a modélisation paramétrique avec Grasshopper pour Rhinoceros3D ainsi que démontrer plusieurs façons de l’appliquer à votre travail architectural.
Cette formation est conçue comme une expérience augmentée autour de l’architecture paramétrique et elle comprend aussi :
+ Une introduction au design paramétrique par Francesco Cingolani+ Une étude de cas d’un projet de l’agence de l’agence HDA Hugh Dutton Associés+ Acces gratuit 3 journées à l’espace de coworking SUPERBELLEVILLE
INSTRUCTEURS
FRANCESCO CINGOLANI . designer, enseignant en architecture paramétrique, co-fondateur deSUPERBELLEVILLE coworking, collaborateur de l’agence Hugh Dutton Associés. – voir le profil Linked-in
ŞULE ERTÜRK . Architecte diplômée de l’Université Yildiz Teknik à Istanbul, Master en architecture paramétrique, travaille actuellement aux Ateliers Jean Nouvel dans le département 3D. - voir le profil Linked-in
QUENTIN GAUCHER . Architecte DE-HMONP, diplômé de l’ENSA Paris La Villette, intervenant en architecture paramétrique sur divers projets - voir le profil Linked-in
DATES 25 mars 2013 . Annonce de la formation / Début des inscriptions5 avril 2013 . Fin des inscriptions13 – 14 avril 2013 . Formation
HORAIRES Samedi et Dimanche 13 et 14 avril . 10:00 > 13:00 – 14:00 > 19:00Total : 16 heures
TARIF700 € professionnels400 € étudiants
RÈGLEMENT50% est à régler lors de l’inscription (au plus tard le 5 avril)50% au début de la formation.Les règlements s’effectuent par carte bancaire via Paypal ou par virement bancaire.
NOMBRE DE PARTICIPANTSMinimum pour l’activation de la formation : 5Maximum : 7
CONTACTInscriptions et réglements : fr.cingolani@gmail.com . SUPERBELLEVILLE coworkingInformations : quentin.gaucher@gmail.comimmaginoteca.com/grasshopper
EN BONUSLe café italien et les plats faits maison de Claudia offerts aux participants :)…
g the most appropriate mover at best price can be tricky and challenging task for you. However you can hire the best mover in India within you budget by doing some research with some of good companies. Requesting questions to packers and movers will help you find out a reliable moving company. Here are top questions to ask movers when hiring the one for your move.
Movers and Packers Pune
http://www.movingexpert.in/packers-and-movers-in-pune.html
http://www.movingexpert.in/packers-and-movers-in-delhi.html
Is your company registered and properly licensed?
It does not take foremost and good question to ask mover before you finalize the services of one. You must go with a mover that is registered and properly licensed.
How many years has your company been in relocation business?
This specific will give you an ideas about experience of a moving company. You must go with only a professional mover on your move. Don't consider only long history of a valerse but additionally check its perfect background in the business.
Are you insured or do you provided goods insurance on move?
It is essential to select an insured company or a company that provides you goods insurance service on your move. An insured mover will cover the loss if your goods are however damaged or lost in transit.
Do you have your own transportation vehicles and necessary equipments?
The good moving company has its own especially designed goods carriers and moving trucks for safe vehicles of goods from one spot to another. A good company has its own necessary equipments for easy packaging, loading, unloading and undoing of goods.
Do you provide warehousing or safe-keeping facility?
If you need storage of your household belongings for a period on your next new house purchase then you must ask this question. You need to go with a mover that also provide warehousing & storage facility.
Ask about the staff members and works of the company?
An individual must ensure that the staff member of company is professionally trained and friendly as well.
Ask about details of their previous customers or clients?
May hesitate to ask details or information of prior customers of the movers and packers. A good mover will almost always be happy to provide you references.
