ilion.
Then i sketched the outline curves in rhino with a few control points. The building is symetric so i only draw one side. But i'm not sure what is better for a voroni. a sharp or a soft surface? Or dose i need points?
So i have some questions:
1. how can i loft the curves correctly? My problem is that if i divide my curves for more control points, grasshopper automatically change my curve. thats ok but than i've the problem with a short curve, which fit bevor with the large one, but after the devision it can't connect.
So i tryed to duplicate the long curve and split it but with the shatter battery it dosen't work. It always cut the curve somewhere.
2. my next problem is, the curves in rhino should be my main construction, which is always visible. so i decided to offset the curves that i got a colum. but i don't know how to orient the offset curves in the xyz axis.
3. hopefully if i have the surfaces, how can i build a voroni which is offsetet, and has maybe some different thicknesses? :D
Would be really great if s.o. can help me. I tried a lot but not every thing is simple.
Sorry for my bad english.
Thx max
Here are my files:
FCP_MAX_GH_konstruktion_1.3dm
FCP_MAX_GH_konstruktion_1.gh
…
that are available, I found myself in a quite difficult problematic.
I did a lot of google search/work and found some information, but still kind of haven't got the information that I need or want to use. Note: Our school has provided us 3 hours of basic Grasshopper tutorial and one hour of Honeybee/Ladybug temperature tutorial (with weather data etc).
For now I have used Grasshopper and Kangaroo, haven't quite implemented other plugins.
What I want to achieve?I want to create a basic wind simulation in a room (cube at first, but then add more space and use different models) that I can change inside grasshopper. For example I have two openings. I blow wind inside the object from one opening and it goes out the other opening. When I change the wind parameters I can analyse the wind and data that is flowing through the cube.
Is there a way I can visualize the wind?
I have seen different solutions, but mainly vectors with colors that are visualized as wind direction and temperature. Is it possible to make it 3D that I can actually make a real-life model out of it?
Why cube?At first I want to test it and see how it works, if it is viable or not. In the end I would create a facade that is designed for natural ventilation. I am kind of trying to put two projects together. One for the wind analysis, the other for the 3D-Result that is created with the wind. It might be a quite awful that I am asking, but I don't know where to go after doing the google research. Also, some Grasshopper links I found that might help describe the situation. http://www.grasshopper3d.com/forum/topics/wind-analysis-by-grasshopperhttp://www.grasshopper3d.com/forum/topics/wind-cfd-change-form(Should I approach it with Ladybug and Ecotect?)
Thanks, A
…
d the workshop PDF from this link: http://goo.gl/bcvRNH Download event poster from this link: http://goo.gl/Q0KWCM Brief: Cairo is filled with barriers controlling people movements, suppressing them as well as detaining green and public spaces to the extent that most people have been taking these spaces for granted. Public spaces have been for a while the periphery of our daily life. We will explore in this workshop how we can manipulate and alter people’s perception and direct their attention to how these spaces are integral for city life. This exploration will be backed up by intensive technical tutorials introducing computational design and fabrication techniques and tools mainly Rhino, Grasshopper, Geco and Ecotect. Not only will this be the typical technical workshop, but rather you will also have the chance to be guided step by step on how these tools are used through out different design stages in a real world scenario. Design prototypes will be produced through 3D printing, the main workshop output will be a fabricated one to one functional model for one of the designs using our new in-house CNC machine. Tutors (check the PDF for bio): Olga Kovrikova, MArch DIA Alexandr Kalachev, MArch DIA Karim Soliman, MArch DIA Islam Ibrahim, MArch DIA Sherif Tarabishy, B.Sc. AAST Application: Application deadline 1 September 2013 ** For students (undergrad / Master), teachers and PhD proof of status is required (university ID with a date or a certificate of enrollment) to apply for the students package. Packages (choose one of the following in the application form): 1. Standard registration Course fee is 4250 EGP For Students 3500 EGP 2. Early bird registration discounted fee For Professionals 3750 EGP For Students 3000 EGP ** Early bird offer ends on 14 August 2013 3. Group registrations discounted fee (5 or more) For Students 20% off - You will have to fill out an application form here: http://goo.gl/0QxAga - You will need to submit your CV and Short Portfolio (max. 10 MB) to info@morph-d.com, email subject: “Morphing Norms Application” (we will decide if you are eligible for an early bird discount or not based on the date of your email submission) - We will confirm receiving emails from all applicants. Successful applicants will be contacted 5 days after each deadline (early bird/final) and will have to confirm participation within 3 days, if they fail to do so, places will be given to others on the waiting list. - A maximum of 30 applicants will be selected.
