h tubes are redundant so surfaces overlap instead of interpenetrate, so it is not a good system.
Cocoon is the best answer these days unless you can get Exowire/Exoskelton to work. If you want more control over shape, feed your uncapped tubes into Cocoon as meta-surfaces and delete any and all of the inner meshes to just keep the outer single closed one, but this is just duplicate-culled lines used as meta-lines:
Turn down the CS input to 0.005 for this result, from 0.02 used for faster preview. In fact bake the lines and only test Cocoon on a few of them in order to get the result you want before doing the whole thing.
Whole thing at 0.005 cell size takes 5 minutes for Cocoon and 2 minutes for refinement to a smooth and even mesh.
Actually, seems like 0.005 is way too fine, giving a 600MB STL file.
So, 0.01 cell size at less than a minute total:
159MB STL which is still a bit too big for places like Shapeways. Wow. OK then 0.02 cell size, but I have to increase diameter or my two smoothing steps in refine collapse things too much, an in fact I set it to no smoothing, getting more volume and a reasonable 46MB STL file:
Alas, now it's more frail and overly organic rather than mechanical. Increasing diameter just merges it into perforated plates too much. File size is simply an issue with this complexity level, so different 3D printing services will have different file size limits.
Exowire/Exoskeleton would work but your original mesh hasn't been MeshMachine remeshed to be regular, so short segments ruin it. Here is just a corner:
I think that's why more wires fails, at least. Pretty temperamental component.
Switching to MeshMachine is needed, I guess, instead of Cocoon refine, to remesh away so many small triangles along the boring tubes. Crucial for good remeshing was to set Flip to 0 or I failed to get a rough enough mesh.
It's an adaptive mesh so I can retain good detail while roughing out the tubes.
MeshMachine is terribly slow for this whole thing, like 6 minutes, and blows up for this overly rough setting, 20 steps, so less rough, ugh, I'm out of time. I think free Autocad Meshmixer is the way to make a better smaller mesh, after a refined output from Cocoon. MeshMachine is just too slow to tweak and when it blows up, creating massive triangles jutting out, it hangs too when you change settings.
Starting with a Cocoon refined mesh certainly helped Meshmixer. Using triangle budget lets me have full control. Here is 150K triangles instead of 200K:
STL file size down to 40MB. I think Shapeways is 70 or 100MB limit? So it can be even finer. Here is the Cocoon output versus the Meshmixer reduction:
To use Meshmixer, turn on View > Show Wireframe, Command-S to select all and use Edit > Reduce from the palette that appears.
Cocoon can end up making a few inner meshes where things get weird in your uneven original mesh with small holes so fish out the main mesh by adding a List Item node.
The best strategy for Cocoon is indeed to make an overly fine STL so you avoid any need to tweak forever in Grasshopper, but then you can achieve a smaller mesh file size while preserving shape instead of things turning all smearly organic in Grasshopper.…
n due at the end of march. i am hoping to see if i can do this as a sort of "HIVE MIND" experiment with one or two or more posters to the forum. i have uploaded two files to http://www.formpig.com/nine_bar-FAR and I have the following goals:
1. To "kinematically iterate" various formal building envelopes based upon a 50' x 100' lot that "conform" to the nine bar linkage geometry.
2. This lot would have "setbacks" consisting of two 5' side setbacks, a 10' rear yard setback and a 25' front yard setback. max height on the structure is 32' and the allowable overhangs into the setbacks are 2'. I would like to find a way to use the "nine bar geometry" to construct a series of iterations for "floors", "walls" and "ceilings", which would then be tied to a volumetric (cubic volume), or a total square footage (perhaps based upon two horizontal section cuts) which was based upon a given number that I will provide per local building code.
3. Laid on top of this we would also have "mcmansion ordinance" requirements based upon the pdf enclosed. i expect to have this "tent restriction" data in digital form to upload to ftp shortly.
It would be up to you individually or collectively to determine how best to position this "in the real world" based upon the lot, setbacks, zoning requirements etc. For instance, perhaps the nine bar configuration has its vertices coplanar with the 50' x 100' x 32' envelope restrictions and then the chosen volume is "trimmed' by the setback requirements. Or perhaps the nine-bar configuration is generated completely within the setbacks, or perhaps it is generated 2' outside of the setbacks so as to take advantage of the 2' overhang allowance on the setbacks, etc.
