iangular element properly discretizes the area continuum forces, so they are independent of meshing density, unlike simply using a network of 1d springs.
The warp and weft stresses can also be set separately allowing greater control of the shape (making them equal will give minimal surfaces).
Because the soap film elements alone do not have any in-plane stiffness, it can often be useful to have some spacer elements to keep the nodes well distributed.
Also, if mesh edges follow geodesics on the surface, it helps keep the strips straight when unrolled, allowing more efficient use of material.
The G-string component can be used for both - keeping the nodes well spaced, and aligning edges with geodesics. It pulls each node toward a combination of its neighbours, but taking only the part of the force tangential to the surface, so it does not interfere with the shape of the surface, only affecting how the nodes are distributed on it.
The "GeoIndex" input lets you choose which neighbours will be used here. In this example, a quad mesh is used, and index 0 and 2 give the neighbours in the warp direction, while 1 and 3 are in the weft direction. Note that it is the triangulation of this quad mesh that is used for the actual soap-film elements.
There is also a "spacing" option. If this is true, the nodes will try and space out evenly along the geodesic, while if it is false, only the direction is affected. In this example it is set to false for the warp and true for the weft.
The example also includes use of the stripper and unroller components to get the flat strips. I have shown the result of splitting in either direction, and as you can see, only one of these is straight.
Finally, if all of this sounds overly complex, don't worry - for quick studies you can still use the simpler approach of just turning all edges of a mesh into springs, and provided you have a decent starting mesh, the result will be very similar to using the 2d element method given here. This is just provided for those that want to take things to greater degree of accuracy and further towards fabrication.…
s that I just can't quite figure out.
Zoom in of the lower left hand corner...
1. First off, I am not sure why two versions of the rectangles are showing, the original and the scaled versions from the image. This doesn't appear to be affecting my final results, so not a big deal, but would like to understand why there are two and get rid of the original rectangles if possible.
2. I would like to change the scaling factor of the the rectangles in the Y direction. They are currently scaling too small based on the image I provided. Is there a way to set a lower value minimum so that the rectangles are not quite so small. Please not that I am only wanting to scale the rectangles in the Y direction. I want the X to currently remain constant.
3. Lastly, I would like to offset the grid points in the y direction randomly so that the image does not seem so gridded. These should shift no more than 3/8 of the distance between the grid from the center point.
Desired Result:
Any help is greatly appreciated!…
Added by Josh Sawyer at 10:48am on September 17, 2017
mers considering extreme sports reject mainstream retailers and like to check out small stores rather of at chains plus malls. Several smaller retailers discuss trends in sports shoe sales. http://skateszone.com/
Though athletic shoes and sports stores and from doorways retailers have reported somewhat uptick in footwear sales due to the increase in extreme sports, the particular beneficiaries inside the trend are independent surf and skate niche stores.
Some West Coast surf and skate shops stated teenagers and even more youthful Generation Xers are not only rejecting traditional sports, but they're also shunning mainstream retailers and malls meant for smaller niche shops transporting hard-to-come-by brands.
Eddie Miyoshi, district manager at Atomic Garage, a 3-store chain situated in Gardena, Calif., stated the soaring recognition of skateboard footwear has boosted the retailer's total footwear business 20-thirty percent this year, rather of '95.
Skate footwear presently represent 80-90 % of Atomic Garage's shoe sales, while couple of years back, Dr. Martens and Timberland drove the retailer's footwear business.
Like many retailers, Miyoshi pointed to Airwalk since the trend's catalyst.
However, if Airwalk broadened its distribution to larger chains, which are frequently located in malls, only a few skate shoe customers adopted. Rather, many youthful males have switched for your skate shops for additional elusive brands like Etnies, Duffs, and Electricity Footwear by Circus. By refusing to market bigger retailers or sports stores, these brands are increasing their cachet among youthful consumers.
"Kids don't want stuff which have been within the shops,In . Miyoshi added.
Searching ahead, Miyoshi forecasted skate shoe sales will remain strong through spring '97 provided "the [hot] vendors don't auction other [non-particularly shop] retailers."
"Skaters and non-skaters are rebelling against mainstream retailers so on to surf and skate shops for many looks," echoed Mark Richards, co-online sources Val Surf, a 3-store chain situated in North Hollywood, Calif. Soaring sales of skate footwear have driven total footwear receipts up 25 percent this year rather of '95.
"The quantity of that increase might be connected while using exposure of maximum games? I am unsure. [Skate footwear] may also be actually the think about the moment,In . Richards acknowledged. And in relation to getting this right look, youthful customers can be very picky.