…
ow..
It's basically using a 3d framework to define points on the framework and then interpolate curves through them.
Right now Im assuming that I merely translated something incorrectly early in the script that lead to most of the definition issues later on...?? It also seems I am not using the append function correctly... :(
If anybody well versed could take a look it would be awesome... :)
The code I've used is below and the erros I get are attached here:
Private Sub RunScript(ByVal ptSetA As List(Of Point3d), ByVal ptSetB As List(Of Point3d), ByVal divU As Integer, ByVal divV As Integer, ByRef A As Object, ByRef B As Object) Dim n As Integer = 0 Dim ptListA As New List(Of list(Of Point3d)) Dim ptListB As New List(Of list(Of Point3d)) For i As Integer = 0 To divU Dim ptRowA As New List(Of Point3d) Dim ptRowB As New list(Of point3d) For j As Integer = 0 To divV Dim ptA As New Point3d(ptSetA(n)) Dim ptB As New point3d(ptSetB(n)) ptRowA.Add(ptA) ptRowB.Add(ptB) n = n + 1 Next ptListA.Add(ptRowA) ptListB.Add(ptRowB) Next Dim intcvListA As New List(Of NurbsCurve) For i As Integer = 0 To divU - 1 Step 2 For j As Integer = 0 To divV - 1 Step 1 Dim pt01A As New point3d((ptListA(i)(j) + ptListA(i)(j + 1)) / 2) Dim pt01A As New point3d((ptListA(i + 1)(j) + ptListB(i + 1)(j)) / 2) Dim pt01A As New point3d((ptListA(i + 2)(j) + ptListA(i + 2)(j + 1)) / 2) Dim pt01A As New point3d((ptListA(i + 1)(j) + ptListA(i + 1)(j + 1)) / 2) Dim dis01A As Double = pt01A.DistanceTo(pt04A) Dim dis02A As Double = pt03A.DistanceTo(pt04A) Dim vt01A As New Vector3d((pt04A - pt01A) / dis01A) Dim vt02A As New Vector3d((pt03A - pt04A) / dis02A) Dim pt01B As New point3d((ptListB(i)(j) + ptListB(i)(j + 1)) / 2) Dim pt01B As New point3d((ptListA(i + 1)(j) + ptListB(i + 1)(j)) / 2) Dim pt01B As New point3d((ptListB(i + 2)(j) + ptListB(i + 2)(j + 1)) / 2) Dim pt01B As New point3d((ptListB(i + 1)(j) + ptListB(i + 1)(j + 1)) / 2) Dim dis01B As Double = pt01B.DistanceTo(pt04B) Dim dis02B As Double = pt03B.DistanceTo(pt04B) Dim vt01B As New Vector3d((pt04B - pt01B) / dis01B) Dim vt02B As New Vector3d((pt03B - pt04B) / dis02B) Dim ptArrA As New List(Of Point3d) ptArrA.Append(pt01A) ptArrA.Append(pt02A) ptArrA.Append(pt03A) Dim intcvA As New NurbsCurve() intcvA = CreateInterpolatedCurve(ptArrA, 3) intcvListA.Add(intcvA) Dim ptArrB As New List(Of Point3d) ptArrB.Append(pt01B) ptArrB.Append(pt02B) ptArrB.Append(pt03B) Dim intcvB As New NurbsCurve() intcvB = CreateInterpolatedCurve(ptArrB, 3) intcvListB.Add(intcvB) Next Next A = intcvListA…
ange’ for its 2016 cycle, as a starting point to investigate principles of natural formation processes and interpret them as innovative architectonic spaces. These concepts are carefully interwoven with spatial, performance-based, and structural criteria in order to create full-scale working prototypes.
The three-week long programme is formulated as a two-phase process. During the two-week initial phase, participants benefit from the unique atmosphere and facilities of AA’s London home. The second phase, lasting for a week, shifts to AA’s woodland site in Hooke Park and revolves around the robotic fabrication and assembly of a full-scale architectural intervention.
Prominent Features of the programme:
• Teaching team: Participants engage in an active learning environment where the large tutor to student ratio (5:1) allows for personalized tutorials and debates.
• Facilities: AA Digital Prototyping Lab (DPL) offers laser cutting, CNC milling, and 3d printing facilities. The facilities at AA Hooke Park allow for the fabrication of one-to-one scale prototypes with a 3-axis CNC router, various woodworking power tools, and robotic fabrication.
