Hadid Architects, among others.
Taking place at the unique atmosphere of AA’s London home, the three-week long programme is formulated as a two-stage process. During the initial stage, participants are introduced to core concepts related to material processes, computational methods, and various digital fabrication techniques. During the second stage, the fabrication and assembly of a full-scale architectural intervention with the use of robotic fabrication techniques unifies the design goals of the programme.
Prominent Features of the programme:
• Teaching team: Participants engage in an active learning environment where the large tutor to student ratio (5:1) allows for personalized tutorials and debates.
• Facilities: AA Digital Prototyping Lab (DPL) offers laser cutting, CNC milling, 3d printing facilities, and 2 KUKA robotic arms.
• Computational skills: The toolset of Summer DLAB includes but is not limited to Rhinoceros, Processing, Grasshopper, and various analysis tools.
• Theoretical understanding: The dissemination of fundamental design techniques and relevant critical thinking methodologies through theoretical sessions and seminars forms one of the major goals of Summer DLAB.
• Professional awareness: Participants ranging from 2nd year students to PhD candidates and full-time professionals experience a highly-focused collaborative educational model which promotes research-based design and making.
• Robotic Fabrication: According to the specific agenda of each year, scaled working models are produced via advanced digital machining tools, followed by the fabrication of one-to-one scale prototypes with the use of KUKA KR60 and KR30 robots.
• Lecture series: Taking advantage of its unique location, London, Summer DLAB creates a vibrant atmosphere with its intense lecture programme.
Eligibility: The workshop is open to architecture and design students and professionals worldwide.
Accreditation: Participants gain 1 Year AA Visiting Membership and are awarded AA Certificate of Attendance at the successful completion of AA Summer DLAB.
Applications: The AA Visiting School requires a fee of £1900 per participant, which includes a £60 Visiting Membership fee. Discount options for groups are available. Please contact the AA Visiting School Coordinator for more details.
The deadline for applications is 17 July 2017. No portfolio or CV, only requirement is the online application form and fees. The online application can be reached from:
https://www.aaschool.ac.uk/STUDY/ONLINEAPPLICATION/visitingApplication.php?schoolID=460
For inquiries, please contact:
elif.erdine@aaschool.ac.uk (Programme Head)
alexandros.kallegias@aaschool.ac.uk (Programme Head)…
lysis, and large-scale prototyping techniques. The research generated at Summer DLAB has been published in international media and peer-reviewed conference papers.
AA Summer DLAB investigates on the correlations between form, material, and structure through the rigorous implementation of computational methods for design, analysis, and fabrication, coupled with analog modes of physical experimentation. Each cycle of the programme devises custom-made architectural processes through the creation of novel associations between conventional and contemporary design and fabrication techniques. The research culminates in the design and fabrication of a one-to-one scale prototype realized by robotic fabrication techniques.
Prominent Features of the programme:
Teaching team: Summer DLAB tutors are selected from recent graduates / current tutors at the AA and the small student ratio (5:1) allows for personalized tutorials and debates.
Facilities: AA Digital Prototyping Lab (DPL) offers laser cutting, CNC milling, and 3d printing facilities, and 2 KUKA robotic arms.
Computational skills: The toolset of Summer DLAB includes but is not limited to Rhinoceros, Grasshopper and various computational analysis tools.
Theoretical understanding: The dissemination of fundamental design techniques and relevant critical thinking methodologies through theoretical sessions and seminars forms one of the major goals of Summer DLAB.
Professional awareness: Participants ranging from 2nd year students to PhD candidates and full-time professionals experience a highly-focused collaborative educational model which promotes research-based design and making.
Robotic Fabrication: Scaled working models are produced via advanced digital machining tools each year, followed by the fabrication of 1:1 scale prototypes with the use of KUKA KR60 and KR30 robots.
Lecture series: Taking advantage of its unique location, London, Summer DLAB creates a vibrant atmosphere with its intense lecture programme.
Eligibility: The workshop is open to architecture and design students and professionals worldwide.
Accreditation: Participants gain 1 Year AA Visiting Membership and are awarded AA Certificate of Attendance at the successful completion of AA Summer DLAB.
Applications: The AA Visiting School requires a fee of £1950 per participant, which includes a £60 Visiting Membership fee. Discount options for groups are available. Please contact the AA Visiting School Coordinator for more details.
The deadline for applications is 08 July 2019. No portfolio or CV, only requirement is the online application form and fees. The online application can be reached from:
https://www.aaschool.ac.uk/STUDY/ONLINEAPPLICATION/visitingApplication.php?schoolID=603
For inquiries, please contact:
elif.erdine@aaschool.ac.uk (Programme Head)
…
Added by elif erdine at 10:16am on February 19, 2019