inner As Curve() = section.ToNurbsCurve().Offset(normal, pc, -plate, 1e-3, 1e-4, Rhino.Geometry.CurveOffsetCornerStyle.Sharp)
the error message is:
"
{0}0. Error: Het oplossen van de overbelasting is mislukt omdat dit aantal argumenten door geen enkele toegankelijke Offset wordt geaccepteerd. (line 104)
"
this is the VBA script:
"Option Strict OffOption Explicit On'Import SDK and Framework namespacesImports RhinoImports Rhino.GeometryImports Rhino.CollectionsImports GrasshopperImports Grasshopper.KernelImports Grasshopper.Kernel.DataImports Grasshopper.Kernel.TypesImports GH_IOImports GH_IO.SerializationImports SystemImports System.IOImports System.XmlImports System.DataImports System.DrawingImports System.ReflectionImports System.CollectionsImports System.Windows.FormsImports Microsoft.VisualBasicImports System.Collections.GenericImports System.Runtime.InteropServices'Code generated by Grasshopper(R) (except for RunScript() content and Additional content)'Copyright (C) 2011 - Robert McNeel & Associates<System.Runtime.CompilerServices.CompilerGenerated()> _Public Class Script_Instance Implements IGH_ScriptInstance#Region "Members" ''' <summary>List of error messages. Do not modify this list directly.</summary> Private __err As New List(Of String) ''' <summary>List of print messages. Do not modify this list directly, use the Print() and Reflect() functions instead.</summary> Private __out As New List(Of String) ''' <summary>Represents the current Rhino document.</summary> Private doc As RhinoDoc = RhinoDoc.ActiveDoc ''' <summary>Represents the Script component which maintains this script.</summary> Public owner As Grasshopper.Kernel.IGH_ActiveObject#End Region#Region "Utility functions" ''' <summary>Print a String to the [Out] Parameter of the Script component.</summary> ''' <param name="text">String to print.</param> Private Sub Print(ByVal text As String) __out.Add(text) End Sub ''' <summary>Print a formatted String to the [Out] Parameter of the Script component.</summary> ''' <param name="format">String format.</param> ''' <param name="args">Formatting parameters.</param> Private Sub Print(ByVal format As String, ByVal ParamArray args As Object()) __out.Add(String.Format(format, args)) End Sub ''' <summary>Print useful information about an object instance to the [Out] Parameter of the Script component. </summary> ''' <param name="obj">Object instance to parse.</param> Private Sub Reflect(ByVal obj As Object) __out.Add(GH_ScriptComponentUtilities.ReflectType_VB(obj)) End Sub ''' <summary>Print the signatures of all the overloads of a specific method to the [Out] Parameter of the Script component. </summary> ''' <param name="obj">Object instance to parse.</param> Private Sub Reflect(ByVal obj As Object, ByVal method_name As String) __out.Add(GH_ScriptComponentUtilities.ReflectType_VB(obj, method_name)) End Sub#End Region ''' <summary> ''' This procedure contains the user code. Input parameters are provided as ByVal arguments, ''' Output parameter are ByRef arguments. You don't have to assign output parameters, ''' they will be null by default. ''' </summary> Private Sub RunScript(ByVal p0 As Point3d, ByVal p1 As Point3d, ByVal p2 As Point3d, ByVal pc As Point3d, ByVal plate As Double, ByVal itt As Integer, ByVal dev As Double, ByRef crvout As Object, ByRef crvin As Object, ByRef sec As Object, ByRef opp As Object, ByRef div As Object, ByRef pt4 As Object) 'your code goes here… opp = "test01" Dim section As New Polyline(5) section.Add(p0) section.Add(p1) section.Add(p2) section.Add(pc) section.Add(p0) Dim normal As Vector3d = vector3d.CrossProduct((p1 - p0), (p2 - p0)) Dim area As Double Dim chicken_int As Int32 = 0 Dim XX As Double Dim YY As Double Do chicken_int += 1 If (chicken_int > itt) Then Exit Do 'Compute the section offset Dim inner As Curve() = section.ToNurbsCurve().Offset(normal, pc, -plate, 1e-3, 1e-4, Rhino.Geometry.CurveOffsetCornerStyle.Sharp) Dim edges As New CurveList(inner) edges.Add(section.ToNurbsCurve()) crvin = edges Dim sections As Brep() = Brep.CreatePlanarBreps(edges) If (sections Is Nothing) Then Exit Do opp = "test02" 'Compute the centroid of the current section Dim am As AreaMassProperties = AreaMassProperties.Compute(sections(0)) Dim ct As Point3d = am.Centroid XX = am.CentroidCoordinatesMomentsOfInertia.X YY = am.CentroidCoordinatesMomentsOfInertia.Y area = am.Area Dim dx As Vector3d = pc - ct 'Compute the error of the current centroid Dim dl As Double = dx.Length div = dl 'Update output values crvout = section crvin = inner sec = sections(0) opp = area If (dl < dev) Then Exit Do 'Adjust outline with a boosting factor. section(3) += dx * 4 Loop pt4 = section(3) crvout = section End Sub '<Custom additional code> '</Custom additional code> End Class
"…
peuvent se diviser une surface avec ne importe quel motif imaginable. 3. Ici, je fournir un moyen de le faire via Lunchbox ... cela fonctionne mais il est fixe et donc nous avons besoin de jouer avec des arbres de données afin de créer le motif approprié par cas. 4. L'autre composante est un joint C # qui fait beaucoup de choses autres que de diviser ne importe quelle collection de points avec de nombreux modèles (voir le modèle ANDRE que je ai fait pour vous). 5. Vous devez décomposer une polysurface en morceaux afin de travailler sur les subdivisions. 6. Je donne une autre définition ainsi que pourrait agir comme un tutoriel sur la façon de traiter des ensembles de points via des composants de GH standards et des méthodes classiques.
Avertissez si tous ceux-ci apparaissent floue pour vous: Si oui, je pourrais écrire une définition utilisant des composants de GH classiques - mais vous perdrez les variations de motifs de division.
mieux, Peter
…
and export the geometry out to VVVV to render it LIVE! RawRRRR. In this case, a digital audio workstation Ableton Live, a leading industrial standard in contemporary music production.
the good news is that VVVV and ableton live lite is both free.
https://www.ableton.com/en/products/live-lite/
i am not trying to use ipad as a controller for grasshoppper. I wanted to work with a timeline (similar to MAYA or Ableton or any other DAW(digital audio workstation)) inside grasshopper in an intuitive way. Currently there is no way of SEQUENCING your definition the way you want to see that i know of.
no more combersome export import workflows... i dont need hyperrealistic renderings most of the time. so much time invested in googling the right way to import, export ... mesh settings...this workflow works for some, for some not ...that workflow works if ... and still you cannot render it live nor change sequence of instruction WHILE THE VIDEO is played. and I think no one wants to present rhinoceros viewport. BUT vvvv veiwport is different. it is used for VJing and many custom audio visual installation for events, done professionally. you can see an example of how sound and visuals come together from this post, using only VVVV and ableton. http://vvvv.org/documentation/meso-amstel-pulse
I propose a NEW method. make a definition, wire it to ableton, draw in some midi notes, and see it thru VVVV LIVE while you sequence the animation the WAY YOU WANT TO BE SEEN DURING YOUR PRESENTATION FROM THE BEGINNING, make a whole set of sequences in ableton, go back change some notes in ableton and the whole sequence will change RIGHT INFRONT of you. yes, you can just add some sound anywhere in the process. or take the sound waves (sqaure, saw, whateve) or take the audio and influence geometric parameters using custom patches via vvvv. I cannot even begin to tell you how sophisticated digital audio sound design technology got last ten year.. this is just one example which isn't even that advanced in todays standard in sound design ( and the famous producers would say its not about the tools at all.) http://www.youtube.com/watch?v=Iwz32bEgV8o
I just want to point out that grasshopper shares the same interface with VVVV (1998) and maxforlive, a plug in inside ableton. audio mulch is yet another one that shares this interface of plugging components to each other and allows users to create their own sound instruments. vvvv is built based on vb, i believe.
so current wish list is ...
