rera de Arquitectura CEM | presenta la cordial invitación al Curso de Diseño Computacional a realizarse en nuestros laboratorios de Arquitectura y Diseño Industrial del Campus Estado de México.
Fecha: jueves 21, viernes 22 de 18: a 22:00 Hrs y sábado 23 de 8:00 a 15:00 Hrs febrero 2013. 15 Horas.
El taller está orientado a estudiantes y profesionales de la Arquitectura, Arte, el Diseño e Ingeniería.
COSTO:
Alumnos Tec o EXATEC con una cuota de $2000.00 pesos.* Estudiantes EXTERNOS y profesores TEC $3000.00*, Estudiantes de posgrado externos $3800.00* y Profesionales externos $4250.00 pesos.*
OBJETIVO GENERAL:
Alfabetización sobre lectura y escritura de herramientas computacionales para el desarrollo de la Arquitectura, Diseño e Ingeniería.
Objetivos específicos:
1. Comprenderá los conceptos metodológicos del Diseño Computacional y generativo.
2. Aplicará las metodologías en el diseño, análisis y despiece de una cubierta (celosía, muro, losa, fachada o mobiliario) con base en un espacio existente en el campus.
3. Desarrollará los conceptos de programación orientada a objetos (POO Intermedia)
4. Generará algoritmos y análisis en Grasshopper sobre el ejemplo de praxis.
5. Desarrollo de documentación y presentación de resultados.
6. Fabricación del objeto, escala por definir.
Requisitos: Conocimiento de alguna plataforma CAD/CAM/CAE.
Profesor:
Arq. David Hernández Melgarejo.
http://bioarchitecturestudio.wordpress.com
Mayor información:
Kathrin Schröter, Dipl.-Ing./Arch. (D)
Directora de la Carrera de Arquitectura e Ingeniería Civil
Escuela de Diseño, Ingeniería y Arquitectura
Campus Estado de México
TEC DE MONTERREY
Tel.: (52/55) 5864 5555 Ext. 5685 o 5750
Enlace intercampus:80.236.5685
Fax: (52/55) 5864 5319
kschroter@itesm.mx
www.itesm.mx
…
and 7 floors) depending on the size of their areas of surfaces. I managed to do it. Then I tried to divide buildings into frames/staircases (more or less). Then, I wanted to assign appropriate numbers to the proper frame/staircase. Like I did it before with whole buildings. Here is a problem. I'm lost in the lists. Could somebody help me with it? Disscution about lines and boolean regions
Columns in Excel: A - year B - population number C - % of kids in 0-2 age D - % of kids in 3-6 age
…
reaky thing consisting from triangulated "modules" (i.e an assembly out of this, this and that) where the exterior edges ARE always under tension (= SS 304/316 cables OR nylon) and the interior ones MAY be under compression ( = steel, aluminum, wood, carbon) OR ... some of them ...may be under tension. Bastardized T trusses deviate a bit from theory ... but who cares? (not me anyway). T trusses have many variants (but as the greatest ever said: Less is More).
2. Large scale T for AEC is the art of pointless since it costs around the GNP of Nigeria. Here's some indicative components from a module of a multi adjustable TX system costing (the module) ~ the price of my Panigale (Google that):
The above is mailed to a friend who has MIT (yes, that MIT: the top dog) on sight ... therefor he needs some appropriate "credentials", he he.
3. The distance that separates the above with the demo TDT node provided is around 666.666 miles - but we don't care: we are after Art not some testimony to vanity.
4. On purpose I've used a smallish ring to give you a clear indication upon the constrain numero uno in truss design: CLASH matters.
5. You'll need:
(a) A decision related with the tensioners (classic Norseman + SS cables or nylon machined thingies?).
(b) A machinist who can do elementary stuff (like the adapters) and can weld this to that (the "ring" for instance). His abilities must be 1 in a scale of 100. If the fella has a computer (not a CRAY) and he knows what 3dPDF is (hmm) ... well ... use that way to communicate with him PRIOR designing anything: He must agree on the parts BEFORE the whole is attempted (as a design in GH or in some other app).
(c) A carpenter with a wood lathe for the obvious. BTW: BEFORE doing any TDT attempt > ask the carpenter about the available wood strut sizes. Against popular belief DO NOT varnish the wood (use exterior alkyd/oil stains from some top maker like the notorious US company PPG).
http://www.ppgpaints.com/products/paints-stains-data-sheets
(d) Good quality cigars (and espresso) plus some classic music (ZZTop, PFloyd, Cure, Stones, U2 etc etc) during the assembly.
