er from moltiple curves the represent the area of floor plans,
but the problem is, I cant fine a way to intelligently divide the curves - responsively to the radiation analysis color (for example - that yelow area on of the building will have more division on each floor plan)
do you have any ideas on how to do that?
i tried to use attractors be failed miserably..
THANKS,
Limor.…
write a definition that represents the following surface that I have created out of paper.
This is essentially a squared surface subdivided into triangular segments. For that reason I was hoping I could use Zubin's example about triangles in chapter 3 of his book.
I'm sure, you guys know these kind of folding technique, but to clarify the pattern of the surface, here's a quick diagram:
My approach was to use the point cloud out of Zubani's example and select points with the Cull Nth component according to the pattern shown in the diagram. These points I would then offset with a z-vector component while keeping the distance between the points fixed.
However, after spending now several days trying to figure this out, I definitely ran into a wall..
As I see it, the example generates multiple points for the same coordinates, meaning there are occasions where there 6 points on top of each other.
Further, the Cull Nth component doesn't work exactly as I've hoped, the problem lies in the transition from one row to another..
I was also thinking instead of creating a series of points and then trying to filter specific points out to create (a) the surfaces and (b) the offset, maybe I should start creating these separate lists from the beginning?
Or, instead of point cloud series, using a surface and the sDivide component?
As you see, I am pretty confused/lost in the problem... any help would be greatly appreciated!
Thanks!
…
this was about some boring building I wouldn't respond ... but here we are talking sardines.
Here's my take on that matter:
1. The 4 C# first create/use a nurbs, then define some random planes (and transformations) and then (a) either they place some humble stripes or ... er ... (b) sardines as instance definitions (NOTE: Load Rhino file first).
2. All important decisions are the ones in yellow groups.
3. You control what you get via this (priority on stripes or sardines? that's the 1M Q):
4. If you decide for sardines (the right thing to do) then you must ENABLE the Sardiniser(C)(tm)(US patent pending) as follows:
5. The vodkaFactor on that Sardiniser C# adds some spice in the sardine placement (it does that by altering the priority on the "composite" transformation in use: first randomly rotate then planeToPlane .... or the other thing?).
6. Only the finest Da Morgada sardines are used in this definition:
7. Spot the WARNING in the filter related with what sardine to choose > do it wrong and no hard disk on your workstation > no risk no fun > sorry Amigos, he he.
8. 1M question for you all: why placing sardines (it's real-time you know) is WAY faster than creating these humble stripes?
9. Although the sardines are placed in real time as regards your CPU ... the critical factor is your GPU (display mode: rendered).
10.Still WIP (dancing sardines in the next update).
have some sardine fun, best, Lord of SardineLand…
aching my skill set here, but bare with me.
I want to create an animated facade of squares which rotate depending on a sequence of grey-scale images. I've got pretty far thanks to many discussions here, but have hit a blank with exporting my animated model to 3ds max.
Here's my GH script - it's a botch of 3 or 4 various things incorporating centipede at the start and end to get the animation.
All good and it works! It produces animations which I can sequence for presentations too thanks to it's bmp export, which is sort of a side-product.
What I have a problem is that the OBJs it produces error wildly when imported to max. eg in rhino it looks like
But when I've imported them to max it looks like
and as it animates it just gets longer and smaller.
NOW I reckon it might be because my model in grasshopper is 100 separate geometries and it'd like it to be a single one - but I've not achieved that.
Does anyone have any ideas how to solve this? My end result I would like to look like this rendered still from max, but animated.
Thankyou all! This also uses Firefly, so you might need that installed to see how my file works.
