inventive collaborative environment.
The workshop is part of a series of PARAMETRICA events, promoting computational design thinking and exploring the new possibilities of parametric design.
The workshop is aimed at: students, postgraduates, architects, interior, product and urban designers, engineers, anybody interested.
> Workshop CONCEPT (16th – 28th July 2013):
The advancement of digital technology is helping architects to understand and respond to the complexity of the environment surrounding us.
In this 14 day workshop the various energies which exist in a given environment will be identified, analysed and then digital simulated.
Experimental structures capable of reconfiguring themselves in response to the mapped forces will be generated and fabricated.
> Conference CONCEPT (29th July 2013):
During this day we will present the final workshop projects and our special guest, Patrik Schumacher will exploit the subject of computational design thinking and parametric architecture, by putting the accent on the subject “Parametric Semiology – Architecture as the interface of communication”
> OBJECTIVES:
The workshop objectives are two-fold, in the first phase the workshop focuses on the identification and analysis of resources inherent to the environmental context, thus developing a better understanding of their nature as well as optimized methods of use or response.
In the next phase, the objective is to generate structures which through either means of fabrication or material properties can respond to, or utilize the environmental energy sources.
> The project TEAM:
Key lecturer: PATRIK SCHUMACHER (DE)
Profile: Director, Zaha Hadid Architects, London
Dr Phil, Dip Ing, ARB, RIBA
Founder AA Design Reseach Lab London
Lecturer: Ina Leonte (RO)
Profile: PhDc, teaching assistant (UAIM, Bucharest, Romania)
Co-founder, Zest
Workshop main tutors:
HOOMAN TALEBI [IR]
Profile: MArch (AADRL, London), MSc (AUT, Tehran)
Lead Designer, Zaha Hadid – London
FARSHAD MEHDI’ZADEH [IR]
Profile: March (IaaC-UPC, Barcelona, Spain)
Co-founder, Tehran Architecture Studio (Iran)
Workshop assistant:
MOHSEN MARIZAD [IR]
Profile: MAA 2010 - Architect (IaaC-UPC, Barcelona, Spain)
Parametric design expert
Workshop coordinator: Diana Nitreanu (RO)
Profile: MAA 2010 - Architect/Urban Designer (IaaC-UPC, Barcelona, Spain)
Official Rhino Trainer
Co-founder, Laboratorul de Arhitectura; Co-founder & Tutor, Parametrica
> EQUIPMENT Workshop: Each participant must provide their own laptop with the following software installed: A. Rhinoceros 3D 5.0 B. Grasshopper 3D (Latest Version) C. Arduino
Machines to work on: 1. Laser Cutter - small laser for prototyping 2. Big laser cutter for final production
Materials (provided by Parametrica) - To be specified according to the subject of study for each group;
FOR MORE INFO®ISTRATION:
www.dynamicfields.ro
www.parametrica.ro
office@parametrica.ro
…
rsi giornalieri (livello base) dedicati a 4 diversi topic Rhinoceros - 8 febbraio Grasshopper - 16 febbraio Rhino cam - 8 marzo Stampa 3D - 9 marzo
tutor: Amleto Picerno Ceraso, Francesca Viglione, Gianpiero Picerno Ceraso.
. Arduino for interaction (livello base-medio) 15, 16 marzo Il workshop parte dalle basi della programmazione di arduino fino ad arrivare all’interazione tra un oggetto fisico ed un imput informativo tutor: Gianpiero Picerno Ceraso
. Grasshopper advanced: “Complex surface” (livello medio) - 18, 19, 20 marzo Il workshop ha come obiettivo lo sviluppo di superfici complesse rispondenti ad informazioni provenienti dall’ambiente. Il corso parte dalle nozioni di Grasshopper fino ad arrivare alla possibile realizzazione di un oggetto tramite le tecniche di fabbrizazione digitale. tutor: Amleto Picerno Ceraso nb: è richiesta una conoscenza base di Grasshopper
. Emotional design (livello alto) 23, 24, 25 marzo Il workshop verterà sull’acquisizione, registrazione e manipolazione di tali dati/emozioni tramite Grasshopper e il loro utilizzo per controllare i parametri del design di specifici oggetti che diventeranno quindi, essendo customizzanti con le specifiche emozioni dell’utente, istanze e memoria tattile di precise esperienze. tutor: Andrea Graziano nb: è richiesta una conoscenza base di Grasshopper
. Fabricated fashion (livello alto) 26, 27, 28, 29, 30 marzo Il tema del workshop verte sulle tecniche di progettazione digitale applicate al fashion. tutor: Luis e Elizabeth Fraguada nb: è richiesta una conoscenza base di Grasshopper
. Blender (livello alto) - 16, 17, 18 maggio tutor: Andrea Graziano
. Interaction design: Arduino + Grasshopper (livello medio) - 2, 3, 4 maggio Il corso ha l’obiettivo di indagare processi di interazione tra le persone e gli ambienti in cui vivono attraverso il responsive design. nb: è richiesta una conoscenza base di Grasshopper e Arduino. tutor: Amleto Picerno Ceraso del Mediterranean FabLab e Antonio Grillo del FabLab Napoli.
info su costi: http://www.medaarch.com/2765-il-nuovo-calendario-attivita-firmato-medaarch/
…
onstrates the following:
1. The definition's functionality employing HumanUI for the custom user interface.
2. The evaluation of the definition's ability to handle different point cloud data sets.
3. Video reports with the definition's results, animating subsequent per deviation step frames.
This definition calculates best fitting plane deviations. The number of manual set parameters has been minimized to two the facade per World UCS axis selection and the search width. This defines a box, which is used to crop protruding architectural details, which do not contribute to the analysis, but also ensures that large deformations are included in the calculation.
