comerciales. Rhino permite comunicar ideas en el desarrollo, investigación, manufactura, marketing y proceso de construcción de un producto o espacio, antes de ser construido y genera documentos constructivos para la elaboración de los mismos. Permite exportar los archivos a las extensiones comerciales más utilizadas en la industria como DXF, DWG, Illustrator y 3ds entre muchos otros. La gran cantidad de extensiones suplen las necesidades especificas para arquitectura, diseño de producto, calzado, joyería, ingeniería, manufactura y visualización fotorealista.
Grasshopper es una extensión de Rhino que permite el modelado paramétrico sin tener conocimientos de programación o matemáticas avanzadas, facilitando el desarrollo de modelos de alta complejidad a partir de formas simples o complejas.
En este taller se cubren los principios de parametrización, analisis, panelización, Corte CNC.
Sesiones: 15 de 3 hrs
Duración: 45 horas
Días: lunes, miércoles y viernes
Horario: de 19:00 hrs a 22:00 hrs
Costo:
Pago único: $4,000 (antes del inicio del taller)
Pago fraccionado: $4,500
Primer pago: $2,000 para reservar tu lugar.
Segundo pago: $1,250 - 26 de septiembre
Tercer pago: $1,250 - 3 de octubre
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ject that involves the design of an app that allows people to interact with a 3d model through some sliders.)
Ok, imagine you have a symmetrical shape like the one i drew:
What I intend to do is to have different 3 sliders that allow me to adjust the 3 distances (x, y, z) independently of one another.
-1st question: my idea is to draw the curves in rhino, then use the "divide" and "list item" components to extract the points I need. Is it correct? :D
-2nd question: the "move away from" component can be used in a symmetric way?
(I try to be more specific: with only one slider, can I move both points 5 and 6 simultaneously about the axis i drew?)
-3rd question: is there a way that allows the curves to reshape themselves as I move the slider related to the distance between a couple of points?
I hope I have been clear ;) I would greatly appreciate any help you can give me!
Matteo…
precise) that unfortunately has more than one staff. This means that I pay the bills (unfortunate to the max). Practice is vertical meaning no Structural/HVAC etc services.
2. AEC Projects are made by teams. Period.
3. Teams are organized with some sort of hierarchy. Period.
4. On each team there's always one leader. Teams can being sampled in group teams - call them clusters (kinda like a List of List of ...)
5. All cluster leaders report to the supreme human being (yours truly). Leader heads are always on my disposal (it's fun to decapitate someone: I do this every Monday).
6. AEC projects are made with 1% idea(s) and 99% of what we call "sludge" (this is not my job: I'm the One , he he).
7. You can't steer any boat if you don't know each @@$#@ nut and bold. In the past there was a naive approach on that matter (ruined automotive companies, potato chip makers, software vendors, political systems, secret service agencies ... etc etc).
8. Efficiency is above all (even above tax-free cash).
9, You can't do ANY AEC real-life thing with what GH has to offer (nor Rhino is an AEC BIM app - it would never be). You simply use GH as a supplement to Generative Components (and/or as stand alone because it's good fun). There's nothing that GH does (I'm speaking solely for AEC as always) that can't being done with Generative Components.
10. I've done so fat 257 projects (a "bit" bigger than a house, he he). Let's say about 51427 drawings (master, master details, details) and 78956 lines of text (specs, cost estimations, space schedules, supplier lists, contracts, cats and 1 dog).
If you combine all the above you'll have the answer (i.e. why I use solely - if possible - code and not GH components). If you can't combine them I'm sorry.
PS: C# is the absolute standard (never judge a language as a "stand-alone" thingy).
best, Peter (Prince of Cynics)
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hopper) and High Definition visualizations (V-Ray) and exploring its scientific innovations supporting the users' platform philosophical ideas.
SESSIONS: 5 sessions of 8 hours (40 hours total)
E-MAIL: educacion@chconsultores.net
REGISTRATION: (55) 56 62 57 93
TECHNICAL INFO: 044 (55) 31 22 71 83
INSTRUCTORS: Have past experience working at Gehry Technologies, and participated at studios with Eric Owen Moss and Tom Wiscombe at SCI-Arc (Southern California Institute of Architecture).
Day 1: Introduction to MAYA tools, 3D exercise start.
Day 2: Continue 3D exercise.
Day 3: Original 3D architecture design.
Day 4: Grasshopper optional application on 3D architecture design.
Day 5: V-Ray Application on 3D architecture design.
30 DAY TRIAL SOFTWARE DOWNLOAD:MAYA 2012: http://www.autodesk.com/products/autodesk-maya/free-triaRHINO 4: http://s3.amazonaws.com/files.na.mcneel.com/rhino/4.0/2011-02-11/eval/rh40eval_en_20110211.exe3DS MAX 2010: http://www.autodesk.com/products/autodesk-3ds-max/free-trialVRAY FOR 3DS MAX: http://www.vray.com/vray_for_3ds_max/demo/thankyou.shtml#thankyouPHOTOSHOP e ILLUSTRATOR: https://creative.adobe.com/apps?trial=PHSP&promoid=JZXPS
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ons of the frets requires the simplest bit of math. The (really) historical technique is called the rule of 18, and it involves successively dividing the scale length minus the offset to the previous fret by 18. [...] The invention of the pocket calculator made it possible to make use of a more accurate constant, and so these days we conventionally calculate fret positions for equal temperament by successively dividing the scale length minus the offset to the previous fret by 17.817.
