Search Results - 2016时时彩后一计划『9TBH·COM』双色球中奖方法识别千里马2023年3月27日3时6分35秒.H5c2a3.dxhfpl7zv

Event: PARAMETRIC FIELDS 4.0. WORKSHOP GRASSHOPPER3D +FABRICATION - SICILY: ndrea Graziano (Co-de-iT) Arch. Salvo Pappalardo (AION architecture) Arch. Giovanni Basile (Officina Ermocrate) [.] Descrizione: Modulo 1 Il workshop è finalizzato a fornire ai partecipanti i fondamenti della modellazione parametrica e generativa attraverso Grasshopper, plug-in di programmazione visuale per Rhinoceros 3D (uno dei più diffusi modellatori NURBS per l‘architettura e il design). Il workshop mira a gestire e sviluppare il rapporto tra informazione e geometria lavorando sui sistemi di involucro in condizioni specifiche. La discretizzazione di superfici (pannellizazione sia Nurbs che Mesh), la modellazione delle geometrie attraverso informazioni (siano esse provenienti da dati di analisi ambientali, da mappe di colore o da database), l’estrazione e la gestione di informazioni richiedono la comprensione delle strutture dei dati al fine di definire un processo che va dalla progettazione alla costruzione. I partecipanti impareranno come costruire e sviluppare strutture di dati parametrici per informare geometrie ‘data-driven’ e come estrarre le informazioni rilevanti da tali modelli per il processo di costruzione. Modulo 2 Il workshop, volto a promuovere le nuove tecnologie digitali di supporto alla progettazione e alla fabbricazione, fornirà ai partecipanti, utilizzando Grasshopper, gli strumenti per la preparazione dei modelli 3D di elementi modulari decorativi "bricks & tiles" in argilla la cui successiva prototipazione avverrà tramite fresatura dello stampo con pantografo CNC a 3 assi. Il workshop darà quindi ai partecipanti i fondamenti per l’utilizzo di tale strumento di fabbricazione digitale e si concluderà con la fabbricazione di un proprio modello realizzato durante il corso. [more info] [Press Kit]…; Added by Salvo Pappalardo at 2:50pm on July 7, 2016

Event: RESPONSIVE _DESIGN Parametric, Algorithmic & Kinetic Workshop: register, please contact Miss Roula Homsi Tel: 06/218400 ext:4007email: r.homsi@bau.edu.lbTOPICS: Parametric design , Algorithms, Kinetic Architecture, responsive facades, interactive design, smart buildings, generative design, NURBS modeling, parametric modeling, architectural design algorithms, form finding algorithms , and Environmental Adaptive Dynamic ArchitectureComputational skills: Rhino3D – Grasshopper 3d – Paneling tools - Kangaroo plugin - fields grasshopper -Digital Fabrication- Arduino micro controllers - lighting and temperature sensors - Firefly plugin - gHowl – mobile controller - Wi-Fi controllersWORKSHOP PROGRAM: PHASE ONE: Day 01- opening lecture on Algorithmic Added Design - tutorials and introductions to NURBS modeling with Rhino 3d- Parametric modeling tutorials with grasshopper 3d- Grasshopper processes, algorithmic logic and data management-Essential mathematical functions and logical operations- Projects assignments, groups divisions, project phase’s scheduleDay 02 - Form finding methods and theories for architecture - Training on physical algorithms using Kangaroo plugin-Catenary systems on curves, Catenary on surfaces, and mesh relaxation- Algorithms and design inspirations- Subdivision algorithms, paneling tools- Responsive materials, structural optimizations- Project phase one submissionDay 03- Envelope pattern optimizations for natural lighting- Kinetic Architecture introduction and projects examples- Responsive material analysis and design systems- Kinetic facades and dynamic pattern - Training on Arduino & preparing digital models for kinetic simulationPHASE TWODay 04- environmental Sensors, design reaction- lighting sensors, temperature sensors-Responsive envelop responsive simulations to sensors.-Smart and embedded systems for Architecture- Architectural models movements and mechanisms Day 05- Wireless controllers for grasshopper- Mobile controllers - Projects final submissionDay 06 -Finalizing students projects,-Models fabrications and sensors installations, documenting reactions-Final project ourcomesFEES for the 2 phases __ fees is 420 $ per participants( 360 for BAU students) Fees includes all teaching materials, software kit, lectures kit, laser cutting, Arduino microcontroller boards, sensors and using equipment. Students need to bring their own laptops, digital equipment and model making tools.PREREQUESTSThis program is open to current international Engineering, architecture and design students, masters, PhD candidates and young architects and professionals. Software Requirements: basic knowledge of 2D and 3D modeling software.…; Added by Mostafa R. A. Khalifa at 6:31am on February 18, 2016

