deform into rhombic dedocahedrons when they reach equilibrium.
http://mathworld.wolfram.com/CubicClosePacking.html
I was trying to model sphere lattice constrained within a boundary box. When inflated, they would not intersect with each other; they would stay in place; and would be malleable just enough to expand and fill in the gaps in between the spheres.
I started off with the help of this thread here(Thanks for those contributed!). As I understood, there was a bug in Kangaroo2. Solver can't handle more than one item plugged in. So I tried to understand David's Stasiuk's Script and adopted it with a few variations, please see gh file attached.
In the first 5 - I've used David Stasiuk's C# component-variable pressure (posted on June 9, 2015 at 12:25am): 'No. 4.5' being the most successful simulation so far(inflation value is kept very low so that they would not intersect);
although I realised I made some math mistake in setting the close packing grid.(could be checked by plugging voronoi3D to see if the area of the rhombic faces are regular)
No. 6-7 I tried with Kangaroo2 components.
After consulting my tutor(Andrei Jipa)'s help, I realised the following changes could be made:
- The definition posted by David on June 8, 2015 at 4:47pm with constant pressure would've worked better.
- Icosahedrons with WbCatmull(Quad divisions) would result in more even load distribution. With wbloop, vertices more concentrated at poles.
- Load in dir Z could be omitted. Andrei has suggested to use lengths(line) in Kangaroo 2 as 'pressure' instead. And I am trying to improve the grid; and maybe try with David's constant pressure definition. I will keep you guys posted of the progress!
I am new to the parametric world, comments/advice very much appreciated! :) Zhini
…
ing results and I think it is based on the assumption of small displacements. That’s why I want to try with LaDeform.
But doing this I met some problems. I tried to experiment it on the small examples that are provided with Karamba:
1.LaDeform in load-controlled behavior
I know Karamba has mainly been created make form-finding and not properly precise calculations, but I’d like to evaluate deformations of my structure under certain loads (load-controlled). It is said to let it in Default value for MaxDisp (-1).
[Rhino view for deflection of the rope]
In this example derived from a Karamba example (Large_Deformation_Rope.gh), the programs shows different ways to get approximately equal max deflection. But, getting into it, I realized Load Multiplier for gravity is different from one model to another (-3.237 for Analyze TH1 and -134 for LaDeform). So what is the interest of the example if the quite similar shape of deflections are not got under the same loadings? (quite different loadings indeed)
Doesn’t it show on the contrary that LaDeform algorithm does not work properly, if you need to change the load multiplier?
The Grasshopper file is shown below.
2.MaxDisp
When I use the model is “max disp”, I command the deformation, but how can I get the value of the virtual force exerted (which I don’t know because it is now imposed)? What is its link with the imposed deflection?
Otherwise I can’t figure how to use it with displacement-controlled loading
3.Iterative process
As it seems impossible to use LaDeform process, I tried to test it by iterations, as you recommend it on the forum, saying that it is equivalent to an iterative Analyze Th1 process.
I tried to reproduce this loading but the result is not very enthusiastic as you can see. The Rhino file shows the progressive loading, with the corresponding Grasshopper files, where I
- disassemble the model,
- get the previous deformed model
- put in another part of the load,
- re-assemble and then calculate it on the previous deformed shape.
Do you have any idea why the answer is not the same ? (LaDeform seem to give like 5 times less for the same loadings) (and even controlling it by displacements the shapes do not fit the principle of the algorithm would let think)
[RhinView for Iterative process]
First step by analyze Th1, and result by LaDeform
4.Analyze Th1 after LaDeform?
Some tutorials of Karamba show that an analysis with Analyze Th1 is sometimes made immediately after a calculation in large deformations. What is its reason? It seems to sometimes change considerably the result. What is the sense of such an operation? Would it mean that LaDeform is not trustworthy?
ð My question is then: is there a way to make the use of LaDeform for other purposes than form-finding affordable and coherent? If I mistake using it, where?
