Because the Adaptive methodology is founded upon the notion that there are hundreds of social factors that influence comfort and that the best we can do to forecast comfort is to find variables with good correlations to these social factors (like outdoor temperature), the premise that these published Adaptive model holds regardless of cultural norms is dangerous. Notably, the founders of the adaptive model have stressed that this particular linear correlation that you cite comes from recent surveys of buildings where people have both the the ability to open windows AND a great freedom to dress down. Hypothetically, if occupants were able to open the windows in Abraham's building but the cultural norm was that everyone was expected to wear multi-layered suits or dresses (as in historic Britain), a different correlation between outdoor temperature and comfort temperature would exist. In fact, historical European comfort surveys show that people likely preferred cooler temperatures in buildings (about 1-2C cooler) than today's occupants. Accordingly, after recognizing this social premise in the Adaptive model, I have built in a few ways to adjust/alter the version in Ladybug based on the literature I have read (even though these alterations are not a part of any official ASHRAE or European standard).
Abraham, you might have to be a bit more specific about how you would like to adjust the Adaptive comfort model for me to help your particular case and this may lead to me adding in new functionality. For the time being, I can tell you that the 'Ladybug_Adaptive Comfort Parameters' component is going to be your friend and I would recommend using the Adaptive Comfort Chart to visualize how you are changing the model. You can plug these 'Adaptive Comfort Parameters' into the 'Adaptive Comfort Recipe' component to have the microclimate analysis run with these parameters. Here are a few examples of how to alter the model:
1) Mixed-mode Building - Humphreys and the European Adaptive comfort team derived two separate correlations.
One for naturally ventilated buildings:
and conditioned buildings:
The dimensionless value between 0 and 1 for _levelOfConditioning allows you to create different correlations depending on whether occupants have complete freedom of dress and window operability (0) or have slight restrictions like in a mixed mode building (0.5, for example):
2) Changing Response Time of Occupants - There has been a bit of a debate in Literature about whether it is better to use the average monthly temperature or a weekly running mean temperature. The avgMonthORRunningMean input allows you to adjust this like so:
Average Month:
Running Mean:
3) Greater Temperature Range Tolerance - While this last one is actually a part of the European and Adaptive standards, you can adjust the range of the comfort band with either the 'eightyOrNintetyComf' input or the comfortClass input like so:
Ninety Percent Comfortable
Eighty Percent Comfortable
Abraham, let me know if you would like more controls over the model or if this is enough to do what you are thinking of. This example file allows you to construct the images I have above:
http://hydrashare.github.io/hydra/viewer?owner=chriswmackey&fork=hydra_2&id=Adaptive_Comfort_Chart&slide=0&scale=1&offset=0,0
-Chris…
ther math and logic. i can usually conceptualise what i want to do and cobble some semi working thing together but don't know which components to use and how to patch it. so i'm super happy to have someone who knows what he's doing to find this interesting.
and i'm glad you mention the fanned frets again, there is one input parameter that's still missing for the multiscale frets to be fully parametric, it's the angle of the nut or which fret should be straight. it depends a bit on personal preferences and playing posture what is more comfortable. so being able to adjust this easily would be cool. again i have no idea how the maths for that work or if you can just rotate each fret the same amount around it's middle point. The input either as fret number (for the straight fret) or as a simple slider from bridge to nut should do as input setting.
Here are the two extremes and the middle ground:
i've been thinkin today while analysing your patches and cleaning up my mess what exactly the monster should do.
