y (movement, protection, temperature regulation) but also the evolution of cultural expression precisely by exceeding the purely indexical performative relations. Designing not only for the needs but for the desires.
Computational couture looks at the creation of exclusive custom-fitted clothing (typical of haute couture) through the lens of a systemic approach, extending the sartorial techniques with 3D modeling and computation-based approaches developed in Rhinoceros and the visual programming environment Grasshopper.
Aim of the workshop is to exert, infuse and expand the sartorial sensibilities to body proportions and dress making into an algorithmic approach that loops through design and fabrication by means of laser cutting and 3d printing for the design and production of a garment. Participants will be divided in teams focusing on specific aspects of the garment related to the production technique (laser cutting or 3D printing).
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WORKSHOP | calendar
Day 1
Introduction to algorithms and computational design for creative disciplines Basics of 3D modeling in Rhinoceros Basics of Grasshopper Introduction to basic sartorial techniques
Day 2 Testing design options for the dress in Grasshopper (tutored work)
Day 3 Fabrication session . file preparation . parts testing and pre-assembly
Day 4 dress fabrication and assembly
Day 05 finalization of dress final presentation
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WORKSHOP | registration
FEE FOR PARTICIPANTS
Early bird (until 4/5): 250 € Full fee (from 5/5 until 15/5): 350 €
The fee includes materials and fabrication. Plane tickets and accommodation are not included in the fee.
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REGISTRATION (until 15/5/2015)
For registration please write at :
beyond@iaac.net
for more info visit:
http://beyond.iaac.net/?page_id=1620
…
umbers behave differently from the reals, in that when they are squared they give a negative result. They are written as multiples of the imaginary unit i, which is defined so that:
i*i=-1
Complex numbers are numbers which have two parts (hence the name complex) - a real part and an imaginary part.
For example:
3+4i,
or more generally:
a+bi, where a and b are some real numbers.
Well that's a definition, but I guess you might be wondering what is the point of them - I've not said anything yet about why they are interesting and useful...
Solving cubic equations was one of their first uses, but I doubt that is what most of you are interested in.
Where they really get fun is when you start looking at them geometrically.
The Argand plane is a setting that allows us to treat complex numbers a bit like vectors.
Each complex number a+bi defines a point relative to an origin (0,0), much the same as a vector with an x and y component.
Like vectors we can add and subtract them to get a new point.
But when we multiply them, unlike vectors, we add the angles (measured anti-clockwise from the positive real axis, also called the argument) and multiply the lengths (or the modulus of each number).
This all follows naturally as a consequence of the definition of i as the square root of minus one.
........
That is just dipping a toe into the great depths.
Complex number math, and in particular complex Analysis (calculus with complex numbers) is a vast subject that I obviously can't cover much of here.
If you are interested in learning more :
The Math department at Cal State Fullerton has some very nice Complex Analysis pages.
Chapters 5 and 6 of the film Dimensions covers complex numbers very visually. You can watch it online here, or read the description here.
Complex numbers on Wikipedia
on MathWorld
Hans Lundmark's complex analysis pages
The book Indra's Pearls is about making certain types of fractals with complex numbers, and includes a good introduction, along with lots of pseudocode.
To really engage with some of the true depth and power of complex numbers I particularly recommend the beautiful Visual Complex Analysis. This was the book that made me love this subject.
I'm really looking forward to seeing more designers make use of complex numbers. I think it is a wonderful tool. It is an advanced branch of mathematics, requiring some serious study to understand, but because of its strong geometric connections, I think relatively accessible to those who tend to think more visually. Now that David has included them in Grasshopper, starting to explore them should be easier than ever.…
Added by Daniel Piker at 4:38am on November 25, 2009
this occasion, but it could be converted for DT in no time). Requires some minutes more as regards ... some things, but the usual update is due to some days.
Bad news: it's C#
Good news: User's Manual :
1. That thing (the C#, not me) after sorting (in a "sequential way", so tho speak) the panels (their order was chaotic) allows you to start the massacre by locating a focus of interest (and the user controllable +/- Range derived from it).2. The Range is variable (obviously) and takes care not to exceed the indices of the panel list (OK, that's elementary).
3. If you click the right button (Sadistic Q: where is it? he he) things are deleted and a new constantly self-updating list is your new List. Thus the massacre of panels is totally controllable. An autoZoom thing is also included (free of charge, but it's a bit nerve braking). Zoom factor is variable as well.
4. Then you move over (via the index slider) and start the massacre again. Notice the change of Range.
5. If you turn begin to false (initialization) and then begin to true > start all over again.
6. The other C# thing allows you to increment the index slider in a rather more convenient way. It's a bit weird: it uses delegates (A delegate is an object that knows how to call a method) and events (An event is a construct that exposes just the subset of delegate features required for the broadcaster/subscriber model - but don't ask what this means, he he) in order to talk with your slider (with a defined NickName) and perform the required value control.
