flat) and then subdivide your surface using the divide domain component and feed that into a surface box. Your base geometry, base geometry bounding box and surface boxes will all drive the box morph.
From the looks of your geometry, it appears that it is designed to nest in a particular way that isn't strictly rectilinear, but is more staggered, so that the top corner of one element fits into the bottom corner of an adjacent element. You can achieve this using the box morph, but you have to get pretty creative with how you subdivide your surface:
I'm attaching a couple of files...first of all is your definition with the changes in it to make the above. But also I used some components that I made recently (will release them in a package with a bunch more hopefully soon) called tree sloth, which helps manage data trees and lists. I used a couple of those components, so I'm also attaching the gha for those. Just copy that file into your components folder (under file-> special folders) and restart rhino/gh. The new components are just layered into different parts of the "Sets" components.
To explain what I did: you basically you want to have adjacent sub-surfaces along your guide surface to overlap at the top and bottom thirds. There are any number of ways to extract these surfaces...I just pulled out strips in each column and culled every fourth element, but shifted by one in alternating columns. So in the first column I take strips 1,2 and 3 and skip 4, take 5, 6 and 7, etc. and in the second column I start at number 3, 4, 5 and skip 6, then take 7, 8, 9, etc. Then I collect each of these batches of three strips and take the bottom left corner and upper right corner UV domains to create the target surfaces for the morph.
Hope this helps you out...…
rolling in the Fabricating Luminance workshop. The INTEGRATE Bursary is sponsored by Studio Integrate and gives students the opportunity to receive a 50% bursary on workshop fees. The bursary is both based on need and merit; if you are interested in attending a workshop but are unable to afford the fees, contact us via our website. Upon receipt of your query, we will ask for a digital portfolio submission (5MB or less) on which we will award the INTEGRATE Bursary.
Fabricating Luminance is an intense 2-day workshop focused on the design and fabrication of a luminous artefact through surface manipulation in Grasshopper, Rhino’s parametric modelling plug-in. The workshop will introduce participants to the concepts of algorithmic design and associative modelling through focused design exercises, investigating possibilities for heterogeneous lighting conditions through the differentiation of component-based systems. Each student will have the opportunity to fabricate and construct their own design with the use of our CNC laser cutter. Objects produced will have the opportunity to be developed further and showcased on the online jewellery and product design shop cyberth.com. The design-based workshop will be supported by a series of presentations related to the workshop content.
The workshop is open to both students and professionals in architecture, product design, industrial design, and any other related fields. To ensure maximum time with tutors, the workshop is limited to 8 students.
WORKSHOP CONTENT
Day 01 Morning Session 10 AM – 6 PM - Introduction to parametric/associative modelling - Parameters and components - Lists and data management - Curve and surface subdivision
Afternoon Session 2 PM – 6 PM - Component creation and surface proliferation for flat-sheet fabrication (triangulation of surfaces) - Component manipulation through an attractor - Design tutorials
Day 02 Morning Session 10 AM – 6 PM - Representation tools in Grasshopper (dashed lines, colors, etc.) - Sheet layout and unfolding (how to create a tabbed model) - Design tutorials
Afternoon Session 2 PM – 6 PM - Design tutorials - Laser cutting and model construction
Visit www.integrateacademy.com for more information.…
g commands. In addition, this workshop will give students a functional understanding of Grasshopper and Parametric design; this will allow them to build on this understanding into more advanced projects of their own. The class also covers information on fabrication techniques with RP or laser machines and optimization and fabrication using RhinoCAM for CNC machines.
Details...
Date: May 16 - 20, 2016
Time: 8:00 am - 5:00 pm (EST)*
*Note: All times listed are Eastern (Miami) time zone
Location: McNeel Miami1538 NW 89th CourtMiami, FL 33172United States…
OSC are just simple horizontal sliders.
The problem I'm facing is that additional toggle items in OSC, which write only 0 or 1, don't get through properly. They do without problems as long as the timer on the FireFly is off. I also can write to the OSC app via gHowl to turn LEDs on or off.
