rsuche deine Befehle später auf mein Modell anzuwenden.
Ja du hast Recht, ich sollte meine Fragen das nächste mal isoliert hochladen. Sorry für die "wirre" Datei.
Dennoch muss ich echt sagen, dass ich es mega schade finde, dass es einige in diesem Forum gibt die einen echt "runtermachen" indem sie ständig auf Fehler hinweisen und einen für komplett bescheuert halten. Es fällt eben nicht jedem leicht ein Programm ohne zusätzliche Hilfe sondern nur durch Ausprobieren zu erlernen. (Musste ich mal kurz loswerden!) Gut, dass es auch solche wie dich gibt, die einen Mut machen.
Gruß und nochmals Danke!…
p; 3D Urban ModelingOn the topography subject I get the next message: "One or more boundaries may be outside the bounds of the topo dataset" I'm not sure if it's the .IMG file I'm loading since I found so many IMG files nearing my polyline area (Miami Lat:26 Lon:-81 aprox.) or maybe my polygon doesn't match the topo area? I have no idea why it isn't working :(On the Shapefile subject, haven't been able to find a Building Height SHP File, so far have downloaded around 8 SHP files which only contain Polylines, my solution is to meanwhile randomize Z heights, but of course this data is not "technically" correct.P.S.: I've already tried all example links and also the ones posted by you and Benjamin in this video.Been strugling last few days, hope you can help me, thanks in advance!!…
ka Museum of Design, Gothenburg, Sweden. With
perforations that sift the light and with joints that are put together by
hand, it serves as a focus point in the big courtyard while visitors can
relax in the shade.
The pavilion is parametrically designed in Grasshopper and Rhino, and
loads, sun and shade, and material use has been optimized.
Steel sheets of 2 mm have been laser cut and rolled at the factory and
then assembled by hand in situ.
After summer the pavilion will be standing at Chalmers University of
Technology during the autumn, after which it is possible to purchase it.
The pavilion is a collaboration between Röhsska museum of Design, Chalmers
University of Technology and Ribo-verken, and is the result of 33
Architecture students' work during one semester, in the master level class
'Material and Detail'. After selecting one initial design, 33 students
have worked to develop the design, and to turn the project into a pavilion
which is safe and constructable.
The purpose of the course is to explore digital fabrication and to turn it
into a real, built architectural project.
Words on the design:
When talking to the staff at Röhsska at our first site visit, it became
clear that the courtyard, even though at the time covered with snow, could
get extremely hot during summer days. Adding this fact to the briefs'
demand for seating and the size of the empty courtyard, we set out to
create a pavilion that provided shaded seating inside it as well as
creating shaded spaces around it to place existing chairs and tables. The
pavilion therefore creates a network of spaces with the existing furniture
that altogether manages to inhabit the large courtyard, like different
small islands in an archipelago, which together with the technique of
rolling the steel in to arc segments gave it its name.
Well inside the pavilion you can lie comfortably on the smooth surface
that uses the steels excellent possibility to stay cool wheEn shaded.
Inside you find yourself in a space, the pavilion, within a space, the
courtyard, that creates a small but secluded getaway from the hectic city
life of central Gothenburg that is just outside the courtyard. The
perforation in the ceiling spreads out an organic pattern resembling the
one you would see from a tree in the forest. Contrasting the smooth
inside, the outside of the pavilion lets the visitor study in detail how
the 133 pieces are joint together with 1535 joints with a total of 3640
bolts holding it together.
- Marcus Abrahamsson & Benoit Croo, Initial Design
Cooperation partners: Röhsska Museum of Design & Chalmers Arkitektur
Main sponsor: Ribo-verken
Sponsors: Stålbyggnadsinstitutet, COWI, Tengbom, Unit Arkitektur AB,
Swebolt AB…
ka Museum of Design, Gothenburg, Sweden. With
perforations that sift the light and with joints that are put together by
hand, it serves as a focus point in the big courtyard while visitors can
relax in the shade.
The pavilion is parametrically designed in Grasshopper and Rhino, and
loads, sun and shade, and material use has been optimized.
Steel sheets of 2 mm have been laser cut and rolled at the factory and
then assembled by hand in situ.
After summer the pavilion will be standing at Chalmers University of
Technology during the autumn, after which it is possible to purchase it.
The pavilion is a collaboration between Röhsska museum of Design, Chalmers
University of Technology and Ribo-verken, and is the result of 33
Architecture students' work during one semester, in the master level class
'Material and Detail'. After selecting one initial design, 33 students
have worked to develop the design, and to turn the project into a pavilion
which is safe and constructable.
The purpose of the course is to explore digital fabrication and to turn it
into a real, built architectural project.
