giornata inaugurale sarà dedicata alla free-lecture introduttiva finalizzata alla realizzazione di un modello d'architettura complesso attraverso l'utilizzo di comandi e tecniche avanzate di rappresentazione con Grasshopper (plug-in parametrica di Rhinoceros) e 3dsMax. Sarà illustrato inoltre il potenziale di V-ray per 3dsMax realizzando un rendering concettuale. Durante il mini-corso dell' openDAY verranno mostrate le caratteristiche e le potenzialità degli strumenti per far luce sui nuovi valori assunti dalla modellazione 3D. La modellazione 3D sta interessando un pubblico sempre più vasto inserendosi in una nuova fase di ampia disponibilità per conoscenze, software, hardware di prototipazione e modelli. Pur mantenendo tutti i suoi valori già noti la questione si è talmente ampliata fino ad interessare norme giuridiche (diritti sui modelli ,concorrenza con offerte di servizi apparentemente simili, informazioni deformate e onfusione nei media) Makers University[http://www.makersuniversity.com], in collaborazione con parametricart, vi propone un punto di vista ampio e sintetico su queste tematiche.
Al termine della free-lecture, sarà illustrata l'offerta formativa [CLICCA QUI] di parametricart riferita ai corsi che si terranno nei mesi di Gennaio e Febbraio 2013 inseriti all'interno della più ampia programmazione della Makers University. SONO PREVISTE TARIFFE PROMOZIONALI PER COLORO CHE SI ISCRIVERANNO AI CORSI durante l'OpenDAY.
La lezione e la presentazione si terranno nel nuovo spazio co-working il PEDONE.
PROGRAMMAZIONE
- I temi della Makers University [Leo Sorge];
- Modellazione della parametricTower (concept di architettura complessa) utilizzando Grasshopper, applicativo per la modellazione parametrica [VIDEO] [Michele Calvano];
- Modellazione di una copertura reticolare 3D a completamento della parametricTower con 3dsMax utilizzando tecniche di modellazione mesh complesse [Wissam Wahbeh];
- Rendering con V-ray per 3dsMax illustrando la nuova interfaccia nodale [Wissam Wahbeh].
- Question Time per chiarimenti sugli argomenti illustrati.
COME
L'openDAY sarà aperto a tutti gli interessati,completamente gratuito e sarà replicato in tre sessioni di uguali contenuti organizzate nei seguenti orari:
Sessione [1] 11,30 - 13,30
Sessione [2] 15,30 - 17,30
Sessione [3] 17,30 - 19,30
Per necessità di organizzazione è importante la prenotazione all'evento utilizzando il form in fondo alla pagina specificando nella stringa apposita, il nome dell'evento e la sessione (es. open day sessione 1) oltre agli altri dati richiesti.…
n complex architectural design and fabrication processes, relying heavily on materiality and performance. The programme brings together a range of experts – tutors and lecturers – from internationally acclaimed academic institutions and practices, Architectural Association, Zaha Hadid Architects, among others.
Taking place at the unique atmosphere of AA’s London home, the three-week long programme is formulated as a two-stage process. During the initial stage, participants are introduced to core concepts related to material processes, computational methods, and various digital fabrication techniques. During the second stage, the fabrication and assembly of a full-scale architectural intervention with the use of robotic fabrication techniques unifies the design goals of the programme.
Prominent Features of the programme:
• Teaching team: Participants engage in an active learning environment where the large tutor to student ratio (5:1) allows for personalized tutorials and debates.
• Facilities: AA Digital Prototyping Lab (DPL) offers laser cutting, CNC milling, 3d printing facilities, and 2 KUKA robotic arms.
• Computational skills: The toolset of Summer DLAB includes but is not limited to Rhinoceros, Processing, Grasshopper, and various analysis tools.
• Theoretical understanding: The dissemination of fundamental design techniques and relevant critical thinking methodologies through theoretical sessions and seminars forms one of the major goals of Summer DLAB.
