of sampling points in a circular area, the idea would be to apply it to ovoids.
Image 1 shows two closed curves in oval forms. In reality, the curves should be ovoids (symmetrical on only one axis) and not ovals. But anyways, in blue are the closed shapes that we start with and in red, the corresponding curves that I am trying to achieve.
Image 2 shows this in 3D form. The modeling was done by just a simple revolution but obviously the initial curves aren't right.
Image 3 shows more or less the final form. The two egg shapes aren't on the same axe and are deviated from each other. I would imagine that I would try and find the point of intersection of the main axis of symmetry of each and then find a way of creating the isocurves.
What I am trying to achieve in the end is a catwalk or a connection space between two egg shaped spaces. The idea is that the structure of each spaces can then flow through one and the other creating this catwalk.
Oh boy, I am not even sure I'm making sense. But thanks to anyone if you have some thoughts.
Image 1
Image 2
Image 3
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na cubierta o una estructura sigue en pie; presentar el router cnc en el evento depende del ejercicio práctico, para mayores informes no duden en escribir a luzyextura@gmail.com o a las oficinas de Bishon en Querétaro
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Workshop de arquitectura paramétrica mediante procesos digitales.
El temario incluye aspectos básicos y medios del modelado en Rhino, tanto de dibujo como de objetos en 3D, y las funciones de Grasshopper como una herramienta para el diseño paramétrico.
Al finalizar el curso, los asistentes serán capaces de manejar Rhinoceros y Grasshopper en un nivel medio, también comprenderán todas las herramientas básicas y el estilo de trabajo.
Además del contenido teórico se incluye un ejercicio práctico, que consiste en la producción de un modelo 3D, abarcando desde las ideas generadoras, el diseño, dibujo de piezas para su fabricación y construcción final.
El workshop tiene dos semanas de duración, con un horario de 8 am a 3 pm, el costo para estudiantes es de $4590, para la comunidad en general $4900. 35% descuento antes del 22 de julio
Informes bishion@mail.com, luzytextura@gmail.com.
Teléfono en Querétaro 4422 75 2863
Teléfono en la Ciudad de México 04455 4381 3302…
ill be curves not lines. But it could be fixed if necessary
1 Generation of a torus
2 Generation of Voronoi in 3d and calculation of intersection between cells and torus
3 Cut of the curves with 2 planes
4 Projection of the curves in XY planes between 0 and 2*PI
5 Scale in X of this pattern and array
Main variables are
Little radius of torus
Number of points for Populate 3d component
And the scale in X
It seems quite a simple way to generate a Seamless Voronoi.
Happy ?
For the question about symetry, cut, rotate ... you will have to draw things , seek on internet ... figure it by yourself. …
ve Intermediate Insight of Computational Design Strategies While Exploring Rangoli Art form in 2 Dimension and 3Dimesion in which Participants will not only be trained to Digitally Design using Parametric software's but they will also be trained to Fabricate them in reality.
This Course will be explored in manner where Participants will understand inter-dependency of Rhinoceros3D & Grasshoper3D through a unique Hybrid Teaching Method While Exploring Rangoli Geometry .
The course will also take participants through Topics such as - Computational Thinking, - Computational / Parametric Design, - Computational Rangoli Exploration, - Digital Fabrication, - 3D Visualization ( Rhino3D 6), - Making Info-graphics & Design Diagrams ( Rhino3d 6 ).
Participants will also be doing a Project at the last Leg of Workshop in which they will implement the skill they gained in first Few Weeks.
{ Tutor } Nitant Pixelkar (Computational Artist / Designer, Mumbai)
Nitant Hirlekar A.k.a. Pixelkar, is a Computational Artist. He graduated from Rachana Sansad school of Interior Design 2011, Mumbai. In Academics He Bagged Two Gold and One Silver Medal on National Level.
In his post academic days, he came across the Emerging Computational Techniques in Design industry in which Algorithm serves as a main Functional part. He uses Algorithms to Deconstruct the Captured images in Pixelated form using the Grid of the Desired Indian Art Forms.
He Heads Collective Group Named "Mutation Lab” which is a multidisciplinary Design & Art Cell. Where they Explore Computational Approach while Designing Various Scales Spatial Installation, Digital Fabrication, Interactive Installations and Computational Consultancy for Various Architects.
He has exhibited his first artwork in Kalaghoda Arts Festival for in 2014 And further in 2016 and 2017.In 2015 he exhibited in Dharavi Biennale” organized by Wellcome Trust,London & Sneha Organisation, Mumbai Which was internationally acclaimed. In 2016 he got Featured on a TV show - The Creative Indian's as an Absolut Creative Indian of the Week.
Academically he is been involved in Many Computational Design Workshops / Elective Studios for School of Interior Design (Rachna Sansad), LS Raheja College of Architecture & Rat-Lab (Delhi).
{ Participants } The Course is aimed at Architecture, Interior Design, Product Design,Furniture Design & Fashion Design Students and Professionals. However we would be thrilled to have any Interdisciplinary Artist / Creator/ Maker to join the Course as well.