Aside from these questions you should never forget to make clear about price, services, concealed cost, surplus charge and other details which you need to know on your move. You must ask about written and biding estimates. You should go with a mover that delivers you written binding estimate for your next big move. In fact , you should make each and everything crystal clear before finishing the services of one great Packers and Movers in India. I hope you will find these pointers helpful.…
ll-Facade using Rhino and Grasshopper Participants will learn; Rhinoceros Grasshopper Advanced Parametric Design Brick Formations and Explorations Shadow-Design Relationship
Session 2: Advanced Digital Modeling for Additive Manufacturing (3D Printing) Participants will learn; How to prepare a 3D design to 3D Printing process in Rhinoceros Advanced Methods for 3D Print optimisation for time and cost effective production 3D Printing software education Cura
INFO
Date Saturday, 28 September 2019 Schedule 9:30am – 2:30pm (Session 1) | 2:45pm – 7:00pm (Session2) Venue (TBC) Pada Labs, Istanbul Language English/Turkish Softwares Rhinoceros Grasshopper 3D Cura Participants will need to bring their own laptops with software installed; other plugins will be distributed at the workshop. Prerequisites All tutorials are open to beginner level. No previous knowledge of Cura and Grasshopper needed. Basic knowledge of Rhinoceros recommended. Participation The workshop is limited to the first 20 applicants. Each student will receive a certificate of participation. Prices for each session: (You can pick one and attend one) Special Early registration (Deadline 1 August ) Students 310 TL Professionals 400 TL Regular registration Students 390 TL Professionals 480 TL Prices for Session 1&2 Combined: (Full Day) Special Early registration (Deadline 1 August ) Students 540 TL Professionals 690 TL Regular registration Students 620 TL Professionals 790 TL DISCOUNTS Group registration of 3 or more people will get a 15% discount. * Previous Pada workshop students will get a 10% discount. DIRECTOR Begum Aydinoglu, M.Arch AA DRL will be instructing and directing the following workshops. REGISTRATION: Email to pada.workshops@gmail.com for registration instructions. Please note that we have limited seats and there won't be any exceptions. …
his comes in the form of an HTML page with links to every component, so you will need to view it in your web browser. (I use Chrome and it doesn't seem to be working correctly, but when opened in IE its fine.)
2) Included in each help topic for each component is the Inputs and Outputs descriptions and data types.
3) You supply the data. What you supply and how you supply it is for you to decide. There are umpteen different ways. Are you asking for a list of those ways for each input?
4) Points can either be Rhino objects or 3D co-ordinates. To create a point you can use any of these methods, but it mostly comes down to user preference. I like using Panels as this displays outside of the component.
5) Because of the nature of vectors they represent magnitude and direction but they don't have an independent location, so there is a component that will display vectors in Rhino.
6) The user.
7) There is a Primer on the front page. Here you find the Basics, but because GH is ever evolving in its current beta state you might find things that aren't relevant any more or simply don't work the same. And here is the reason why nobody is writing an update because it could be soon out of date.
8) Importing images by either dragging them from explorer onto the canvas or right click context menu Image...
9) Single line = Single Item of Data. Double line = Multiple items of data on the same Branch. Dashed Double Line = Multiple Data on Multiple Branches.
10) User preference
11) Toolbar management is probably the bane of David's life. Most things are logically placed. For example the Curve Tab, Primitives are any simple curve types that you are creating from scratch. Similarly Splines is for more complex curve types created from scratch. Analysis is where you find components that are finding answers supplied by curves, control points, curvature, parameters, end points etc. Division is a subset of this category but has a group of its own. And Utilities is where you find curve related actions that you want to perform, offsetting, rebuilding projecting, exploding etc.
12) I would image it would have been the Point On Curve component in Curve>Analysis. Why that group? You are not putting a point on a curve you are analysing a curve for the location of a point based on some parameters that you are supplying. For example "what is the mid point?"
I hope this goes some way towards answering you questions. No doubt this will have generated more so don't be afraid to ask, it took me several releases of Explicit History (aka Grasshopper) before I realised what the egg did, it never occurred to me that I could put my objects into Rhino when I was finished. Or the fact that I could use panels to 'see' data outputs.
Al the best,
Danny…
Added by Danny Boyes at 3:48am on December 9, 2010
should follow the instruction which mostapha has wrote in https://github.com/mostaphaRoudsari/ladybug/blob/master/resources/I...