Here are the input parameters needed, i think it's the complete list
scale length low E string
scale length high e string
fret angle/straight fret
string width at nut
string width at bridge
number of frets
fretboard overhang at nut (distance from string to fretboard bounds)
fretboard overhang at last fret
string gauges
string tensions
fretboard radius at nut (for compound radius fretboard radius at bridge is calculated with the stewmac formula)
fretwire crown width
fretwire crown height
action height at nut (distance between bottom of string and fretwire crown top)
action height at last fret
pickup 1 neck position
pickup 2 middle position
pickup 3 bridge position
nut width
the pickup positions should be used to draw circles for the magnet poles on each string so they are perfectly aligned and can be used for the pickup flatwork construction. ideally they would need a rotation control aligning the center line of the pickup so it's somewher between the last fret angle and bridge angle. personally i do this visually depending on the design i'm looking for, some people have huge theories on pickup positioning but personally i don't believe in it.
that should result in everything needed to quickly generate all the necessary construction curves or geometry for nut/fingerboard/frets/pickups. this is the core of what makes a guitar work, the more precise this dynamic system is the better the guitar plays and sounds.
i posted another thread trying to understand how i could use datasets form spreadsheets,databse, csv to organize the input parameters. What would make sense for the strings for example is hook into a spreadsheet with the different string sets, i attached one for the d'Addario NYXL string line which basically covers all combos that make sense.
The string tension is an interesting one, and implmenting it would sure be overkill albeit super interesting to try. it should be possible to extrapolate from the scale length of each string what the tension for a given string gauge of that string would be so that you could say 'i want a fully balanced set' or 'heavy top light bottom) and it would calculate which SKU from d'addario would best match the required tension. All the strings listed in the spreadsheet are available as single strings to buy.
i'm trying to reorganize everything which helps me understand it. i just discovered the 'hidden wires' feature which is great since once i understood what a certain block does or have finished one of my own, i can get the wires out of the way to carry on undistracted. a bit risky to hide so many wires but it makes it so much easier not to get completely lost :-)
btw, the 'fanned fret' term is trademarked, some guy tried to patent it in the 80's which is a bit silly since it has been done for centuries. there is a level of sophistication above this as well, check out http://www.truetemperament.com/ and that really is something else. it really is astounding how superior the tuning is on those wigglefrets, the problem is that it's rather awkward for string bending and also you can't easily recrown or level the frets when they are used. …
me logic produced by running the 2-d voronoi component.
From a given set of polylines we can extract the centers and this can drive both the voronoi component as well as provide the XYZ drill points for the cnc. The definition has a variety of different options. You need Lunchbox, Weaverbird, and Starling. I can't tell you how amazing these 3 tools are from a design perspective. They are extremely powerful so if you don't have these you must install them asap. You can get the tools at http://www.food4rhino.com/
This definition works by first choosing a grid type, next you choose voronoi type, and subdivision type. From the voronoi type list you can choose basic (just grid), truncation (uses truncation calculated via the image sampler), truncation dual (uses the dual of the truncated image based grid), and subdivision (takes the basic grid type and uses different subdivision shcemes). Each of these provide different patterns of polylines from which we can extract our drilling points. I am rather proud of this definition since the overall idea is one which is so simple it's easy to overlook - the idea that drilling with a ball end mill makes voronoi plots. Now when you combine that with all of these amazing tools it can go off right quick. The nice thing is the paatern you see on screen is the pattern that gets made by drilling wysiwyg cnc patterns.
VORONIO_DRILLing.gh
Here are some on screen patterns in process in the following order truncation, basic, subdivision:
here is a video moving over a machined example:
…
or a couple of thingies.
Pattern.gh
I defined parametrically a triangle which I then smoothed out to become more like a blob shape. After that I created a pretty simple pattern that I had in my mind (costed me a lot of time to make this in GH) and finally wanted to rotate each element as it goes higher . The dispatching part seems to be working pretty slow, so it might need an optimization, but I’m still happy with the result as it shows exactly what I wanted, so this is a minor issue in my case.
I then decided to try tessellating my extrusions. You’ll see the voronoi script which is a blob-group in the same Pattern.gh:
I had an idea of something and started the code from scratch, then decided to watch tutorials and implement the code shown there. I somehow coped to combine my code with this in the tutorials, but since my knowledge of Grasshopper is zero to basic my code seems to be very unoptimized and lagging.. When dragging the sliders, it takes a lot of time to compute the changes, although, I’m working on a 24gigs 6th gen i7 machine. It might also need optimization.