"Skateboard footwear is a huge category for people, but we're not able to own the brands, Etnies, Duffs, Electricity and Nice, simply because they won't sell us," stated Mark Anderson, buyer at Chick's Sports, a six-store chain in Covina, Calif. "We have people coming every single day requesting them." Consequently, skate footwear have consistently ongoing to obtain about 5 % of Chick's overall footwear business. http://skateszone.com/the-top-8-best-skateboards-for-beginners-reviews-2017/
Nonetheless, some outdoors, niche sports and sports retailers are noting the growing recognition and coverage of maximum sports will receive a modest impact on footwear sales. Trailrunning footwear and approach/outdoors crosstrainers will be the two groups benefiting the very best inside the recognition. Like the skate shoe business, some retailers realize that styling instead of function frequently drives sales of individuals footwear.
"At this time the merchandise is a lot more visual than function," stated Chet James, gm of Super Jock 'N Jill, Dallas, speaking about trailrunning footwear. Still, James noted the current hype over adventure sports helps draw more customer traffic. "The marketing campaigns and media help bring growing figures of people in, nonetheless they frequently occasions day an issue that increases results on their own account,Inch he conceded.
John Wilkinson, executive vp inside the 85-store chain Track 'N Trail, Eldorado Hillsides, Calif., stated the shop has "seen some activity in approach footwear," but he requested the amount of consumers depend in it commercially sport. And, instead of accelerating total footwear business, Wilkinson speculated elevated sales of approach footwear and trailrunners are gnawing away at traditional hiking shoe and boot volume.
But Dan Bazinet, president of Overland Exchanging, a 34-store chain situated in Westford, Mass., believes the company-new looks have breathed existence for the wilting hiking boot category. "[Approach-type footwear] don't represent the lion's participate the hiking market, nonetheless they have elevated the hiking business and provided us extra sales," Bazinet stated.
He designated Timberland's Treeline Series and Rockport's Leadville line as strong performers. Unsurprisingly, he noted the company-new looks are attractive to youthful consumer base than traditional hikers.
For that month of June, sales of men's hikers were up 49 percent at Overland, rather of June '95, while sales of women's hikers were up 17 % for that month. Bazinet also attributed elevated sales that shops walked inside the hiking business, departing that business for that specialists.
Some retailers draw a good example concerning the hiking boom of two yrs ago combined with the current extreme sport phenomenon. "Plenty of bigger chains will get a specific percent in the industry while [extreme] sports remain a fad because they are selling cost-point type gear," described Steven Carre, assistant hard goods buyer at Adventure 16, a six-store chain situated in Hillcrest.
"However individuals [true enthusiasts] will say `we need real gear' and may shown up at us. That will help us after a while. What Size Skateboard good for an 3 4 5 6 7 8 9 10 11 12 13 14 year old
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1)
Hi Clemens I've analysed a plate structure using Karamba and wanted to do a convergence analysis on results computed as a function of the number of elements.
Now, when strictly looking at the result magnitudes of internal energy (IE) and maximum displacement (w_max), it's acceptable, that their relative deviations are very small. But I cannot explain the tendencies of their graphs. From what I know, FEM should always compute underestimated results when compared to analytical solutions. So I don't understand why both the IE and w_max seem to be decreasing for an increasing number of elements.
But my main concern is the behaviour of the peak moment, it seems to be simply hill climbing untill suddenly a singularity kicks in. I initially wanted to use the peak moment as a fitness value for optimisation, but with this behaviour, I don't think that would make sense. I've attached my GH file as well.
It would be much appreciated if you could enlighten me on these subjects. Cheers Daniel Andersen
2)
Hi Daniel,
I could not run your definition because I have not all the plug-ins installed that you use.
You are basically right that the displacement should increase with a finer mesh. However the result of the shell analysis also depends on the shape of the triangles (well formed vs. very distorted). In order to test this, I think it would be interesting to use a very simple example (e.g. rectangular plate with one column) where you can easily control mesh generation. Would you like to start a discussion on this in the karamba group at http://www.grasshopper3d.com/group/karamba?
It is not a good idea to use the bending moment at a singularity for optimization because the result will be heavily mesh dependent. Also real columns do have a certain diameter and modeling them as point supports introduces an error.
Best,
Clemens
3)
oh, and by the way!