Instructions for Installing Ladybug + Honeybee: (Follow steps 1-6 for basic functionality and 1-11 for full functionality) 0. If you have an old version of LB+HB, download the file here (https://app.box.com/s/ds96em9l6stxpcw8kgtf) and open it in Grasshopper to remove your old Ladybug and Honeybee version. 1. Make sure that you have a working copy of both Rhino and Grasshopper installed. 2. Open Rhino and type "Grasshopper" into the command line (without quotations). Wait for grasshopper to load. 3. Install GHPython by downloading the file at this link (http://www.food4rhino.com/project/ghpython?ufh) and drag the .gha file onto the Grasshopper canvas. 4. Select and drag all of the files in the "userObjects" folder (downloaded with this instructions file) onto your Grasshopper canvas. You should see Ladybug and Honeybee appear as tabs on the grasshopper tool bar. (If you are reading this instruction on github you can download them from http://www.food4rhino.com/project/ladybug-honeybee) 5. Download the files at this link (https://app.box.com/s/bh9sbpgajdtmmystv3n4), unzip them and copy the contents to both C:\ladybug and C:\Users\[yourUsername]\AppData\Roaming\Ladybug. 6. Restart Rhino and Grasshopper. You now have a fully-functioning Ladybug. For Honeybee, continue to the following: 7. Install Radiance to C:\Radiance by downloading it from this link (https://github.com/NREL/Radiance/releases/download/4.2.2/radiance-4...) and running the exe. 6. Install Daysim to C:\DAYSIM by downloading it at this link (http://daysim.ning.com/page/download) and running the exe. 8. Install Energy Plus 8.1 to C:\EnergyPlusV8-1-0 by going to the DOE website (http://apps1.eere.energy.gov/buildings/energyplus/energyplus_downlo...), making an account, going to "download older versions of EnergyPlus, selecting 8.1 and running the exe. 9. Copy falsecolor2.exe (http://pyrat.googlecode.com/files/falsecolor2.exe) and evalglare.exe (http://www.ise.fraunhofer.de/en/downloads-englisch/software/evalgla...) to C:\Radiance\bin 10. Download the OpenStudio Libraries (https://app.box.com/s/y2sx16k98g1lfd3r47zi) and unzip them to C:\ladybug\OpenStudio. 11. You now have a fully-working version of Ladybug + Honeybee. Get started visualizing weather data with these video tutorials (https://www.youtube.com/playlist?list=PLruLh1AdY-Sj_XGz3kzHUoWmpWDX...).
It works for me..
Agus…
1 of 8] Writing simulation parameters...[2 of 8] No context surfaces...[3 of 8] Writing geometry...[4 of 8] Writing Electric Load Center - Generator specifications ...[5 of 8] Writing materials and constructions...[6 of 8] Writing schedules...[7 of 8] Writing loads and ideal air system...[8 of 8] Writing outputs......... idf file is successfully written to : c:\ladybug\unnamed\EnergyPlus\unnamed.idfAnalysis is running!...c:\ladybug\unnamed\EnergyPlus\eplusout.csv......Done! Read below for errors and warnings:Program Version,EnergyPlus, Version 8.4.0-09f5359d8a, YMD=2016.05.27 21:14,IDD_Version 8.4.0 ** Warning ** IP: Note -- Some missing fields have been filled with defaults. See the audit output file for details. ************* Beginning Zone Sizing Calculations ** Warning ** ManageSizing: For a plant sizing run, there must be at least 1 Sizing:Plant object input. SimulationControl Plant Sizing option ignored. ************* Testing Individual Branch Integrity ************* All Branches passed integrity testing ************* Testing Individual Supply Air Path Integrity ************* All Supply Air Paths passed integrity testing ************* Testing Individual Return Air Path Integrity ************* All Return Air Paths passed integrity testing ************* No node connection errors were found. ************* Beginning Simulation ************* Simulation Error Summary ************* ** Warning ** The following Report Variables were requested but not generated ** ~~~ ** because IDF did not contain these elements or misspelled variable name -- check .rdd file ************* Key=*, VarName=ZONE PACKAGED TERMINAL HEAT PUMP TOTAL COOLING ENERGY, Frequency=Hourly ************* Key=*, VarName=ZONE PACKAGED TERMINAL HEAT PUMP TOTAL HEATING ENERGY, Frequency=Hourly ************* Key=*, VarName=CHILLER ELECTRIC ENERGY, Frequency=Hourly ************* Key=*, VarName=BOILER HEATING ENERGY, Frequency=Hourly ************* Key=*, VarName=FAN ELECTRIC ENERGY, Frequency=Hourly ************* Key=*, VarName=ZONE VENTILATION FAN ELECTRIC ENERGY, Frequency=Hourly ************* Key=*, VarName=EARTH TUBE FAN ELECTRIC ENERGY, Frequency=Hourly ************* Key=*, VarName=PUMP ELECTRIC ENERGY, Frequency=Hourly ************* Key=*, VarName=ZONE VENTILATION TOTAL HEAT LOSS ENERGY, Frequency=Hourly ************* Key=*, VarName=ZONE VENTILATION TOTAL HEAT GAIN ENERGY, Frequency=Hourly ************* There are 1 unused schedules in input. ************* There are 1 unused week schedules in input. ************* There are 3 unused day schedules in input. ************* Use Output:Diagnostics,DisplayUnusedSchedules; to see them. ************* EnergyPlus Warmup Error Summary. During Warmup: 0 Warning; 0 Severe Errors. ************* EnergyPlus Sizing Error Summary. During Sizing: 1 Warning; 0 Severe Errors. ************* EnergyPlus Completed Successfully-- 3 Warning; 0 Severe Errors; Elapsed Time=00hr 00min 1.19sec
…
he first tree to the branch 1 ofthe second, then the branch 2 of the first tree to the branch 2 ofthe second,and so on ...