1) grasshopper recieves a sequence of commands from ableton DONE
thanks to sebastian's OSCglue vvvv patch and this one http://vvvv.org/contribution/vvvv-and-grasshopper-demo-with-ghowl-udp
after this is done, its a matter of trimming and splitting the incoming string.
2) translate numeric oscillation from ableton to change GH values
video below shows what the controll interface of both values (numbers) and the midi notes look like.
https://vimeo.com/19743303
3) midi note in = toggle GH component (this one could be tricky)
for this... i am thinking it would be great if ...it is possible to make "midi learn" function in grasshopper where one can DROP IN A COMPONENT LIKE GALAPAGOS OR TIMER and assign the component to a signal in, in this case a midi note. there are total 128 midi notes (http://www.midimountain.com/midi/midi_note_numbers.html) and this is only for one channel. there are infinite channels in ableton. I usually use 16.
I have already figured out a way to send string into grasshopper from ableton live. but problem is, how for grasshopper to listen, not just take it in, and interpret midi and cc value changes ( usually runs from 0 to 128) and perform certain actions.
Basically what I am trying to achieve is this : some time passes then a parameter is set to change from value 0 to 50, for example. then some time passes again, then another parameter becomes "previewed", then baked. I have seen some examples of hoopsnake but I couldn't tell that you can really control the values in a clear x and y graph where x is time and y is the value. but this woud be considered a basic feature of modulation and automation in music production. NVM, its been DONE by Mr Heumann. https://vimeo.com/39730831
4) send points, lines, surfaces and meshes back out to VVVV
5) render it using VVVV and play with enormous collection of components in VVVV..its been around since 1998 for the sake of awesomeness.
this kind of a digital operation-hardware connection is usually whats done in digital music production solutions. I did look into midi controller - grasshopper work, and I know its been done, but that has obvious limitations of not being precise. and it only takes 0 o 128. I am thinking that midi can be useful for this because then I can program very precise and complex sequence with ease from music production software like ableton live.
This is an ongoing design research for a performative exhibition due in Bochum, Germany, this January. I will post definition if I get somewhere. A good place to start for me is the nesting sliders by Monique . http://www.grasshopper3d.com/forum/topics/nesting-sliders
…
ers can be applied from the right click Context Menu of either a component's input or output parameters. With the exception of <Principal> and <Degrees> they work exactly like their corresponding Grasshopper Component. When a I/O Modifier is applied to a parameter a visual Tag (icon) is displayed. If you hover over a Tag a tool tip will be displayed showing what it is and what it does.
The full list of these Tags:
1) Principal
An input with the Principal Icon is designated the principal input of a component for the purposes of path assignment.
For example:
2) Reverse
The Reverse I/O Modifier will reverse the order of a list (or lists in a multiple path structure)
3) Flatten
The Flatten I/O Modifier will reduce a multi-path tree down to a single list on the {0} path
4) Graft
The Graft I/O Modifier will create a new branch for each individual item in a list (or lists)
5) Simplify
The Simplify I/O Modifier will remove the overlap shared amongst all branches. [Note that a single branch does not share any overlap with anything else.]
6) Degrees
The Degrees Input Modifier indicates that the numbers received are actually measured in Degrees rather than Radians. Think of it more like a preference setting for each angle input on a Grasshopper Component that state you prefer to work in Degrees. There is no Output option as this is only available on Angle Inputs.
7) Expression
The Expression I/O Modifier allows you change the input value by evaluating an expression such as -x/2 which will have the input and make it negative. If you hover over the Tag a tool tip will be displayed with the expression. Since the release of GH version 0.9.0068 all I/O Expression Modifiers use "x" instead of the nickname of the parameter.
8) Reparameterize
The Reparameterize I/O Modifier will only work on lines, curves and surfaces forcing the domains of all geometry to the [0.0 to 1.0] range.
9) Invert
The Invert Input Modifier works in a similar way to a Not Gate in Boolean Logic negating the input. A good example of when to use this is on [Cull Pattern] where you wish to invert the logic to get the opposite results. There is no Output option as this is only available on Boolean Inputs.
…
ing the maps to the broader community.
