y (movement, protection, temperature regulation) but also the evolution of cultural expression precisely by exceeding the purely indexical performative relations. Designing not only for the needs but for the desires.
Computational couture looks at the creation of exclusive custom-fitted clothing (typical of haute couture) through the lens of a systemic approach, extending the sartorial techniques with 3D modeling and computation-based approaches developed in Rhinoceros and the visual programming environment Grasshopper.
Aim of the workshop is to exert, infuse and expand the sartorial sensibilities to body proportions and dress making into an algorithmic approach that loops through design and fabrication by means of laser cutting and 3d printing for the design and production of a garment. Participants will be divided in teams focusing on specific aspects of the garment related to the production technique (laser cutting or 3D printing).
////////////////////////////////////
WORKSHOP | calendar
Day 1
Introduction to algorithms and computational design for creative disciplines Basics of 3D modeling in Rhinoceros Basics of Grasshopper Introduction to basic sartorial techniques
Day 2 Testing design options for the dress in Grasshopper (tutored work)
Day 3 Fabrication session . file preparation . parts testing and pre-assembly
Day 4 dress fabrication and assembly
Day 05 finalization of dress final presentation
////////////////////////////////////
WORKSHOP | registration
FEE FOR PARTICIPANTS
Early bird (until 4/5): 250 € Full fee (from 5/5 until 15/5): 350 €
The fee includes materials and fabrication. Plane tickets and accommodation are not included in the fee.
////////////////////////////////////
REGISTRATION (until 15/5/2015)
For registration please write at :
beyond@iaac.net
for more info visit:
http://beyond.iaac.net/?page_id=1620
…
can work in any node of a given hierarchy tree (loaded in your work session) by making the node "active". "Nodes" can be other things as well (like workplane, clip definitions etc).
Why to do that weird thing? Well, think any design being "flat" > meaning that all objects are placed in a single file (and in a single layer). Not that good > although the items are present you barely can handle them (because power is nothing without control, he he).
Let's go one step further: we can start classifying objects in "groups" (like a directories/files organization in any O/S). This means, in MCAD speak, creating assemblies (a void thing kinda like a directory) that contain components/entities (kinda like files).
Several steps further we end up with severely nested "arrangements" of entities (an assembly could be parent of something and child of something else).
For instance, it could be rather obvious the logical classification of a "geodetic" (so to speak) structure like this : a 40000m2 "hangar" defining some thematic park.
I mean : a void master that owns 4 equal void segment sets that own 4 "legs" that own various geodesic structural members + cables + membranes + you name it etc etc.
Each "leg" owns the concrete base (Shared) and a rather complex set of objects.
Notice that some tensile membrane "fixture" combos (see above)...act as perimeter light fixtures as well...meaning that the membrane tension plate may could be a child of a void "light" parent...or may could be a "stand alone" assembly etc etc.
These arrangements can be internal (belonging in, say, a x node within the current active file) or external (belonging in a y node within another file). If they deal with the same (topologically speaking) object they define clusters of Shared entities (or variations)- where only the view transformation matrix changes (in the simple scenario, he he). For instance the disk shown above is a Shared Assembly that owns the bolts, the plates, the tension member etc etc. Selective Instancing allows modifying some attributes without affecting the topology (i.e. the geometry).
The whole (terrible) mess is controlled by some tree like "dialog" (in Catia is "transparent") that is called Structure Browser. By controlled I mean (1) display/display mode with regard any tree member combo/selection set (assembly and/or component) in any View (2) clip state control (3) active status (for modifications/variations) (4) workplane control (5) drag and drop ownership control (6) ....