…
Added by chris parrott at 10:34am on September 11, 2015
and Grasshopper. Recently I tried doing some test project just to see what can I do. My target is to design a small house for an atom family. Though as you might think - it'll be a parametric one. And I encountered exactly what's in the title. So here it goes: 1. Something is wrong with the measuring units in the complex profiles. I met this problem while making I-beam. In ArchiCAD it had 127/76 mm while in Grasshopper i had 127000/76200mm so a little bigger. 2. I'm unable to turn off the preview. I mean when I delete something in Grasshopper/Rhino it still exists in ArchiCAD. I have to unlock it and then delete it. 3. Coordinates for points seem broken. They have to be multiplied 1000 times to match. 4. Now one of the most important. Is it possible to somehow SHOW Grasshopper where are already made in ArchiCAD objects. Even if they'll remain still. For example I want to make a parametrical roof. Do I have to model whole building from scratch in Grasshopper or is there some fast way to "import" existing scene so I can limit my work with Grasshopper only to parametrical one. 5. Is it possible to make "points" as controlling points in AC? Like, if I'd like to make a beam in a desired place which I will mark by that point and then I will "show" Grasshopper that point and tell it to make an object in there so I can control it within grasshopper. I tried ti do this using AC Control Point but when I click "Send changes" button, Grasshopper and Rhino crush immediately. It only happens then, with control points. 6. It seems that "move" component won't work with "2D curve" component connected directly. It is possible that some of those problems are outdated. I was playing around in Grasshopper a few months ago, before summer break, but now I plan to try something new and it would be nice to know what to do. I appreciate any answer to any of those questions. Please help, you guys, are my only hope. Thanks in advance! Karol…
t ''Morph'' turns Red saying ''Cannot morph from a degenerate box'' (image 2),
that's because every curve generates a box (image 3).
After what i check the Option ''Union'' box to make only one box for all the curves (image 4).
However, the result is aleatory and not accurate at all ... :/ (see image 6).I know you are developing Pufferfish and not ''Morph'' component, but recently you publish on instagram a video where i believe you could morph and Twist with success a collection of curves (please see image 7 and 8)...If you could give me a hint how that can be achieved, it would be awesome.(Piping/Meshing the curves with very small diameter will perhaps work and help for visualisation purposes, but i actually just need morphing Raw curves for fabrication purposes).Hope to read you very soon...Ghali,…
ns about them.
It's a direction for Kangaroo I very much intend to continue developing - and I am still getting to grips with the possibilities and experimenting with how different optimization and fairing forces work in combination with one another, so I would value your input and experience.
For those interested in some background reading material -
[1] http://www.cs.caltech.edu/~mmeyer/Research/FairMesh/implicitFairing.pdf
[2] http://mesh.brown.edu/taubin/pdfs/taubin-eg00star.pdf
[3] http://www.pmp-book.org/download/slides/Smoothing.pdf
[4] http://graphics.stanford.edu/courses/cs468-05-fall/slides/daniel_willmore_flow_fall_05.pdf
[5] http://www.evolute.at/technology/scientific-publications.html
[6] http://www.math.tu-berlin.de/~bobenko/recentpapers.html
[7] http://spacesymmetrystructure.wordpress.com/2011/05/18/pseudo-physical-materials/
[8] http://www.evolute.at/technology/scientific-publications/34.html
[9] http://www.evolute.at/software/forum/topic.html?id=18
At the moment the Laplacian smoothing is uniformly weighted, which tends to even out the edge lengths as well as smoothing the form, which is sometimes desirable, and sometimes not. It also tends to significantly shrink meshes when the edges are not fixed.
I plan to try some of the other weighting possibilities, such as Fujiwara or cotangent weighting (see [1] and [3]), as well as other fairing approaches, such as Taubin smoothing [2], Willmore flow[4], and so on. This also has applications in the simulation of bending of thin shells.
Planar quad panels are often desirable, but I'm finding that planarization forces alone are sometimes unstable, or cause undesirable crumpling, so need to be combined with some sort of fairing/smoothing, but the different types have quite different effects, and the balance is sometimes tricky.
There's also the whole issue of meshes which are circular (I posted a demo of circularization on the examples page), or conical (this one still isn't working quite right yet), and their relationship with principal curvature grids and placement of irregular vertices, all of which is rather different when the whole form is up for change, rather than having a fixed target surface [7].
I'm also trying to get to grips with ways of making surfaces of planar hexagons, which need to become concave in regions of negative Gaussian curvature (see this discussion)
and I hope to release soon a component for calculating CP meshes, as described in [8], which I think could have many exciting construction implications.