NOTE: without realizing it you've just (indirectly) asked one of the most important questions even exposed in this Noble Forum. I hear you : what question? Well ... wait some days for the mother of all threads: "Total control in collections on a per Item basis"
may the Force (the dark option) be with you (and me)
best, Peter…
Rubicon (ii.e. some programming language [I would strongly recommend C#] > the Dark Side > years of pain + tears > hell or heaven?).
Back to that pile or worms of yours (I hate "simple" cases, he he).
0. if you want rounded lips ... Styrofoam is the only solution (+ sanding [buy a mask and some decent cigars ... path is long and hilly]). if not > goto 5/6.
1. by what means you think that you can shape Styrofoam? Do you have access to some CNC foam cutter? Or the only tools that you have are ... 2 hands and a knife? (or a thermal cutter). Accuracy is a BIG issue here: chances are that panels won't "fit". Solution is available in the forthcoming V3.
2. male "protrusions" on Styrofoam is kinda 3rd marriage > AVOID at any cost > this would end up in tears.
3. female ones are safe ... thus we need a proper "insert stripe" that must be compatible with the Styrofoam adhesive and strong enough to hold the pieces until the glue cures (it takes time, there's no instant Styrofoam adhesives around). Maybe aluminum (hard to cut by hand) or balsa (very expensive) or plywood (best option).
4. Some CNC foam cutters they can't shape the female "crevices" > be prepared (a thermal tool may(?) cut the mustard).
Note: panels made with Styrofoam look miserable because reality and theory differ. They also look miserable as well (and kitsch and miserable).
5. making the panels with (marine) plywood ... well this yields far superior accuracy and therefor aesthetics but (a) yields max panel thickness constrains, (b) introduces max panel dimensions constrains (c) yields packing issues [waste material] and (d) requires a totally different "connection" approach: it doesn't make sense to do some female crevice ... unless the plywood is very thick (expensive + heavy).
Note: Designing (pro option) self supporting "rib" reinforced sandwich composite panels ... well this is a bit far and away from what you can handle at present time.
So ... I've suspended the male/female thingy until you decide the final policy: it's the material/detailing that should dictate the method(s) AND the whole design and not the other way.
This is what we call bottom-top design approach (dinosaur Architects follow the top-bottom: disastrous + naive + naive + naive + avoid).
6. Plan ZZTop: make a stand alone autonomous perimeter frame per panel (marine plywood: imagine "thickening" these abstract beams shown inwards per panel) then join these frames by means of bolts (easy) and fill the "gaps" with Styrofoam (hmm). Note: you can reinforce the frames by a variety of means (say: a secondary "beam" sub-structure) achieving a rather elegant all overall solution.
This is the best solution by roughly 666 miles.
…
make-this-form-...
Other than that:
1. Tensegrity is a "static" thingy in the sense that you use some module (let's call it "mode") and repeat. Creating some code that does INVENT new modes for T trusses (Pulitzer/EMMY/Nobel on sight, he he) ... I would strongly suggest to forget that THIS VERY MOMENT.
2. Applying some T "mode" on something (see my examples in the above thread where I use surfaces for the T nodes) is another animal. If you intend to use Kangaroo to "relax" that something (NOT the T itself) well ... you can do it but has nothing to do with T.
3. The Kangaroo def provided is a "way" to test the "rigidity" of the T in use. It's a "post-processing" thing NOT a T solving thing.
4. I have a terrible feeling: are you saying that (a) without knowing a thing (or two) from C#, (b) without knowing K1/K2, (c) with a limited GH experience ... your goal is to write down from scratch a FEA ("Femap") thingy that ALSO does node "relaxation" ? If so ... well ... what about sky diving (without parachute) or that classic Russian roulette "game"?
PS: shown double tetra (classic) and XFrames (classic) T trusses applied in open and closed surfaces.
But of course these are abstract stupid "arrangements" utterly out of question in real-life: read CAREFULLY the discussion in the thread provided above AND also study the 3dPDF attached (with a system out of many available) in order to get the gist about what real-life means (Note: EVEN if no real-parts are used ... the node calculation is different from the abstract "star" connections pictured above - by "star" I mean that cables meet at a single point in space without any "offset" etc etc).
Moral: Seppuku
Plan Z: Skype ASAP
…
hat differ in shapes, sizes and height the facade would be a mess. Some spaces need some light while other can't have any. I would like to have full freedom of creation inside the building, to make it as functional as possible. Thats why i decided the parametric "skin" solution would be best. Since the location has industrial past (factories made of brick) i decided that brick would give interesting result.
I tried creating the definition on my own but since i lack skill in GH i got some problems (especially multiplication of bricks and the diffrence between each "level" (half a brick on y axis) caused problems for me.
I post my simple sketch explaining the idea of definition i would like to create (sorry about quality):
1 - Brep - I would like to use 25x12x6cm (classic brick) but as well experiment with diffrent shapes - like the one on the right with hole inside - that would give more light. Thats why i think the best solution would be using brep for this definition.