good if someone thinks something I appreciate in advance ...Thanks for your interest
hola a todos
tengo una pregunta, he estado tratando de hacer un weave con las ramas de dos arboles, es decir, los dos arboles tienen 7 ramas y los quiero convertir en un solo arbol de 14 ramas, pero intercalando la rama 1 del primer arbol con la rama 1 del segundo, luego la rama 2 del primer arbol con la rama 2 del segundo, y asi sucesivamente...bueno si a alguien se le ocurre algo se lo agradezco de antemano...gracias por su interes
…
ther math and logic. i can usually conceptualise what i want to do and cobble some semi working thing together but don't know which components to use and how to patch it. so i'm super happy to have someone who knows what he's doing to find this interesting.
and i'm glad you mention the fanned frets again, there is one input parameter that's still missing for the multiscale frets to be fully parametric, it's the angle of the nut or which fret should be straight. it depends a bit on personal preferences and playing posture what is more comfortable. so being able to adjust this easily would be cool. again i have no idea how the maths for that work or if you can just rotate each fret the same amount around it's middle point. The input either as fret number (for the straight fret) or as a simple slider from bridge to nut should do as input setting.
Here are the two extremes and the middle ground:
i've been thinkin today while analysing your patches and cleaning up my mess what exactly the monster should do.
Here are the input parameters needed, i think it's the complete list
scale length low E string
scale length high e string
fret angle/straight fret
string width at nut
string width at bridge
number of frets
fretboard overhang at nut (distance from string to fretboard bounds)
fretboard overhang at last fret
string gauges
string tensions
fretboard radius at nut (for compound radius fretboard radius at bridge is calculated with the stewmac formula)
fretwire crown width
fretwire crown height
action height at nut (distance between bottom of string and fretwire crown top)
action height at last fret
pickup 1 neck position
pickup 2 middle position
pickup 3 bridge position
nut width
the pickup positions should be used to draw circles for the magnet poles on each string so they are perfectly aligned and can be used for the pickup flatwork construction. ideally they would need a rotation control aligning the center line of the pickup so it's somewher between the last fret angle and bridge angle. personally i do this visually depending on the design i'm looking for, some people have huge theories on pickup positioning but personally i don't believe in it.
that should result in everything needed to quickly generate all the necessary construction curves or geometry for nut/fingerboard/frets/pickups. this is the core of what makes a guitar work, the more precise this dynamic system is the better the guitar plays and sounds.
i posted another thread trying to understand how i could use datasets form spreadsheets,databse, csv to organize the input parameters. What would make sense for the strings for example is hook into a spreadsheet with the different string sets, i attached one for the d'Addario NYXL string line which basically covers all combos that make sense.
The string tension is an interesting one, and implmenting it would sure be overkill albeit super interesting to try. it should be possible to extrapolate from the scale length of each string what the tension for a given string gauge of that string would be so that you could say 'i want a fully balanced set' or 'heavy top light bottom) and it would calculate which SKU from d'addario would best match the required tension. All the strings listed in the spreadsheet are available as single strings to buy.
i'm trying to reorganize everything which helps me understand it. i just discovered the 'hidden wires' feature which is great since once i understood what a certain block does or have finished one of my own, i can get the wires out of the way to carry on undistracted. a bit risky to hide so many wires but it makes it so much easier not to get completely lost :-)
btw, the 'fanned fret' term is trademarked, some guy tried to patent it in the 80's which is a bit silly since it has been done for centuries. there is a level of sophistication above this as well, check out http://www.truetemperament.com/ and that really is something else. it really is astounding how superior the tuning is on those wigglefrets, the problem is that it's rather awkward for string bending and also you can't easily recrown or level the frets when they are used. …
e matching with a dedicated component which creates combinations of items. You can find the [Cross Reference] component in the Sets.List panel.
When Grasshopper iterates over lists of items, it will match the first item in list A with the first item in list B. Then the second item in list A with the second item in list B and so on and so forth. Sometimes however you want all items in list A to combine with all items in list B, the [Cross Reference] component allows you to do this.