• Professional awareness: Participants ranging from 2nd year students to PhD candidates and full-time professionals experience a highly-focused collaborative educational model which promotes research-based design and making.
• Robotic Fabrication: According to the specific agenda of each year, scaled working models are produced via advanced digital machining tools, followed by the fabrication of one-to-one scale prototypes with the use of KUKA KR60 and KR30 robots.
• Lecture series: Taking advantage of its unique location, London, Summer DLAB creates a vibrant atmosphere with its intense lecture programme.
Eligibility: The workshop is open to architecture and design students and professionals worldwide.
Accreditation: Participants gain 1 Year AA Visiting Membership and are awarded AA Certificate of Attendance at the successful completion of AA Summer DLAB.
Applications: The AA Visiting School requires a fee of £1900 per participant, which includes a £60 Visiting Membership fee. Discount options for groups are available. Please contact the AA Visiting School Coordinator for more details.
The deadline for applications is 17 July 2017. No portfolio or CV, only requirement is the online application form and fees. The online application can be reached from:
https://www.aaschool.ac.uk/STUDY/ONLINEAPPLICATION/visitingApplication.php?schoolID=460
For inquiries, please contact:
elif.erdine@aaschool.ac.uk (Programme Head)
alexandros.kallegias@aaschool.ac.uk (Programme Head)…
lysis, and large-scale prototyping techniques. The research generated at Summer DLAB has been published in international media and peer-reviewed conference papers.
AA Summer DLAB investigates on the correlations between form, material, and structure through the rigorous implementation of computational methods for design, analysis, and fabrication, coupled with analog modes of physical experimentation. Each cycle of the programme devises custom-made architectural processes through the creation of novel associations between conventional and contemporary design and fabrication techniques. The research culminates in the design and fabrication of a one-to-one scale prototype realized by robotic fabrication techniques.
Prominent Features of the programme:
Teaching team: Summer DLAB tutors are selected from recent graduates / current tutors at the AA and the small student ratio (5:1) allows for personalized tutorials and debates.
Facilities: AA Digital Prototyping Lab (DPL) offers laser cutting, CNC milling, and 3d printing facilities, and 2 KUKA robotic arms.
Computational skills: The toolset of Summer DLAB includes but is not limited to Rhinoceros, Grasshopper and various computational analysis tools.
Theoretical understanding: The dissemination of fundamental design techniques and relevant critical thinking methodologies through theoretical sessions and seminars forms one of the major goals of Summer DLAB.
Professional awareness: Participants ranging from 2nd year students to PhD candidates and full-time professionals experience a highly-focused collaborative educational model which promotes research-based design and making.
Robotic Fabrication: Scaled working models are produced via advanced digital machining tools each year, followed by the fabrication of 1:1 scale prototypes with the use of KUKA KR60 and KR30 robots.
Lecture series: Taking advantage of its unique location, London, Summer DLAB creates a vibrant atmosphere with its intense lecture programme.
Eligibility: The workshop is open to architecture and design students and professionals worldwide.
Accreditation: Participants gain 1 Year AA Visiting Membership and are awarded AA Certificate of Attendance at the successful completion of AA Summer DLAB.
Applications: The AA Visiting School requires a fee of £1950 per participant, which includes a £60 Visiting Membership fee. Discount options for groups are available. Please contact the AA Visiting School Coordinator for more details.
The deadline for applications is 16 July 2018. No portfolio or CV, only requirement is the online application form and fees. The online application can be reached from:
https://www.aaschool.ac.uk/STUDY/ONLINEAPPLICATION/visitingApplication.php?schoolID=537
For inquiries, please contact:
elif.erdine@aaschool.ac.uk (Programme Head)…
lysis, and large-scale prototyping techniques. The research generated at Summer DLAB has been published in international media and peer-reviewed conference papers.
