. and the bad habits die last as they say. This means that ... well ... the adaptation to more realistic (and meaningful) things later on ...
3. I can easily provide some solution (ultra expensive in real-life) to do what you want but this would be carried over solely via C# code (NOT good for you especially when this would/could be used in some sort of Thesis). To make a very long story short the "curvy" parts is highly recommended being tubes ... and the "liquid" nodes required ... well ...that's another animal UNLESS one could accept an Academic over simplification by using balls of a slightly bigger R than the adjacent tube "struts" (whilst the "iso curves" [per BrepFace] would use an even smaller R and inserting crudely into the Brep Edge "main" curves). But since actually we are talking about a secondary random "lattice" per BrepFace the "iso curves" are actually stuff made via the Surface.ShortPath Method (not sure if this exists as GH component) using random points where their number is proportionally to a given BrepFace area (freaky stuff, trust me). This yields a "uniform" random secondary "lattice" in accordance to the whole "random"/liquid appearance of the T-Splne Brep.
The above a bit naive approach (obviously out of question in real life) can yield a solid thingy if we unite all the parts and bits (Rhino takes ages to do that if we are talking big numbers of Breps) ... thus some 3d printing is doable.
In other words we do a MERO "approximation" by hoping that no German guru reads this thread, he he.
We can provide a Frankenstein type of "pro" connectivity as well: since a Brep is actually kinda a Mesh (with regard connectivity of vertices, edges, faces et all) making the connectivity trees required is not a big deal (GH has the Brep Topology thingy as well).
But the whole solution could be a black box to you: if this what you want?…
was not all there myself. Overall the night wasn't that productive so I wanted to apologize, I will do a better job in the future.
Attached to this message is the Assignment sheet for the upcoming week. Please post the picture of the models before 7:00 PM Monday 2/16.
Here is a link to the completed script from last night, as well as the Rhino file and presentation pdf.
https://www.dropbox.com/sh/3g6fnue93dk8iub/AAB88CNVCtC64cmz_ENLlojQa?dl=0
A few notes:
- I added two separate tags to the end of the script. One set is for the 3D model of your form, locating where the pieces originally come from. The second set is for the flattened out sections, which can be etched on your pieces to actually locate them when they are physically created. Play around a bit in the script and try to understand what is going on between the different parts.
-Baking: We went over baking in last weeks class. You right click on the component you want in the physical realm and select bake. Rhino will then ask you to select a layer to place the items on. I would suggest having two layers, one will be for cutting and one will be for etching (when you bake the tags(optional)). Once the pieces are in Rhino, you can use the Make2d command and export to AutoCad where you can laser cut (if you are unsure about this process, Google it as there are numerous tutorials).
-I would recommend using chipboard as it is the cheapest and most readily available, but don't let me chain your creativity if you come up with another material.
I look forward to seeing your guys models. See you Monday!
…
pavilion) and from that i want to fabricate it using some paper or card bored .
for modeling the pavilion i used a simple kangaroo based algorithm to generate the desired form using mesh 3d plane faces . there was no problem with this part and i was able to get the mesh from geometry out put . then i wanted to use that output mesh to panelize it and then adding tabs and the nesting and cutting to get the parts. but the problem was every tutorial i looked up were using surfaces to panelize and nest so this was the first problem to convert the mesh into a surface and then panelazing and nesting . i tried using the mesh2nurbs but it didn't work out for me . (because i needed a single surface not some poly surfaces) . (attachment | input mesh )
so i started from the beginning and tried using a surface as an input for kangaroo and thus getting a surface as an output so i did that and tried to create a surface by the Surface from points component . and the result was not good the surface was kinda messed up and the the reason was the points were not ordered well i guess . so this was another problem for me . (attachment | input surface)(picture below)
so basically i have a few main questions :
1. is there a tutorial or any topic or book or somthing that explains from 0 to 100 from design to fabrication (as an example a pavilion) ?
2. can i use the mesh to panelize and nest and then fabricate ? and are there any tips or tricks to it ?
3. is the starting from surface for me a good idea or not ?
i am extremely sorry for talking this much and i'm grateful for the time you spent on reading this .
best wishes ; Babak.
…
actually can perform using a dedicated software:
in 3D:
https://www.facebook.com/francescopiasentini/videos/523532707845171/
in 2D:
https://vimeo.com/189618609
The output of Modal Analysis (at a given frequency) is a list of point (x,y,z), each of them has the three coordinates and the maximum displacement in the direction normal to the surface (that's not flat)
Point number x y zmax1 24,007565 337,876028 -0,6545572 -28,0404705 337,947773 0,7760153 57,141457 316,757768 -0,8413914 18,667466 314,814543 -0,235288
My idea is:
-import stl surfaces of the object (violin)
-import Modal Analysis data
-deform stl (or Nurbs) surfaces using something like a customized CageEdit
-animate this deformation from zero to maximum displacement
-give a color to deformation (or first-second derivative of the interpoled deformation curves)
My wish is to have closed surfaces at any steps, and to create "natural" deformation shapes.