Now...what if I would chan…
rectly except for the first material in a series. See attached image... Here is my code:
Private Sub RunScript(ByVal M As Object, ByVal C As Color, ByRef AddName As Object, ByRef AddMat As Object, ByRef AddBool As Object, ByRef baseName As Object, ByRef newMatName As Object)
Dim z As String = "newMatName" Dim y As String = "BaseName" Dim x As Integer = 0 Dim nRestore As String Dim mTemp As Rhino.DocObjects.Material
mTemp = CType(M, Rhino.DocObjects.Material) y = mTemp.Name Dim nTemp As String
If mTemp.Name.Contains("_MOD_R") = False Then
nRestore = mTemp.Name nTemp = mTemp.Name & "_MOD_R" & C.R & "_G" & C.G & "_B" & C.B mTemp.Name = nTemp z = nTemp mTemp.DiffuseColor = C
If Doc.Materials.Find(nTemp, True) < 0 Then
Doc.Materials.Add(mTemp) x = x + 1 AddName = nTemp AddMat = mTemp
End If
mTemp.Name = nRestore
End If
newMatName = z
AddBool = x BaseName = y
End Sub
1) I have checked that all of the materials I am calling by name exist in the document and that data matching is correct. There doesn't seem to be anything special about the offending material except that it is always the first material that was added to the document by my script.
2) The main thing I was missing in the previous script was the "doc.Materials.Add()" -- how on earth should I have known that existed? Even a search for "doc.Materials" in the Rhinocommon SDK doesn't turn that up. I'm having a very hard time using the SDK to my advantage, it seems not to correlate to the actual code I need to write.
2b) Perfect example... now I am trying to rewrite my other component (which exposes all of the document materials) to set a few objects manually in Rhino with the Materials I want to use as templates. Now I am trying to find out how to access the material assigned to an object. Seems easy, but it's clearly not a Property, and I can't find an appropriate Method in either the Objects or Materials classes.
3) One of my problems originally, when feeding the component one material and multiple colors, was that the nTemp variable was not resetting properly for the second color. Same thing if I duplicated the material to match the list of colors. It would create a material on the first pass but concatenate "_MOD_R_G_B" in each subsequent pass and be caught by my String checker. Why is that? I thought that the nTemp Name variable would be reset in each pass by the line "mTemp = CType(M, Rhino.DocObjects.Material)" and "nTemp = mTemp.Name" combination.
Does the mTemp material somehow carry over its properties in each successive pass? That's why I added the nRestore to be sure each pass reset the name back to the original.
Still, I wonder if there is some problem with the way I am conceptualizing this that is causing the first material to be the same as the input material.
Thanks for your help on this...
Cheers,
Marc…
this occasion, but it could be converted for DT in no time). Requires some minutes more as regards ... some things, but the usual update is due to some days.
Bad news: it's C#
Good news: User's Manual :
1. That thing (the C#, not me) after sorting (in a "sequential way", so tho speak) the panels (their order was chaotic) allows you to start the massacre by locating a focus of interest (and the user controllable +/- Range derived from it).2. The Range is variable (obviously) and takes care not to exceed the indices of the panel list (OK, that's elementary).
3. If you click the right button (Sadistic Q: where is it? he he) things are deleted and a new constantly self-updating list is your new List. Thus the massacre of panels is totally controllable. An autoZoom thing is also included (free of charge, but it's a bit nerve braking). Zoom factor is variable as well.
4. Then you move over (via the index slider) and start the massacre again. Notice the change of Range.
5. If you turn begin to false (initialization) and then begin to true > start all over again.
6. The other C# thing allows you to increment the index slider in a rather more convenient way. It's a bit weird: it uses delegates (A delegate is an object that knows how to call a method) and events (An event is a construct that exposes just the subset of delegate features required for the broadcaster/subscriber model - but don't ask what this means, he he) in order to talk with your slider (with a defined NickName) and perform the required value control.
NOTE: without realizing it you've just (indirectly) asked one of the most important questions even exposed in this Noble Forum. I hear you : what question? Well ... wait some days for the mother of all threads: "Total control in collections on a per Item basis"
may the Force (the dark option) be with you (and me)
best, Peter…
a machine that is light and very sturdy. I have taken my Macbook Pro all around the world, carry it with me every day, even dropped it a few times and its still totally fine. Its thin and light.
2) You get some actual support for your hardware even a few years down the line. My Macbook Pro is from 2012 and I can still walk in to any Apple Store and get help with it, which I have done many, many times in different places around the world - I never had to show a receipt or was charged any money for help. There is no PC/Laptop manufacturer in the world with anything close to that, because companies like Asus, Dell, etc. bring out dozens of new versions of laptops every year, so its much harder to service them after a few years.
