RESENTERS PETER ARBOUR seele KEITH BOSWELL Skidmore Owings & Merrill MARK E. DANNETTEL Thornton Thomasetti LISA IWAMOTO IwamotoScott JASON KELLY JOHNSONFuture Cities Lab/California College of the Arts HAO KO Gensler BILL KREYSLER Kreysler & Associates ANDREW KUDLESS Matsys/California College of the Arts CHRIS LASCH Aranda\Lasch ARNOLD LEE HOK MIC PATTERSON Enclos, Corp. M. MIN RA Front GEOFF ROSSI Element DENNIS SHELDEN Gehry Technologies ANN SMITH Cambridge Architectural MARCELLO SPINAP-A-T-T-E-R-N-S SANJEEV TANKHA Buro Happold BEN TRANEL Gensler PHIL WILLIAMS Webcor Builders & Consulting Group
DIGITAL FABRICATION WORKSHOPS
8 LU/HSW or 8 LU credits (depending upon workshop choice)
Friday, July 27th 2012 9:00 AM – 6:00 PMCalifornia College of the Arts San Francisco, California
PARAMETRIC ENVELOPES WITH GRASSHOPPERANDREW KUDLESS Matsys Design/California College of the Arts
COMPOSITE FACADES IN ARCHITECTUREBILL KREYSLER & JOSHUA ZABEL Kreysler & Associates
RESPONSIVE BUILDING FACADESJASON KELLY JOHNSON Future Cities Lab/California College of the Arts
SCRIPTED FACADESCHRIS LASCH Aranda/Lasch
PARAMETRIC FACADE TECTONICSKEVIN MCCLELLAN & ANDREW VRANA Digital Fabrication Alliance
BIM MODELING WITH REVIT/INTRO TO VASARIGERMAN APARICIO California College of the Arts & Autodesk Fellow
Facade technologies are developing at a more dynamic rate than almost any other issue related to construction today with an impact on performance, sustainability, materials, fabrication, design, delivery and much more. What was once thought impossible is now an everyday reality, and the future promises accelerating change.
Presented by Enclos and The Architect’s Newspaper, COLLABORATION will bring together in a two-day event, the industry, the profession, and the academy to explore the evolution and the issues surrounding today’s high tech building envelope through case studies and lectures presented by foremost
practitioners, as well as panel discussions, and workshops conducted by leaders in the AEC profession.
Aimed at architects, building owners and developers, general contractors, engineers, fabricators, material suppliers, educators, and students, the event’s panels and sessions address the transformative opportunities created by new technologies and resources. From using BIM for communicating effectively with fabricators, to energy modeling, to retrofitting practices and the latest design tools, the COLLABORATION conference offers an unprecedented opportunity to survey the possibilities of designing in the digital age.
Who Should Attend
Architects, designers, engineers, building owners, developers, and facade consultants interested in gaining increased understanding of cutting-edge building envelope technologies.…
ve Intermediate Insight of Computational Design Strategies While Exploring Rangoli Art form in 2 Dimension and 3Dimesion in which Participants will not only be trained to Digitally Design using Parametric software's but they will also be trained to Fabricate them in reality.
This Course will be explored in manner where Participants will understand inter-dependency of Rhinoceros3D & Grasshoper3D through a unique Hybrid Teaching Method While Exploring Rangoli Geometry .
The course will also take participants through Topics such as - Computational Thinking, - Computational / Parametric Design, - Computational Rangoli Exploration, - Digital Fabrication, - 3D Visualization ( Rhino3D 6), - Making Info-graphics & Design Diagrams ( Rhino3d 6 ).
Participants will also be doing a Project at the last Leg of Workshop in which they will implement the skill they gained in first Few Weeks.
{ Tutor } Nitant Pixelkar (Computational Artist / Designer, Mumbai)
Nitant Hirlekar A.k.a. Pixelkar, is a Computational Artist. He graduated from Rachana Sansad school of Interior Design 2011, Mumbai. In Academics He Bagged Two Gold and One Silver Medal on National Level.