Thank you very much for your help,
…
t. This was a reasonably effective workflow for the purposes of solving the initial problem. (in reviewing this post, it seems a bit lengthy, but hopefully it's of use to others).
Link to Illustrator Script example:https://forums.adobe.com/thread/508138
Portion I used: This applies to entire illustrator document. I am using Illustrator CC 64 bit and this worked okay. Tested a few times and it failed once, but a restart of Illustrator fixed it.
var v_selection = app.activeDocument.pathItems;SwapFillStroke(v_selection); function SwapFillStroke(objSel) { for(k = 0; k < objSel.length; k++){ var subSel = objSel[k]; var c_fill = subSel.fillColor; var c_stroke = subSel.strokeColor; subSel.fillColor = c_stroke; if(!subSel.stroked) subSel.stroked = true; subSel.strokeColor = c_fill; }} redraw();
My goal was to export colored geometry, (analysis meshes for example), from Rhino and get it into illustrator with solid fills.
If you want to know how meshes are colored in rhino...there are many explanations here on the forum, a quick search will get you more detailed information.
Short version: export your lines from rhino to illustrator and run the script listed above to make the stroke color the fill color. (in illustrator, shift+X will swap the fill and stroke colors on individual objects, but does not work on multiple objects..hence the need for the script).
Detailed Version:
In my case, I had 2 case studies I was working with.1 - wind rose meshes generated from Ladybug/honeybee2 - A mesh terrain that was colored by pre-set slope values.
NOTE: There are a few plugins to bake objects with color. I used Human tools, (Bake Geometry and JustifiedText3D).http://www.grasshopper3d.com/group/human (lots of other great stuff in there too!)
I had two types of geometry. (2 different definitions)
1- An analysis mesh, (HoneyBee/LadyBug),
2 - Lines generated from mesh faces. (mesh terrain/slope values).
Export results as a DXF, and choose "do not explode". (these were my settings)
DXF seemed to produce the most consistent results.
(you could export/save as an AI file and just open them in illustrator, but that seemed to give inconsistent results with the script).
Open DXF in Illustrator:
Apply Script in illustrator:
In the terrain example, there are only 5 colors, so selection in illustrator, by color, is very easy. In the results from honeybee/ladybug, (or any analysis process I imagine), the default colors are created with a much wider range of values. I presume the legend is then created by an average of those values within a range. My point is that, with the analysis results, selecting objects by color in Illustrator is probably not a very effective workflow.
I only tested this on my instance of rhino and Illustrator. mileage may vary.
In summation, at this point, it seems that the best way to get colored mesh faces, into illustrator, is to export the meshes, (which really ends up being the mesh face edges...curves), and bringing them into illustrator and running a quick script to swap the colors. Once that is complete, you can then select ALL the objects, and change the stroke color/weight at once.…
chitects, Asymptote Architecture, Mario Bellini Architects and others to design the paneling systems.
Get a quick introduction to Rhino and Grasshopper.
Learn how to digitally reconstruction data from 3D scanners and even from regular photographs.
Experience how to print 3D models using state of the art machines.
Grant the opportunity to perform basic energy and performance analysis of your designs.
All this will be provided in a comprehensive 5 days workshop to be taught by international experts in the field as well as local researchers.
Organized by AUC American University in Cairo and GMVS Geometric Modeling and Visulization Center
…
Added by Zaghloul4d at 6:48pm on December 22, 2010
horas.
Los datos al contextualizar la fachada serán:
Vehículos (ISD: input social data)
Personas (ISD: input social data)
Edificaciones contiguas: (UI: urban input)
Sol (Radiación e iluminación): (EFI: energetic flow input)
Creación de energía solar y térmica: (ECI: energetic contribution input)
Objetivos específicos:
Cada asistente generará una fachada contextual a esos 5 inputs.