Topic: cooling loads result is missing after update LB+HB: n get the correct results with cooling loads: 3. After I update LB+HB, a warning is given for the set EP construction component: 4. so I replaced it with the latest one (Feb 05, 2017): 5. Now the cooling loads is missing from the result for reason unknown ... May I ask if the missing cooling loads is related to the latest update of LB+HB? What component update is causing this problem? BTW, I'm using Singapore's epw file, and for a tropical city, there should be no heating energy at all. So, sth clearly is wrong over here ... Thanks. …; Added by Grasshope to Ladybug Tools at 3:09am on April 19, 2017

Event: DIGITAL TOOLING vol.2: ったことないけど興味がある方♥ ぜひおこしください。必ずハートに火が着きます-* どうやったらできるの？オススメ参考図書など、みんなで情報を共有する刺激的な勉強会です。 ” DIGITAL TOOLING は未来のつくるの勉強会 ” DIGITAL TOOLINGではRhinoceros、Grasshopperに限らずコンピューテーションを幅広くとらえ共有する関西での交流、勉強会です。 ◼︎今回のフードは「タコ焼き」を予定しています。 ◼︎ワンドリンク制 500円、2杯目以降 300円 ■ゲスト *鈴木雄貴 / AP-LENS http://suzuki11.tumblr.com/ UI/UXデザイナー京都北山のsoftdevice inc.に所属し、SD LABで空間・立体を素材とするインタフェースをデザインしている. 個人活動として、アーティストのメディア・オーサリングやパーソナルプロダクトのデザインをしている. 京都精華大学　プロダクトデザイン学科 PCDコース卒業情報科学芸術大学院大学（略称：IAMAS）メディア表現研究科(メディア表現修士) 卒業 *砂山太一　http://tsnym.nu/ 建築家/美術家/プログラマ。コンピュータメディアや先端技術を応用した芸術表現および理論の研究をしている。その他、マテリアライジング展企画運営や kwwekやgh/eなどのアートユニットもてがける。 Ecole Speciale d’Architecture（パリ）マスター課程修了。多摩美術大学彫刻学科卒業。 JAKOB+MACFARLANE , Bollinger+ Grohmann Parisなどに勤務・協働。 2012-2013東京大学工学部非常勤講師。現在、京都市立芸術大学総合芸術学科特任講師、工学院大学建築学部非常勤講師、東京藝術大学大学院美術研究科後期博士課程。 ■運営 *大前道久 OPH（おっさんパワーハウス） 15年間ジュエリーメーカーで勤務し、制作からデザインまで様々な部署を経験してきました。Grasshopperの恩恵を受け、新しい表現や効率的なモデリングを実践しています。私なりのコンピューテーショナルなジュエリー制作をご紹介したいと思います。 http://www.tukuru.me/?p=2426 *木山潤平　sacsac 代表３Dプリンターやレーザーカッターなどのデジタル工作機を使える場所を運営。これまでアナログのモノづくりに没頭してきたことを活かし、デジタルとアナログの間に立って、アウトプットできる環境を提供していきたいと思います。DIGITAL TOOLING(DT)を機にGrasshopperを勉強している初心者です。みなさん一緒にはじめましょう！ FBページ https://www.facebook.com/events/886427334718542/…; Added by Michihisa Omae at 5:51am on September 23, 2014