3) This is the most important one, which usually people forget when they say that Macbooks are overpriced: Resale Value. If you have ever tried to sell an old PC/Laptop (I have a few times), you will know how little value they have even after just 2-3 years. Macbooks retain their value very well and even after 4 years you can still get 50% of your original price.
4) Of course you can install Windows on it and it runs perfectly. I have MacOS and Windows on it and both run absolutely fine. On the Windows side I have Rhino+GH, Maya and a few others. Having Windows is good, because some software still only runs on Windows (looking at you, 3DSMax!). Most other software also runs on MacOS. In the interest of sanity it is great to have an alternative to Windows for all the day to day stuff, like Mail, Calender, Photos, Presentations, etc. that just always works.
5) As for performance: Yes, Macbook Pros dont necessarily have the latest and greatest in graphics cards (the rest is on par with PC laptops), but unless you want to play games you will not need it. VRay RT can do GPU rendering, but you wont get great performance from a Notebook GPU anyways and it doesnt make sense to do rendering on a laptop (especially since you have a workstation). You could get one of the older Macbook Pro Retina Late 2013 or Mid 2014 models with the GTX750M by Nvidia, which will be usable to render using VRay RT, but of course not huge performance. Better to invest in a good used graphics card for your workstation like an Nvdia GTX980ti, which is the best value for money for GPU rendering right now (lots of used ones available).
So at least consider also getting a Macbook Pro. You can buy refurbished models (depending where you are) and they are like new, but a lot cheaper or even get an older one thats used. It will be a worthwile investment.
Take it from someone who has used dozens of PCs and Macs in my lifetime and have to do the IT support here at work (where we also use both).
I still have my Macbook Pro Retina from 2012 and its still running perfectly, super fast, and I can use Rhino and GH for huge files, do GPU Rendering with Octane Render and all sorts of other heavy computing stuff.
Hope that helps.…
Added by Armin Seltz at 11:12am on September 19, 2016
Python and install it and it should work fine.
2. You still see the image above in case 1 however you have GHPython already installed. What about that?
In this case probably the GHA component is blocked. Find GHPython.GHA on your system (usually at: C:\Users\%username%\AppData\Roaming\Grasshopper\Libraries) . Right click, go to properties and select unblock.
To make sure that GHPython is working fine on your system open the attachment file (testGHPython.gh). You should see something similar to the image below on your screen when you open the file:
If you see the something similar you should be fine to go! Try to open one of the example files.
3. You have Ladybug running but in some of the case the output is missing. You see something similar to this:
or this
This one is because you are using old version of GHPython. Close the file without saving. Download the new version and install it and re-open the file. It should work fine now.
Hope it helps,
Mostapha
…
the mesh into long strips 1 quad wide.
*I did make an alternative icon for this, but opted for the tamer one in the end ;)
The Unroller component goes along the strip face by face, rotating it into a single plane.
Note that this component will still give a result even if you supply it with non planar quads - it will just fold them along a diagonal. However, if the faces are significantly non-planar, then it won't work as well for fabricating from a smooth strip of sheet material, so it is better to try and make sure your planarizing in the relaxation part is working well.
The Unroller component also has a T input which allows you to unroll only part of the mesh at a time. This is mainly for animation purposes, and most of the time you will probably just want to leave it set at 1.
At the moment the unroller is limited to working with open strips, so if your strip forms a closed loop, you will have to split it first. Later releases should include an automatic 'loop snipper'.
The final part of the definition then takes all these strips, orients them into the XY plane, and does some very basic layout.
It's then up to you to label, add tabs, nest, laser cut and assemble!
Because of the subdivision, each strip should have an even number of quads, which can also be useful for generating interlocking tabs by offsetting alternate groups of edges. I'll try and post an example of this soon.
I hope this is helpful. It was my intention when making this that it could be a relatively quick and easy way of making smooth curved structures out of sheet material, (I'm thinking card, polypropylene, metal, thin plywood...) with a lot less fixing/connecting work than doing a similar shape with individual panels.