Here we have two input lists {A,B,C} and {X,Y,Z}. Normally Grasshopper would iterate over these lists and only consider the combinations {A,X}, {B,Y} and {C,Z}. There are however six more combinations that are not typically considered, to wit: {A,Y}, {A,Z}, {B,X}, {B,Z}, {C,X} and {C,Y}. As you can see the output of the [Cross Reference] component is such that all nine permutations are indeed present.
We can denote the behaviour of data cross referencing using a table. The rows represent the first list of items, the columns the second. If we create all possible permutations, the table will have a dot in every single cell, as every cell represents a unique combination of two source list indices:
Sometimes however you don't want all possible permutations. Sometimes you wish to exclude certain areas because they would result in meaningless or invalid computations. A common exclusion principle is to ignore all cells that are on the diagonal of the table. The image above shows a 'holistic' matching, whereas the 'diagonal' option (available from the [Cross Reference] component menu) has gaps for {0,0}, {1,1}, {2,2} and {3,3}:
If we apply this to our {A,B,C}, {X,Y,Z} example, we should expect to not see the combinations for {A,X}, {B,Y} and {C,Z}:
The rule that is applied to 'diagonal' matching is: "Skip all permutations where all items have the same list index". 'Coincident' matching is the same as 'diagonal' matching in the case of two input lists which is why I won't show an example of it here (since we are only dealing with 2-list examples), but the rule is subtly different: "Skip all permutations where any two items have the same list index".
The four remaining matching algorithms are all variations on the same theme. 'Lower triangle' matching applies the rule: "Skip all permutations where the index of an item is less than the index of the item in the next list", resulting in an empty triangle but with items on the diagonal.
'Lower triangle (strict)' matching goes one step further and also eliminates the items on the diagonal:
'Upper Triangle' and 'Upper Triangle (strict)' are mirror images of the previous two algorithms, resulting in empty triangles on the other side of the diagonal line:
…
de in Italy: gli architetti Arturo Tedeschi, computational designer e autore del bestseller “Parametric Architecture with Grasshopper” e Maurizio Degni, i fashion designer Flavia Migani, Simone Bruno e Chiara Cola ed infine dello shoe designer Alessio Spinelli, vincitore del concorso Who’s On Next 2011 nella categoria Accessori.
Frutto della loro energia e sinergia emozionale è un’opera corale che fonde le singole discipline nel rispetto delle loro identità, generando un innovativo manifesto espressivo e produttivo basato sull’integrazione dei tradizionali strumenti di disegno con processi parametrici elaborati al computer, oramai potente sistema d’indagine e sperimentazione formale per ogni disciplina artistica.
L’installazione, composta da quattro abiti completi e due calzature collocati all’interno di una scultura parametrica in costante dialogo con lo spazio espositivo, è il punto d’incontro tra decenni di ricerca teorica e una nuova consapevolezza progettuale. Il contributo musicale di Davide Severi, la documentazione dell’intero processo creativo e i video firmati da Francesco Ricci Lotteringi si offrono allo spettatore coinvolgendolo in un apprendimento multidisciplinare.
__
In the evocative setting of the Cloister of Bramante, from July 7th to 10th, a new project created by Double comes to life: NU:S.
An extraordinary and engaging installation, which examines the contamination between Fashion and Architecture and attempts to break the mold of the Roman art scene taking advantage of the important creative contribution of young and talented members of Made in Italy: the architects Arturo Tedeschi (computational designer and author of the bestselling "Parametric Architecture with Grasshopper ") and Maurizio Degni; the fashion designers Chiara Cola, Simone Bruno, Flavia Migani, and Alessio Spinelli (shoe designer winner of the 2011 Who's On Next in Accessories category). The concept and the creative direction are the undertaking of Antonella Buono. The result is a harmonious work that merges the individual disciplines while respecting their identities creating an innovative expressive manifesto, thanks to the use of a revolutionary architectural language: the parametricism .
Parametricism is a paradigm which utilises digital models generated through new techniques of computer programming, which today can be considered as equally powerful systems of investigation and formal experimentation, as are considered conventional drawing tools.
The installation, which is the culmination of decades of theoretical research and a new planing knowledge, consists of four dresses, complete with accessories, which are located within a parametric framework in constant dialogue with the exhibition space, involving the audience in a multidisciplinary learning process.
The installation soundtrack was composed by Davide Severi, a talented musician with a substantial knowledge of reinassance music and strong digital music background.
…