Event: Modellazione generativa al FabLab Toscana: azione tramite interfaccia grafica 6 ore Interfaccia Grasshopper Parametri e Componenti Operazione di Logica e Matematica Vettori Case study: concetto base di attrattore Gestione data matching Primi approcci alla modellazione parametrica – 4 ore Trasformazioni di base (sposta ruota scala orienta) Strumenti di Morphing Utilizzo di Sweep e Loft e di altri strumenti di creazione superfici già noti da Rhinoceros Esercitazione pratica: creazione del modello concettuale della Serpentine Gallery - B.I.G. Focus sulla gestione dei dati - 4 ore Creazione e gestione delle liste Studio del data tree Esercitazione pratica: creazione di un soffitto cassettonato Creazione di geometrie tramite mesh – 6 ore Utilizzo degli algoritmi di Delaunay Utilizzo del Facet Dome Utilizzo del Substrate Utilizzo degli algoritmi di Voronoi Esercitazione pratica: creazione di un gazebo attraverso l’uso di pattern Creazione di ‘paneling’ di superfici curve – 6 ore Discretizzazione di una superficie a doppia curvatura tramite pannelli piani Strumenti analisi superfici Visualizzazione superfici tramite falsi colori Esercitazione pratica: creazione di una facciata interattiva Digital Fabrication e messa in tavola – 6 ore Interoperabilità tra Grasshopper e altri applicativi Creazione di Truss parametrica Gestione dell’abaco dei pezzi Esercitazione pratica: la Facciata dello Stadio Friuli di Udine - Ipotesi di costruzione e gestione tramita fabbricazione digitale Requisiti di accesso Conoscenza delle tematiche CAD di base e dei comandi principali e interfaccia Rhinoceros 5. Certificazioni Alla fine del corso verranno rilasciate le certificazioni ufficiali da ART (Authorized Rhinoceros Trainer) Numero partecipanti Il corso parte al raggiungimento di un minimo di 4 persone ad un massimo di 8. Ogni partecipante dovrà essere munito di proprio computer con Rhinoceros. Costo del corso Il costo del corso è di 600 € + IVA Sconto di 50,00 € per i giovani che hanno meno di 26 anni. Ulteriore sconto di 50,00 € Early Bird per tutti coloro che si iscriveranno entro il 5 Settembre 2016 Nel prezzo è compresa l’iscrizione al FabLab Toscana – maggiori informazioni qui FabLab Toscana Il FabLab Toscana presenta un insieme di per i propri associati: sarà possibile l’accesso ai laboratori del FabLab (durante i normali orari di apertura), partecipare ai workshops gratuitamente o a prezzi calmierati, l’utilizzo della macchine (seguendo il regolamento interno), …; Added by Antonino Marsala at 3:02am on August 25, 2016

Page: Tutorials: Introduction to Grasshopper Videos by David Rutten. Wondering how to get started with Grasshopper? Look no further. Spend an some time with the creator of Grasshopper, David Rutten, to learn the; Added by Scott Davidson at 3:50pm on May 12, 2009

Topic: Procedural textures, noises, rocks: phere with the maximum number of triangles but not much than a defined threshold. I scaled that mesh just to fit Rhino grid, but it is not mandatory. What is useful, is to scale not uniformly the mesh (Scale NU). It could be done after cellular modifier applied or before or before and after. The 3 options are possible in the script. If you don’t need them just put 1 in scale sliders. Ellipsoid mesh is the populated with points, I put 2 independents populations to randomize a bit further. For each vertices of the mesh the closest distance from the populated points is calculated. Here is an illustration in color of this distance. This distance is then used to calculate a bump. If domain for bump is beginning with negatives values to 0, it carves the mesh. Instead it bumps/inflates it. Some images to illustrate the difference with populating 100 points with one or two populations. Here some images to illustrate the application of scale before carving or after. Next phase apply noise. At the moment I don't find it good.…; Added by Laurent DELRIEU at 11:28am on March 24, 2016