Here's some relevant literature on handling peak moments: https://books.google.dk/books?id=-5TvNxnVMmgC&pg=PA219&lpg=PA219&dq=blaauwendraad+plates+and+fem&source=bl&ots=SdDcwnrSA1&sig=6HulPmKNIhqKx4_rGxitteMC4CU&hl=da&sa=X&ved=0CDEQ6AEwA2oVChMIg66k0LPaxgIVgY1yCh1KPAeY#v=onepage&q=chapter%2014&f=false (Blaauwendraad, J., 2010. Plates and FEM : Surprises and Pitfalls, see Chapter 14) It would be great if a feature dealing with peak moments could be incorporated in Karamba. In my work, I ended up exporting my models to Robot in order to verify the moment values. Best, Daniel
4)
Hi Daniel,
thank you for your reply and the link to Blaauwendraads excellent book!
At some point I hope to include material nonlinearity in Karamba which will help in dealing with stress singularities.
If you want you could open a discussion with a title like 'moment peaks in shells at point-supports'. Then we could copy and paste the text of our conversation into it.
Best,
Clemens
----------------------------------------------------------------------------------------------…
o express my gratitude. I've been experimenting with your definitions (and still am), but let me extend my question.
Actually what I'm trying to achieve, is to recreate another project by Andrew Kudless, the spore lamp (I mentioned the Chrysalis at the beginning just because of the animation, which wasn't included in the Spore Lamp presentation).
Basically the spore lamp seems to me to be something like a preliminary study to the Chrysalis III project (I think it's a similar approach).
Andrew stated on his site that he used kangaroo for this project, so the Spore Lamp consists in my opinion either of a relaxed voronoi 3d diagram (b-rep, b-rep intersection) on a sphere which then has been planarized, or more likely it is a sort of relaxed facet dome.
The trick is to:
1. obtain a nicely-balanced voronoish diagram (or facet dome cells)
2. keep each cell/polyline planar (or force them with kangaroo to be planar) in order to move scale and loft them later on.
Here is what I have by now. (files: matsys spore lamp attempt)
That's the closest appearance that I got so far (simple move scale and loft of facet dome cells with the amount of transformations being proportional to the power of the initial cell area: bigger cell = bigger opening etc.) - with no relaxation of the diagram. But it's obviously not the same thing as the matsys design.
Here are some of my attempts of facet dome relaxation, but well, it certainly still not the right approach, and most importantly I don't know how to keep or force the cells to be planar after the relaxation.
1. pulling vertices to a sphere - no anchor points. That obviously doesn't make sense at all, but the relaxation without anchor points gives at the beginning a pattern that is closer to what I am looking for. (files: relaxation 01)
2. pulling vertices to a sphere - two faces of the initial facet dome anchored (files: relaxation 02)
3. pulling vertices to the initial geometry (facet dome) no anchor points (files: relaxation 03)
The cell pattern of the lamp kinda looks like this:
you can find it here: http://www.grasshopper3d.com/forum/topics/kangaroo-0-095-released?g...
Done with Plankton (of course without the "gradient increase" appearance), but in fact not, I took a look at Daniel Parker's Plankton example files, and it's not quite the same thing. Also the cells aren't planar...
The last problem is that during the relaxation attempts that I did, the biggest initial cells became enormous, and it's not like that in the elegant project by Andrew Kudless, that I'd like to achieve.
So to sum up:
Goal no 1: Obtain an elegant voronoi /facet dome cell pattern on a sphere (or an ellipsoid surface, whatever).
Goal no 2: Keep the cells planar in order to be able to loft them later and obtain those pyramidal forms, and assemble easily
Any ideas? Or maybe there's a completely different approach to that?…
greatly appreciate it!!
You can write the number of the question and write your answer next to it, example:
1) a
2) c
3) a) Washington University in St. Louis
4) 2 weeks (1week+1week shipping)
5) 130
6) b
7) b
The survey questions are as follows:
1)
Did you 3D print before?
5)
How much did it cost (in dollars)?
a.
Yes, for a school project
a.
Between 20 & 50
b.
Yes, for a personal project
b.
Between 50 & 80
c.
Between 80 & 120
2)
Print size
d.
Please specify if otherwise: _____ dollars
a.
Between 2 & 6 cubic inches
b.
Between 6 & 12 cubic inches
6)
Do you think the price was expensive?
c.
Between 12 & 20 cubic inches
a.
Not at all
d.
Please specify if otherwise: ____cubic inches
b.
A little bit expensive
c.
Very expensive
3)
Where did you print your object?
a.
School
7)
Were you satisfied with the printed object?
b.