Entenderá la plataforma de Grasshopper
Comprenderá los conceptos de diseño generativo
Usará los conceptos de programación orientada a objetos (POO)
Generará renders y modelos físicos de la fachada (Fabricación digital)
Costos: $3,250 alumnos $4,180 alumnos de posgrado y profesores $4,830 profesionales
Aulas VI salón 6205, ITESM CEM
Informes: (55)-34449396 mexdf@krfr.org bioarchitecturestudio@gmail.com
Para más información visitanos en:
Fachadas ContextualesWorkshop >Fachadas Contextuales< KRFR|SEEDKRFR|SEED Red Internacional de Investigación OR/gan
http://www.bioarchitecturestudio.wordpress.com
…
tal fabrication tools. DLAB will investigate natural growth processes in relation to innovative concepts of architectural tectonics and fabrication. We will carefully interweave these concepts with interaction and participatory design to create full-scale working prototypes. The programme will be formulated as a two-phase process. During the initial phase participants will benefit from the unique atmosphere and facilities of AA’s London home. The second phase will shift to AA Hooke Park campus and revolve around the fabrication and assembly of a full-scale architectural intervention.
Some of the most prominent features which the participants will be exposed to during DLAB include:
Teaching team: Participants engage in an active learning environment where the large tutor to student ratio (5:1) allows for personalized tutorials and debates.
Facilities: The Digital Prototyping Lab (DPL) in AA London houses cutting-edge facilities for the fabrication of physical outputs through digital fabrication techniques. The facilities at AA Hooke Park allow for the fabrication of one-to-one scale prototypes with a 3-axis CNC router.
Computational skills: The toolset of DLAB includes but is not limited to Rhinoceros, Processing, Arduino, and Grasshopper.
Theoretical understanding: The dissemination of fundamental design techniques and relevant critical thinking methodologies to the participants through theoretical sessions and seminars forms one of the major goals of DLAB.
Professional awareness: Participants ranging from 2nd year students to PhD candidates and full-time professionals experience a highly-focused collaborative educational model which promotes research-based design and making.
Fabrication: According to the specific agenda of each year, a one-to-one scale prototype is fabricated and assembled by design teams.
Lecture series: Taking advantage of its unique location, London, DLAB creates a vibrant atmosphere with its intense lecture programme conveying the diverse expertise of professionals in the areas of digital design and fabrication techniques.
Applications
The deadline for applications is 8 July 2013.
An application can be made by completing the online application form or completing the PDF application form and emailing it to visitingschool@aaschool.ac.uk.
Fees
The AA Visiting School requires a total fee of £1,660 per participant, which includes a £700 deposit and a £60 Visiting Membership.
Fees are non-refundable. Fees do not include flights. Train tickets between London-Hooke Park, accommodation, food in Hooke Park, and materials are included in the fees.
Students need to bring their own laptops, digital equipment and model making tools.…
ature. By investigating the process of decay across various scales, we will formulate rules of generating decomposition as our design research area. These rules will evolve into design strategies for the creation and fabrication of a large-scale prototype. The design and fabrication process will be informed by the use of robotic fabrication techniques.
The three-week long programme is formulated as a two-phase process. During the two-week initial phase, participants benefit from the unique atmosphere and facilities of AA’s London home. The second phase, lasting for a week, shifts to AA’s woodland site in Hooke Park and revolves around the fabrication and assembly of a full-scale architectural intervention.
Prominent Features of the programme:
• Teaching team: Participants engage in an active learning environment where the large tutor to student ratio (5:1) allows for personalized tutorials and debates.
• Facilities: AA Digital Prototyping Lab (DPL) offers laser cutting, CNC milling, and 3d printing facilities. The facilities at AA Hooke Park allow for the fabrication of one-to-one scale prototypes with a 3-axis CNC router, various woodworking power tools, and robotic fabrication.
• Computational skills: The toolset of Summer DLAB includes but is not limited to Rhinoceros, Processing, Grasshopper, and various analysis tools.