In his post academic days, he came across the Emerging Computational Techniques in Design industry in which Algorithm serves as a main Functional part. He uses Algorithms to Deconstruct the Captured images in Pixelated form using the Grid of the Desired Indian Art Forms.
He Heads Collective Group Named "Mutation Lab” which is a multidisciplinary Design & Art Cell. Where they Explore Computational Approach while Designing Various Scales Spatial Installation, Digital Fabrication, Interactive Installations and Computational Consultancy for Various Architects.
He has exhibited his first artwork in Kalaghoda Arts Festival for in 2014 And further in 2016 and 2017.In 2015 he exhibited in Dharavi Biennale” organized by Wellcome Trust,London & Sneha Organisation, Mumbai Which was internationally acclaimed. In 2016 he got Featured on a TV show - The Creative Indian's as an Absolut Creative Indian of the Week.
Academically he is been involved in Many Computational Design Workshops / Elective Studios for School of Interior Design (Rachna Sansad), LS Raheja College of Architecture & Rat-Lab (Delhi).
{ Participants } The Course is aimed at Architecture, Interior Design, Product Design,Furniture Design & Fashion Design Students and Professionals. However we would be thrilled to have any Interdisciplinary Artist / Creator/ Maker to join the Course as well.
{ Level }
Intermediate
{ Timing } Monday To Friday - 6:00 PM to 9:00 PM (15 Hours/ Week = 5 Week X 15 Hours = 75 Hours )
{ Dates } Registration Ends - 24th April 2020 **Subejct to Availablity
{ Workshop Dates } 4th May 2020 To 5th June 2020
{ Venue } Lower Parel,Mumbai ( Details To Be Announced )
{ Schedule }
{Registration Form}…
stributes structural supports for a uniformly loaded domain using e.g. the internal energy of the loaded domain as fitness. Here the uniformly loaded domain is represented by the trimmed surface. My genomes are the support positions (green crosses), which are restricted to a set of predefined grid points. I’m currently using an (i,j)-coordinate indexing for these grid points (illustrated in the viewport just below) as opposed to a sequential , “one-dimensional” numbering (illustrated in the viewport further down).
(i,j)-indexing systemAltenative, sequential indexing system
The support positions are computed by two gene pools; one governing the i-index, Gene List {i}, and one governing the j-index, Gene List {j}, of each support. The value of slider 0 in Gene List {i} is paired with the value of slider 0 in Gene List {j} etc. and the amount of sliders corresponds to the amount of supports. The screen shot below depicts the slider constellation corresponding to the support distribution depicted above. Unfortunately the j-index represented in the sliders needs remapping as the number of j-indices vary for each i-index (horizontal row of grid points). With the current setup I have 12^6 x 9^6 = 1,6 x 10^12 different genomes. If I were to use the sequential, “one-dimensional” numbering, I would only use one gene pool with sliders ranging from 0 to 76 meaning that remapping could be avoided and thereby having only 76^6 = 1,9 x 10^11 different genomes.
So, my current genome setup causes a bunch of issues related to the Evolutionary Solver: Remapping Changing one of the j-index sliders, will not necessarily change the related support position but it will still facilitate another genome to be calculated by the solver. (This problem could be eliminated by using the sequential, “one-dimensional” numbering)
Switching slider values around If the values of e.g. slider 0 were to be switched around with the values of slider 5, this again would yield a new genome but an identical solution. (This problem cannot be eliminated by using the sequential, “one-dimensional” numbering)
Coincident support positions Two or more supports may be located in the same position. (This problem cannot be eliminated by using the sequential, “one-dimensional” numbering)
I find it impossible to imagine the fictive “fitness landscape” of this problem and not only because of the multidimensional genome characteristic but just as much because of these listed, intertwined peculiarities. I’ve tried running the Simulated Annealing Solver as well, but my experience is that the Evolutionary Solver yields better results. To my awareness, the solver uses some kind of topographical proximity searcher. This is why, I think that the solving process itself benefits more from analysing the (i,j)-index system, in which neighbouring grid points hold more uniform topographical information than the sequential, “one-dimensional” numbering, which might have big ID-numbering gaps between neighbours. Have I understood this correctly?