I just tried to import MA data. I was trying to create an array of circles with given x,y,z and radius, I could not figure how to separate information of position and radius when importing the file:
file content:
0,1,0; 5;2,1,3; 2;5,2,6; 4;
thanks for yout attention.
Looking forward to hear you soon!
Francesco
…
esos de diseño, el curso cubrirá los conceptos básicos para abordar proyectos de diseño a través del desarrollo de herramientas algorítmicas mediante un proceso de programación visual, se utilizará el software Rhinoceros 3d y el plugin Grasshopper como nuestras herramientas de trabajo.
Detalles:
Instructores: Luis de la Parra / Daniel Camiro
Lugar: Santiago centro
Ahumada Nº312 oficina 108 entrepiso, Santiago Centro (a una cuadra de metro plaza de armas).
Fechas: 27-30 de octubre 2011
Duracion: 25 horas
Cupo: Limitado a 15 plazas
Costos:
Estudiantes:$80,000
Profesionales:$100,000
Fecha limite de pago: lunes 24 de octubre 2011
Importante:Todos los niveles de experiencia son bienvenidos el único requisito es tener un entendimiento básico de los programas CAD y una actitud positiva hacia el aprendizaje de dichas herramientas.
Si planeas venir de fuera de la ciudad avísanos y te pondremos en contacto con otras personas que también vayan a hacerlo para en caso de desearlo puedan compartir su lugar de estancia.
Contacto Santiago:
Luis de la ParraCel: 714-660-33info@chidostudio.comhttp://www.facebook.com/pages/Chido-Studio-Collective/233962149953480
No. Cuenta de Ahorro de Banco Estado : 00169946655
Para hacer transferencia bancaria favor de enviar mail solicitando los datos necesarios. Favor de mandarnos el deposito (scaneado) o el comprobante por mail para que recibas más información del curso y del tema a info@chidostudio.com
Todos los mails se responden en un máximo de 24 horas.
Muchas gracias por tu interés saludos
…
Added by daniel camiro at 10:48am on September 5, 2011
ngoing Co-de-iT research called “inFORMed matter“.
The “inFORMed matter” research project focuses on the exploration of additive fabrication processes, aiming to inform as in to produce form through the morphogenetic properties and capacities of matter by embedding further information structures during the fabrication process itself.
The goal is to go beyond the current state of prototyping, according to which the physical prototype should be as close as possible a clone of its digital counterpart, thus making fabrication a purely replicational phase. Instead, by coding and embedding additional levels of information aimed at mapping and defining material features and behaviors as well as different deployment patterns from which physical and aesthetic properties arise, the production and digital fabrication phase becomes an integral part of the design process.
The workshop it’s focused about the exploration and development of the whole process of design and digital manufacturing through additive processes of ceramic mixture materials.
[.] Workshop topics:
- Anticipate material behavior through digital simulation: test and apply different tool-based conditions and parameters (extrusion direction angle, speed of extrusion, variable layer thickness, etc … ) and evaluate the consequent material behavior in order to get useful feedback for the next iteration of the digital model. The aim is to understand how to embed material properties as code/information during the digital design phase, fine tuning it towards the desired effect-outcome. - Seamless design-to-machine pipeline: shorten the information pipeline from the design process to the constructor machine. This is achieved by acting on both factors: informing directly the machines by generating the necessary code in the design tool and build the design process around the capacities of the machines involved. - Embed morphogenetic material properties as design factors: understand and manage such properties, behaviors and their potential morphological outcomes for different materials, from clay to biologic matter, in order to map and use them as an atlas of expressive possibilities and performances of the material. - Understand constraints and opportunities determined by the chosen constructor agent/machine: learn to use and manage different machines to handle the extrusion tool for additive processes and learn to evaluate and exploit the influence, constraints and given opportunities provided by different machines and movement technologies.
During the workshop will be used as tools for handling the special ceramic extruder, a customized 3D printer, type delta, and a 6-axis Comau Robot NJ 60.
The final output will be then the result of influence, cooperation and conflict of these aspects upon, with and onto one another. Only successfully combining computational simulation, material properties and capacities and machine constraints and opportunities we can effectively evaluate and push further the design process potential and foster design and fabrication skills and sensibilities that will form the basis of a more comprehensive awareness in regard to the relations between computation and material aspects.
More info at: http://www.co-de-it.com/wordpress/informed-clay-matter-2-0-fablab-torino.html…
nteraction in the design of an enclosed volume.