• Theoretical understanding: The dissemination of fundamental design techniques and relevant critical thinking methodologies through theoretical sessions and seminars forms one of the major goals of Summer DLAB.
• Professional awareness: Participants ranging from 2nd year students to PhD candidates and full-time professionals experience a highly-focused collaborative educational model which promotes research-based design and making.
• Fabrication: According to the specific agenda of each year, a one-to-one scale prototype is fabricated and assembled by design teams.
• Lecture series: Taking advantage of its unique location, London, Summer DLAB creates a vibrant atmosphere with its intense lecture programme.
Eligibility: The workshop is open to architecture and design students and professionals worldwide.
Accreditation: Participants receive the AA Visiting School Certificate with the completion of the Programme.
Applications: The AA Visiting School requires a fee of £1964 per participant, which includes a £60 Visiting Membership fee. A deposit of £381 is required when registering with the online form. The deadline for applications is 20 July 2015. No portfolio or CV is required. Online application link:
https://www.aaschool.ac.uk/STUDY/ONLINEAPPLICATION/visitingApplication.php?schoolID=325
Return train tickets between London-Hooke Park, accommodation & food in Hooke Park, and materials from Digital Prototyping Lab (DPL) are included in the fees.
Programme Directors:
Elif Erdine (AA Summer DLAB Director): elif.erdine@aaschool.ac.uk
Alexandros Kallegias (AA Summer DLAB Director): alexandros.Kallegias@aaschool.ac.uk
…
n complex architectural design and fabrication processes, relying heavily on materiality and performance. The programme brings together a range of experts – tutors and lecturers – from internationally acclaimed academic institutions and practices, Architectural Association, Zaha Hadid Architects, among others.
Taking place at the unique atmosphere of AA’s London home, the three-week long programme is formulated as a two-stage process. During the initial stage, participants are introduced to core concepts related to material processes, computational methods, and various digital fabrication techniques. During the second stage, the fabrication and assembly of a full-scale architectural intervention with the use of robotic fabrication techniques unifies the design goals of the programme.
Prominent Features of the programme:
• Teaching team: Participants engage in an active learning environment where the large tutor to student ratio (5:1) allows for personalized tutorials and debates.
• Facilities: AA Digital Prototyping Lab (DPL) offers laser cutting, CNC milling, 3d printing facilities, and 2 KUKA robotic arms.
• Computational skills: The toolset of Summer DLAB includes but is not limited to Rhinoceros, Processing, Grasshopper, and various analysis tools.
• Theoretical understanding: The dissemination of fundamental design techniques and relevant critical thinking methodologies through theoretical sessions and seminars forms one of the major goals of Summer DLAB.
• Professional awareness: Participants ranging from 2nd year students to PhD candidates and full-time professionals experience a highly-focused collaborative educational model which promotes research-based design and making.
• Robotic Fabrication: According to the specific agenda of each year, scaled working models are produced via advanced digital machining tools, followed by the fabrication of one-to-one scale prototypes with the use of KUKA KR60 and KR30 robots.
• Lecture series: Taking advantage of its unique location, London, Summer DLAB creates a vibrant atmosphere with its intense lecture programme.
Eligibility: The workshop is open to architecture and design students and professionals worldwide.
Accreditation: Participants gain 1 Year AA Visiting Membership and are awarded AA Certificate of Attendance at the successful completion of AA Summer DLAB.
Applications: The AA Visiting School requires a fee of £1900 per participant, which includes a £60 Visiting Membership fee. Discount options for groups are available. Please contact the AA Visiting School Coordinator for more details.
The deadline for applications is 17 July 2017. No portfolio or CV, only requirement is the online application form and fees. The online application can be reached from:
https://www.aaschool.ac.uk/STUDY/ONLINEAPPLICATION/visitingApplication.php?schoolID=460
For inquiries, please contact:
elif.erdine@aaschool.ac.uk (Programme Head)
alexandros.kallegias@aaschool.ac.uk (Programme Head)…