Cheers…
ack to .ghx?
This is in relation to a discussion I've been having with David Rutten & Scott Davidson about GH consuming memory in a relatively large GH definition (~. I think what I've learned from this is that one should limit the size of the GH file, or put some incremental stops in the definition to limit the length of calculations that it runs at once. Is this a valid conclusion?
The GH file we're talking about is 7Mb & the Rhino file is about 120Mb, but when working w/ the GH def. I try to only keep about 2 curves turned on.
Here's a summary of the discussion:
Hi Mike,thanks for sending it over. I've been fiddling with the file for about 10 minutes and it climbed from 1.7 GB to 1.9GB, but then I've been switching previews on which means more meshes get calculated so you'd expect a higher memory consumption. It is possible we're leaking memory, but if you're working for hours on end, memory fragmentation might also explain part of the increase. Basically, memory gets fragmented just like disks get fragmented after prolonged use, difference is that memory cannot be defragmented unless you restart the application and allow it to start with a clean slate. I'll try and find any leaks we may have missed in the past.Goodwill,David
──────────── David Rutten
On 09/03/2011 06:19, Mike Calvino wrote:
Thanks very much David for the quick response. I've attached the files zipped. I can't figure out what's doing it. After working in the file for awhile, the memory usage in the Windows Task Manager climbs . . . it's gotten to 1.57+Gb before I exited GH & Rhino5Wip & let it dissipate, then restart & work for awhile before it does it again. It probably takes like 4 or 5 hours before it gets that high. That's the highest it's gotten, & that only happened while I was working in a Rhino file that had all of the elements baked into it - turned off at least, but it still climbed to 1.57+Gb. It seems to climbs when you work in the file & move around in both the GH def. & the Rhino file. Like turn on a few of the Extr components at the right end of the "StandareRibExtuder" groups, you can watch the MemUsage go up, but when you turn them off, it does not go down. - goes up fast at this point. Maybe I need to figure out how to do the definition with fewer components, I'm sure that's part of it, but I must confess, I think I'm still early on in the learning curve.I really hope that this is not operator error on my part & I do apologize up front if it is. I have done a disk cleanup, I have tried excluding .3dm & .ghx files from my NOD32 antivirus, no change. I hope you can find something.Let me know if you have any trouble with the files.See if you find anything & please let me know . . . thanks!Cheers! --Mike CalvinoCalvino Architecture Studio, inc.www.calvinodesign.com
…
_b2 texfunc WoodGrain_tex
6 xgrain_dx ygrain_dx zgrain_dx woodtex.cal -s 0.01
0
1 0.075
WoodGrain_tex plastic WoodGrain_NonColor2
0
0
5 0.364 0.187 0.072 0.006 0.0
This creates the texture (on the table) below:
Is it possible for me to use a multi-modifier material like this in Honeybee ?
Thanks,
Sarith
(Update: I figured out a hack to do this in MSH2RAD but I still don't know if it is possible to add this to the Honeybee Library).…
greatly appreciate it!!
You can write the number of the question and write your answer next to it, example:
1) a
2) c
3) a) Washington University in St. Louis
4) 2 weeks (1week+1week shipping)
5) 130
6) b
7) b
The survey questions are as follows:
1)
Did you 3D print before?
5)
How much did it cost (in dollars)?
a.
Yes, for a school project
a.
Between 20 & 50
b.
Yes, for a personal project
b.
Between 50 & 80
c.
Between 80 & 120
2)
Print size
d.
Please specify if otherwise: _____ dollars
a.
Between 2 & 6 cubic inches
b.