At the moment, there are just a few known issues left that I have to fix for complex geometric cases but they should run smoothly for most energy models that you generate with Honeybee. Within the next month, I will be clearing up these last issues and, by the end of the month, there will be an updated youtube tutorial playlist on the comfort tools and how to use them.
In the meantime, there's an updated example file (http://hydrashare.github.io/hydra/viewer?owner=chriswmackey&fork=hydra_2&id=Indoor_Microclimate_Map) and I wanted to get you all excited with some images and animations coming out of the design part of my thesis. I also wanted to post some documentation of all of the previous research that has made these climate maps possible and give out some much deserved thanks. To begin, this image gives you a sense of how the thermal maps are made by integrating several streams of data for EnergyPlus:
(https://drive.google.com/file/d/0Bz2PwDvkjovJaTMtWDRHMExvLUk/view?usp=sharing)
To get you excited, this youtube playlist has a whole bunch of time-lapse thermal animations that a lot of you should enjoy:
https://www.youtube.com/playlist?list=PLruLh1AdY-Sj3ehUTSfKa1IHPSiuJU52A
To give a brief summary of what you are looking at in the playlist, there are two proposed designs for completely passive co-habitation spaces in New York and Los Angeles.
These diagrams explain the Los Angeles design:
(https://drive.google.com/file/d/0Bz2PwDvkjovJM0JkM0tLZ1kxUmc/view?usp=sharing)
And this video gives you and idea of how it thermally performs:
These diagrams explain the New York design:
(https://drive.google.com/file/d/0Bz2PwDvkjovJS1BZVVZiTWF4MXM/view?usp=sharing)
And this video shows you the thermal performance:
Now to credit all of the awesome people that have made the creation of these thermal maps possible:
1) As any HB user knows, the open source engines and libraries under the hood of HB are EnergyPlus and OpenStudio and the incredible thermal richness of these maps would not have been possible without these DoE teams creating such a robust modeler so a big credit is definitely due to them.
2) Many of the initial ideas for these thermal maps come from an MIT Masters thesis that was completed a few years ago by Amanda Webb called "cMap". Even though these cMaps were only taking into account surface temperature from E+, it was the viewing of her radiant temperature maps that initially touched-off the series of events that led to my thesis so a great credit is due to her. You can find her thesis here (http://dspace.mit.edu/handle/1721.1/72870).
3) Since the thesis of A. Webb, there were two key developments that made the high resolution of the current maps believable as a good approximation of the actual thermal environment of a building. The first is a PhD thesis by Alejandra Menchaca (also conducted here at MIT) that developed a computationally fast way of estimating sub-zone air temperature stratification. The method, which works simply by weighing the heat gain in a room against the incoming airflow was validated by many CFD simulations over the course of Alejandra's thesis. You can find here final thesis document here (http://dspace.mit.edu/handle/1721.1/74907).
4) The other main development since the A. Webb thesis that made the radiant map much more accurate is a fast means of estimating the radiant temperature increase felt by an occupant sitting in the sun. This method was developed by some awesome scientists at the UC Berkeley Center for the Built Environment (CBE) Including Tyler Hoyt, who has been particularly helpful to me by supporting the CBE's Github page. The original paper on this fast means of estimating the solar temperature delta can be found here (http://escholarship.org/uc/item/89m1h2dg) although they should have an official publication in a journal soon.
5) The ASHRAE comfort models under the hood of LB+HB all are derived from the javascript of the CBE comfort tool (http://smap.cbe.berkeley.edu/comforttool). A huge chunk of credit definitely goes to this group and I encourage any other researchers who are getting deep into comfort to check the code resources on their github page (https://github.com/CenterForTheBuiltEnvironment/comfort_tool).
6) And, last but not least, a huge share of credit is due to Mostapha and all members of the LB+HB community. It is because of resources and help that Mostapha initially gave me that I learned how to code in the first place and the knowledge of a community that would use the things that I developed was, by fa,r the biggest motivation throughout this thesis and all of my LB efforts.
Thank you all and stay awesome,
-Chris…
ences, so not terribly important in the end. After all, it's not really worth going through a lot of trouble to get a 15% speed increase; 15% faster than slow is still pretty slow.