Blog Post: Start point and curve

Added by zlyx at 4:22am on July 20, 2010

Event: Advanced Master in Computational Design & Making: of computational design and a comprehensive knowledge of cutting-edge technologies in the fields of parametric architecture, robotics, digital manufacturing and 3d printing for the construction industry. The program is a part-time executive format (one week per month during one year) designed for a selected group of architects, engineers, designers and digital artists. DESIGN by DATA is made of courses, fabrication and prototyping workshops, conferences, digital talks and networking events. The program take place in multiple locations in Paris and is a true opportunity to enter the international ecosystem of architectural innovation. A coworking membership and a full fablab access to digital manufacturing machines are included in the program. .......... PROGRAM A) ART AND CULTURE IN THE DIGITAL TURN Digital Culture and Liquid Spaces (Yasmine Abbas) Smart cities and Collective Intelligence (Domenico Di Siena) Art, Technology and the Creative Process (Eric Vernhes) Advanced Mesh Modelling and Data Bodies (Andrea Graziano) Agent Based Tectonics for Architecture (Alessio Erioli) B) COMPUTATIONAL DESIGN: COMPLEX GEOMETRIES AND OPTIMISATION Management and Design of Complex Geometries (Olivier Baverel) Conceptual Structural Design (Romain Mesnil) Algorithmic Optimization (Cyril Douthe) Permormance-driven Design (Sébastien Perrault) C) ADDITIVE MANUFACTURING AND ROBOTIC FABRICATION Robotics and Industrial Fabrication (Thibault Schwartz ) 3d Printing and Material Science (Justin Dirrenberger) Drones and Aerial Robotics for Environnemental Design and Architecture (Aldo Sollazzo) Digital Prototyping and Final Project Fabrication (Minh Man Nguyen) APPLY FOR SEPTEMBER 2016 http://www.enpc.fr/design-by-data…; Added by Francesco Cingolani at 3:05am on September 17, 2015

Comment on: Topic 'Solar Envelope input': component I just used different components and GH tools to do the same - and this become part of my short paper submission for SimAUD 2016). My solution compares the height of the same points of different solar envelope and then chose the lowest one. I read about the improvement you are working on and it is good but I think it is not yet what I need (or how the solar envelope tool could be more complete). What I need is a solar envelope that would guarantee on different facades with different orientations (the example I sent you) a certain amount of direct sunlight, say 4h per day in a given period for example all the month of June at 60°N. So to guarantee the south facing facade I should chose the vectors from 10 to 14. But these are not ok for all the other facades because in this timeframe the East and West facing facades get only 2 hours and the North get 0 hours. So the fist step would be have the possibility to chose different sun vectors for different facades. For the example I did (the 4 hours in June at 60°N) the south facing facade would need from 10 to 14, the East facing for example from 8 to 12, the West facing facade from 12 to 16 and the North facing facade from 6 to 8 and from 18 to 20. If I would chose a single longer time frame that could get all these hours, from 8 to 20 then the resulting solar envelope would result probably smaller than the sum of the four solar envelopes. But this is not complete yet. I mean the use of different sun vectors on different facades. The reason is that for example when I chose the sun vectors from 8 to 12 for the four hours on the East facing facade how do I know that the sun hit on the facade in that time frame or maybe it is obstructed by surrounding buildings? Since the sun at 60°N (where I live) in June rise at around 3.15 then maybe for that specific facade the sun hit from 4 to 8 and not from 8 to 12. I did an extreme case talking about 60°N and that maybe the sun hit on a facade at 4 instead than 12, but it is just to make understand the logic. My suggestion for a more advanced solar envelope it should be integrated with the Sunlight Hours tool of ladybug. So the input should not be the sun vectors because I don't know when the sun hit on the facade but the input should be just the desired number of hours and the possibility to specify different number of hours for each facade. Then this last component that sum different solar envelope (I didn't use it yet but I understood what it does) should be integrated yes so the result would be one single solar envelope more likely using the lowest points (the highest I don't understand what for). Let me know what you think! …; Added by Francesco De Luca to Ladybug Tools at 6:28am on November 24, 2015