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Given an opportunity to develop the work in a second phase we would have an opportunity to tie this into various efficiencies such as Bill of Materials (wall floor and ceiling square foot calculations), envelope to volume calculations, solar panel efficiencies (solar orientation and envelope geometry) etc, etc (love to get suggestions for this).
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I've become /really/ convinced that this would be a /really/ interesting entry based upon my just finishing up Kas Oosterhuis' Towards a New Kind of Building: A Designer's Guide for Non-Standard Architecture". In an ideal world I was hoping that it would be possible to hash this out discussion-wise and then literally passing it around on the list after someone eventually made the first move by tossing out a rough ghx script. My expectation would be to finalize it rapidly in the next two weeks. Something of a contemporary version of a design charette.
However, I realize this may not be workable so if you have experience in this arena and particularly if you think this is a brief that is straighforward enough to be almost literally implemented in Grasshopper, please contact me for any wage and/or contract fee requirements.
I'm getting a bit of a late jump on this but my hope is that with the right participant(s) that I can thrash it together quick enough for the first round.
info@formpig.com…
case for sure (started by Giorgio a couple of days before). Ive got involved because I exploit ways to "relax" shapes on nurbs (say patterns created by Lunchbox or "manually) without using any kind of mesh (more explanations soon).
Here's 5 test cases (SDK appears that doesn't have some "thicken surface" thing ... thus the algo that finds the "whole" shapes is rather naive) VS 2 Kangaroo "methods" and the why bother (he he) option as well.
If the goal is to "fit" these shapes within the nurbs ... does it work so far? No I'm afraid (appears that "springs" used are not the proper ones - or [Kangaroo1 option] the lines that pull should been originated from valance 2 points only)
Tricky points:
1. Internalize appears having a variety of serious issues (see Input inside definition) - Load Rhino file first (but even so ...).
2. Pull to surface is deactivated - this is not the issue here (and it's very slow).
3. Since Starling/WB alter the "curves - points" related order
the issue here (Pull points to curves) is to correspond apples to apples:
and that's what Anemone does:
From chaos :
to order:
this means that prior activating Kangaroo you should double click to the Anemone start component in order to "sort" properly the curves.
But .. fact is that results are pathetic:
more soon
best, Peter…
esentar Digital Process: Generative Design Technologies Workshop; Taller especializado que se llevara a cabo en 4 de las ciudades mas importantes de la republica mexicana [Puebla] [Mexico DF] [Guadalajara] [Leon] en Enero y Febrero de 2012. http://gendesigntech.wordpress.com/
Enfocado principalmente a arquitectos, diseñadores industriales, diseñadores de interiores, Urbanistas, Artistas digitales, estudiantes y profesionistas afines al diseño; este Workshop tiene como objetivo proporcionar a los participantes los conocimientos y recursos tecnológicos que les permitan desarrollar los elementos de un proyecto desde la concepción hasta su aplicación de manera completa. Apoyándose en un conjunto potente y flexible de plataformas, los participantes aprenderán a generar, analizar y racionalizar morfologías complejas, formas orgánicas libres y algoritmos computacionales avanzados así como a producir visualizaciones fotorealístas aplicables en diversos proyectos de Diseño. A lo largo de 5 dias de intenso trabajo, exploración y retroalimentación los participantes seran guiados en el desarrollo de un flujo de trabajo mas dinamico, que les permitira explotar al maximo el potencial de las herramientas y potencializar sus habilidades, aptitudes y capacidades. Instructores: Leonardo Nuevo Arenas [Complex Geometry] José Eduardo Sánchez [DesignNest] Daniel Camiro/Luis de la Parra [Chido Studio] http://issuu.com/chidostudiodiseno/docs/digprowork Conoce el programa aquí. http://gendesigntech.wordpress.com/program/ Para registrarte por favor visita. http://gendesigntech.wordpress.com/registro
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tal fabrication tools. DLAB will investigate natural growth processes in relation to innovative concepts of architectural tectonics and fabrication. We will carefully interweave these concepts with interaction and participatory design to create full-scale working prototypes. The programme will be formulated as a two-phase process. During the initial phase participants will benefit from the unique atmosphere and facilities of AA’s London home. The second phase will shift to AA Hooke Park campus and revolve around the fabrication and assembly of a full-scale architectural intervention.