• Computational skills: The toolset of Summer DLAB includes but is not limited to Rhinoceros, Processing, Grasshopper, and various analysis tools.
• Theoretical understanding: The dissemination of fundamental design techniques and relevant critical thinking methodologies through theoretical sessions and seminars forms one of the major goals of Summer DLAB.
• Professional awareness: Participants ranging from 2nd year students to PhD candidates and full-time professionals experience a highly-focused collaborative educational model which promotes research-based design and making.
• Robotic Fabrication: According to the specific agenda of each year, scaled working models are produced via advanced digital machining tools, followed by the fabrication of a one-to-one scale prototype with the Kuka KR150 robot.
• Lecture series: Taking advantage of its unique location, London, Summer DLAB creates a vibrant atmosphere with its intense lecture programme.
Eligibility: The workshop is open to architecture and design students and professionals worldwide.
Accreditation: Participants receive the AA Visiting School Certificate with the completion of the Programme.
Applications: The AA Visiting School requires a fee of £1900 per participant, which includes a £60 Visiting Membership fee. A deposit of £381 is required when registering with the online form. The deadline for applications is 11 July 2016. No portfolio or CV is required. Online application link:
https://www.aaschool.ac.uk/STUDY/ONLINEAPPLICATION/visitingApplication.php?schoolID=392
Return train tickets between London-Hooke Park, accommodation & food in Hooke Park, and materials from Digital Prototyping Lab (DPL) are included in the fees.
For inquiries, please contact:
elif.erdine@aaschool.ac.uk (Programme Director)
alexandros.kallegias@aaschool.ac.uk (Programme Director)
…
ake a network of lines (i.e. a graph) and make a Plankton Mesh, from which you can use Cytoskeleton to make a solid mesh (and then smooth it with Weaverbird).
Works with ngons (polygons with 3 or more sides). Other examples I found only worked with tris and quads.
Works on open or closed surfaces
While these examples start with a surface, you could start with a network of lines and make a patch surface
This is meant for 2D networks/surfaces. I haven't attempted filling a 3D volume. My guess is this wouldn't work as it would require a non-manifold mesh that Plankton wouldn't handle.
Note similar results could be achieved with the following:
TSplines
MeshDual (dual of a tri mesh, not as much freedom/control)
Working backwards, here is the GhPython script from Will Pearson that builds a Plankton Mesh from vertices and faces. The vertices are a list of 3D coordinates, the faces are a tree a lists, with each list containing the indices of vertices that form a closed loop. From Will, "Plankton only handles manifold meshes, i.e. meshes which have a front and a back. This orientation is determined by the "right-hand rule" i.e. if the vertices of a face are ordered counter-clockwise then the face normal will be out of the page/screen."
# V: list of Point3d # F: tree of int
import Grasshopper appdata = Grasshopper.Folders.DefaultAssemblyFolder
import clr clr.AddReferenceToFileAndPath(appdata + "Plankton.dll")
import Plankton
pmesh = Plankton.PlanktonMesh()
for pt in V: pmesh.Vertices.Add(pt.X, pt.Y, pt.Z)
for face in F.Branches: face = list(face)[:-1] pmesh.Faces.AddFace(face)
These vertices and faces are precisely the output from Starling. Starling takes in a list of Polylines which form the (properly oriented) face loops.
The polyline face loops can be generated...
Directly from Panels on a surface using LunchBox
Using any network of lines/curves on a surface (curves will need to be converted to polylines before Starling)
The latter was achieved using the Surface Split command, then converting the face edges (converted to curves) into polyline loops to represent faces.
…
hope this number will grow in future. Currently available features are:
1) Creation of 2d or 3d context for any kind of building related analysis: automatically generate the 2d/3d surrounding buildings for the location where you would like to perform visibility, solar radiation, cfd or any other type of analysis. You need some other plugin for the last three, like Ladybug. It only creates the context=surroundings! The "automatic generation" process also includes creation of the local topography (terrain) along with buildings.
2) Identification of certain 2d or 3d elements in the created context. For example: selection of all hotels, parks, hospitals, restaurants, residential buildings etc.
3) Performing direct terrain analysis (hillshading, slope, ruggedness, roughness, water flow...)
4) Creation of terrain shading masks and horizon files for further solar and photovoltaics analysis.
Gismo will be very grateful if he could get any suggestions, improvements, bug reports and testing in the following period. In case you are willing to provide any of these, the requirements, installation steps and .gh example files can be found here, here and here.
Thank you in advance !!…
Added by djordje to Gismo at 9:10am on January 29, 2017
ns about them.