AA Summer DLAB investigates on the correlations between form, material, and structure through the rigorous implementation of computational methods for design, analysis, and fabrication, coupled with analog modes of physical experimentation. Each cycle of the programme devises custom-made architectural processes through the creation of novel associations between conventional and contemporary design and fabrication techniques. The research culminates in the design and fabrication of a one-to-one scale prototype realized by robotic fabrication techniques.
Prominent Features of the programme:
Teaching team: Summer DLAB tutors are selected from recent graduates / current tutors at the AA and the small student ratio (5:1) allows for personalized tutorials and debates.
Facilities: AA Digital Prototyping Lab (DPL) offers laser cutting, CNC milling, and 3d printing facilities, and 2 KUKA robotic arms.
Computational skills: The toolset of Summer DLAB includes but is not limited to Rhinoceros, Grasshopper and various computational analysis tools.
Theoretical understanding: The dissemination of fundamental design techniques and relevant critical thinking methodologies through theoretical sessions and seminars forms one of the major goals of Summer DLAB.
Professional awareness: Participants ranging from 2nd year students to PhD candidates and full-time professionals experience a highly-focused collaborative educational model which promotes research-based design and making.
Robotic Fabrication: Scaled working models are produced via advanced digital machining tools each year, followed by the fabrication of 1:1 scale prototypes with the use of KUKA KR60 and KR30 robots.
Lecture series: Taking advantage of its unique location, London, Summer DLAB creates a vibrant atmosphere with its intense lecture programme.
Eligibility: The workshop is open to architecture and design students and professionals worldwide.
Accreditation: Participants gain 1 Year AA Visiting Membership and are awarded AA Certificate of Attendance at the successful completion of AA Summer DLAB.
Applications: The AA Visiting School requires a fee of £1950 per participant, which includes a £60 Visiting Membership fee. Discount options for groups are available. Please contact the AA Visiting School Coordinator for more details.
The deadline for applications is 08 July 2019. No portfolio or CV, only requirement is the online application form and fees. The online application can be reached from:
https://www.aaschool.ac.uk/STUDY/ONLINEAPPLICATION/visitingApplication.php?schoolID=603
For inquiries, please contact:
elif.erdine@aaschool.ac.uk (Programme Head)
…
Added by elif erdine at 10:16am on February 19, 2019
h tubes are redundant so surfaces overlap instead of interpenetrate, so it is not a good system.
Cocoon is the best answer these days unless you can get Exowire/Exoskelton to work. If you want more control over shape, feed your uncapped tubes into Cocoon as meta-surfaces and delete any and all of the inner meshes to just keep the outer single closed one, but this is just duplicate-culled lines used as meta-lines:
Turn down the CS input to 0.005 for this result, from 0.02 used for faster preview. In fact bake the lines and only test Cocoon on a few of them in order to get the result you want before doing the whole thing.
Whole thing at 0.005 cell size takes 5 minutes for Cocoon and 2 minutes for refinement to a smooth and even mesh.
Actually, seems like 0.005 is way too fine, giving a 600MB STL file.
So, 0.01 cell size at less than a minute total:
159MB STL which is still a bit too big for places like Shapeways. Wow. OK then 0.02 cell size, but I have to increase diameter or my two smoothing steps in refine collapse things too much, an in fact I set it to no smoothing, getting more volume and a reasonable 46MB STL file:
Alas, now it's more frail and overly organic rather than mechanical. Increasing diameter just merges it into perforated plates too much. File size is simply an issue with this complexity level, so different 3D printing services will have different file size limits.
Exowire/Exoskeleton would work but your original mesh hasn't been MeshMachine remeshed to be regular, so short segments ruin it. Here is just a corner:
I think that's why more wires fails, at least. Pretty temperamental component.
Switching to MeshMachine is needed, I guess, instead of Cocoon refine, to remesh away so many small triangles along the boring tubes. Crucial for good remeshing was to set Flip to 0 or I failed to get a rough enough mesh.