Also processor speed has pretty much peaked these past few years, there have been no more significant increases lately. Instead, manufacturers have started putting more cores on motherboards, which is something GH unfortunately cannot take advantage of.
Multi-threading (very high on the list for GH2) brings with it a promise of full core utilisation (minus the inevitable overhead for aggregating computed results), but there are some problems that may end up being significant. Here's a non-exhaustive list:
It's not possible to modify the UI from a non-UI thread. This is probably not that big a deal for Grasshopper components, especially since we can make methods such a Rhino.RhinoApp.WriteLine() thread safe.
Not all methods used by component code are necessarily thread safe. There used to be a lot of stuff in the Rhino SDK that simply wouldn't work correct or would crash if the same method was run more than once simultaneously. Rhino core team has been working hard to remedy this problem, and I'm confident we can fix any problems that still come up, though it may take some time. If components rely on other code libraries then the problem may not be solvable at all. So we need to make sure multi-threading is an optional property of components.
There's overhead involved in multi-threading, it's especially difficult to get a good performance gain when dealing with lots of very fast operations. The overhead in these cases can actually make stuff perform slower.
There's the question on what level should multi-threading be implemented. Obviously the lower the better, but that means a lot of extra work, complicated patterns of responsibilities and a lot of communications between different developers.
There's the question on how the interface should behave during solutions now. If all the computation is happening in a thread, the interface can stay 'live'. So what should it look like if a solution takes -say- 5 seconds to complete? Should you be able to see the waves of data streaming through the network, turning components and wires grey and orange like strobe lights? What happens if you modify a slider during a solution? Simple answer is to abort the current solution and start a new one with the new slider value. But as you slowly drag the slider from left to right, you end up computing 400 partial solution and never getting to a final answer, even though you could have computed 2 full solutions in the same time and given better feedback. Does the preview geometry in the Rhino viewports flicker in and out of existence as solutions cascade through the network?
…
and where the decimal place should be.
The reason it only shows the first 5 numbers that make up 1,000,000 is because anything smaller than 100 is considered insignificant when talking about 1 million. Think of it like this if 1 million represents an Olympic size swimming pool then 10 would represent the volume of a full tank of petrol for an average family car. You would have to stand there for an extremely long time to fill up the pool from a petrol pump.
It's important to know that these insignificant digits are still there for the purpose of calculations but are just not being displayed.
There are times when you may want to display these numbers in a format that makes more sense, for these occasions we can use the Format() function.
Format() Function
For versions BEFORE 0.9.0001 the VB Format Function is available through the Expression Components found on the Math Tab > Script Panel
Either by using the F input* or the Expressions Editor found on the Context Menu you can apply a format mask to the x input.
* except FxN
Anatomy of the formatting function above:
Format(..............................) <-- VB function
Format("........................."....) <-- Display String
Format("{0....................}"....) <-- Place Holder for first variable
Format("{0:0.000000000}"...) <-- Format Mask for 9 decimal places
Format("{0:0.000000000}", x) <-- Variable
This can be applied to points and their components:
For versions AFTER 0.9.0001 there is a dedicated Format Component or you can use the Expressions Components successor Evaluate.
For more information on the tags used in the Format Function see these links.
Standard formatting tags Custom formatting tags
WARNING:
If you format a number to be displayed in this way it becomes a string and will no longer have the complete Real number available for calculations. Always use the input to the format function for further requirements in calculations.…
l operations. Aside from its geopolitical position and commercial significance, Thessaloniki has been for many centuries the military and administrative hub of the region, and beyond this the transportation link between Europe and the Levant. A series of design studies will be put forward to rethink the way by which city environment in Thessaloniki have been affecting its’ population according to changing needs and to visualize such urban shifts on a more hyper specific contextualized construction model. Throughout the investigations on the research agenda, current trends on the habits of architectural practice will be re-visited.
Innovative urban interventions informed by bottom-up rules extracted from existing city conditions will formulate the major focus of design proposals. Design teams will be working with simulation tools and digital fabrication methods throughout the design research phase. The design brief will be initially explored through the combinatorial use of different computational design tools. Methods of connecting form‐finding methods with form‐making techniques will be investigated. Various manufacturing techniques enabling a hands‐on experience on the diverse range of digital fabrication systems will formulate the starting point for the physical tests. Finally, the design and fabrication of a one-to-one scale pavilion will unify the goals of the programme.