(e) Faith to the Dark Side (see my avatar).
May the Force (the dark option) be with you.…
nd the tool can create a single surface having the texture of the original input surfaces. (Visualize two waves interacting on the surface of a body of water.) But a surface intersection operations is producing unexpected results, putting my entire algorithm at risk of failing.
I’ve enclosed a .GH that has a simplified version of the algorithm I intended to use to produce a single surface from the two input surfaces. How it works is to use the Brep | Brep component to generate a set of curves where the input surfaces meet. I then apply these cutting curves to a Surface Split component on each input surface. I intended to then programmatically cull the set of brep’s from the split operations, removing all those that aren’t on the face of the target surface. Finally, I would join all the remaining prep’s into a synthesized surface that reflects the facial interactions of the originals. This algorithm is however not completing successfully because the outputs of the Brep | Brep don’t appear to accurately reflect the complete set of curves at the intersections of the 2 faces. I think it’s because of these incomplete set of curves that the Surface Split operations are returning a very incomplete set of sub-surfaces. This sparse set of results don’t allow me to reassemble the sub-surfaces to form a complete synthesized face. This posting includes the Grasshopper document, as well as a screenshot of the GH code. The GH Intersection and split operations take a long time to complete. So I’ve enclosed Bake’d versions of the important geometries in the layers of the 3dm document as indicated below. But this results in a 12MB document, which is larger than the discussion can handle. But i can be downloaded from here. (my Google drive) Scaled Waves - Layer 1 Brep | Brep out - Layer 2 top Surface Split out - Layer 3 bot Surface Split out - Layer 4 I think there are problems in Rhino/Grasshopper related to intersections and splits. But I’m also open to somebody suggesting a better way to accomplish my objective — including workarounds. Thanks for any help, - Bob…
Added by neobobkrause at 8:46pm on August 31, 2016
etric/parəˈmɛtrɪk/adjectiverelating to or expressed in terms of a parameter or parameters.art/ɑːt/nounthe expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture, producing works to be appreciated primarily for their beauty or emotional power.// Summer School 2017 3 day intensive workshop for design students & professionals will delve into computational & parametric methods (using Rhino3D & Grasshopper3D) to create data-driven art installations, physically manifested into a space through hands-on fabrication & assembly.The experimental studio will run across 2 cities in India (New Delhi & Mumbai) and investigate the agenda of ‘filling the void’ at art installation scale, through the use of computation and parametric methods. Studio is designed as a 3-day event in both cities comprising of technical tutorials, teaching sessions, prototyping & presentations culminating in a symposium / round-table conference / open discussion with leading / emerging professionals that demonstrate computation, parametric design or alternative techniques in their work / practice / academia. // Cities & Dates*New Delhi – 30th June to 2nd July 2017 (Friday to Sunday)Mumbai – 7th July to 9th July 2017 (Friday to Sunday)//VENUE: DELHI: Startup Tunnel, Vihara Innovation CampusD-57, 100 Feet Rd, Pocket D, Dr Ambedkar Colony, Chhattarpur, New Delhi - 110074MUMBAI: Raffles Design International, MumbaiHi Life, 2nd Floor, Phirozshah Mehta Road,Santacruz (W). Mumbai – 400054// Registration DatesAll Registrations End 4 days prior to workshop start date (Or till seats last)// About rat[LAB] EDUCATIONrat[LAB] EDUCATION is an initiative by rat[LAB]-Research in Architecture & Technology (www.rat-lab.org) to start a new discourse in architecture & parallel design disciplines with the use of ‘computational design’ & it’s various subsets. Spread across various cities / countries, we are establishing a global dialogue in the domain of computational design by actively organizing and participating in workshops, lectures, presentations & symposia. While rat[LAB] has taken a top-down approach of exploring computational design through industry, a parallel, bottom-up approach is also in-line to involve students of all levels, from design & related backgrounds.…
greatly appreciate it!!
You can write the number of the question and write your answer next to it, example:
1) a
2) c
3) a) Washington University in St. Louis
4) 2 weeks (1week+1week shipping)
5) 130
6) b
7) b
The survey questions are as follows:
1)
Did you 3D print before?
5)
How much did it cost (in dollars)?
a.
Yes, for a school project
a.
Between 20 & 50
b.
Yes, for a personal project
b.
Between 50 & 80
c.
Between 80 & 120
2)
Print size
d.
Please specify if otherwise: _____ dollars
a.
Between 2 & 6 cubic inches
b.