Here comes the first tricky part that I couldn’t sort out in an elegant way neither in Grasshopper nor in Rhino. I want a smooth transition between the wall and the ceiling, so that the voronoi tessellation doesn’t get interrupted. If I was to do it in Rhino I’d make a curve with a filleted edge which I’d then revolve/sweep along a rail.
Pattern.gh:
Second thing is – I’ve defined a shape which I want to rotate at a certain degree as it goes higher, however, I don’t have the knowledge to make this happen automatically and just copy the script over and over again. Is there a chance to somehow “loop” the code and parametrically define the degree of rotation and amount of units in the loop?
Next thing is I want to somehow be able to rotate each “6-storey-building” dependently on its surrounding buildings, so that their “terraces” never overlap. I’m using quotes, since they’re still some silly shapes that have nothing to do with buildings and terraces. The principle has to be something like gear wheels or the so-called rack wheels . There has to be some pace which I could set parametrically, but I’m still unsure how to do that in Grasshopper.
The pre-last thing is that I want to control the height of each “building” based on let’s say a topography. I presume this could be done somehow with height maps or some gradient mapper connected to curvature analysis. Not really sure how something like this would work, but I’ve seen such codes that control height depending on a variable.
The last one is more or less similar to the previous. I want to be able to “dissolve” the pattern that I initially created and make it irregular. I suppose this could be done with attractor curve, but again this is just a guess. Please note that this is a top view and the shapes on the upper-left corner have got more "wings" which means there is more floors in the according building. Let's say the buildings in the upper-left corner are 6-7 floors high, in the middle are 4-5 and to the right they're only 3 floors high.
Sorry for that many questions in a single thread. Please let me know if I have to split them in separate threads. All this information is needed for learning purposes. I’m now preparing myself for my bachelor thesis and try as much things as I could, so that I’ll be ready for the final stage of my bachelor’s degree.
Many thanks in advance! Cheers!…
looked at autodesk simulation cfd 2015 and was optimistic because it had an export plugin from revit, which i use anyway for material takeoffs and etc, but found that it did not take solar radiation into account. This was a downer because I have heard that solar radiation could effect indoor airflow - convection - as much as 50 percent at a time.
Then I searched again and found that Hyperworks, a software by altair technology can be coupled with a radiation software. So I went through the trouble of obtaining an educational license of Hyperworks. However, though some email exchange I have found that the coupling is a one-way. The radiation analysis software was used, I think, for understanding the solar loading for a SOM project called church of light.
The support guy said : "Unfortunately our coupling with Hyperworks is really a one way coupling. We can accept H coefficients from their software in RadTherm, but they will not read in our wall temps. That said, it still can be a useful coupling in the sense that you can run the analysis in Hyperworks, send H coefficients to RadTherm, and run the analysis to better understand radiation and conduction. Most importantly, that analysis can be done for longer transient analysis, but will require much less compute time and resources."
Not only did I not understand what he means by the H coefficients, my wanting to get a CFD understanding coupled with solar radiation was again, unsatisfied. In the mean while I had to finish a presentation so I haven't had the time to try to get some result on the natural ventilation. I would probably need to look into how their solutions work before I can understand if their software would "do the job"
Thank you for letting me know about your work on this. I downloaded the Honeybee_Set EP Natural Ventilation component and made sure that it is allowed, but it does not show up in grasshopper.
You pointed out that "The component (and the corresponding equation) is mostly meant for cases where you have zones with windows that are NOT connected by an air wall (or a larger airflow network)." I wondered if you are suggesting it would be a code violation for zones to be connected by an air wall for fire safety reasons. It would be a violation I guess, like not putting an fiber insulation or some kind of smoke stop between Spandrel panels and the edge of a floor plate would be a code violation for a typical office building.
There is a project by kevin daly architects where you can see a section drawing with what seems like a cfd analysis (could be an illustration)
it was my initial visualization/simulation goals were for a facade design I am working on
1) an average air velocity across a zone at noon, for example, if a passive design strategy like this was used. for this I am guessing cfd is not entirely necessary. probably means that it could be used earlier in a design process, too. This would be more about user comfort.