It's an adaptive mesh so I can retain good detail while roughing out the tubes.
MeshMachine is terribly slow for this whole thing, like 6 minutes, and blows up for this overly rough setting, 20 steps, so less rough, ugh, I'm out of time. I think free Autocad Meshmixer is the way to make a better smaller mesh, after a refined output from Cocoon. MeshMachine is just too slow to tweak and when it blows up, creating massive triangles jutting out, it hangs too when you change settings.
Starting with a Cocoon refined mesh certainly helped Meshmixer. Using triangle budget lets me have full control. Here is 150K triangles instead of 200K:
STL file size down to 40MB. I think Shapeways is 70 or 100MB limit? So it can be even finer. Here is the Cocoon output versus the Meshmixer reduction:
To use Meshmixer, turn on View > Show Wireframe, Command-S to select all and use Edit > Reduce from the palette that appears.
Cocoon can end up making a few inner meshes where things get weird in your uneven original mesh with small holes so fish out the main mesh by adding a List Item node.
The best strategy for Cocoon is indeed to make an overly fine STL so you avoid any need to tweak forever in Grasshopper, but then you can achieve a smaller mesh file size while preserving shape instead of things turning all smearly organic in Grasshopper.…
ive collaborative environment.
TYPE : Course module and Workshop
The event is open for anybody interested from all the fields of design, including: architecture, interior design, furniture design, product design, fashion design, scenography, and engineering.
1. COURSE MODULE (20-23 April 2014) - optional
+ type: 3 days intensive course regarding basic knowledge in parametric design (LEVEL 1)
+ software: Rhinoceros & Grasshopper
+ plugins: Kangaroo, Weaver Bird, Lunch box, Ghowl, Geco
+ achievements:
- acquainting to the components & the concept of Generative Design
- understanding the strategies in Algorithmic Design
- how to easily insert simple mathematical equation into the project to gain more control
- how to utilize proper plugins with respect to their nature of the project
- interacting with different analysis platforms such as Ecotect & remote controller
- solving several exercises with different scales( 2D- 3D ) during each phase of the workshop
2. WORKSHOP (23-27 April 2014)
A 5 day Design-Based Research Workshop exploring new techniques in Digital Architecture/Fabrication, with a specific focus on the use of generative systems and parametric modeling as tools for creative expression.
Our ultimate goal is to increasing the efficiency of utilizing digital tools in parallel with geometric performance of the primitive design agent.
+ + CONCEPT
Fashion and Architecture are both based on basic life necessities – clothing and shelter.
However, they are also forms of self-expression – for both creators and consumers.
Both fashion and architecture affect our emotional being in many ways.
The agenda of this workshop is to investigate on the overlap between these two areas of design, art & fashion.
Fashion and architecture express ideas of personal, social and cultural identity, reflecting the concerns of the user and the ambition of the age. Their relationship is a symbiotic one and throughout history, clothing and buildings have echoed each other in form and appearance. This only seems natural as they not only share the primary function of providing shelter and protection for the body, but also because they both create space and volume out of flat, two-dimensional materials.
While they have much in common, they are also intrinsically different – address the human scale, but the proportions, sizes and shapes differ enormously.
+ + + OBJECTIVES
So far, Architects have been using techniques such as folding, bending etc. to create space, structural roofs or different other structural shapes.
The agenda of this workshop goes further with the investigation of algorithmic thinking through generative tools Integrated in design.
The challenge is creating a bridge that connects these two areas of design, architecture and fashion that perform at two opposite scales.
+ + + + TECHNICAL BRIEF
In the early stages physical models and low-tech strategies will be used, allowing the participants to gain a greater understanding of materials, fabrication and assembly methods as well as simple, yet pragmatic structural solutions.