Between 6 & 12 cubic inches
6)
Do you think the price was expensive?
c.
Between 12 & 20 cubic inches
a.
Not at all
d.
Please specify if otherwise: ____cubic inches
b.
A little bit expensive
c.
Very expensive
3)
Where did you print your object?
a.
School
7)
Were you satisfied with the printed object?
b.
Outside school: _________________
a.
Yes, it was a great print without problems
b.
Not bad, some issues
4)
How long did it take to print?
c.
I was not satisfied, very bad quality
a.
___ days
b.
___ weeks
Thank you very much to all!!
PS: If you did many 3D prints, you can post multiple answers.
Wassef…
de in Italy: gli architetti Arturo Tedeschi, computational designer e autore del bestseller “Parametric Architecture with Grasshopper” e Maurizio Degni, i fashion designer Flavia Migani, Simone Bruno e Chiara Cola ed infine dello shoe designer Alessio Spinelli, vincitore del concorso Who’s On Next 2011 nella categoria Accessori.
Frutto della loro energia e sinergia emozionale è un’opera corale che fonde le singole discipline nel rispetto delle loro identità, generando un innovativo manifesto espressivo e produttivo basato sull’integrazione dei tradizionali strumenti di disegno con processi parametrici elaborati al computer, oramai potente sistema d’indagine e sperimentazione formale per ogni disciplina artistica.
L’installazione, composta da quattro abiti completi e due calzature collocati all’interno di una scultura parametrica in costante dialogo con lo spazio espositivo, è il punto d’incontro tra decenni di ricerca teorica e una nuova consapevolezza progettuale. Il contributo musicale di Davide Severi, la documentazione dell’intero processo creativo e i video firmati da Francesco Ricci Lotteringi si offrono allo spettatore coinvolgendolo in un apprendimento multidisciplinare.
__
In the evocative setting of the Cloister of Bramante, from July 7th to 10th, a new project created by Double comes to life: NU:S.
An extraordinary and engaging installation, which examines the contamination between Fashion and Architecture and attempts to break the mold of the Roman art scene taking advantage of the important creative contribution of young and talented members of Made in Italy: the architects Arturo Tedeschi (computational designer and author of the bestselling "Parametric Architecture with Grasshopper ") and Maurizio Degni; the fashion designers Chiara Cola, Simone Bruno, Flavia Migani, and Alessio Spinelli (shoe designer winner of the 2011 Who's On Next in Accessories category). The concept and the creative direction are the undertaking of Antonella Buono. The result is a harmonious work that merges the individual disciplines while respecting their identities creating an innovative expressive manifesto, thanks to the use of a revolutionary architectural language: the parametricism .
Parametricism is a paradigm which utilises digital models generated through new techniques of computer programming, which today can be considered as equally powerful systems of investigation and formal experimentation, as are considered conventional drawing tools.
The installation, which is the culmination of decades of theoretical research and a new planing knowledge, consists of four dresses, complete with accessories, which are located within a parametric framework in constant dialogue with the exhibition space, involving the audience in a multidisciplinary learning process.
The installation soundtrack was composed by Davide Severi, a talented musician with a substantial knowledge of reinassance music and strong digital music background.
…
metric/parəˈmɛtrɪk/adjectiverelating to or expressed in terms of a parameter or parameters.art/ɑːt/nounthe expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture, producing works to be appreciated primarily for their beauty or emotional power.// Summer School 2017 3 day intensive workshop for design students & professionals will delve into computational & parametric methods (using Rhino3D & Grasshopper3D) to create data-driven art installations, physically manifested into a space through hands-on fabrication & assembly.The experimental studio will run across 2 cities in India (New Delhi & Mumbai) and investigate the agenda of ‘filling the void’ at art installation scale, through the use of computation and parametric methods. Studio is designed as a 3-day event in both cities comprising of technical tutorials, teaching sessions, prototyping & presentations culminating in a symposium / round-table conference / open discussion with leading / emerging professionals that demonstrate computation, parametric design or alternative techniques in their work / practice / academia. // Cities & Dates*New Delhi – 30th June to 2nd July 2017 (Friday to Sunday)Mumbai – 7th July to 9th July 2017 (Friday to Sunday)//VENUE: DELHI: Startup Tunnel, Vihara Innovation CampusD-57, 100 Feet Rd, Pocket D, Dr Ambedkar Colony, Chhattarpur, New Delhi - 110074MUMBAI: Raffles Design International, MumbaiHi Life, 2nd Floor, Phirozshah Mehta Road,Santacruz (W). Mumbai – 400054// Registration DatesAll Registrations End 4 days prior to workshop start date (Or till seats last)// About rat[LAB] EDUCATIONrat[LAB] EDUCATION is an initiative by rat[LAB]-Research in Architecture & Technology (www.rat-lab.org) to start a new discourse in architecture & parallel design disciplines with the use of ‘computational design’ & it’s various subsets. Spread across various cities / countries, we are establishing a global dialogue in the domain of computational design by actively organizing and participating in workshops, lectures, presentations & symposia. While rat[LAB] has taken a top-down approach of exploring computational design through industry, a parallel, bottom-up approach is also in-line to involve students of all levels, from design & related backgrounds.…
Rubicon (ii.e. some programming language [I would strongly recommend C#] > the Dark Side > years of pain + tears > hell or heaven?).