While there are a number of well developed smoothing algorithms, their main area of application so far seems to be in processing and improving 3D scan data, so using them in design in this way is somewhat new territory. There can be structural, fabrication or performance reasons for certain types of smoothness, but of course the aesthetic reasons are also often important, and I think there are some interesting discussions to be had here about the aesthetics of smoothness.
Anyway, that's enough rambling from me, hopefully something there triggers some discussion - I'm really keen to hear about how all of you envision these tools might be used and developed.
…
been covered since 0051 (correct me if I'm wrong):
1) Shoot for the moon first -- "Control Panel Mode" which allows for advanced interface design. See Max/MSP for example of modal function. I spent a lot of time laying out control panels so they are nice for clients and team members to look at. I spend a lot of time disabling wire display and dragging sliders and panels and graphs around into nice little clusters. Could be something as simple as a mode that disables the view of all component handles, cleans up graph objects, sliders, etc. I know the Remote Control Panel has been requested over and over again since it disappeared, but honestly it wouldn't be much use to me unless it was a full blown customizable interface. In the meantime I'll stick to my own "Canvas Control Panel" methods. (See below...)
2) More control over graph objects. Right now the bar graph for instance automatically sets the lowest and highest value displayed. Would be nice to be able to set extents manually so that you can compare apples to apples on two different lists that have different extents. Also would love to force the bar graph to show all values along x axis, not just first and last. Same goes for showing the numbers of instances for each value. Now it only shows instance numbers in oddball cases. Would like to force them to show for statistical purposes. Love percentages, but usually I also want accurate tallies. I tend to use a member index sets to generate my own lists.
3) Color input for Vectors -- there are fakey fake workarounds but none that are as versatile as simply having a color input.
4) COLOR INPUT FOR TEXT TAGS -- sorry to yell... this one really frustrates me. I often build interactive feedback systems that involve a lot of different types of data, and it is difficult to convey that input when all text is red (or green when selected).
5) Ability to justify text tags using paragraph controls -- currently default is left-justified. Would like to be able to center text horizontally and vertically, among other things.
6) Ability for text tags to handle multi-line text. Not sure the best way to implement this, but often I find myself wanting to attach 3 items of information to a particular object, and I have to string it all together in one line. Would be great if I could insert a "^M" character that stands for carriage return and have that display as multiline text (used in conjunction with above justification controls).
7) More control over Text panels. Thank you for including justification options... but sadly now it begs the question for margin and header control. Text slammed up against the left edge is pretty unsightly. Moreover, if you have labeled a text box, the drop shadow from the title bar tends to overshadow the first line of text if you have Path display turned off. Would like to add some header space to fix the problem and create a cleaner look.
8) Easier access to text font size. Buried in a Special Font... menu. I want to be able to up up down down (left right left right select start) if you know what I mean.
I guess that's it for now... just the things on the top of my head in this category. Looking forward to installing the new release, have to wait until this major project is over though.
Cheers,
Marc
…
nd B) daylight autonomy for a single room. A and B are therefore the conflicting objectives, and are connected to the O of octopus component. The geometry iterated is that of a window, on one of the rooms' facades.
I have a grasshopper definition that iterates the window by changing:
1. Window height
2. Window sill height
3. Window width
4. Window position from one side of the wall
1,2,3,4 are therefore the genes. A combination of these genes is a complete window, which is the chromoshome, that i will from now on call solution. All genes are connected to the G of octopus component.
Now regarding the octopus settings, i have these questions so that i can properly calibrate the settings (mutarion rate, crossover rate etc):
1.In the beginning of the octopus simulation, how many are the random solutions generated? (By random i mean totally random, not resulting solutions from mutation or crossover of previous solutions, i am talking about the very first generation). Is this number connected to the population size? Is it 6? How is it defined by octopus? Can somebody control it?
2.The first generation finishes when the number of "individuals to be evaluated" is reached. Then octopus jumps to the second generation. To do so, it keeps a specific number of solutions of the first generation, the so called elite. What is the number of these elite? Is it elitism x population size?