Between 6 & 12 cubic inches
6)
Do you think the price was expensive?
c.
Between 12 & 20 cubic inches
a.
Not at all
d.
Please specify if otherwise: ____cubic inches
b.
A little bit expensive
c.
Very expensive
3)
Where did you print your object?
a.
School
7)
Were you satisfied with the printed object?
b.
Outside school: _________________
a.
Yes, it was a great print without problems
b.
Not bad, some issues
4)
How long did it take to print?
c.
I was not satisfied, very bad quality
a.
___ days
b.
___ weeks
Thank you very much to all!!
PS: If you did many 3D prints, you can post multiple answers.
Wassef…
ion of both Ladybug and Honeybee. Notable among the new components are 51 new Honeybee components for setting up and running energy simulations and 15 new Ladybug components for running detailed comfort analyses. We are also happy to announce the start of comprehensive tutorial series on how to use the components and the first one on getting started with Ladybug can be found here:
https://www.youtube.com/playlist?list=PLruLh1AdY-Sj_XGz3kzHUoWmpWDXNep1O
A second one on how to use the new Ladybug comfort components can be found here:
https://www.youtube.com/playlist?list=PLruLh1AdY-Sho45_D4BV1HKcIz7oVmZ8v
Here is a short list highlighting some of the capabilities of this current Honeybee release:
1) Run EnergyPlus and OpenStudio Simulations - A couple of components to export your HBZones into IDF or OSM files and run energy simulations right from the grasshopper window! Also included are several components for adjusting the parameters of the simulations and requesting a wide range of possible outputs.
2) Assign EnergyPlus Constructions - A set of components that allow you to assign constructions from the OpenStudio library to your Honeybee objects. This also includes components for searching through the OpenStudio construction/material library and components to create your own constructions and materials.
3) Assign EnergyPlus Schedules and Loads - A set of components for assigning schedules and Loads from the Openstudio library to your Honeybee zones. This includes the ability to auto-assign these based on your program or to tweak individual values. You can even create your own schedules from a stream of 8760 values with the new “Create CSV Schedule” component. Lastly, there is a component for converting any E+ schedule to 8760 values, which you can then visualize with the standard Ladybug components
4) Assign HVAC Systems - A set of components for assigning some basic ASHRAE HVAC systems that can be run with the Export to OpenStudio component. You can even adjust the parameters of these systems right in Grasshopper.
Note: The ASHRAE systems are only available for OpenStudio and can’t be used with Honeybee’s EnergyPlus component. Also, only ideal air, VAV and PTHP systems are currently available but more will be on their way soon!
5) Import And Visualize EnergyPlus Results - A set of components to import numerical EnergyPlus simulation results back into grasshopper such that they can be visualized with any of the standard Ladybug components (ie. the 3D chart or Psychrometric chart). Importers are made for zone-level results as well as surface results and surfaces results can be easily separated based on surface type. This also means that E+ results can be analyzed with the new Ladybug comfort calculator components and used in shade or natural ventilation studies. Lastly, there are a set of components for coloring zone/surface geometry with EnergyPlus results and for coloring the shades around zones with shade desirability.
6) Increased Radiance and Daysim Capabilities - Several updates have also been made to the existing Radiance and Daysim components including parallel Radiance Image-based analysis.
7) Visualize HBObject Attributes - A few components have been added to assist with setting up honeybee objects and ensuing the the correct properties have been assigned. These include components to separate surfaces based on boundary condition and components to label surfaces and zones with virtually any of their EnergyPlus or Radiance attributes.
8) WIP Grizzly Bear gbxml Exporter - Lastly, the release includes an WIP version of the Grizzly Bear gbXML exporter, which will continue to be developed over the next few months.
And here’s a list of the new Ladybug capabilities:
1) Comfort Models - Three comfort models that have been translated to python for your use in GH: PMV, Adaptive, and Outdoor (UTCI). Each of these models has a “Comfort Calculator” component for which you can input parameters like temperature and wind speed to get out comfort metrics. These can be used in conjunction with EPW data or EnergyPlus results to calculate comfort for every hour of the year.