2) at a later phase, like in detailing facade components, if airflow is indeed as expected for a zone that is connected to an air wall / chimney like feature (and to see if there is a proper mixing of air)
3) and a projection of energy savings, of course.
After seeing a video of simulation cfd I was optimistic, but like I said sim cfd does not take account of solar loading. I think I would probably go ahead start with one zone with sim cfd first, try three zones stacked on top of each other, then try hyperworks and try to factor in solar radiation.
For analyzing multiple zones on different levels, being able to add a chimney would be especially useful, I think. Having said that, I don't have a lot of experience of using honeybee except for the daylight component so it would take some time for me to understand the components.
I hope some of the information here is useful for you. after all, both sim cfd and hyperworks are commercial softwares and somewhat different than the e plus project you are working on, I guess but still trying to address a similar problem.
so.. in cased you missed it I was asking I downloaded the Honeybee_Set EP Natural Ventilation component and made sure that it is allowed and placed in the user object foler, but it does not show up in grasshopper. what could be the reason?
…
o express my gratitude. I've been experimenting with your definitions (and still am), but let me extend my question.
Actually what I'm trying to achieve, is to recreate another project by Andrew Kudless, the spore lamp (I mentioned the Chrysalis at the beginning just because of the animation, which wasn't included in the Spore Lamp presentation).
Basically the spore lamp seems to me to be something like a preliminary study to the Chrysalis III project (I think it's a similar approach).
Andrew stated on his site that he used kangaroo for this project, so the Spore Lamp consists in my opinion either of a relaxed voronoi 3d diagram (b-rep, b-rep intersection) on a sphere which then has been planarized, or more likely it is a sort of relaxed facet dome.
The trick is to:
1. obtain a nicely-balanced voronoish diagram (or facet dome cells)
2. keep each cell/polyline planar (or force them with kangaroo to be planar) in order to move scale and loft them later on.
Here is what I have by now. (files: matsys spore lamp attempt)
That's the closest appearance that I got so far (simple move scale and loft of facet dome cells with the amount of transformations being proportional to the power of the initial cell area: bigger cell = bigger opening etc.) - with no relaxation of the diagram. But it's obviously not the same thing as the matsys design.
Here are some of my attempts of facet dome relaxation, but well, it certainly still not the right approach, and most importantly I don't know how to keep or force the cells to be planar after the relaxation.
1. pulling vertices to a sphere - no anchor points. That obviously doesn't make sense at all, but the relaxation without anchor points gives at the beginning a pattern that is closer to what I am looking for. (files: relaxation 01)
2. pulling vertices to a sphere - two faces of the initial facet dome anchored (files: relaxation 02)
3. pulling vertices to the initial geometry (facet dome) no anchor points (files: relaxation 03)
The cell pattern of the lamp kinda looks like this:
you can find it here: http://www.grasshopper3d.com/forum/topics/kangaroo-0-095-released?g...
Done with Plankton (of course without the "gradient increase" appearance), but in fact not, I took a look at Daniel Parker's Plankton example files, and it's not quite the same thing. Also the cells aren't planar...
The last problem is that during the relaxation attempts that I did, the biggest initial cells became enormous, and it's not like that in the elegant project by Andrew Kudless, that I'd like to achieve.
So to sum up:
Goal no 1: Obtain an elegant voronoi /facet dome cell pattern on a sphere (or an ellipsoid surface, whatever).
Goal no 2: Keep the cells planar in order to be able to loft them later and obtain those pyramidal forms, and assemble easily
Any ideas? Or maybe there's a completely different approach to that?…
les automatically at the right angle to form the cap of an icosahedron.
To complete the full icosahedron, we consider just the six points we already know, the five pentagon vertices and the raised pyramid tip and reorient one of the vertices using three-point transformation so it obtains the exact same relationship between vertices only one more stage beyond our little cap pyramid, and we do a five-fold polar array:
I used a password-protected cluster I ran into one the forum somewhere to reproduce Rhino's 3-point orient command:
A final 3-point orientation transforms in space the original pyramid tip down to the bottom:
Now we can create a convex hull which gives an icosahedron mesh:
So that's how you build an icosahedron in Rhino from scratch, only using rather long winded Grasshopper.
