ive collaborative environment.
TYPE : Course module and Workshop
The event is open for anybody interested from all the fields of design, including: architecture, interior design, furniture design, product design, fashion design, scenography, and engineering.
1. COURSE MODULE (20-23 April 2014) - optional
+ type: 3 days intensive course regarding basic knowledge in parametric design (LEVEL 1)
+ software: Rhinoceros & Grasshopper
+ plugins: Kangaroo, Weaver Bird, Lunch box, Ghowl, Geco
+ achievements:
- acquainting to the components & the concept of Generative Design
- understanding the strategies in Algorithmic Design
- how to easily insert simple mathematical equation into the project to gain more control
- how to utilize proper plugins with respect to their nature of the project
- interacting with different analysis platforms such as Ecotect & remote controller
- solving several exercises with different scales( 2D- 3D ) during each phase of the workshop
2. WORKSHOP (23-27 April 2014)
A 5 day Design-Based Research Workshop exploring new techniques in Digital Architecture/Fabrication, with a specific focus on the use of generative systems and parametric modeling as tools for creative expression.
Our ultimate goal is to increasing the efficiency of utilizing digital tools in parallel with geometric performance of the primitive design agent.
+ + CONCEPT
Fashion and Architecture are both based on basic life necessities – clothing and shelter.
However, they are also forms of self-expression – for both creators and consumers.
Both fashion and architecture affect our emotional being in many ways.
The agenda of this workshop is to investigate on the overlap between these two areas of design, art & fashion.
Fashion and architecture express ideas of personal, social and cultural identity, reflecting the concerns of the user and the ambition of the age. Their relationship is a symbiotic one and throughout history, clothing and buildings have echoed each other in form and appearance. This only seems natural as they not only share the primary function of providing shelter and protection for the body, but also because they both create space and volume out of flat, two-dimensional materials.
While they have much in common, they are also intrinsically different – address the human scale, but the proportions, sizes and shapes differ enormously.
+ + + OBJECTIVES
So far, Architects have been using techniques such as folding, bending etc. to create space, structural roofs or different other structural shapes.
The agenda of this workshop goes further with the investigation of algorithmic thinking through generative tools Integrated in design.
The challenge is creating a bridge that connects these two areas of design, architecture and fashion that perform at two opposite scales.
+ + + + TECHNICAL BRIEF
In the early stages physical models and low-tech strategies will be used, allowing the participants to gain a greater understanding of materials, fabrication and assembly methods as well as simple, yet pragmatic structural solutions.
Later in the workshop these strategies will be digitalized and elaborated using software visualizing tools such as Rhinoceros and the algorithmic plug-in Grasshopper.…
step-sizes. It starts out with large jumps, then as it cools the jumps get smaller and smaller as does the likelihood of a retrograde jump being accepted as a valid new state.
Most fitness landscapes have more than one dimension and therefore a 'jump' could include any number between 1 and N, where N is the dimensionality of the landscape. The Drift Rate setting —which may well be poorly named— controls the odds that a jump includes an additional dimension. All jumps must be at least one-dimensional, but 25 percent of them (on average) will include another dimension. 25% of those will include a third dimension and 25 percent of those a fourth and so on and so forth until the dimensionality of the landscape has been reached. Here's a list for 1000 jumps:
Drift Rate: 25%
1D jumps: 750
2D jumps: 187
3D jumps: 47
4D jumps: 12
5D jumps: 3
6D jumps: 1
A good question to ask would be; "Why would you want a jump to include more than one dimension?" and the answer is that the more genes are related, the higher the changes that a multi-dimensional jump will yield an improvement. It's not difficult to imagine that you cannot improve your current state by only modifying a single gene. Sometimes you need to change two in unison in order to reach a better solution. If your genes are highly related (which is bad practice to begin with) then you may need to adjust the Drift Rate to a higher value.
--
David Rutten
david@mcneel.com
Poprad, Slovakia…
Added by David Rutten at 11:09am on April 17, 2012
make sure I add this information to groundTerrain_ inputs in the next few days.