Revolutions have occurred through architectural history and vary widely in terms of design methods and fabrication techniques. Focusing on inspiring natural form‐finding techniques, AA Athens VS works towards producing a large‐scale interactive prototype that alters in real‐time the perception of interior space.
Technology and architecture are coupled for the third year in Athens with a novel agenda of transforming an enclosed area and creating internal contrasting city‐life characteristics that transcend the local conditions. In collaboration with the National Technical University of Athens, Cipher City: Revolutions explores participatory design and active engagement modeling and continues building novel prototypes upon horizontal planes.
The toolset includes mainly ‐among others‐ Rhino Grasshopper, Processing and Arduino platforms. With the completion of the Programme participants receive the AA Visiting School Certificate. In 2013, the design agenda of AA Athens will connect with the agenda of AA Greece VS in the city of Patras. Participation in both Programmes will allow for a more extensive learning experience through additional tools like Autodesk Maya, Autodesk 3D Studio Max and more.
Discounts
The AA offers several discount options for participants wishing to apply as a group or participants wishing to apply for both AA Athens and AA Greece Visiting Schools:
1. Standard application
The AA Visiting School requires a fee of £600 per participant, which includes a £60 Visiting Membership. If you are already a member, the total fee will be reduced automatically by £60 by the online payment system. Fees are non-refundable.
2. Group registration
For group applications, there will be a range of discounts depending on the number of people in the group. The discounted fee will be applied to each individual in the group.
1. 3-6 people group: £60 (AA Membership fee) + 540*0.75 = £465 (25 %)
2. 6-15 people group: £60 + 540*0.70 = £438 (30%)
3. more than 15 people group: £60 + 540*0.65 = £411 (35%)
3. Participants attending AA Greece VS and AA Athens VS | 40% discount
For people wishing to attend both AA Greece VS and AA Athens VS, a discount of 40% will be made for each participant. (The participant will pay the £60 membership fee only once.)
£60 (AA Membership fee) + (540*0.60)*2 = £708
Eligibility The workshop is open to architecture and design students and professionals worldwide.
Applications
The deadline for applications is 24 March 2014. A portfolio or CV is not required, only the online application form and payment. The online application can be reached from:
http://www.aaschool.ac.uk/STUDY/VISITING/athens
Contact:
Alexandros.Kallegias@aaschool.ac.uk…
, Engineer and Researcher from France with broad programming experience. He is the author of the City in 3D Rhinoceros plugin for creation of buildings according to geojson file and with real elevation. Guillaume already created a new component: "Address to Location". It enables getting latitude and longitude values for the given address:
2) Support of Bathymetry data: automatic creation of underwater (sea/river/lake floor) terrain. This feature is now available through new source_ input of the "Terrain generator" component. Here is an example of terrain of the Loihi underwater volcano, of the coast of Hawaii:
3) A new terrain source has been added: ALOS World 3D 30m. ALOS is a Japanese global terrain data. Gismo "Terrain Generator" component has been using SRTM 30m terrain data, which hasn't been global and was limited to -56 to +60 latitude range. With this addition, it is possible to switch between SRTM and ALOS World 3D 30m models with the use of source_ input.
4) 9 new components have been added:
"Address To Location" - finds latitude and longitude coordinates for the given address.
"XY To Location" - finds latitude and longitude coordinates for the given Rhino XY coordinates. "Location To XY" - vice versa from the previous component: finds Rhino XY coordinates for the given latitude longitude coordinates. "Z To Elevation" - finds elevation for particular Rhino point. "Rhino text to number" - convert numeric text from Rhino to grasshopper number. "Rhino unit to meters" - convert Rhino units to meters. "Deconstruct location" - deconstructs .epw location. "New Component Example" - this component explains how to make a new Gismo component, in case you are interested to make one. We welcome new developers, even if you contribute a single component to Gismo! "Support Gismo" - gives some suggestions on how to make Gismo better, how to improve it and support it.
5) Ladybug "Terrain Generator" component now supports all units, not only Meters. So any Gismo example file which uses this component, can now use Rhino units other than Meters as well. Thank you Antonello Di Nunzio for making this happen!!
Basically just forget about this yellow panel:
This panel is not valid anymore, so just use any unit you want.
6) A number of bugs have been fixed, reported in topics for the last couple of weeks. We would like to thank members in the community who invested their time in testing, finding these bugs and reporting them: Rafat Ahmed, Peter Zatko, Mathieu Venot, Abraham Yezioro, Rafael Alonso. Thank you guys!!! Apologies if we forgot to mention someone.
The version 0.0.2 can be downloaded from here:
https://github.com/stgeorges/gismo/zipball/master
And example files from here:
https://github.com/stgeorges/gismo/tree/master/examples
Any new suggestions, testing and bug reports are welcome!!…
Added by djordje to Gismo at 5:13pm on March 1, 2017