Now we use the Weaverbird plug-in to subdivide the faces and then project the vertices out onto a sphere via finding the closest points to a sphere and then recreating a convex hull to make a geodesic dome mesh:
Subdividing two times works fine but 3 times blows up convex hull, so I'll just have due with the the subdivision step and leave out projecting back to a sphere, since the algorithm already gives a nice spherical result that you can see inside this disaster:
Now you know what a standard geodescic dome is, just an icosahedron with faces divided into smaller triangles, projected out to a sphere.
Actually, the mere subdivision is just a bit blobby instead of a sphere, damn it, so I'll have to topologically recreate the mesh after projecting the points indeed back onto our sphere.
Using a subdivision plug-in may be slightly throwing the perfect result off, so manually creating subdivision points on each mesh face may be in order, doing them flat against each icosahedron face:
You can also start with the two other triangulated Platonic solids but those give less regular triangles:
…
ree..
First-End List Component cannot manage branches inside every dimensions..
"Smart T8" Component is developed for managing the multi dimensional data tree with first-end algorithm.
It works with path index location..
"-1" or negative numbers mean the location of item..
"0" means the location of the last path index..
positive numbers mean the location from the back..
----
Now look at this example.. a simple 3-dimensional boxes..
In the data tree.. of {0;0;i;j} (k)
"k" is the item index.. Y direction..
"j" is the last path.. X direction..
and "i" is the level.. Z direction..
----
When index < 0 (i.e. "-1" or negative)
"Smart T8" performs like the First-End Item Component..
It selects first items in each list and puts them out to "F"..
and in this example.. they are boxes with same Y coordinate(=0)..
In the below image..
F(Red) M(Transparent Green) E(Blue) are classified by Y coordinates..
----
When index = 0
"Smart T8" focuses on the last path index..
It selects first list of every {0; 0; i; *} set of lists.. (i.e. every levels)
In this example.. they are boxes with same X coordinate(=0)..
because the last path means X grid..
In the below image..
F(Red) M(Transparent Green) E(Blue) are classified by X coordinates..
----
When index = 1
"Smart T8" focuses on the third path index.. (i.e. 1 step from the back)
It selects first list of every {0; 0; *; j} set of lists..
Actually in this case.. they are first levels of every YZ planes..
In this example.. they are boxes with same Z coordinate(=0)..
because "Smart T8" manages levels now (index=1)..
In the below image..
F(Red) M(Transparent Green) E(Blue) are classified by levels..
----
When index > 1.. (if it is meaningless index or out of range..)
It performs First-End List Component..
It selects only the first and end list of all lists..
----
The "Smart T8" component works with 3 or more dimensional data tree well..
Please control the focusing index and enjoy it.. :)
…
a problem with SSL. Any Ideas? I am using the following code:
import json,httplib connection = httplib.HTTPSConnection('api.parse.com', 443) connection.connect() connection.request('GET', '/1/classes/MY-CLASS', '', { "X-Parse-Application-Id": "MY-APP-ID", "X-Parse-REST-API-Key": "MY-REST-API-KEY" }) result = json.loads(connection.getresponse().read()) print result
I Get the Following Messages:
Runtime error (IOException): Authentication failed because the remote party has closed the transport stream. Traceback: line 280, in do_handshake, "C:\Program Files\Rhinoceros 5.0 (64-bit)\Plug-ins\IronPython\Lib\ssl.py" line 120, in __init__, "C:\Program Files\Rhinoceros 5.0 (64-bit)\Plug-ins\IronPython\Lib\ssl.py" line 336, in wrap_socket, "C:\Program Files\Rhinoceros 5.0 (64-bit)\Plug-ins\IronPython\Lib\ssl.py" line 1156, in connect, "C:\Program Files\Rhinoceros 5.0 (64-bit)\Plug-ins\IronPython\Lib\httplib.py" line 3, in script Any help would be greatly appreciated! Thanks in advance! -Zach…