That may be the issue.
The components are tested for grasshopper 0.9 revision 14, the last release for rhino 4.
http://www.grasshopper3d.com/page/download-1
ems in the same way. Lofting was particularly difficult, you had to have a separate loft component for every lofted surface that you wanted to generate because the component would/could only see one large list of inputs. Then came along the data structures in GH v0.6 which allowed for the segregation of multiple input sets.
If you go to Section 8: The Garden of Forking Paths of the Grasshopper Primer 2nd Edition you will find the image above describing the storing of data.
Here you will notice a similarity between the path {0;0;0;0}(N=6) and the pathmapper Mask {A;B;C;D}(i). A is a placeholder for all of the first Branch structures (in this case just 0). B is a place holder for all the second branch structures possibly either 0, 1 or 2 in this case. And so forth.
(i) is a place holder for the index of N. If you think of it like a for loop the i plays the same role. For the example {A;B;C;D}(i) --> {i\3}
{0;0;0;0}(0) --> {0\3} = {0}
{0;0;0;0}(1) --> {1\3} = {0}
{0;0;0;0}(2) --> {2\3} = {0}
{0;0;0;0}(3) --> {3\3} = {1}
{0;0;0;0}(4) --> {4\3} = {1}
{0;0;0;0}(5) --> {5\3} = {1}
{0;0;0;1}(0) --> {0\3} = {0}
{0;0;0;1}(1) --> {1\3} = {0}
{0;0;0;1}(2) --> {2\3} = {0}
{0;0;0;1}(3) --> {3\3} = {1}
{0;0;0;1}(4) --> {4\3} = {1}
{0;0;0;1}(5) --> {5\3} = {1}
{0;0;0;1}(6) --> {6\3} = {2}
{0;0;0;1}(7) --> {7\3} = {2}
{0;0;0;1}(8) --> {8\3} = {2}
...
{0;2;1;1}(8) --> {8\3} = {2}
I'm not entirely sure why you want to do this particular exercise but it goes some way towards describing the process.
The reason for the tidy up: every time the data stream passes through a component that influences the path structure it adds a branch. This can get very unwieldy if you let it go to far. some times I've ended up with structures like {0;0;1;0;0;0;3;0;0;0;14}(N=1) and by remapping the structure to {A;B;C} you get {0;0;1}(N=15) and is much neater to deal with.
If you ever need to see what the structure is there is a component called Param Viewer on the first Tab Param>Special Icon is a tree. It has two modes text and visual double click to switch between the two.
Have a look at this example of three scenarios in three situations to see how the data structure changes depending on what components are doing.
…
e
7. True
8. True <-- this one
9. True
10. False
11. True
12. False
13. True
14. True <-- this one
15. True
16. False
17. True
18. False
19. True
20. True <-- this one
21. True
22. False
23. True
24. False
25. True
26. True <-- this one
27. True
28. False
29. True
30. False
31. True
32. True <-- this one
33. True
Any idea how I can solve this?