Thanks to all the participants in these long-running threads:
http://www.grasshopper3d.com/forum/topics/how-to-create-nodesbone
http://www.grasshopper3d.com/forum/topics/skeletal-mesh*
which inspired this work, especially some of the comments by Ivan Kiryakov, Wiktor Kidziak, Giulio Piacentino, Andrew Haas and Mårten Nettelbladt.
*note also that the meshes generated using this definition can be used for developable strips, because they have the even-valence property.
I was also inspired by these papers:
http://www.cs.jhu.edu/~misha/Fall09/Liu06.pdf
http://www.geometrie.tugraz.at/wallner/strip.pdf…
lName, signalValue, operationMode):
sigV=signalValue
if sys.version_info[0] == 3:
if type(signalName) is str:
signalName=signalName.encode('utf-8')
if type(signalValue) is bytearray:
sigV = (ct.c_ubyte*len(signalValue))(*signalValue)
if type(signalValue) is str:
signalValue=signalValue.encode('utf-8')
sigV = (ct.c_ubyte*len(signalValue))(*signalValue)
else:
if type(signalValue) is bytearray:
sigV = (ct.c_ubyte*len(signalValue))(*signalValue)
if type(signalValue) is str:
signalValue=bytearray(signalValue)#<========This is line 1052
sigV = (ct.c_ubyte*len(signalValue))(*signalValue)
sigV=ct.cast(sigV,ct.POINTER(ct.c_ubyte)) # IronPython needs this
return c_WriteStringStream(clientID, signalName, sigV, len(signalValue), operationMode)
It displays the following error:
Program started
Connected to remote API server
Runtime error (TypeErrorException): unicode argument without an encoding
Traceback:
line 1052, in simxWriteStringStream, "C:\Program Files (x86)\V-REP3\V-REP_PRO_EDU\programming\remoteApiBindings\python\python\vrep.py"
line 70, in script
Any hint?…
are hotter than the least overlapped parts.
I'm trying to create gradients when overlapping between closed surfaces occur. The gradient goes from the center of the most overlapped figure to the edges of the least overlapped figures.
To help understand how I'm thinking it, I will first show you my solution for one figure.
As I said in the title, it's kind of a pseudo gradient. It's a way of organising areas (rings) inside of the geometry. To achieve this I thought in creating a series of rays that then can be divided in segments, in this case 3 segments of same lenght per ray, I could get more resolution in the gradient by dividing in more thus creating more rings...
in this picture the rays are in dark red and go from the center to 4 points in the perimeter, if I wanted more resolution I could have more rays, but with this simple figure 4 is enough
the rings are in a gradient of colors from the center to the perimeter, lighter in color each time:
so when I have 2 overlapping geometries
the center of the gradient should be on the center of the most overlapped part (in red) and go to the perimeter of the pink parts
for the red figure I draw the rays from the center to its perimetry. and for the pink figures the gradient should go from the parts that are in contact with the red figure to the perimeter, something like this:
still that is something I did with rhino and it's pretty intuitive...
the problem gets worse when i have more figures and more "heat centers"
like in these examples
maybe the approach should not be with rays to create the rings... maybe with offsets..
not sure if it's not too complicated to achieve in grasshopper and maybe there's another way of creating a gradient with multiple focuses...
would aprecciate any help
cheers…
phere with the maximum number of triangles but not much than a defined threshold.
I scaled that mesh just to fit Rhino grid, but it is not mandatory. What is useful, is to scale not uniformly the mesh (Scale NU). It could be done after cellular modifier applied or before or before and after. The 3 options are possible in the script. If you don’t need them just put 1 in scale sliders.
Ellipsoid mesh is the populated with points, I put 2 independents populations to randomize a bit further. For each vertices of the mesh the closest distance from the populated points is calculated.
Here is an illustration in color of this distance.
This distance is then used to calculate a bump. If domain for bump is beginning with negatives values to 0, it carves the mesh. Instead it bumps/inflates it.
Some images to illustrate the difference with populating 100 points with one or two populations.
Here some images to illustrate the application of scale before carving or after.
Next phase apply noise. At the moment I don't find it good.…