Words on the design:
When talking to the staff at Röhsska at our first site visit, it became
clear that the courtyard, even though at the time covered with snow, could
get extremely hot during summer days. Adding this fact to the briefs'
demand for seating and the size of the empty courtyard, we set out to
create a pavilion that provided shaded seating inside it as well as
creating shaded spaces around it to place existing chairs and tables. The
pavilion therefore creates a network of spaces with the existing furniture
that altogether manages to inhabit the large courtyard, like different
small islands in an archipelago, which together with the technique of
rolling the steel in to arc segments gave it its name.
Well inside the pavilion you can lie comfortably on the smooth surface
that uses the steels excellent possibility to stay cool wheEn shaded.
Inside you find yourself in a space, the pavilion, within a space, the
courtyard, that creates a small but secluded getaway from the hectic city
life of central Gothenburg that is just outside the courtyard. The
perforation in the ceiling spreads out an organic pattern resembling the
one you would see from a tree in the forest. Contrasting the smooth
inside, the outside of the pavilion lets the visitor study in detail how
the 133 pieces are joint together with 1535 joints with a total of 3640
bolts holding it together.
- Marcus Abrahamsson & Benoit Croo, Initial Design
Cooperation partners: Röhsska Museum of Design & Chalmers Arkitektur
Main sponsor: Ribo-verken
Sponsors: Stålbyggnadsinstitutet, COWI, Tengbom, Unit Arkitektur AB,
Swebolt AB…
ka Museum of Design, Gothenburg, Sweden. With
perforations that sift the light and with joints that are put together by
hand, it serves as a focus point in the big courtyard while visitors can
relax in the shade.
The pavilion is parametrically designed in Grasshopper and Rhino, and
loads, sun and shade, and material use has been optimized.
Steel sheets of 2 mm have been laser cut and rolled at the factory and
then assembled by hand in situ.
After summer the pavilion will be standing at Chalmers University of
Technology during the autumn, after which it is possible to purchase it.
The pavilion is a collaboration between Röhsska museum of Design, Chalmers
University of Technology and Ribo-verken, and is the result of 33
Architecture students' work during one semester, in the master level class
'Material and Detail'. After selecting one initial design, 33 students
have worked to develop the design, and to turn the project into a pavilion
which is safe and constructable.
The purpose of the course is to explore digital fabrication and to turn it
into a real, built architectural project.
Words on the design:
When talking to the staff at Röhsska at our first site visit, it became
clear that the courtyard, even though at the time covered with snow, could
get extremely hot during summer days. Adding this fact to the briefs'
demand for seating and the size of the empty courtyard, we set out to
create a pavilion that provided shaded seating inside it as well as
creating shaded spaces around it to place existing chairs and tables. The
pavilion therefore creates a network of spaces with the existing furniture
that altogether manages to inhabit the large courtyard, like different
small islands in an archipelago, which together with the technique of
rolling the steel in to arc segments gave it its name.
Well inside the pavilion you can lie comfortably on the smooth surface
that uses the steels excellent possibility to stay cool wheEn shaded.
Inside you find yourself in a space, the pavilion, within a space, the
courtyard, that creates a small but secluded getaway from the hectic city
life of central Gothenburg that is just outside the courtyard. The
perforation in the ceiling spreads out an organic pattern resembling the
one you would see from a tree in the forest. Contrasting the smooth
inside, the outside of the pavilion lets the visitor study in detail how
the 133 pieces are joint together with 1535 joints with a total of 3640
bolts holding it together.
- Marcus Abrahamsson & Benoit Croo, Initial Design
Cooperation partners: Röhsska Museum of Design & Chalmers Arkitektur
Main sponsor: Ribo-verken
Sponsors: Stålbyggnadsinstitutet, COWI, Tengbom, Unit Arkitektur AB,
Swebolt AB…
ka Museum of Design, Gothenburg, Sweden. With
perforations that sift the light and with joints that are put together by
hand, it serves as a focus point in the big courtyard while visitors can
relax in the shade.
The pavilion is parametrically designed in Grasshopper and Rhino, and
loads, sun and shade, and material use has been optimized.
Steel sheets of 2 mm have been laser cut and rolled at the factory and
then assembled by hand in situ.
After summer the pavilion will be standing at Chalmers University of
Technology during the autumn, after which it is possible to purchase it.
The pavilion is a collaboration between Röhsska museum of Design, Chalmers
University of Technology and Ribo-verken, and is the result of 33
Architecture students' work during one semester, in the master level class
'Material and Detail'. After selecting one initial design, 33 students
have worked to develop the design, and to turn the project into a pavilion
which is safe and constructable.