And from here: http://www.stewmac.com/How-To/Online_Resources/Learn_About_Guitar_a...
The "factor" for fret spacing is 17.817154.
So using Anemone to loop, I got this:
I must admit that it doesn't look quite right, and I'm not sure why...?…
logic in the script body. Now it works OK. Feeding all the right data required to Kangaroo is entirely trivial.
Happens now : create some "filters" about if a given cone is a classic one (suspended from a triad of high points == make triads of cables etc etc) or an inverted one (pulled from the ground == do something about that, anyway). This means find some interactive way to alter the cones data tree on a per branch basis (a slider access branches > the offset is altered > cone "type" > ...).
Just checked the P thing : it's all clear now (DeBrep).
That said I work in a smoke build on some MCAD app that does the following : when you hoover over a tool ... the underlying method is exposed and ... you can find what is where in nanoseconds.
Anders: I've looked at the Brep.Trim before posting this ... but .. well I can't get the gist of it (anyway the split loop did the job).
... If the Cutter is closed, then a connected component of the Brep that does not intersect the cutter is kept if and only if it is contained in the inside of cutter....
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ts (other than Kangaroo - if required). Anyway notify if you want some taste of them (but they are a bit "chaotic" : too many parameters etc etc ...). Warning: Almost all are written with MCAD apps in mind: GH is used SOLELY as a graphical editor/topology solver and just makes the simplest instance definitions possible in order to send them (via STEP) to some MCAD (Frank G uses CATIA/Digital Project as you may probably know, CATIA is my favorite toy as well) for actually designing the components and composing the whole.
2. "Equality" in modules (panels/glass/lexan) it's not an issue (other than aesthetics). I mean cost wise since modules are prepared via CNC these days. I wouldn't suggest to waste your time with "equality" puzzles and completely ignoring the big picture (real-life) that is FAR and AWAY from aesthetics. I mean: assume that I of someone else or Daniel can "equalize" things (up to a point): Is this sufficient for designing a similar real-life solution? In plain English: don't get occupied by the tree and ignore the forest.
3. As regards the frame in most of cases some MERO type of modular system is used: either a "flat" dome-like arrangement or a classic spaceframe or a hybrid system [push: tubes, pull: cables]. Hybrids are the most WOW (and costly) for obvious reasons. When properly done (and combined with a planar glazing system) THIS is the star of the show.
4. As regards the skin we use either "hinged" custom stuctural/semi structural aluminum extrusions (they can adapt to different dihedrals up to a point) or classic custom planar SS16L systems that also can adapt to dihedrals. A custom planar glazing solution is hideously expensive, mind (say: 1K Euros per m2).
5. Smart Glass tech (changes light transmission properties under the application of voltage) is gradually penetrating the market especially in future bespoke designs.
So in a nutshell: these are "pro" territory - if I may use the term, thus I don't expect to find ANY similar "turn-key" solution in the very same sense that you can't find a tensile membrane turn-key solution.
Meaning that practices that can do it ... er ... they keep the cookies for themselves. …
sion app (Modo, Z Brush etc) in order to get "as equal" as possible mesh faces.
For instance ... see a W depth truss (tri mesh > meaning that the "out" grid is hexagons) out from a Kangaroo "inflated" mesh:
2. A space frame is NOT a collection of abstract lines ... meaning that clash members detection (via trigonometry and NOT by checking boolean intersections) is far more important than the "concept" it self. If "live" alterations are required for addressing local clash issues ... well ... that's 100% impossible with native components.
See a typical clash detection capability:
3. A truss without proper connectivity Data Trees means nothing in real-life (vertices to edges, vertex to vertex, edges to vertices).
4. Each "standard" truss member (say: sleeves, cones and the likes) should be an instance definition placed in space according appropriate orienting planes. That way you may be able to handle thousands of components that in real-life participate in any truss of a certain size.
All the above are far easier to do with code (V4 is impossible with components).…
le] demo):
1. A transformation Matrix is a 4*4 collection of 16 values that "deform" 3d things according the values in the cells. The orthodox way is to deploy "cells" left to right and top to bottom. Rhino does the opposite (why?) hence we need the transpose method.
2. Since "translate" and "perspective" are "symmetrical" the transpose boolean toggle (within the C#) "flips" rows with columns ... so we get perspective or move.
3. When in perspective "mode" the vanishing points are computed internally within a min/max limit (per X/Y/Z axis) thus avoiding the usual havoc with "extreme" perspective angles (very common "glitz" in pretty much every CAD app - CATIA excluded). Vanishing points (and limits) are oriented with respect the pos/neg value of a given control slider.
Note: slider values are percentages between min/max (mode: perspective) and/or actual values*100 (mode: move).
4.In order to start mastering the whole thing: don't change anything: just play with these 4 sliders selected:
5. The 123 sardine cans challenge: even with DeusExMachine = true (see inside C#: that one redirects the transformation per BrepFace and then joins the breps instead of applying it on a brep basis)... odd things (and/or invalid breps) occur ... thus what is required in order to make things working 100% ??.
he, he
best, Lord of Darkness …