For the automation of the vertical and horizontal sections creation, the analyzed cloud is clustered, according to user defined number of 2d grid cells. The deviations corresponding to each cell are averaged in mean and median mode.
The process is displayed mostly in real time, with some speed up in some parts. Too long calculations have been omitted during video edit. The setup is responsive and benchmarks show that changing between dense point cloud data sets and facades is pretty quick (6.5-7.5M points, 25-45 deviation steps, 44x22 clusters), updates are calculated in acceptable timings (3-6 minutes).
I would like to thank Heumann A. and Zwierzycki M. who provided direct support with HumanUI and Volvox. Also Grasshopper3d forum users Maher S. and Segeren P., who contributed with Rhino viewport manipulation scripts.
More on Volvox:
http://papers.cumincad.org/cgi-bin/works/Show?_id=ecaade2016_171&sort=DEFAULT&search=ecaade%20volvox&hits=2629
http://www.food4rhino.com/app/volvox
http://duraark.eu/
HumanUI:
http://www.food4rhino.com/app/human-ui?page=1&ufh=&etx=…
up before you can produce a nice render. If you are using vray for Rhino you need to first learn how to set up (as an architect) a nice solar daylight system with environment, is actually very easy. (1 - set up sun lighting, 2 - set up environment, 3 - choose correct settings, such as activating indirect illumination)
However, since sketchup is the perfect draft tool for architectural design, it happens to have an environment with daylight defined already when you open an empty file. Vray for sketchup knows how to use all these settings so the only thing you need to do is to hit render. Apart from that you need to learn some simple material settings, which you find here: http://www.vray.com/vray_for_sketchup/manual/, the same manual for rhino here: http://www.vray.com/vray_for_rhino/manual/
The advantage of using vray for sketchup rather than for rhino (although if you can handle vray for one program its exactly the same for the other), is that you can easily import models from 3d warehouse. Sketchup is an excellent render set-up platform, except its only 32-bit so a to complex scene will simply not render. Rhino 64-bit will handle this better.
Conclusion, learn vray, whatever you learn can be applied to sketchup, rhino and 3ds max. Sketchup is probably a tool you already use and vray for sketchup will render with correct settings by default. Later when you take it to the next step you can go one and learn vray 2.0 for 3dsmax.
Personally I like using Luxology render engine that comes with Microstation, simply because I handle it better and Microstation is the best tool for architects in my opinion. However Vray is similar but more powerful.…
Added by Martin Hedin at 4:11pm on October 21, 2011
something in 3d, explode it to single surfaces, reference it to GH in proper order -manually- then unfold it with gh).
To make it really elegant you could try to make some "topology language" - have you seen this talk by Robert Lang http://www.ted.com/talks/lang/en/robert_lang_folds_way_new_origami.... ?
You can always make only few parametric types of structures - like leg, hand etc. (this is much easier than Mr.Lang's ) which can change its sizes, but topology stays the same.
Beside - Your sandwich looks really good, i played something similiar before.... have you tried thin PE (polyethylene) sheets ? Its similiar to PP (polypropylene) but a little bit softer. It is (PP) commonly used as tic tac box cap ( http://www.absolutelynarcissism.co/wp-content/uploads/2011/09/Tic-T... ) and some say that it can fold/unfold about 1000000 times. It would really simplify the whole production (just one cnc router needed to obtain full structure). Of course bending it will require prefabrication to look like e.g. http://www.grasshopper3d.com/video/the-swarm-2012 by Mr. Wieland Schmidt.
To clear things up :
1. It certainly can be done with rhino/gh
2. You should write some more on how should it all work (what you provide as geometry)
3. You should also provide some more info how 2d drawing looks now.
EDIT : I forgot about kinematics - use kangaroo. There are forces now like bending resistance etc.
…
other kind of planes because I need to deal with Display Pipline .
There's a few threads about similar problem( i'm posting them here as a reference)
1. Viewport rectangle
2. TextTag parallel to Viewport
3. Horster method (with timer)
4. Another horster method to get On screen display (also with timer)
5. Discussion how to send Rhino Viewport Cplane to GH
There is a lot of things possible to do using camera frustum plane such as:
- making custom project layout
- Camera-plane sections
- 3d Isovist (example of Francois)
- projections on the frustum plane
I need to output geometry to Grasshopper in order to use a Frustum Plane for dynamic operations like for example: On Screen Display of Text Tags with sections and other views.