2) Ladybug Psychrometric Chart - A new interactive psychrometric chart that was made possible thanks to the releasing of the Berkely Center for the Built Environment Comfort Tool Code (https://github.com/CenterForTheBuiltEnvironment/comfort-tool). The new psychrometric chart allows you to move the comfort polygon around based on PMV comfort metrics, plot EPW or EnergyPlus results on the psych chart, and see how many hours are made comfortable in each case. The component also allows you to plot polygons representing passive building strategies (like internal heat gain or evaporative cooling), which will adjust dynamically with the comfort polygon and are based on the strategies included in Climate Consultant.
3) Solar Adjusted MRT and Outdoor Shade Evaluator - A component has been added to allow you to account for shortwave solar radiation in comfort studies by adjusting Mean Radiant Temperature. This adjusted MRT can then be factored into outdoor comfort studies and used with an new Ladybug Comfort Shade Benefit Evaluator to design outdoor shades and awnings.
4) Wind Speed - Two new components for visualizing wind profile curves and calculating wind speed at particular heights. These allow users to translate EPW wind speed from the meteorological station to the terrain type and height above ground for their site. They will also help inform the CFD simulations that will be coming in later releases.
5) Sky Color Visualizer - A component has been added that allows you to visualize a clear sky for any hour of the year in order to get a sense of the sky qualities and understand light conditions in periods before or after sunset.
Ready to Start?
Here is what you will need to do:
Download Honeybee and Ladybug from the same link here. Make sure that you remove any old version of Ladybug and Honeybee if you have one, as mentioned on the Ladybug group page.
You will also need to install RADIANCE, DAYSIM and ENERGYPLUS on your system. We already sent a video about how to get RADIANCE and Daysim installed (link). You can download EnergyPlus 8.1 for Windows from the DOE website (http://apps1.eere.energy.gov/buildings/energyplus/?utm_source=EnergyPlus&utm_medium=redirect&utm_campaign=EnergyPlus%2Bredirect%2B1).
“EnergyPlus is a whole building energy simulation program that engineers, architects, and researchers use to model energy and water use in buildings.”
“OpenStudio is a cross-platform (Windows, Mac, and Linux) collection of software tools to support whole building energy modeling using EnergyPlus and advanced daylight analysis using Radiance.”
Make sure that you install ENERGYPLUS in a folder with no spaces in the file path (e.g. “C:\Program Files” has a space between “Program” and “Files”). A good option for each is C:\EnergyPlusV8-1-0, which is usually the default locations when you run the downloaded installer.
New Example Files!
We have put together a large number of new updated example files and you should use these to get yourself started. You can download them from the link on the group page.
New Developers:
Since the last release, we have had several new members join the Ladybug + Honeybee developer team:
Chien Si Harriman - Chien Si has contributed a large amount of code and new components in the OpenStudio workflow including components to add ASHRAE HVAC systems into your energy models and adjust their parameters. He is also the author of the Grizzly Bear gbxml exporter and will be continuing work on this in the following months.
Trygve Wastvedt - Trygve has contributed a core set of functions that were used to make the new Ladybug Colored Sky Visualizer and have also helped sync the Ladybug Sunpath to give sun positions for the current year of 2014
Abraham Yezioro - Abraham has contributed an awesome new bioclimatic chart for comfort analyses, which, despite its presence in the WIP tab, is nearly complete!
Djordje Spasic - Djordje has contributed a number of core functions that were used to make the new Ladybug Wind Speed Calculator and Wind Profile Visualizer components and will be assisting with workflows to process CFD results in the future. He also has some more outdoor comfort metrics in the works.
Andrew Heumann - Andrew contributed an endlessly useful list item selector, which can adjust based on the input list, and has multiple applications throughout Ladybug and Honeybee. One of the best is for selecting zone-level programs after selecting an overall building program.