Outside school: _________________
a.
Yes, it was a great print without problems
b.
Not bad, some issues
4)
How long did it take to print?
c.
I was not satisfied, very bad quality
a.
___ days
b.
___ weeks
Thank you very much to all!!
PS: If you did many 3D prints, you can post multiple answers.
Wassef…
ion of both Ladybug and Honeybee. Notable among the new components are 51 new Honeybee components for setting up and running energy simulations and 15 new Ladybug components for running detailed comfort analyses. We are also happy to announce the start of comprehensive tutorial series on how to use the components and the first one on getting started with Ladybug can be found here:
https://www.youtube.com/playlist?list=PLruLh1AdY-Sj_XGz3kzHUoWmpWDXNep1O
A second one on how to use the new Ladybug comfort components can be found here:
https://www.youtube.com/playlist?list=PLruLh1AdY-Sho45_D4BV1HKcIz7oVmZ8v
Here is a short list highlighting some of the capabilities of this current Honeybee release:
1) Run EnergyPlus and OpenStudio Simulations - A couple of components to export your HBZones into IDF or OSM files and run energy simulations right from the grasshopper window! Also included are several components for adjusting the parameters of the simulations and requesting a wide range of possible outputs.
2) Assign EnergyPlus Constructions - A set of components that allow you to assign constructions from the OpenStudio library to your Honeybee objects. This also includes components for searching through the OpenStudio construction/material library and components to create your own constructions and materials.
3) Assign EnergyPlus Schedules and Loads - A set of components for assigning schedules and Loads from the Openstudio library to your Honeybee zones. This includes the ability to auto-assign these based on your program or to tweak individual values. You can even create your own schedules from a stream of 8760 values with the new “Create CSV Schedule” component. Lastly, there is a component for converting any E+ schedule to 8760 values, which you can then visualize with the standard Ladybug components
4) Assign HVAC Systems - A set of components for assigning some basic ASHRAE HVAC systems that can be run with the Export to OpenStudio component. You can even adjust the parameters of these systems right in Grasshopper.
Note: The ASHRAE systems are only available for OpenStudio and can’t be used with Honeybee’s EnergyPlus component. Also, only ideal air, VAV and PTHP systems are currently available but more will be on their way soon!
5) Import And Visualize EnergyPlus Results - A set of components to import numerical EnergyPlus simulation results back into grasshopper such that they can be visualized with any of the standard Ladybug components (ie. the 3D chart or Psychrometric chart). Importers are made for zone-level results as well as surface results and surfaces results can be easily separated based on surface type. This also means that E+ results can be analyzed with the new Ladybug comfort calculator components and used in shade or natural ventilation studies. Lastly, there are a set of components for coloring zone/surface geometry with EnergyPlus results and for coloring the shades around zones with shade desirability.
6) Increased Radiance and Daysim Capabilities - Several updates have also been made to the existing Radiance and Daysim components including parallel Radiance Image-based analysis.
7) Visualize HBObject Attributes - A few components have been added to assist with setting up honeybee objects and ensuing the the correct properties have been assigned. These include components to separate surfaces based on boundary condition and components to label surfaces and zones with virtually any of their EnergyPlus or Radiance attributes.
8) WIP Grizzly Bear gbxml Exporter - Lastly, the release includes an WIP version of the Grizzly Bear gbXML exporter, which will continue to be developed over the next few months.
And here’s a list of the new Ladybug capabilities:
1) Comfort Models - Three comfort models that have been translated to python for your use in GH: PMV, Adaptive, and Outdoor (UTCI). Each of these models has a “Comfort Calculator” component for which you can input parameters like temperature and wind speed to get out comfort metrics. These can be used in conjunction with EPW data or EnergyPlus results to calculate comfort for every hour of the year.
2) Ladybug Psychrometric Chart - A new interactive psychrometric chart that was made possible thanks to the releasing of the Berkely Center for the Built Environment Comfort Tool Code (https://github.com/CenterForTheBuiltEnvironment/comfort-tool). The new psychrometric chart allows you to move the comfort polygon around based on PMV comfort metrics, plot EPW or EnergyPlus results on the psych chart, and see how many hours are made comfortable in each case. The component also allows you to plot polygons representing passive building strategies (like internal heat gain or evaporative cooling), which will adjust dynamically with the comfort polygon and are based on the strategies included in Climate Consultant.