{ Level }
Intermediate
{ Timing } Monday To Friday - 6:00 PM to 9:00 PM (15 Hours/ Week = 5 Week X 15 Hours = 75 Hours )
{ Dates } Registration Ends - 24th April 2020 **Subejct to Availablity
{ Workshop Dates } 4th May 2020 To 5th June 2020
{ Venue } Lower Parel,Mumbai ( Details To Be Announced )
{ Schedule }
{Registration Form}…
rquitectura y el diseño, tanto como plataforma de comprobación de ideas como de producción directa de objetos finales. Los participantes serán introducidos en el uso de softwares de modelado 2d y 3d para la generación de geometrías que serán posteriormente mecanizadas in situ en una máquina de control numérico CNC de 3 ejes.
Para este workshop, proponemos un ejercicio de eficiencia en el diseño y optimización de la producción. Apoyándonos en las nuevas herramientas digitales, los participantes crearán una estructura que sea capaz de soportar su propio peso (como por ejemplo una silla, un banco, etc…). Se pretende fabricar una estructura ligera compuesta por un único material y montada sin el uso de herrajes o componentes externos.
Más informaciones aquí: http://www.mediodesign.com/?p=2141
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it within the same smart umbrella? Or put it differently: is it worthy to exploit/consider/evaluate GH methods and development orientations that could "approximate" Utopia?
Let's split the case into segments:
The parametric part thing (although critical) is complex and rather beyond the scope of GH. Affects Rhino far more than GH. That said Microstation has 3 levels for doing this (but forget Microstation and/or Gen Comp).
So for a start we can focus in GH acting as a "composer" in 3D place of all the required (hopefully real) parts for the job. Parts must be nested AND readable as such by an external AEC app.
I'll post here (soon I do hope) all the parts that are required for assembling this. I mean individual static "blocks" that we assume (wrongly) that remain static: I mean we presuppose that the whole GH geometry is fixed (thus this is really a smart sketch of some sort) and no further changes are on schedule (that MAY affect parts).
That said I prefer an incomplete Utopia (one thing that "does" it all, or it thinks that does it) than a myriad of individual apps that take input one from the other and promise the Holly Grail (and/or delivering it). The core reason that I use Microstation as my basic platform is exactly that (obviously with a certain price to pay: bugs, shortcomings, wrong concepts in places etc etc etc).
Best, Peter
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b, then tried again, but I still have no luck. So what I did is I modeled the building again in Rhino and reduced the curves then I imported the geometry into GH and used the HoneyBee zone by surfaces component , but I noticed that after I grabbed the new components I get a "NULL" if I plug a panel to the final zone. Finally I decided to model a very simple box and grab all its surfaces to create a zone , and to my surprise I still get "NULL" Am I doing something wrong ? here are what I did to create this one zone box
1- modeled a 3d box in Rhino
2- Exploded it
3- In grasshopper I created HB-surfaces ( Floor, Ceiling, 4 individual walls and added I glazing by ratio to one of the walls)
Here is an image, also I attached the file, the box components are grouped with an orange background. Now I'm convinced that I have a bug or something because it can't get easier than creating a zone from a simple box and yet I get a "NULL" message.
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iew mode:
instead of the fabrication mode (individual Breps ready for 3d printing - minus "some" little details with regard their effortless connection > this is what V3 does):
2. GH does not (AFAIK) include the mesh.Offset capability (used a little C# for that).
3. I promise to translate the test C# used into native components ... if the result is what you are after (you never know, he he).
4. Rounding (fillet) the thickened panel lips (around the hole and with regard perimeter panels) is doable but only via code: AFAIK GH does not include the Surface.CreateRollingBallFillet method (something that does fillets, that is - forget it for the moment). In fact ... there's a complex way to do it without that method ... but is not for the moment (next week you'll be 100% more experienced, he he).…
that greatly facilitates "impossible" tasks of the past).
Anyway..
1. Graft means get a List and make a Tree thus the sweep has profiles (as items in tree branches, i.e. Lists) VS rails as ... er ... we need to match apples to apples here: for each branch that has profiles get a branch with a single item (the rail).
2. In general without fully understanding the way that GH manages "nested" collections (DataTrees) is utterly frustrating to attempt anything. Spend some time on that matter. Some fellas would advise you to learn "on the way". I would strongly advise the opposite: first understand what a piston is and then design a machine.
3. Rules et all ... well you can do some stuff via components but the things that I have in mind require code not because is far more "efficient" in complex data structures (a matter of personal preference that one) but mostly for controlling items in collections on a per item basis (don't ask what this means, he he) tracking history, using hierarchies of instance definitions (blocks), controlling sliders, controlling events ... and many other ultra freaky things.
4. Coding is the next step towards the Holly Grail. Requires serious commitment, time and guarantees frustration, agony, and pain until ... you arrive into a point where all things appear "easy" (kinda like attempting a double forward in windsurfing: easy provided that there's "some" scars around). …