Later in the workshop these strategies will be digitalized and elaborated using software visualizing tools such as Rhinoceros and the algorithmic plug-in Grasshopper.…
ve Intermediate Insight of Computational Design Strategies While Exploring Rangoli Art form in 2 Dimension and 3Dimesion in which Participants will not only be trained to Digitally Design using Parametric software's but they will also be trained to Fabricate them in reality.
This Course will be explored in manner where Participants will understand inter-dependency of Rhinoceros3D & Grasshoper3D through a unique Hybrid Teaching Method While Exploring Rangoli Geometry .
The course will also take participants through Topics such as - Computational Thinking, - Computational / Parametric Design, - Computational Rangoli Exploration, - Digital Fabrication, - 3D Visualization ( Rhino3D 6), - Making Info-graphics & Design Diagrams ( Rhino3d 6 ).
Participants will also be doing a Project at the last Leg of Workshop in which they will implement the skill they gained in first Few Weeks.
{ Tutor } Nitant Pixelkar (Computational Artist / Designer, Mumbai)
Nitant Hirlekar A.k.a. Pixelkar, is a Computational Artist. He graduated from Rachana Sansad school of Interior Design 2011, Mumbai. In Academics He Bagged Two Gold and One Silver Medal on National Level.
In his post academic days, he came across the Emerging Computational Techniques in Design industry in which Algorithm serves as a main Functional part. He uses Algorithms to Deconstruct the Captured images in Pixelated form using the Grid of the Desired Indian Art Forms.
He Heads Collective Group Named "Mutation Lab” which is a multidisciplinary Design & Art Cell. Where they Explore Computational Approach while Designing Various Scales Spatial Installation, Digital Fabrication, Interactive Installations and Computational Consultancy for Various Architects.
He has exhibited his first artwork in Kalaghoda Arts Festival for in 2014 And further in 2016 and 2017.In 2015 he exhibited in Dharavi Biennale” organized by Wellcome Trust,London & Sneha Organisation, Mumbai Which was internationally acclaimed. In 2016 he got Featured on a TV show - The Creative Indian's as an Absolut Creative Indian of the Week.
Academically he is been involved in Many Computational Design Workshops / Elective Studios for School of Interior Design (Rachna Sansad), LS Raheja College of Architecture & Rat-Lab (Delhi).
{ Participants } The Course is aimed at Architecture, Interior Design, Product Design,Furniture Design & Fashion Design Students and Professionals. However we would be thrilled to have any Interdisciplinary Artist / Creator/ Maker to join the Course as well.
{ Level }
Intermediate
{ Timing } Monday To Friday - 6:00 PM to 9:00 PM (15 Hours/ Week = 5 Week X 15 Hours = 75 Hours )
{ Dates } Registration Ends - 24th April 2020 **Subejct to Availablity
{ Workshop Dates } 4th May 2020 To 5th June 2020
{ Venue } Lower Parel,Mumbai ( Details To Be Announced )
{ Schedule }
{Registration Form}…
to incorporating math and geometry in computational design education, Paneling Tools
Marlo Ransdell, PhD Creative Director, at FSU , Digital Fabrication in Design Research and Education
Andy Payne, LIFT architects | Harvard GSD | FireFly
Jay H Song, Chair, Jewelry School of Design, Jewelry as Personal Expression, Extra+Ordinary@Jewelry.com
Pei- Jung (P.J.) Chen, Professor of Jewelry, SCAD
Gustavo Fontana, designer/co-founder nimbistand, Diseñar, desarrollar y comercializar productos por tu cuenta.