Prominent features of the programme / skills developed:
- Participants will be part of an active learning environment where the large tutor to student ratio (5:1) allows for personalized tutorials and debates.
- The toolset of AA Thessaloniki includes Autodesk Maya, Rhinoceros, Grasshopper and Arduino.
- Participants will have access to digital fabrication tools such as 3-axis CNC router, laser-cutter, and 3d-printer.
- Design seminars and lecture series will support the key objectives of the programme, disseminating knowledge on new design anatomies including machinic control, computational space, and complexity in systems, and innovative urban design approaches.
Eligibility: The workshop is open to architecture and design students and professionals worldwide.
Accreditation: Participants receive the AA Visiting School Certificate with the completion of the Programme.
Fees: The AA Visiting School requires a fee of £600 per participant, which includes a £60 Visiting membership fee. The deadline for applications is 15 October 2015. No portfolio or CV is required.
Discount options are available. Please contact the AA Visiting School Coordinator for more details.
Online application link:
https://www.aaschool.ac.uk/STUDY/ONLINEAPPLICATION/visitingApplication.php?schoolID=316
Programme Director:
Alexandros Kallegias (AA Greece VS Director): alexandros.Kallegias@aaschool.ac.uk…
es at the beginning. But as I make changes to the input (or just hit the recompute button) the time it takes to execute increases. This has happened to me with other scripts I've written with the python component. Why does this happen? And how do I fix it? Does python hold onto data from one execution to the next? The only solution I have found is to relaunch Rhino. Even if I copy the component into a fresh grasshopper canvas, the computation time does not return to original.
The images below illustrate the time increase. I simply hit the recompute button between each pass. All inputs remain the same the whole time. There are 6400 curves being projected. I will say that with fewer curves, the increase in time is nonexistent or perceivable. (I have 24 GB RAM and it is did not even reach 50% of usage during the tests)
My python code:
import ghpythonlib.components as ghcompimport ghpythonlib.parallel
def project (tempc): tempresult=ghcomp.Project(tempc,B,D) return tempresult
a=ghpythonlib.parallel.run(project,C,True)
I have attached the GH file with the inputs internalized if anyone wants to try for themselves.
Pass 1= 444ms
Pass 5= 610ms
Pass 10= 908ms
Pass 15= 1.2s
Pass 20= 1.4s
…
Added by Lawrence Yun at 3:19pm on December 10, 2014
esentar Digital Process: Generative Design Technologies Workshop; Taller especializado que se llevara a cabo en 4 de las ciudades mas importantes de la republica mexicana [Puebla] [Mexico DF] [Guadalajara] [Leon] en Enero y Febrero de 2012. http://gendesigntech.wordpress.com/
Enfocado principalmente a arquitectos, diseñadores industriales, diseñadores de interiores, Urbanistas, Artistas digitales, estudiantes y profesionistas afines al diseño; este Workshop tiene como objetivo proporcionar a los participantes los conocimientos y recursos tecnológicos que les permitan desarrollar los elementos de un proyecto desde la concepción hasta su aplicación de manera completa. Apoyándose en un conjunto potente y flexible de plataformas, los participantes aprenderán a generar, analizar y racionalizar morfologías complejas, formas orgánicas libres y algoritmos computacionales avanzados así como a producir visualizaciones fotorealístas aplicables en diversos proyectos de Diseño. A lo largo de 5 dias de intenso trabajo, exploración y retroalimentación los participantes seran guiados en el desarrollo de un flujo de trabajo mas dinamico, que les permitira explotar al maximo el potencial de las herramientas y potencializar sus habilidades, aptitudes y capacidades. Instructores: Leonardo Nuevo Arenas [Complex Geometry] José Eduardo Sánchez [DesignNest] Daniel Camiro/Luis de la Parra [Chido Studio] http://issuu.com/chidostudiodiseno/docs/digprowork Conoce el programa aquí. http://gendesigntech.wordpress.com/program/ Para registrarte por favor visita. http://gendesigntech.wordpress.com/registro
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