Some of the most prominent features which the participants will be exposed to during DLAB include:
Teaching team: Participants engage in an active learning environment where the large tutor to student ratio (5:1) allows for personalized tutorials and debates.
Facilities: The Digital Prototyping Lab (DPL) in AA London houses cutting-edge facilities for the fabrication of physical outputs through digital fabrication techniques. The facilities at AA Hooke Park allow for the fabrication of one-to-one scale prototypes with a 3-axis CNC router.
Computational skills: The toolset of DLAB includes but is not limited to Rhinoceros, Processing, Arduino, and Grasshopper.
Theoretical understanding: The dissemination of fundamental design techniques and relevant critical thinking methodologies to the participants through theoretical sessions and seminars forms one of the major goals of DLAB.
Professional awareness: Participants ranging from 2nd year students to PhD candidates and full-time professionals experience a highly-focused collaborative educational model which promotes research-based design and making.
Fabrication: According to the specific agenda of each year, a one-to-one scale prototype is fabricated and assembled by design teams.
Lecture series: Taking advantage of its unique location, London, DLAB creates a vibrant atmosphere with its intense lecture programme conveying the diverse expertise of professionals in the areas of digital design and fabrication techniques.
Applications
The deadline for applications is 8 July 2013.
An application can be made by completing the online application form or completing the PDF application form and emailing it to visitingschool@aaschool.ac.uk.
Fees
The AA Visiting School requires a total fee of £1,660 per participant, which includes a £700 deposit and a £60 Visiting Membership.
Fees are non-refundable. Fees do not include flights. Train tickets between London-Hooke Park, accommodation, food in Hooke Park, and materials are included in the fees.
Students need to bring their own laptops, digital equipment and model making tools.…
he last nights, let me try to describe it:-disclaimer: I'm an industrial designer, my coding experience can be compared to your, when you were 4 year old :)-disclaimer 2: I did a picture at the end of the post that maybe explains more than my words
the component has 2 inputs (Start Value, End Value) and one output (Picked Value)
this phantomatic component (which I would refere to as "dynamic value picker") supports any amount of domains on every input -> it works as if they come grafted, from a "longest list" component
The component "at rest" shows only one slider -with question marks on both edges-
For every couple on inputs you connect (1 Start Value connection + 1 End Value connection) it would visually generate a new slider (exactly like a "number slider" component)main difference from the "number slider" component, this one would show the Start Value and End Value numbers at the edges of each thus generated slider
Right click -> edit on it would recall a window similar to the "number slider", with the main difference that only the first part of those options would be present (see attached image for clarity)Whatever slide accuracy you set, it will affect the whole "dinamic value picker" phantom component (if you set "integer numbers" and for any reason one or more inputs are "floating points numbers", the component automatically rounds the inputs to the best "Integer", and allows you only to pick integer numbers in-between)
If you suddenly change a "Start Value" or an "End Value" input, the affected slider/sliders in the component will try to stay as close as possible to the same % value they were before (example if the domain was from 5 to 11, integers only, and you first picked the value 8, the slider was exactly in position 50%: when you change the End Value domain to 21 the slider will set itself to 13 - yes, I picked an easy one lol )
When you first plug a couple of Start Value + End Value, the slider sets itself to Picked Value = Start Value
It could also be possible to supply negative values as Value End and positive values as Value Start: the slider let you pick a number on that domain regardless of the numerical order you use
Last thing, but it's just fancy imagination, if you zoom-in the output (Picked Value) connection dot, a little - and + appears (like in other common components), letting you add a new cursor to every existing slider (it could be possible to customize the color of the new cursor to avoid confusion)
This is the exact description of what I would ask to the lamp genie :)
I attach a pic I just did, in the hope to better explain myself: picture link
and of course thank you again for reading this long poem!
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