…
3 arms and 6 legs (PS: Remember: in real-life our fee is proportional to the budget > thus > like Godzilla > the bigger the better).
In the mean time (auto detection of struts < min Allowed == true) get the gist of the whole "torque" issue, the other gist not to mention the other-other gist.
Of course you can opt for NOT making the cables (green) that stabilize the "extension" part of a given tensegrity strut ... yielding the Mother in Law syndrome (fat and ugly):
But ... hmm ... well ... are you really the chosen one? Here's your chance for the ticket to Paradise (full Lord's assistance, that is). Identify this engine, name the designer and the related immortal racer (when men were men).
Moral: Heaven can wait. …
ese explanations help (we will also look at your file) asap.
About your question regarding the Tutte graph drawing algorithm (also known as topological embedding):
The Tutte algorithm can be viewed as a special case of Spectral Graph Drawing, which is a mathematical solution for topological embedding formulated as an optimization problem. The formulation of the topological embedding (e.g. as in Tutte algorithm) is in fact quite similar to the so-called force-directed drawing that is often solved by heuristic methods like the one we have made for the SYNTACTIC plugin. You can read more about Force-Directed Graph Drawing (a.k.a. coin-graph drawing and kissing disks drawing) and Spectral Graph Drawing and Spectral Graph Theory in my dissertation.
The functionality of the Tutte algorithm is only guaranteed for graphs that are 3-connected, i.e. graphs with more than 3 vertices which cannot be torn apart unless at least two vertices are removed.
https://en.wikipedia.org/wiki/K-vertex-connected_graph
Speaking of the conditions for the Tutte algorithm to work properly: Practically, this implies, for instance, that there should not be rooms connected only to one other room.
Anyhow, long story short, we have decided to continue with Spectral Graph Drawing and 3D force-directed graph drawing. These algorithms are ready and with a couple of adjustments for maximum speed and stability we will release them shortly. Some conditions for these algorithms are easier to ensure, but in general if a node(room) is connected to only one space or the graph is not well connected one cannot expect a good graph drawing from neither of these methods. The other issue that is also common is that the force directed graph drawing will not work if one forces a big bubble to be squeezed in the middle of smaller bubbles. Stay tuned. …
way everything is consolidated and people can share their thoughts.
1. Cluster rollover tips
Id like to be able to create rollover help text for each cluster input. This could be a right click thing once the cluster is created or something specified before creating the cluster (a string input for the cluster input arrows?)
2. Disconnect all outgoing
I'd like to be able to right click on an output of any component and disconnect all wires coming out of it.
3. Disconnect all selected
It would be cool if you could disconnect all incoming or outgoing wires from all currently selected components (instead of just one at a time).
4. List item dynamic slider
There has been a lot of discussion about dynamic range sliders and the issues that they would cause. Id like one specifically for list item selection. This would be an integer slider that would have a range of 0 to the list length-1. If the range remaps and the previous value is no longer available, I think it's best to have the current value stay as close to the previous value as possible.
5. Cluster slider/toggle inputs
I think it could be valuable to cluster a series of variable inputs (like sliders or toggles) to make a sort of options cluster. In this case you could just have a list of sliders and toggles each connected directly to a cluster output arrow, select all and create your cluster. This would be great with the value list component as well.
6. Have a component that could output the x and y location of actual components on the canvas relative to the top left corner... Not sure exactly what you could do with this but I think someone could do something interesting with it.
7. 3d MD slider. I see the option is greyed out and don't see a way to activate it... Still under development? Seems like it could be just like the color picker. Would be cool.
That's all I can think of right now. I'm sure there will be more to come in the future.
Feel free to comment.
-Brian…
Added by Brian Harms at 2:22am on December 15, 2011
nd and downloading definitions to learn from them, but still don't get it right.
So my problem is:
1.- I want to achieve a kagome, hexagonal gridshell that keeps the bamboo pieces like straight geodesic lines.
2.- I also would like to keep the curved bamboo as splines, so I imagine this will give the easiest method for bending the bamboo at the real scale. As Mårten Nettelbladt in his blog http://thegeometryofbending.blogspot.jp/ mentions, the best way will be to keep the geometry where all the pieces have a spline curvature ( or as B.K.P. Horn calls it “The curve of last energy”) In order to achieve splines do I need to make the grid a Dynamic relaxation “Kangaroo”? will this help?
3.- I would also like to simulate the bending of the elements from a 2D to a 3D, but maybe this can be a next step on the definition…
Some of the common problems that I notice in the definitions found is that when people do weaving, the lines don't bend flat to the geometry but rather they twist so when you look close the cross of pieces intersect, which is impossible in real life…
As you can see there are a number od issues here, I apologize to put them all together, maybe it makes this confusing but I think is better to look at the whole picture. I have been reading a lot but I have no idea how to start.
The more I read the more interesting the subject becomes but the more confused I become. Is there some kind soul that could give me a hand? Any help will be really appreciated.
Thanks a lot!
Miguel…