Back to that pile or worms of yours (I hate "simple" cases, he he).
0. if you want rounded lips ... Styrofoam is the only solution (+ sanding [buy a mask and some decent cigars ... path is long and hilly]). if not > goto 5/6.
1. by what means you think that you can shape Styrofoam? Do you have access to some CNC foam cutter? Or the only tools that you have are ... 2 hands and a knife? (or a thermal cutter). Accuracy is a BIG issue here: chances are that panels won't "fit". Solution is available in the forthcoming V3.
2. male "protrusions" on Styrofoam is kinda 3rd marriage > AVOID at any cost > this would end up in tears.
3. female ones are safe ... thus we need a proper "insert stripe" that must be compatible with the Styrofoam adhesive and strong enough to hold the pieces until the glue cures (it takes time, there's no instant Styrofoam adhesives around). Maybe aluminum (hard to cut by hand) or balsa (very expensive) or plywood (best option).
4. Some CNC foam cutters they can't shape the female "crevices" > be prepared (a thermal tool may(?) cut the mustard).
Note: panels made with Styrofoam look miserable because reality and theory differ. They also look miserable as well (and kitsch and miserable).
5. making the panels with (marine) plywood ... well this yields far superior accuracy and therefor aesthetics but (a) yields max panel thickness constrains, (b) introduces max panel dimensions constrains (c) yields packing issues [waste material] and (d) requires a totally different "connection" approach: it doesn't make sense to do some female crevice ... unless the plywood is very thick (expensive + heavy).
Note: Designing (pro option) self supporting "rib" reinforced sandwich composite panels ... well this is a bit far and away from what you can handle at present time.
So ... I've suspended the male/female thingy until you decide the final policy: it's the material/detailing that should dictate the method(s) AND the whole design and not the other way.
This is what we call bottom-top design approach (dinosaur Architects follow the top-bottom: disastrous + naive + naive + naive + avoid).
6. Plan ZZTop: make a stand alone autonomous perimeter frame per panel (marine plywood: imagine "thickening" these abstract beams shown inwards per panel) then join these frames by means of bolts (easy) and fill the "gaps" with Styrofoam (hmm). Note: you can reinforce the frames by a variety of means (say: a secondary "beam" sub-structure) achieving a rather elegant all overall solution.
This is the best solution by roughly 666 miles.
…
ython patching via Rhinocommon CreatePatch being 7 of those seconds.
Currently, to avoid failed splits to remove the backgrounds, due to super shallow areas in skinny features that kiss the construction plane, I'm plane cutting a small amount below that construction plane, then moving the result back up.
I'm not using a Patch starting surface, as you can play with in the normal Rhino command, since it just sort of squashes broad curved mounds in ugly fashion, or else pulls them down to make ugly doughnuts everywhere around the input curves.
Details on how to use the CreateSurface command of Rhinocommon, hassles solved, is discussed here, with great all hours help from Peter Fotiadis, and I also discovered some clues from Djordje via Google, where he was massaging points into proper format:
http://www.grasshopper3d.com/forum/topics/python-longer-version-of-rhino-geometry-createpatch-expected
The highest level CreatePatch command doesn't accept a normal Python list of objects in a variable like the two more simple versions of the same command does. You have to regather them into a Rhino container, which is really a .NET container. I still don't know yet how to upgrade the Python parallel patch component to input the whole panoply of objects you can patch over in Rhino because I don't know what container exists to hold them all that won't break the command.
The point of this overall script is to now be able to arrange lots of mere flat surfaces, surfaces because those can define holes versus borders easily, and create real 3D single surface NURBS geometry that can then be surface morphed (equivalent of Rhino Flow Along Surface) onto other 3D models.
…
Added by Nik Willmore at 1:04am on February 27, 2016