Alex Jacobson - Alex also assisted with the coding of the wind speed components.
And, as always, a special thanks goes to all of our awesome users who tested the new components through their several iterations. Special thanks goes to Daniel, Michal, Francisco, and Agus for their continuous support. Thanks again for all the support, great suggestions and comments. We really cannot thank you enough.
Enjoy!,
Ladybug + Honeybee Development Team
PS: If you want to be updated about the news about Ladybug and Honeybee like Ladybug’s Facebook page (https://www.facebook.com/LadyBugforGrasshopper) or follow ladybug’s twitter account (@ladybug_tool).
…
peuvent se diviser une surface avec ne importe quel motif imaginable. 3. Ici, je fournir un moyen de le faire via Lunchbox ... cela fonctionne mais il est fixe et donc nous avons besoin de jouer avec des arbres de données afin de créer le motif approprié par cas. 4. L'autre composante est un joint C # qui fait beaucoup de choses autres que de diviser ne importe quelle collection de points avec de nombreux modèles (voir le modèle ANDRE que je ai fait pour vous). 5. Vous devez décomposer une polysurface en morceaux afin de travailler sur les subdivisions. 6. Je donne une autre définition ainsi que pourrait agir comme un tutoriel sur la façon de traiter des ensembles de points via des composants de GH standards et des méthodes classiques.
Avertissez si tous ceux-ci apparaissent floue pour vous: Si oui, je pourrais écrire une définition utilisant des composants de GH classiques - mais vous perdrez les variations de motifs de division.
mieux, Peter
…
and export the geometry out to VVVV to render it LIVE! RawRRRR. In this case, a digital audio workstation Ableton Live, a leading industrial standard in contemporary music production.
the good news is that VVVV and ableton live lite is both free.
https://www.ableton.com/en/products/live-lite/
i am not trying to use ipad as a controller for grasshoppper. I wanted to work with a timeline (similar to MAYA or Ableton or any other DAW(digital audio workstation)) inside grasshopper in an intuitive way. Currently there is no way of SEQUENCING your definition the way you want to see that i know of.
no more combersome export import workflows... i dont need hyperrealistic renderings most of the time. so much time invested in googling the right way to import, export ... mesh settings...this workflow works for some, for some not ...that workflow works if ... and still you cannot render it live nor change sequence of instruction WHILE THE VIDEO is played. and I think no one wants to present rhinoceros viewport. BUT vvvv veiwport is different. it is used for VJing and many custom audio visual installation for events, done professionally. you can see an example of how sound and visuals come together from this post, using only VVVV and ableton. http://vvvv.org/documentation/meso-amstel-pulse
I propose a NEW method. make a definition, wire it to ableton, draw in some midi notes, and see it thru VVVV LIVE while you sequence the animation the WAY YOU WANT TO BE SEEN DURING YOUR PRESENTATION FROM THE BEGINNING, make a whole set of sequences in ableton, go back change some notes in ableton and the whole sequence will change RIGHT INFRONT of you. yes, you can just add some sound anywhere in the process. or take the sound waves (sqaure, saw, whateve) or take the audio and influence geometric parameters using custom patches via vvvv. I cannot even begin to tell you how sophisticated digital audio sound design technology got last ten year.. this is just one example which isn't even that advanced in todays standard in sound design ( and the famous producers would say its not about the tools at all.) http://www.youtube.com/watch?v=Iwz32bEgV8o
I just want to point out that grasshopper shares the same interface with VVVV (1998) and maxforlive, a plug in inside ableton. audio mulch is yet another one that shares this interface of plugging components to each other and allows users to create their own sound instruments. vvvv is built based on vb, i believe.
so current wish list is ...
1) grasshopper recieves a sequence of commands from ableton DONE
thanks to sebastian's OSCglue vvvv patch and this one http://vvvv.org/contribution/vvvv-and-grasshopper-demo-with-ghowl-udp
after this is done, its a matter of trimming and splitting the incoming string.
