he picture (4).
Previously, I had a problem with generating intersections between the two directions of the beams, but a colleague helped me by extending beams, so there was no problem with lines of intersection. But this solution has generated curl (5) at the highest vertex geometry, which I ignored in order to repair it before printing, perhaps this mean my problem with my beam spread properly. Only when the beams is 19, does not jump no problem, but I still can not distribute them properly.
(1)
(2)
(3)
(4)
(5)
I tried to show as simply as possible by removing or signing my code in GHX file.
Thank you in advance for your help
…
rection: there's no visible demand. Explanation: a lot of AEC oriented people (Smart Geo daydreamers) they think - potentially - about GH but they are rejecting it for more than obvious reasons: our job is 1% about the smart thing and 99% about the structured aspect of the smart (or stupid thing).
Back to that "hangar" : The primary role of this GH definition provided herein (and hopefully some future updates) is NOT to outline some academic solution (via some abstract collection of pipes/lines/points/surfaces) ...but to place in 3d space - properly structured - all the real-life (hmm, he he) bits that can compose the actual project. Of course if the bits could be parametrically driven assemblies ...well...you get the gist of the message.
All in all: I think that Engineers who are GH skeptics could see GH with a totally new perspective if, say, a collection of similar examples/test cases could be available for demo/evaluation/whatever > Ah! at last : this appears to be a real thing > what software did it? > say it again - Grass Components you said? > what sort of name is this? ... etc etc etc.
But since a similar development is quite expensive (and requires a team of several gurus), maybe this is rather a future potential task for the GH/Rhino people if they think that the AEC market segment could be beneficial for their products. Combine a similar capability with tools like yours and/or Evolute (planar quads are "a-la-mode" these days).
PS: forget trivial stuff > what about Stefanie? (plan B : better something than nothing)…
e case pictured already: don't bother how this truss is made and never mind that the def attached looks like an "add-on" (no components) - because it could be (so don't get stuck on that, it's irrelevant). In fact since the critical part (the 99% of the whole) if only doable with code ... it makes sense to do the rest with code as well (but that's my personal preference anyway, he he). Note: Balls are excluded from the demo.
You can toggle what "class" of struts is gonna being made with these booleans:
You can vary the sliders and if the code thinks that you make a valid input ... it obeys, he he.
But the big questions are:
1. Can you work with this in some interactive way? I mean vary any slider and ... wait ... for some change. Although the MERO components here are created ONCE and then placed around (minus obviously the tubes) ... they are placed as copies of the "donor" object (not instance definitions) creating a vast "pool" of "unnecessary" data.
2. What happens if you bake these little thingies? What file size you get? Is it OK?
But the bad news are that as I said ... this is ... NOT a task for a novice ... nor you can handle this get-a-truss-and-make-a-MERO-thing goal with half-measures: either you should do it properly ... or abandon ship.
NOTE: Load R file first (nothing is internalized).
Moral: even if this was made with components ... it wouldn't serve much.
best, Peter…
cy of design communication and the control of information-flow are as important as the creativity of ideas. In response to the concurrent digital evolution emerging in the architectural industry world-wide, the Faculty of Architecture at The University of Hong Kong will host a two week intensive summer program named Digital Practice.Led by professors from The University of Hong Kong, as well as invited practitioners with expertise in practice of cutting edge digital techniques, the program offers participants opportunities to experience applications of computational tools during different stages of an architectural project, i.e. concept design, form finding and optimization, delivery, management and communication of design information under the team-based working environment. By learning advanced computational techniques through case studies in the context of Hong Kong, participants are expected to go beyond the conventional perception of technology, considering users and tools as a feedback-based entity instead of a dichotomy. The program, which is taught in English, includes a series of evening lectures related delivered by teaching staff and invited local architects.對於高品質的建築專案,創意之外,專案過程中高效的設計資訊管理和交流成為項目設計深化和實施必不可少的環節。今天,數字化技術不但改變了建築師的繪圖工具,影響了設計的過程,而且提供了工程建造和管理實施的更有效、更高效的手段。針對建築的數位化演進,香港大學建築學院將於2011年暑假期間,在香港大學建築學院舉辦“數位化實踐”國際研習班。在香港大學建築學院教授及有著相關豐富經驗的外聘實踐建築師的指導下,學員將有機會體驗在專案的不同階段(如概念設計、設計形式的生成、優化,設計資訊的管理和交流),如何有效地應用各種運算智慧化技術(從設計的數位化生成和建築資訊類比到物理模型),提升設計實施的品質,增加設計團隊對於方案的控制。我們將挑戰對於“技術”的傳統認知,即相對於使用者它不僅是工具,更是與使用者互動的媒介,二者形成一個有機的合體。研習班期間會安排系列講座,展現數位化技術在實踐工程中的廣泛應用。…
akes the linear regression of the Schroeder integral over 30 dB worth of decay. Whether it is T-15 or T-30, they all seek to estimate the RT, which is always always the time it takes for sound to decay 60 decibels.
The website has benchmarks, for your reference. You can find them under the 'Pachyderm' drop down menu, under 'Benchmarks'.