3) Solar Adjusted MRT and Outdoor Shade Evaluator - A component has been added to allow you to account for shortwave solar radiation in comfort studies by adjusting Mean Radiant Temperature. This adjusted MRT can then be factored into outdoor comfort studies and used with an new Ladybug Comfort Shade Benefit Evaluator to design outdoor shades and awnings.
4) Wind Speed - Two new components for visualizing wind profile curves and calculating wind speed at particular heights. These allow users to translate EPW wind speed from the meteorological station to the terrain type and height above ground for their site. They will also help inform the CFD simulations that will be coming in later releases.
5) Sky Color Visualizer - A component has been added that allows you to visualize a clear sky for any hour of the year in order to get a sense of the sky qualities and understand light conditions in periods before or after sunset.
Ready to Start?
Here is what you will need to do:
Download Honeybee and Ladybug from the same link here. Make sure that you remove any old version of Ladybug and Honeybee if you have one, as mentioned on the Ladybug group page.
You will also need to install RADIANCE, DAYSIM and ENERGYPLUS on your system. We already sent a video about how to get RADIANCE and Daysim installed (link). You can download EnergyPlus 8.1 for Windows from the DOE website (http://apps1.eere.energy.gov/buildings/energyplus/?utm_source=EnergyPlus&utm_medium=redirect&utm_campaign=EnergyPlus%2Bredirect%2B1).
“EnergyPlus is a whole building energy simulation program that engineers, architects, and researchers use to model energy and water use in buildings.”
“OpenStudio is a cross-platform (Windows, Mac, and Linux) collection of software tools to support whole building energy modeling using EnergyPlus and advanced daylight analysis using Radiance.”
Make sure that you install ENERGYPLUS in a folder with no spaces in the file path (e.g. “C:\Program Files” has a space between “Program” and “Files”). A good option for each is C:\EnergyPlusV8-1-0, which is usually the default locations when you run the downloaded installer.
New Example Files!
We have put together a large number of new updated example files and you should use these to get yourself started. You can download them from the link on the group page.
New Developers:
Since the last release, we have had several new members join the Ladybug + Honeybee developer team:
Chien Si Harriman - Chien Si has contributed a large amount of code and new components in the OpenStudio workflow including components to add ASHRAE HVAC systems into your energy models and adjust their parameters. He is also the author of the Grizzly Bear gbxml exporter and will be continuing work on this in the following months.
Trygve Wastvedt - Trygve has contributed a core set of functions that were used to make the new Ladybug Colored Sky Visualizer and have also helped sync the Ladybug Sunpath to give sun positions for the current year of 2014
Abraham Yezioro - Abraham has contributed an awesome new bioclimatic chart for comfort analyses, which, despite its presence in the WIP tab, is nearly complete!
Djordje Spasic - Djordje has contributed a number of core functions that were used to make the new Ladybug Wind Speed Calculator and Wind Profile Visualizer components and will be assisting with workflows to process CFD results in the future. He also has some more outdoor comfort metrics in the works.
Andrew Heumann - Andrew contributed an endlessly useful list item selector, which can adjust based on the input list, and has multiple applications throughout Ladybug and Honeybee. One of the best is for selecting zone-level programs after selecting an overall building program.
Alex Jacobson - Alex also assisted with the coding of the wind speed components.
And, as always, a special thanks goes to all of our awesome users who tested the new components through their several iterations. Special thanks goes to Daniel, Michal, Francisco, and Agus for their continuous support. Thanks again for all the support, great suggestions and comments. We really cannot thank you enough.
Enjoy!,
Ladybug + Honeybee Development Team
PS: If you want to be updated about the news about Ladybug and Honeybee like Ladybug’s Facebook page (https://www.facebook.com/LadyBugforGrasshopper) or follow ladybug’s twitter account (@ladybug_tool).
…
peuvent se diviser une surface avec ne importe quel motif imaginable. 3. Ici, je fournir un moyen de le faire via Lunchbox ... cela fonctionne mais il est fixe et donc nous avons besoin de jouer avec des arbres de données afin de créer le motif approprié par cas. 4. L'autre composante est un joint C # qui fait beaucoup de choses autres que de diviser ne importe quelle collection de points avec de nombreux modèles (voir le modèle ANDRE que je ai fait pour vous). 5. Vous devez décomposer une polysurface en morceaux afin de travailler sur les subdivisions. 6. Je donne une autre définition ainsi que pourrait agir comme un tutoriel sur la façon de traiter des ensembles de points via des composants de GH standards et des méthodes classiques.