As soon the FireFly timer is back on the toggle get lost in 8 of 10 attempts. The sliders still get through correct.
Any idea if this is because of a timing problem between gHowl and FireFly? I played around with different GH timer settings but that didn’t change much.
Cheers,
Peter…
n en el diseño y fabricación digital de formas complejas y euclidianas.
Tomando como plataforma Grasshopper con RHINO, se explora y optimiza el diseño y fabricación de topologías complejas bajo los entornos de "Grasshopper", "RhinoNest" y "RhinoCAM" así como la parte de renderizado tipo high-end con Brazil.
D-O-F De 8:00 AM a 12:00 PM y de 1:00 PM a 5:00 PM
Contenidos:
1. Modelado Avanzado y sus Tecnicas. Aplanado y Desarrollo de Superficies.Anidado y distribución Nesting.
2. Introducción al Diseño Paramétrico.Definiciones Avanzadas de Grasshopper,posibilidades y limitaciones. Ajustes de escala para impresión y corte.
3. Introducción a la Manufactura en CNC - RhinoCAM 2.0.
4. Guía Paso a Paso para la realización de un Renderizado usando Brazil 2.0. Presentación DIGITAL de proyectos.
Docentes:
Andrés González - CEO McNeel Miami
Ovidio Cardona - Especialista en RhinoCAM y Zebra
Juan David Moreno - Especialista en Rhino y Brazil
Inversión:
$650 000 (Incluye licencia Educativa y Certificación de McNeel)
$550 000 ( Incluye Certificación de McNeel)
Informes:
Bits LTDA Tel: 412 30 15
Laboratorio de Imagen Facultad de Arquitectura Tel: 430 94 32…
I want to use standard components I have to use 2 or 3 to get the result or use a scripting component, but sometimes I fell this could be avoided if we could access geometry properties and methods directly, let's say we want to use the x coordinates of a bunch of points, instead of decomposing the points to get the X input we could directly type X in the expression editor input to do so similarly to what happens with math formulas.
mmmm, I suppose that methods will be a bit trickier if more inputs where necessary.
On the other hand GH is very easy to start doing things with because the interface allows all levels of knowledge as shown on this forum where most of the questions, I'd say, have to do with solving specific geometry problems or asking for people experiences in similar problems and not always, how do I use a component if you know what I mean.
Overall I'm so, so happy GH is out there in the hands of creative people and in the hands of creative developers! Perhaps there is no need for GH to do any task because it certainly does quite a lot and it is so versatile, even better, that the requests of users get implemented as far as possible.
I think it's very difficult to compare two programs unless you are at the same level of proficiency on both, in the future I'm going to pay more attention as to if there would be a simpler way to do things in GH and if it required some implementation.
My two pence, 8)
Evert…
Added by Evert Amador at 4:03am on February 23, 2011
simple, there are many symetries in 3 main planes. So I used arcs rotated 45° from the main planes and I generate a pentagon which was mirrored and rotated many times.
At the end there are 24 pentagons and 8 hexagons so 32 faces, 54 points/vertex and 84 edges.
It could generate some others tessalation styles
…
ifically: I have a 100' vertical plane lofted between curved top and bottom profiles. I contour it every 8' (normal direction is Z, giving me 13 horizontal curves). I use Divide Curve to divide each contour into 10 segments. The "Points" output of Divide Curve now yields 13 branches with 11 items each, corresponding to 13 contours with 11 points from the left end of the curve to its right.
I now want to string "vertical" lines, and connect all the 2nd items in each branch together, all the 3rd items, etc... in order to make a polyline that travels between each 2nd point or 3rd point. i don't want to use Cull Pattern/Nth/Index because the number of subdivisions could change (11 could become 20, etc).
How do I connect the Nth item of each branch in this tree? Moreover, how do I connect all values in a branch with their corresponding values in all other branches?
Thanks for any replies,
Richman Neumann
Solomon Cordwell Buenz Architects
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