Joe Anand, CEO MecSoft Corporation, RhinoCAM
Julian Ossa, Chair, Industrial Design Director, Diseño – Una opción de vida a todo vapor!, UPB
Minche Mena, SHINE Architecture, Principal
J. Alstan Jakubiec, Daylighting and Environmental Performance in Architectural Design Solemma, LLC
Carlos Garnier R&D Director / Jaime Cadena – General Director, Plug Design, www.plugdesign.com.mx
Mario Nakov, www.chaosgroup.com [ V-Ray ]
Andres Gonzalez, RhinoFabStudio
Workshops:
o) Paneling Tools
o) RhinoCAM
o) Rhinology in Design, for Jewelry
o) Footwear
o) V-Ray: Jewelry Design
o) V-Ray: Architects and Industrial Designers
o) FireFly
o) J. Alstan Jakubiec, DIVA
The cost for each workshop or the Lectures is 95.0 US$
To register:
WORK-SHOPS April 2 - RHINO DAY
WORK-SHOPS April 3 - RHINO DAY
REGISTRATION RHINO DAY
NOTE: All students and faculty members that register to this event, will receive a Rhino 5 Educational License at the event.
…
I live on my computer and I even sleep with it, so learning all this is probably within my reach but I'm a complete beginner as of now.
I'm downloading the 32 bit version of rhino 5 since the 64 bit doesn't seem to work with your downloads Jon.
I haven't grasped everything you have made yet Jon I can't even begin to understand what your IFC stuff is actually capable of, but just to be clear I'm not interested in solely being able to tell that something is colliding as there are already software that can do that beautifully. What I want to do is bypass that step altogether by never having collision-checking back and forth go on, even collisions which aren't physical collisions, but rather just violations by code. The simplest way to do this would be to simply make the geometry of the beams 2 feet wider than they are in real life, so that way you could put a light right next to the 'over-sized' beam and it would still be within the rules. But that would be extremely primitive and I'm sure there's a way to do it mathematically.
Just to clarify, I'm the fire sprinkler designer in the architectural circus. The sprinkler designer (me) doesn't really get the luxury of telling the other trades that they're colliding with my stuff and they should move. Rather, I get their drawings, find out I'm colliding with them, and move around them. So it would be of great use to me to have this be automatic - that is, to automatically space my sprinklers the neccesary distance away from all obstructions. There are different spacing rules for different obstructions - walls, beams, open web steel, unit heaters, hvac ducts depending on how wide the ducts are, lights, fans, high rack storage, basically anything that would obstruct the water spray from a sprinkler needs to be taken into account and spaced away from.
It's therefore a very attractive idea to be able to just draw a rectangle (representing the walls of a simple room) for instance, have the sprinklers automatically spaced as far apart as possible within the rectangle according to the rulebooks (to minimize the amount of sprinklers needed which minimizes the material cost of the job).
Then add obstructions inside the rectangle, such as a beam, and have the sprinklers relocate themselves or add new sprinklers to accommodate for the new obstruction.. Keep adding obstructions until you have the realistic 3d model of the room, with the sprinklers spaced accordingly, and you have an up-to-code sprinkler system.
There is one example where sprinklers actually need to be spaced really close to, rather than away from, an object.. and that is the ceiling (sprinklers must be within 12 in of ceiling typically).
If the HVAC guy decides to reroute his ducts right through my sprinklers, then I could draw 3D HVAC ducts (I usually get 2D drawings coming in) going right through the room and the sprinklers would relocate and auto-space away from the ducts, without actually having to tell the HVAC guy he is colliding with me because all that will do is require me to do a redesign anyway.
And presto, the HVAC guy loves me because I didn't complain to him at all and seemingly did all this work by moving around him when all I really did was use the computer to do it, the job gets done much faster and I don't have to worry that I'm going to lose my job in court because I made a silly human error when I was patching my system manually because some HVAC guy made me redesign 12 times in different places.
From what I have been reading from you guys, doing this is possible although (I realize) ambitious. The end result would be vastly increased productivity, less error making, cheaper design cost, etc. Using programs like Rhino, architects are getting more and more funny-shaped buildings and making it difficult for guys like me to make sprinkler systems within the rules, and I see it as an inevitability that computers will be making almost all of the typical design decisions in the future when it comes to life safety systems, I'm just trying to see if it's possible to start implementing this extra aid today.
…