So if you are using "Gismo Terrain Generator" component (former "Ladybug Terrain Generator 2" component), only the following types are allowed for groundTerrain_ input: type_ = 2 (surface with rectangular edges)
type_ = 3 (surface with circular edges)If you are using "Ladybug Terrain Generator" component, then only the:
type_ = 1 (surface with rectangular edges)
is allowed.
As for terrain not being colored when it is created as a surface, you can analyse it additionally with "Terrain Analysis" component for Elevation analysis type. It can even be colored for rendering afterwards by using the "OSM Render Mesh" component. Check the attached file below.Have in mind that in urban areas "Ladybug Terrain Generator" component produces much more precise terrain than "Gismo Terrain Generator" component. On the other hand, the latter component can generate much larger terrain areas (up to 10 000 sq km2, at least in theory).
The reason why component might still work even though a terrain mesh has been added to the groundTerrain_ input is probably because once groundTerrain_ input fails to convert a mesh to a brep, this results in it being equal to None. Component then considers as if groundTerrain_ input is empty and runs as if nothing has been added to it (the buildings are laid down on a flat plane with 0,0,0 as the plane origin).
Thank you once again for all the testing you are doing!!! It really makes Gismo a better plugin!!…
Added by djordje to Gismo at 12:45pm on February 8, 2017
ng the "kaleidocycle" as a facade component, and i need to be able to move it through its entire "rotation" in 3d space to understand where and how it is moving.
http://www.youtube.com/watch?v=4owFczeqqMQ
this is what it is doing, in general. there are 2 sets of 3 hinges, rotated 180 degrees, making up a hexagonal form.
here is a rhino model of the form. i used the trigonometric properties of the isoceles triangle to make this model very accurate (63.333, 53.333, 63.333 angles), and now i need to describe the movement.
It is TOUGH. i think i have it and it just throws me for a loop (no pun intended).
I have a ghx model set up to where it can go through part of the cycle, but the inbetween states are incorrect, and therefore it's not valid, but it shows how something like this could work. The trick is it rotates on multiple axes at different times, and its just very very tricky to figure out what it is rotating around and when.
If anyone has any ideas, or insight, please please let me know. I am working on this in my masters' studies, and I'm pretty screwed if i can't figure this out in grasshopper!
Also, please find attached a research article concerning this form. I haven't been able to apply the geometric findings of theirs, yet. But it shows it can be described mathematically.
THANK YOU!!!!
benjamin
…
ts connectors and slots that allow CNC machining the facets and connectors for assembly.
https://www.youtube.com/watch?v=34OvgflJEmI
We developed this construction methodology earlier this year while working on a large scale parametric structure for Midburn, the Israeli Burning Man. While doing so I used grasshopper to generate the facets for the geometry, while a friend on the team (Matan Zohar) wrote a javascript app that translated the mesh into connectors and slots for CNC manufacturing. You can see more about the project here:
http://www.shlomimir.com/triped/
I wrote this component as an exercise in learning rhinoscript and python, with the purpose of bringing the functionality into the grasshopper workflow. It's now to the point where it is working for triangle and square welded meshes while outputting the connectors and slots as an unorganized list.
Questions and To Do List
1. I'm new to object oriented coding and functions, and basically just wrote the whole thing as a series of conditional loops with two dimensional arrays holding the data. Planning on restructuring this better, would love any tips.
2. Right now outputting the connectors and slots on the input mesh itself in 3D, planning on setting this up layed out on one plane to organize for cutting. I was wondering if there are any existing tools for this or if I need to do this manually.
3. Labeling connectors and slots. Is there anyway to output text from python that can be later baked into the rhino for labeling?…
ively and creatively solve today’s product development challenges.
Our Rhino3D Foundations for Industrial Design class provides an in-depth look at 2D and 3D tools and methods with Rhino3D, a NURBs surface modeling software. In this class, we will systematically work through Rhino3D’s core features, using them to model the various components of a consumer product. Over the course of 3 days, we’ll cover some foundational topics, including Rhino interface and navigation, Rhino3D object types and properties, creating and editing 2D and 3D geometry, procedural modeling, automation, transforming geometry, Rhino modeling best practices, freeform vs. precision modeling, and exporting geometry.