3.The SPEA2 original paper describes step wise the algorithm loop. During the loop, a number of solutions is stored in the elite domain, and from that domain, a number of solutions is used for mating. There are therefore two numbers, one that defines the number of solutions to enter the elite domain, and one that defines the number of solutions to be inserted in the mating pool. In octopus i only see elitism as a setting, which i am guessing is what defines the number of solutions to enter the elite domain. Is that true? How do i define the number of solutions to be copied in the mating pool, where mutation and crossover will occur? This number should be called tournament size, but i can't seem to find it..
4.Why is it that DURING one generation, the number of "individuals to be evaluated" can decrease? Is it because octopus finds out that there are no more possible solutions? (i am using discrete values for the genes)
5.The gene of window width, represented by a grasshopper slider, has 4 possible values: 0,1,2,3. Assuming that the mutation rate is 0.5. Does this mean that mutation of the gene can happen to an extent of 0.5 x 4 = 2? Meaning that the slider position can change for 0 to 2 or from 3 to 1 etc?
6.The mutation probability is dictating whether or not a gene will be mutated, or whether or not the whole solution will be mutated? So for instance, with a mutation probability of 0.5, does it mean that 2 out of the 4 genes are going to be mutated, or 2 out of 4 solutions is going to be mutated. If its the second case, then how is mutation divided between the different genes? Meaning, which of the 4 genes is going to get mutated? Is it random? Is it for all 4 genes?
7.Crossover can occur between 2 subsequent solutions. Crossover rate dictates whether or not crossover will take place? If so, then, assuming that it was chosen for crossover to take place between 2 solutions, which of the genes are going to be exchanged. I mean how many, out of the 4 genes (height, sill height, width, position). Is it random?
8.After clarifying the previous 7 questions, i can run a simulation. Then, is there an indicative number that i can be monitoring, to see that no more generations are required? I know that a good pareto has to be short, with a lot of solutions and with a uniform distribution. But is there a specific number output somewhere, that can inform me that a good pareto has more or less been generated? If there is such indicator...
Thank you all,
i hope this can help others as well,
Iason
…
s, the participants will focus on the key advantages of Grasshopper’s capabilities through a range of design challenges in order to aid designers in both their drafting tasks and modelling capabilities.
The workshop covers many concepts such as Object Attributes/Parameters, Data Types, Data Structures, and Designing with Algorithms. Specifically, this course will focus on understanding both Lists and Data Trees, as well as the best practices for integrating Grasshopper into your Professional Design Workflow. The workshop offers guided curriculum and continuous support, based on in-depth and professional learning experiences.
Workshop outcomes:Teach the participants how to:-
+ be proficient in parametric logics learning the key benefits of parametric techniques in architecture design workflow (when to use it & how to use it)+ Correctly communicate with different 3D and BIM packages in order to keep the geometry clean and light while preserving all NURBS information.+ Develop architecture design based on mathematical equations to create non-standard free form building skin.+ Create a pattern that changes dynamically based on specific inputs which can be applied over the building façade, interior walls or ceiling or even floor pattern.+ Automate and Optimize design variables to achieve the optimum solution for the design problem.
Program Outline:
DAY 1:-Introduction to Parametric Design -Introduction to Grasshopper & Rhino (technical tools).
DAY 2:-Exploring the parametric workflow. -Setup the design algorithm & generating a list of data.
DAY 3:-Introducing the new ways of generating parametric curves and surfaces.-Parametric form generation in-dept
DAY 4:-Introducing Data Tree logic and parametric transformations.-Creating Associative techniques – Attractors (points, curves and vectors).
DAY 5:-Working with advanced form generation with dynamic pattern.-Parametric optimization based on environmental analysis -featuring the Performance-Driven Design possibilities
DURATION:6 – 8 hours per day [50 - 60 hours Total]Every Saturday [9.00 Am : 1.00 Pm & 2.30 Pm : 6.00 Pm]
PREREQUISITES:No need of any specific knowledge of Rhinoceros or Grasshopper.
REGISTRATION:In order to register, you will need to fill the Registration Form .https://docs.google.com/forms/d/1PckdW1hrWs9fJAHWBZlVsuhH8K0PfDuMWIpXHT_4FYw/viewform
REGISTRATION DEADLINE:23th October 2014.…
Added by ayman wagdy at 7:48am on October 19, 2014