Thanks!…
cy of design communication and the control of information-flow are as important as the creativity of ideas. In response to the concurrent digital evolution emerging in the architectural industry world-wide, the Faculty of Architecture at The University of Hong Kong will host a two week intensive summer program named Digital Practice.Led by professors from The University of Hong Kong, as well as invited practitioners with expertise in practice of cutting edge digital techniques, the program offers participants opportunities to experience applications of computational tools during different stages of an architectural project, i.e. concept design, form finding and optimization, delivery, management and communication of design information under the team-based working environment. By learning advanced computational techniques through case studies in the context of Hong Kong, participants are expected to go beyond the conventional perception of technology, considering users and tools as a feedback-based entity instead of a dichotomy. The program, which is taught in English, includes a series of evening lectures related delivered by teaching staff and invited local architects.對於高品質的建築專案,創意之外,專案過程中高效的設計資訊管理和交流成為項目設計深化和實施必不可少的環節。今天,數字化技術不但改變了建築師的繪圖工具,影響了設計的過程,而且提供了工程建造和管理實施的更有效、更高效的手段。針對建築的數位化演進,香港大學建築學院將於2011年暑假期間,在香港大學建築學院舉辦“數位化實踐”國際研習班。在香港大學建築學院教授及有著相關豐富經驗的外聘實踐建築師的指導下,學員將有機會體驗在專案的不同階段(如概念設計、設計形式的生成、優化,設計資訊的管理和交流),如何有效地應用各種運算智慧化技術(從設計的數位化生成和建築資訊類比到物理模型),提升設計實施的品質,增加設計團隊對於方案的控制。我們將挑戰對於“技術”的傳統認知,即相對於使用者它不僅是工具,更是與使用者互動的媒介,二者形成一個有機的合體。研習班期間會安排系列講座,展現數位化技術在實踐工程中的廣泛應用。…
ectural project, the efficiency of design communication and the control of information-flow are as important as the creativity of ideas. In response to the concurrent digital evolution emerging in the architectural industry world-wide, the Faculty of Architecture at The University of Hong Kong will host a two week intensive summer program named Digital Practice.Led by professors from The University of Hong Kong, as well as invited practitioners with expertise in practice of cutting edge digital techniques, the program offers participants opportunities to experience applications of computational tools during different stages of an architectural project, i.e. concept design, form finding and optimization, delivery, management and communication of design information under the team-based working environment. By learning advanced computational techniques through case studies in the context of Hong Kong, participants are expected to go beyond the conventional perception of technology, considering users and tools as a feedback-based entity instead of a dichotomy. The program, which is taught in English, includes a series of evening lectures related delivered by teaching staff and invited local architects.對於高品質的建築專案,創意之外,專案過程中高效的設計資訊管理和交流成為項目設計深化和實施必不可少的環節。今天,數字化技術不但改變了建築師的繪圖工具,影響了設計的過程,而且提供了工程建造和管理實施的更有效、更高效的手段。針對建築的數位化演進,香港大學建築學院將於2011年暑假期間,在香港大學建築學院舉辦“數位化實踐”國際研習班。在香港大學建築學院教授及有著相關豐富經驗的外聘實踐建築師的指導下,學員將有機會體驗在專案的不同階段(如概念設計、設計形式的生成、優化,設計資訊的管理和交流),如何有效地應用各種運算智慧化技術(從設計的數位化生成和建築資訊類比到物理模型),提升設計實施的品質,增加設計團隊對於方案的控制。我們將挑戰對於“技術”的傳統認知,即相對於使用者它不僅是工具,更是與使用者互動的媒介,二者形成一個有機的合體。研習班期間會安排系列講座,展現數位化技術在實踐工程中的廣泛應用。…
he sunPath component works. For example if you want to simulate the hours from 8 to 16 it means you want 8 hours from 8 to 9, from 9 to 10,.... from 15 to 16 (8 hours duration period) so you get from the sunPath component (using default timeStep 1) the 9 sun position/vectors 8 9 10 11 12 13 14 15 16 (in the image the yellow suns). The things is that if you ask for a smaller timeStep for example 3 = 20 mins then the additional sun position (in the image the orange suns) are added also after the time limit of h16 so probably when you don't want/need. I understand that when you input a time period there is the ambiguity if the hours are the just 9 (the 9 inputs) or the 8 hours included between pairs of hours, but I would make in a way that it is possible to chose if the extra timeStep after the last hour are added or not. Thank you for your comments.
…
ssed through both series of Path Mappers and the script in parallel, note for example path {14;8} is culled as it contained no geometry
is there anything that can be done to prevent this? I had only just noticed it as the other locations i'd used it did not contain nulls
the problem that this seems to be causing is when Orienting geometry from one plane to another, these missing branches at the Geometry input seem to be creating duplicates as the Plane inputs have no missing branches - instead of getting {14-33;0-57} I'm getting {14-33;0-57} except for the last branch where i get {33;0-245}.
I don't really know why these missing paths are causing the issue but if i use the normal Path Mapper which doesn't cull these i don't get the duplicates in the last branch. Maybe i'm misunderstanding how this should work, but if branch {14;8} does not exist at the Geometry input of the Orient component, it should skip over this - the Source and Target Planes {14;8} are not used?
there is a second Gh file illustrating this issue, but i can work around it for now but switching back to a static Path Mapper
cheers,
owen…