It's a direction for Kangaroo I very much intend to continue developing - and I am still getting to grips with the possibilities and experimenting with how different optimization and fairing forces work in combination with one another, so I would value your input and experience.
For those interested in some background reading material -
[1] http://www.cs.caltech.edu/~mmeyer/Research/FairMesh/implicitFairing.pdf
[2] http://mesh.brown.edu/taubin/pdfs/taubin-eg00star.pdf
[3] http://www.pmp-book.org/download/slides/Smoothing.pdf
[4] http://graphics.stanford.edu/courses/cs468-05-fall/slides/daniel_willmore_flow_fall_05.pdf
[5] http://www.evolute.at/technology/scientific-publications.html
[6] http://www.math.tu-berlin.de/~bobenko/recentpapers.html
[7] http://spacesymmetrystructure.wordpress.com/2011/05/18/pseudo-physical-materials/
[8] http://www.evolute.at/technology/scientific-publications/34.html
[9] http://www.evolute.at/software/forum/topic.html?id=18
At the moment the Laplacian smoothing is uniformly weighted, which tends to even out the edge lengths as well as smoothing the form, which is sometimes desirable, and sometimes not. It also tends to significantly shrink meshes when the edges are not fixed.
I plan to try some of the other weighting possibilities, such as Fujiwara or cotangent weighting (see [1] and [3]), as well as other fairing approaches, such as Taubin smoothing [2], Willmore flow[4], and so on. This also has applications in the simulation of bending of thin shells.
Planar quad panels are often desirable, but I'm finding that planarization forces alone are sometimes unstable, or cause undesirable crumpling, so need to be combined with some sort of fairing/smoothing, but the different types have quite different effects, and the balance is sometimes tricky.
There's also the whole issue of meshes which are circular (I posted a demo of circularization on the examples page), or conical (this one still isn't working quite right yet), and their relationship with principal curvature grids and placement of irregular vertices, all of which is rather different when the whole form is up for change, rather than having a fixed target surface [7].
I'm also trying to get to grips with ways of making surfaces of planar hexagons, which need to become concave in regions of negative Gaussian curvature (see this discussion)
and I hope to release soon a component for calculating CP meshes, as described in [8], which I think could have many exciting construction implications.
While there are a number of well developed smoothing algorithms, their main area of application so far seems to be in processing and improving 3D scan data, so using them in design in this way is somewhat new territory. There can be structural, fabrication or performance reasons for certain types of smoothness, but of course the aesthetic reasons are also often important, and I think there are some interesting discussions to be had here about the aesthetics of smoothness.
Anyway, that's enough rambling from me, hopefully something there triggers some discussion - I'm really keen to hear about how all of you envision these tools might be used and developed.
…
ally to describe a process of repeating objects in a self-similar way. Simply stated, the definition of a recursive function includes the function itself. Fractals are among the canonical examples of recursion in mathematics and programming. A loop can simply be a way to apply the same operation to a list of elements, but it is an iterative loop if the results from one step are used in the calculation of the next step. In design research controlling recursion becomes a new strategy to define new forms and spaces.
BRIEF
In this workshop we will be exploring iterative strategies through parametric design. Main tool for the course will be grasshopper3d and its add-on Anemone. Anemone is a simple but effective plug-in for Grasshopper that enables for loops in a simple and linear way. We will explore several strategies such iterative growth, L systems, fractals, recursive subdivisions and more. Our course will focus on how those methods can affect three-dimensional geometries, generating unexpected conformations.
TOPICS
intro to rhinointro to grasshopperadvanced grasshopperdata managementintro to loopscellular automatal-systemsagent based modelling
SCHEDULE
Day 1 / friday 16:00Tour Green Fab LabBasics of 3D modeling in RhinocerosBasics of GrasshopperOpen Lecture by Jan Pernecky, founder of rese arch
Day 2 / saturday 10 am- 18 pmRecursive iterative methodsAdvanced Topics of looping
Day 3 / sunday 10 am – 18 pmRecursive iterative methodsFinal presentation session
REQUIREMENTS
The workshop is open to all participants, no previous knowledge of Rhinoceros and Grasshopper is required (although an introductory knowledge is welcome). Participants should bring their own laptop with a pre-installed software. The software package needed has no additional cost for the participant (Rhino can be downloaded as evaluation version, Grasshopper and plugins are free). These softwares are subject to frequent updates, so a download link to the version used in the workshop will be sent to the participants a few days before the workshop.…
Added by Aldo Sollazzo at 11:10am on October 6, 2015