2) translate numeric oscillation from ableton to change GH values
video below shows what the controll interface of both values (numbers) and the midi notes look like.
https://vimeo.com/19743303
3) midi note in = toggle GH component (this one could be tricky)
for this... i am thinking it would be great if ...it is possible to make "midi learn" function in grasshopper where one can DROP IN A COMPONENT LIKE GALAPAGOS OR TIMER and assign the component to a signal in, in this case a midi note. there are total 128 midi notes (http://www.midimountain.com/midi/midi_note_numbers.html) and this is only for one channel. there are infinite channels in ableton. I usually use 16.
I have already figured out a way to send string into grasshopper from ableton live. but problem is, how for grasshopper to listen, not just take it in, and interpret midi and cc value changes ( usually runs from 0 to 128) and perform certain actions.
Basically what I am trying to achieve is this : some time passes then a parameter is set to change from value 0 to 50, for example. then some time passes again, then another parameter becomes "previewed", then baked. I have seen some examples of hoopsnake but I couldn't tell that you can really control the values in a clear x and y graph where x is time and y is the value. but this woud be considered a basic feature of modulation and automation in music production. NVM, its been DONE by Mr Heumann. https://vimeo.com/39730831
4) send points, lines, surfaces and meshes back out to VVVV
5) render it using VVVV and play with enormous collection of components in VVVV..its been around since 1998 for the sake of awesomeness.
this kind of a digital operation-hardware connection is usually whats done in digital music production solutions. I did look into midi controller - grasshopper work, and I know its been done, but that has obvious limitations of not being precise. and it only takes 0 o 128. I am thinking that midi can be useful for this because then I can program very precise and complex sequence with ease from music production software like ableton live.
This is an ongoing design research for a performative exhibition due in Bochum, Germany, this January. I will post definition if I get somewhere. A good place to start for me is the nesting sliders by Monique . http://www.grasshopper3d.com/forum/topics/nesting-sliders
…
ers can be applied from the right click Context Menu of either a component's input or output parameters. With the exception of <Principal> and <Degrees> they work exactly like their corresponding Grasshopper Component. When a I/O Modifier is applied to a parameter a visual Tag (icon) is displayed. If you hover over a Tag a tool tip will be displayed showing what it is and what it does.
The full list of these Tags:
1) Principal
An input with the Principal Icon is designated the principal input of a component for the purposes of path assignment.
For example:
2) Reverse
The Reverse I/O Modifier will reverse the order of a list (or lists in a multiple path structure)
3) Flatten
The Flatten I/O Modifier will reduce a multi-path tree down to a single list on the {0} path
4) Graft
The Graft I/O Modifier will create a new branch for each individual item in a list (or lists)
5) Simplify
The Simplify I/O Modifier will remove the overlap shared amongst all branches. [Note that a single branch does not share any overlap with anything else.]
6) Degrees
The Degrees Input Modifier indicates that the numbers received are actually measured in Degrees rather than Radians. Think of it more like a preference setting for each angle input on a Grasshopper Component that state you prefer to work in Degrees. There is no Output option as this is only available on Angle Inputs.
7) Expression
The Expression I/O Modifier allows you change the input value by evaluating an expression such as -x/2 which will have the input and make it negative. If you hover over the Tag a tool tip will be displayed with the expression. Since the release of GH version 0.9.0068 all I/O Expression Modifiers use "x" instead of the nickname of the parameter.
8) Reparameterize
The Reparameterize I/O Modifier will only work on lines, curves and surfaces forcing the domains of all geometry to the [0.0 to 1.0] range.
9) Invert
The Invert Input Modifier works in a similar way to a Not Gate in Boolean Logic negating the input. A good example of when to use this is on [Cull Pattern] where you wish to invert the logic to get the opposite results. There is no Output option as this is only available on Boolean Inputs.
…