You’ll take away the following:
Navigate the Rhino modeling environment
Create, edit, and modify curves, surfaces, and solids
Precision model using coordinate input and object snaps
Use transformation and universal deformation tools
Apply best practices for layer management and model annotation
Download the course one-pager. Need more information? Connect with us.
This class is ideal for:
Industrial designers who are new to Rhino3D and want to learn its concepts and technical features in an instructor-led environment.
For groups of 10 or more, contact Mode Lab at hello@modelab.is
Interested in additional training options?
https://www.modelab.is/upcoming-computational-design-events…
hacia donde crecerán las venas, y tenemos otro conjunto de puntos 'N' que son los que forman el patrón de venas.
1. Por cada 's' perteneciente a S, buscamos el 'n' perteneciente a N más cercano. Ese 'n' va a "moverse".
2. Por cada 'n' que se mueve, hacemos un vector dirigido a todos los 's' hacia los que se mueve.
3. Calculamos el vector medio de todos los vectores del paso 2, movemos 'n' con ese vector y lo añadimos a V.
4. Si algún 's' está muy cerca de algún 'n', ese 's' se elimina.
5. Se repite el proceso.
Esto es para formar venaciones abiertas sin autocrecimiento (como la siguiente imagen, hecho con Visual Basic).
Para las cerradas (las reticuladas que forman algo como células, como en la imagen tuya), el paso 1 y 4 son distintos y no sabría decirte cómo hacerlo. En ese pdf explica un método usando delaunay pero es muy lento, además gh no tiene ese algoritmo en 3d (entonces solo se podría hacer este patrón en 2d), por lo que estoy buscando otras vías, solo he logrado llegar a esto:
Es más complicado de lo que parece.
No obstante, si te conformas con menos, hay muchas formas de crear raíces y patrones similares, con SortestWalk, Anemone, etc... Hay ejemplos en este foro.
Si realmente quieres conseguir ese patrón, deberías aprender a programar porque para añadir distintos radios a las venas es necesario que las venas tengan topología y eso se complica demasiado desde gh. Nervous System para su "Hyphae" usó C++ con la librería CGAL, que es una muy poderosa librería de algoritmos de 3d.
…
rent actors to work together in real time on an architectural project.
DixieVR was born from the idea that virtual reality could become a fantastic tool for architecture and architects, not only for virtual tours but for the conception at its very core. Inspired by the efficiency of sandbox games, DixieVR will allow you to build a fully parametric 3D model from scratch in a very intuitive way and to simulate various factors like natural and artificial light, gravity, and more. DixieVR is also multi-user oriented : several people, architects or not, are able to work together in real time on the same 3D model and in the same shared immersive environment !
The project started in the Digital Knowledge department of Paris-Malaquais Architecture School.
The DixieVR Softwares can be found here : dixievr.github.io
// Interoperability
DixieVR deals with .dix files. For more information about this file format, please refer to the Interoperability documentation of DixieVR.
You can use this DixieIO plugin for Grasshopper/Rhinoceros for exchanging data between DixieVR (PC) & DixieViewer (Android).
You can import or export objects at any time inside a DixieVR scene. The Software also come with a library of premade objects that you might find useful. Adding your own premade objects to this library might be a good habit.
If you are hosting a scene, you also have the choice to open a .dix file directly from the main menu, this will load the last scene in which the geometry has been saved.
// Plugin
The DixieVR Plugin can be found in the Extra tab, come with 3 components and a example definition:
Dixie2Gh : Import DixieVR geometry to Grasshopper/Rhinoceros reading a .dix file (up to 1000 beams and/or 750 faces).
G2D_Polylines : Export Grasshopper/Rhinoceros Polylines to DixieVR writing a .dix file (up to 1000 line segments).
G2D_Mesh : Export Grasshopper/Rhinoceros Mesh to DixieVR writing a .dix file (up to 750 triangulated faces).
To install:
In Grasshopper, choose File > Special Folders > Components folder. Place the DixieIO_01.gha file there.
Right-click the file > Properties > make sure there is no "blocked" text.
Restart Rhinoceros or Unload Grasshopper.