Avertissez si tous ceux-ci apparaissent floue pour vous: Si oui, je pourrais écrire une définition utilisant des composants de GH classiques - mais vous perdrez les variations de motifs de division.
mieux, Peter
…
and export the geometry out to VVVV to render it LIVE! RawRRRR. In this case, a digital audio workstation Ableton Live, a leading industrial standard in contemporary music production.
the good news is that VVVV and ableton live lite is both free.
https://www.ableton.com/en/products/live-lite/
i am not trying to use ipad as a controller for grasshoppper. I wanted to work with a timeline (similar to MAYA or Ableton or any other DAW(digital audio workstation)) inside grasshopper in an intuitive way. Currently there is no way of SEQUENCING your definition the way you want to see that i know of.
no more combersome export import workflows... i dont need hyperrealistic renderings most of the time. so much time invested in googling the right way to import, export ... mesh settings...this workflow works for some, for some not ...that workflow works if ... and still you cannot render it live nor change sequence of instruction WHILE THE VIDEO is played. and I think no one wants to present rhinoceros viewport. BUT vvvv veiwport is different. it is used for VJing and many custom audio visual installation for events, done professionally. you can see an example of how sound and visuals come together from this post, using only VVVV and ableton. http://vvvv.org/documentation/meso-amstel-pulse
I propose a NEW method. make a definition, wire it to ableton, draw in some midi notes, and see it thru VVVV LIVE while you sequence the animation the WAY YOU WANT TO BE SEEN DURING YOUR PRESENTATION FROM THE BEGINNING, make a whole set of sequences in ableton, go back change some notes in ableton and the whole sequence will change RIGHT INFRONT of you. yes, you can just add some sound anywhere in the process. or take the sound waves (sqaure, saw, whateve) or take the audio and influence geometric parameters using custom patches via vvvv. I cannot even begin to tell you how sophisticated digital audio sound design technology got last ten year.. this is just one example which isn't even that advanced in todays standard in sound design ( and the famous producers would say its not about the tools at all.) http://www.youtube.com/watch?v=Iwz32bEgV8o
I just want to point out that grasshopper shares the same interface with VVVV (1998) and maxforlive, a plug in inside ableton. audio mulch is yet another one that shares this interface of plugging components to each other and allows users to create their own sound instruments. vvvv is built based on vb, i believe.
so current wish list is ...
1) grasshopper recieves a sequence of commands from ableton DONE
thanks to sebastian's OSCglue vvvv patch and this one http://vvvv.org/contribution/vvvv-and-grasshopper-demo-with-ghowl-udp
after this is done, its a matter of trimming and splitting the incoming string.
2) translate numeric oscillation from ableton to change GH values
video below shows what the controll interface of both values (numbers) and the midi notes look like.
https://vimeo.com/19743303
3) midi note in = toggle GH component (this one could be tricky)
for this... i am thinking it would be great if ...it is possible to make "midi learn" function in grasshopper where one can DROP IN A COMPONENT LIKE GALAPAGOS OR TIMER and assign the component to a signal in, in this case a midi note. there are total 128 midi notes (http://www.midimountain.com/midi/midi_note_numbers.html) and this is only for one channel. there are infinite channels in ableton. I usually use 16.
I have already figured out a way to send string into grasshopper from ableton live. but problem is, how for grasshopper to listen, not just take it in, and interpret midi and cc value changes ( usually runs from 0 to 128) and perform certain actions.
Basically what I am trying to achieve is this : some time passes then a parameter is set to change from value 0 to 50, for example. then some time passes again, then another parameter becomes "previewed", then baked. I have seen some examples of hoopsnake but I couldn't tell that you can really control the values in a clear x and y graph where x is time and y is the value. but this woud be considered a basic feature of modulation and automation in music production. NVM, its been DONE by Mr Heumann. https://vimeo.com/39730831
4) send points, lines, surfaces and meshes back out to VVVV
5) render it using VVVV and play with enormous collection of components in VVVV..its been around since 1998 for the sake of awesomeness.
this kind of a digital operation-hardware connection is usually whats done in digital music production solutions. I did look into midi controller - grasshopper work, and I know its been done, but that has obvious limitations of not being precise. and it only takes 0 o 128. I am thinking that midi can be useful for this because then I can program very precise and complex sequence with ease from music production software like ableton live.
This is an ongoing design research for a performative exhibition due in Bochum, Germany, this January. I will post definition if I get somewhere. A good place to start for me is the nesting sliders by Monique . http://www.grasshopper3d.com/forum/topics/nesting-sliders
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