Your model may well require millions of rays to be accurate. It sounds like a very large space. I'm sorry if that is an unpleasant answer. Sometimes it does help to have a computer with more cores to help with this. I have gotten up to 90% processor usage on a 12 core machine before.
Arthur…
hat differ in shapes, sizes and height the facade would be a mess. Some spaces need some light while other can't have any. I would like to have full freedom of creation inside the building, to make it as functional as possible. Thats why i decided the parametric "skin" solution would be best. Since the location has industrial past (factories made of brick) i decided that brick would give interesting result.
I tried creating the definition on my own but since i lack skill in GH i got some problems (especially multiplication of bricks and the diffrence between each "level" (half a brick on y axis) caused problems for me.
I post my simple sketch explaining the idea of definition i would like to create (sorry about quality):
1 - Brep - I would like to use 25x12x6cm (classic brick) but as well experiment with diffrent shapes - like the one on the right with hole inside - that would give more light. Thats why i think the best solution would be using brep for this definition.
2- Multiplication - biggest problem for me - I don't know how tall the wall would be, what will be the final shape of Brep (brick) and that's why i would like to manipulate this with sliders as well. All the walls are flat (maybe it would be easier to use surface?). As i managed to multiply the bricks easy way i don't know how to gain control over height of the wall - for example that it is 30 bricks high, but has each second row moved on x axis by the distance of 1/2 brick. I tried using Series but with no success. Could you help me with that please?
3 - Rotation - i would like to use image sampler for that so i can "paint" where i want more sun and where i dont need it at all (black and white). The rotation has to be limited to 180 degrees as well. Obviously i didn't get here yet, but i never used image sampler so if you could give me some advice how to use component and how to create such images i would be really grateful.
4 - More of a concept thing - since the connection angles differ from 90 degrees i will have to figure out how to connect the parts of the wall at sides ;).
I would like to ask you for help with the defintion, since i am totally stuck at step 2. I post what i came up with so far. Thank you for your time and help!
PS. I post an image that is pretty similar to one of options i would like to check for my building.
…
he concept, moving on to decision making and continuing with digital and generative design tools TO GET THE BEST SOLUTION for each problem.
WHY? The world is complex and ever-changing and we need to be able to handle the volume of information we receive and, of course, to find and choose the best solution. Therefore, we direct our ATTENTION TO THE CAUSE, and not only on the effects/solutions.
We will learn from NATURE, the only “company” that has not gone bankrupt in over 4000M years, and it’s GENERATIVE SOLUTIONS.
> OBJECTIVES <
The participants will work in multidisciplinary groups (ex. architect + designer + business manager + constructor + communication specialist etc.) applying knowledge management tools, different approaches and nature-based optimization methods.
Listed objectives:
1. Improving the generative way of TURNING AN IDEA INTO A PROJECT through problem-solving thinking
2. Discovering nature’s ways of shaping evolutionary solutions
3. Getting out from our comfort zone and working together with other professionals in groups in order to achieve better solutions: Multidisciplinary Design Optimization
4. Learning to use technology to manage information in the decision making process
& surviving the whole week
> ATTENDANCE & COSTS <
> Early bird – until 17th March 2013
Lecture – 15 euro (includes presentations, food& drinks)
Workshop – 100 euro (includes lecture, food& drinks)
> Late bird – until 6th April 2013
Lecture – 25 euro (includes presentations, food& drinks)
Workshop – 120 euro (includes lecture, food& drinks)
…
Salimzadeh
Assistant: Saeede Kalantari a Fabrication Project for “Structural Systems” BA Course;
Participants: Maryam Ahmadi, Amir Ansaripour, Kimia Bagheri, Mohammad Hassan Habibi, Mohammad Mehdi Zamani, Sam Sabzevari, Zeynab Seyed Zehtab, Mohammad Mehdi Shahroudi, Niloofar Taheri, Masoumeh Abedini, Pedram Feyzi, Asma Karamouz, Kimia Karbalayi, Hamed Kamalzadeh, Fateme Kianinejhad, Maryam Mohammaddoust, Faeze Motamedian, Romina Mehrbod, Sara Naderi, Yasaman Nejati, Kimia Nourinejhad, Morteza Vaziri, Mehragin Baghi, Sana Motallem, Helpers: Milad Amiri, Soroush Raesi, Mahla Behrouz, Alireza Sheykhlar, Shadi Khaleghi, Mohaddese Taheri, Alireza Mohammadi, Mehrnoush Kia
Photography: Sara Ahmadi, Hasan Habibi
Video production: Shayan Khalilbeigi
Special Thanks To Dr. K. Taghizadeh, Dr. H. Mazaherian, Dr. Y. Eslami and Mr.Aliari
With Support Of: Center Of Excellency In Architecture Technology – CEAT - , Collage of Fine Arts University of #Tehran, ‘Art And 4th Dimension’ Symposium, Iran #Fablab and #Fologram
Rhino/Grasshopper and C# Definitions of form-Finding and Member-generation :
http://bit.ly/2RUKc5i…