// Contact - DixieVR
vr.dixie@gmail.com dixievr.github.io
- Oswald Pfeiffer oswaldpfeiffer.com
- Mathieu Venot mathieuvenot.com…
rested in specializing in the field of Computational design.
The workshop will help understand how Grasshopper facilitates during the design process allowing one to Generate, Automate and Manipulate data.
To Register:
http://goo.gl/forms/gvUTyZihVK
Workshop Structure:
Day 01: 16 August 2018
Introduction to Computational Processes in Architecture
Understanding Grasshopper and its relation to Rhino3D
Working with fields and Grids (Supplementary readings for Architectural theory)
Spatial Concepts using Data
Day 02: 17 August 2018
Understanding Data in Grasshopper - LISTS
Managing Data in Grasshopper (Supplementary reading)
Experimentation on Massing and Architectural Forms
Day 03: 18 August 2018
Understanding Data in Grasshopper – Trees
Surface Logics (Supplementary reading)
Design Exercise and Prototyping
Day 04: 20 August 2018
Architectural Skins
Day 05: 21 August 2018
MasterClass Project
Introduction to various types of Digital Fabrications
Prototyping of works during the Workshops
Basic knowledge of Rhino 5 is required to be able to take this training.
CERTIFICATION: All participants will receive a Workshop certificate from Authorized Rhino Trainer.
3D Printing: Prototyping of works during the Workshops
Workshop Tutor:
Kavitha M, an Architect and Computational Designer, 3D Printing Specialist is also the co-founder of INTO Design Research, will head the Computational Process in Architecture using Grasshopper workshop. Graduated from Stadelschule Architecture class with Masters in Advanced Architecture Design, has been researching on teaching methodologies on digital tools and their influence on Design thinking.…
noceros 3D, en caso de aprobar satisfactoriamente el examen, se les otorga un reconocimiento avalado por el CMJ y la Secretaría del Trabajo. Este workshop va dirigido principalmente a estudiantes de arquitectura; sin embargo, ya que la parametrización es una herramienta que abarca diferentes ámbitos del diseño, se pueden integrar estudiantes de diseño industrial, artistas o estudiantes que tengan relación con lo gráfico y lo formal. Al finalizar el curso, los asistentes serán capaces de manejar Rhinoceros y Grasshopper en un nivel medio, con el objetivo de que el alumno pueda continuar aprendiendo con alguno de nuestros workshops subsiguientes o de manera autodidacta.
Las personas inscritas deben tener conocimientos básicos de geometría y de preferencia utilizar algún programa de dibujo en 2D o modelación en 3d. Rhino.GetMe Rigid // Enfocado a construir un objeto de diseño parametrizado a cualquier escala, el workshop se divide en tres módulos: Módulo 1 // Rhinoceros 3D // Una sesión de cinco horas. Módulo 2 //Grasshopper // Una sesión de cinco horas. Módulo 3 // Ejercicios prácticos /Tres sesiones de diez horas c/u. Es necesario traer el equipo necesario para trabajar, se cuenta con equipos en caso de que algún alumno no cuente con laptop pero son limitados, por favor avísanos a la brevedad si lo requieres. Se les recomienda que traigan dispositivos de almacenamiento en caso de que necesitemos compartir información.
El costo del Workshop es de $6500.00 para profesionales y $5000 pesos para estudiantes.
Pre-venta únicamente para estudiantes, hasta el día viernes 29 de junio, con un costo de $3500.00 pesos.
El cupo del evento es limitado puedes apartar tu lugar y terminar de liquidar antes del 29 de junio en pre-venta, antes del 6 de junio en admisión general.
Para hacer tu registro al workshop por favor envía un correo a workshop@transformalab.com incluyendo:
Nombre
Universidad u oficina de procedencia
Teléfono móvil
En el caso de estudiantes por favor incluyan una copia escaneada de su Constancia de Estudios para hacer válido su descuento.
Una vez recibida su información se les enviará un correo con la información necesaria para realizar su pago mediante depósito bancario, y posteriormente un mail de confirmación de su participación en el Workshop.
www.transformalab.com…