2- Multiplication - biggest problem for me - I don't know how tall the wall would be, what will be the final shape of Brep (brick) and that's why i would like to manipulate this with sliders as well. All the walls are flat (maybe it would be easier to use surface?). As i managed to multiply the bricks easy way i don't know how to gain control over height of the wall - for example that it is 30 bricks high, but has each second row moved on x axis by the distance of 1/2 brick. I tried using Series but with no success. Could you help me with that please?
3 - Rotation - i would like to use image sampler for that so i can "paint" where i want more sun and where i dont need it at all (black and white). The rotation has to be limited to 180 degrees as well. Obviously i didn't get here yet, but i never used image sampler so if you could give me some advice how to use component and how to create such images i would be really grateful.
4 - More of a concept thing - since the connection angles differ from 90 degrees i will have to figure out how to connect the parts of the wall at sides ;).
I would like to ask you for help with the defintion, since i am totally stuck at step 2. I post what i came up with so far. Thank you for your time and help!
PS. I post an image that is pretty similar to one of options i would like to check for my building.
…
new component "OSM 3D roof"):
2) Simplified 3D roads can be created by using the network of OSM polylines (through new component "OSM 3D road"):
3) 3D forest.Up until now, Gismo supported generating a single 3d tree whenever such tree was present in openstreetmap.org database. Now it is possible to generate 3d trees in forest areas, by randomly positioning the 3d trees (through new component "OSM 3D forest"):
4) Boolean 3d shapes.Gismo's "OSM 3D" component generates shapes as parts: for example, if a building has irregular shapes across its height, they will all be created individually. Trying to merge them with Grasshopper's "Solid Union" component can sometimes fail.New Gismo "Rhino Boolean Union" components tries to overcome this issue by using a much better Rhino version of this command.
5) Library of common GIS color palettes (gradients).A single component containing 22 of the common color palettes used in GIS applications as ArcGIS and QGIS. For example: elevation, aspect, precipitation...
6) Url to location.Thanks to idea by Alex Ng, it is possible to extract location from a link of the following map websites: Openstreetmap, google maps, bing maps, wego.here, waze:
Version 0.0.3 can be downloaded from here:
https://github.com/stgeorges/gismo/zipball/master
Example files from here:
https://github.com/stgeorges/gismo/tree/master/examples
New suggestions, testing and bug reports are welcome!!…
Added by djordje to Gismo at 1:39am on January 29, 2019
he example file to this file so you can give it a try with any version of Honeybee that you're already using. The only requirement is to have OpenStudio installed as the component is using OpenStudio libraries to parse gbXML files. If you're using the latest version available on github the component is also available under WIP tab.
Why?
The main purpose of developing this component is to save time and effort for importing Revit models for energy and daylight analysis. It bothers me to see a lot of smart people spend a lot of time to just come up with solutions just to get the geometry from Revit to Honeybee for analysis. This component is not solving all the issue but is a first step forward. In an ideal world, the future version of Honeybee, which works both under DynamoBIM and Grasshopper should address this issue but that can take some time to be fully ready!
How?
To use this component you need to Export your Revit model as gbXML and then use the file path to load the file into Grasshopper. There are several resources available online on how to prepare the analytical model in Revit and export the gbXML file. Here is an image for importing the Revit 2017 sample model using the default settings. As you can see the model will be just as good as what your original gbXML file from Revit is.
What can be improved?
Well, there are several items that can be improved and they are mostly not on us. To get it started I add what I think are the 3 main shortcomings and my thoughts on how they can be addressed in the future. Feel free to add what you think needs to be added to this list in the comments section.
1. Revit analytical models and as the results gbXML files, by design, are not intended to be clean. Watch this presentation from the Autodesk University to see the logic behind this approach which in short is it doesn't matter for a large scale early stage energy model. Well, This will be quite a problem for studies that you can do with Honeybee. Included but not limited to daylight and comfort analysis.
The best solution that I can think of, until Autodesk fixes their exporter, is to use Revit Rooms and Spaces and generate a clean model from the scratch. We have already tried this approach in Revit but since the Revit API doesn't provide access to Room openings we had a very hard time to get it to work.
That's why that I opened an idea on Revit ideas to get over this issue. With your support we already have 81 votes, but it hasn't been enough to make them to consider the idea for an official review. If you haven't voted already and you think this will be a helpful feature take a moment and vote so we can have it implemented at some point in the future.
2. There is no way (that I know) to export only part of the model. The way export gbXML is set up in Revit is to export the whole model once together. As a result, if you have a huge model with 100 rooms and you want to get one of the rooms into Honeybee using this component you have to export the whole model, which can take some time, and then import them all back into Grasshopper. To partially address this issue I added an input to the component that allows you input a list of names for rooms that you're interested to be loaded into Grasshopper. You can use the name of the room/space in Revit as an input for the component.
3. The component doesn't import adjacencies, loads, schedules and HVAC systems. I wasn't able to export a gbXML file from Revit with any of this data except for the adjacency, but even if you can do that, the component currently can only import geometries and constructions. I hope we get access to 1 and so we don't have to use the xml file approach at all, but if that takes a very long time then we will add these features to the component.
Happy 2017!
Mostapha…