The purpose of the course is to explore digital fabrication and to turn it
into a real, built architectural project.
Words on the design:
When talking to the staff at Röhsska at our first site visit, it became
clear that the courtyard, even though at the time covered with snow, could
get extremely hot during summer days. Adding this fact to the briefs'
demand for seating and the size of the empty courtyard, we set out to
create a pavilion that provided shaded seating inside it as well as
creating shaded spaces around it to place existing chairs and tables. The
pavilion therefore creates a network of spaces with the existing furniture
that altogether manages to inhabit the large courtyard, like different
small islands in an archipelago, which together with the technique of
rolling the steel in to arc segments gave it its name.
Well inside the pavilion you can lie comfortably on the smooth surface
that uses the steels excellent possibility to stay cool wheEn shaded.
Inside you find yourself in a space, the pavilion, within a space, the
courtyard, that creates a small but secluded getaway from the hectic city
life of central Gothenburg that is just outside the courtyard. The
perforation in the ceiling spreads out an organic pattern resembling the
one you would see from a tree in the forest. Contrasting the smooth
inside, the outside of the pavilion lets the visitor study in detail how
the 133 pieces are joint together with 1535 joints with a total of 3640
bolts holding it together.
- Marcus Abrahamsson & Benoit Croo, Initial Design
Cooperation partners: Röhsska Museum of Design & Chalmers Arkitektur
Main sponsor: Ribo-verken
Sponsors: Stålbyggnadsinstitutet, COWI, Tengbom, Unit Arkitektur AB,
Swebolt AB…
d the workshop PDF from this link: http://goo.gl/bcvRNH Download event poster from this link: http://goo.gl/Q0KWCM Brief: Cairo is filled with barriers controlling people movements, suppressing them as well as detaining green and public spaces to the extent that most people have been taking these spaces for granted. Public spaces have been for a while the periphery of our daily life. We will explore in this workshop how we can manipulate and alter people’s perception and direct their attention to how these spaces are integral for city life. This exploration will be backed up by intensive technical tutorials introducing computational design and fabrication techniques and tools mainly Rhino, Grasshopper, Geco and Ecotect. Not only will this be the typical technical workshop, but rather you will also have the chance to be guided step by step on how these tools are used through out different design stages in a real world scenario. Design prototypes will be produced through 3D printing, the main workshop output will be a fabricated one to one functional model for one of the designs using our new in-house CNC machine. Tutors (check the PDF for bio): Olga Kovrikova, MArch DIA Alexandr Kalachev, MArch DIA Karim Soliman, MArch DIA Islam Ibrahim, MArch DIA Sherif Tarabishy, B.Sc. AAST Application: Application deadline 1 September 2013 ** For students (undergrad / Master), teachers and PhD proof of status is required (university ID with a date or a certificate of enrollment) to apply for the students package. Packages (choose one of the following in the application form): 1. Standard registration Course fee is 4250 EGP For Students 3500 EGP 2. Early bird registration discounted fee For Professionals 3750 EGP For Students 3000 EGP ** Early bird offer ends on 14 August 2013 3. Group registrations discounted fee (5 or more) For Students 20% off - You will have to fill out an application form here: http://goo.gl/0QxAga - You will need to submit your CV and Short Portfolio (max. 10 MB) to info@morph-d.com, email subject: “Morphing Norms Application” (we will decide if you are eligible for an early bird discount or not based on the date of your email submission) - We will confirm receiving emails from all applicants. Successful applicants will be contacted 5 days after each deadline (early bird/final) and will have to confirm participation within 3 days, if they fail to do so, places will be given to others on the waiting list. - A maximum of 30 applicants will be selected.
…
he picture (4).
Previously, I had a problem with generating intersections between the two directions of the beams, but a colleague helped me by extending beams, so there was no problem with lines of intersection. But this solution has generated curl (5) at the highest vertex geometry, which I ignored in order to repair it before printing, perhaps this mean my problem with my beam spread properly. Only when the beams is 19, does not jump no problem, but I still can not distribute them properly.
(1)
(2)
(3)
(4)
(5)
I tried to show as simply as possible by removing or signing my code in GHX file.
Thank you in advance for your help
…
near logic you were asking:
This is simply using a line as a reference, and finds the projection of the mesh points on it. Then, the values along the line can be used to create a linear growth. A second example is then here a simple attractor logic. The closer to the point, the larger the thickening.
A last example is using the linear increase example as a start point, but then applies the sin function to it. This creates a moving wave. Note also how this trigonometric function returns on top of itself.
I hope this helps,
Giulio
--
Giulio Piacentino Weaverbird development…