what they really mean by that, as in what buttons to push, so I assume it's a Windows Path entry?
2.) Modify PATH
Add the install location on the path, this is usually: C:\Program File\IronPython 2.7
But on 64-bit Windows systems it is: C:\Program File (x86)\IronPython 2.7
As a check, open a Windows command prompt and go to a directory (which is not the above) and type:
> ipy -V PythonContext 2.7.0.40 on .NET 4.0.30319.225
Tutorial on setting a Windows environmental variable (path):
http://www.computerhope.com/issues/ch000549.htm
But this fails to point out that path contains many entries already separated by semicolons so if I merely add a new variable called "path" it's likely that I will destroy existing program function. There's no info on how to just tack on another entry, and the Windows 7 edit box doesn't even show the whole collection, but one item (!), so I copied the existing path into a text editor to see the whole collection successfully and added the C:\Program Files (x86)\IronPython 2.7 entry after an added semicolon, correcting for an Enthought page typo of no 's' on the end of "Program Files". I also checked the others and many pointed to old missing directories so I deleted those entries.
...and the test fails and "ipy" is not recognized as a command, even though the path now shows up using "path" in the Windows CMD window, that is if I copy all by right clicking and pasting the stuff into a text editor to really view it all. I can run it from the source directory just fine.
The rabbit hole was indeed deep. Using the Task Manager (control-alt-delete) to kill Explorer and then Run in the menu to restart "Explorer," along with restarting the Windows CMD window however, worked. I can now invoke Iron Python ("ipy") via command line from any directory. For the "path" I edited path in the System Variables and not the User Variables. No, you don't have to type that whole crazy line above just to test the path variable, just "ipy" (and control-Z to quite IronPython) in the CMD window invoked by typing "cmd" into the Start menu search box.
From the CMD line this step did work fine:
3.) ironpkg
Bootstrap ironpkg, which is a package install manager for binary (egg based) Python packages. Download ironpkg-1.0.0.py and type:
> ipy ironpkg-1.0.0.py --install
Now the ironpkg command should be available:
> ironpkg -h(some useful help text is displayed here)
But of course Step 4 fails, giving pages of what seem to be error messages;
C:\Users\Nik>ironpkg scipy
Traceback (most recent call last):
File "C:\Program Files (x86)\IronPython 2.7\lib\site-packages\enstaller\utils.
py", line 92, in write_data_from_url
File "C:\Program Files (x86)\IronPython 2.7\Lib\urllib2.py", line 126, in urlo
pen
File "C:\Program Files (x86)\IronPython 2.7\Lib\urllib2.py", line 397, in open
File "C:\Program Files (x86)\IronPython 2.7\Lib\urllib2.py", line 509, in http
_response
...
Why can't I just download Numpy as a normal file and thus also have it easy for other users to install it when they use my scripts? This is just crazy and lazy. The Enthought developer has turned this into a computer game, with a missing registration link and then the last step spits out errors with utterly no information on how to fix it manually.
This Step 4 error is covered here:
http://discourse.mcneel.com/t/trying-to-import-numpy-in-rhino-python-but-im-getting-this-error-cannot-import-multiarray-from-numpy-core/12912/16…
Added by Nik Willmore at 2:36pm on October 11, 2015
y in English. ○Presenter
Robert (Bob) McNeel (McNeel & Associates founder) Robert (Bob) McNeel is the founder and president of Robert McNeel & Associates (RMA). Founded in 1978, RMA originally focused on developing accounting software for accounting, architecture, engineering, and other personal services firms. Within a few years, RMA expanded its services to include selling and supporting microprocessor-based engineering and design software including AutoCAD. By 1985, the main focus of the business had shifted to AutoCAD sales, service, training, and software development. Bob McNeel grew up in the mountains of southern Washington State on a subsistence dairy farm. To pay for college, he worked in construction as a carpenter, welder, and cement finisher. Bob has a BA in Accounting from Washington State University. Prior to founding McNeel & Associates, he was a practicing Certified Public Accountant and the comptroller for a large construction company in Spokane. Andrés González (Rhino Fablab director) Andrés is a software trainer and developer since the 1980s. He has developed applications for diverse design markets as well as training materials for different CAD and Design software including the community of training materialswww.Rhino3D.TV Andrés has been working with the Rhino Team since the very early stages. He is now the head of the McNeel Southeast US & Latin American Division. He is the worldwide director of the digital fabrication community called RhinoFabLabwww.RhinoFabLab.com as well as the Generative Jewelry & Fashion Design community GJD3D www.GJD3d.com and Generative Furniture Design community GFD3D www.GFD3d.com 1981 -1985 University of North Carolina at Charlotte N.C. - EE.UU. B.S., Bachelor of Science in Engineering
…
Added by Yusuke Oono at 9:28pm on October 16, 2013
nowledge, tools, materials and machines. The Clusters provide a focus for workshop participants working together within a common framework.
Clusters provide a forum for the exchange of ideas, processes and techniques and act as a catalyst for design resolution. The Workshop is made up of ten Clusters that respond in diverse ways to the sg2012 Challenge Material Intensities. The Call for Clusters is now open to proposals which respond in innovative ways to this year's challenge.
Deadline: September 19 2011
More information can be found here:
http://smartgeometry.org/index.php?option=com_content&view=article&id=129&Itemid=146
sg2012 takes place from 19-24 March 2012 at EMPAC (http://empac.rpi.edu/) and is hosted by Rensselaer Polytechnic Institute in Troy, upstate New York USA. The Workshop and Conference will be a gathering of the global community of innovators and pioneers in the fields of architecture, design and engineering.
The event will be in two parts: a four day Workshop 19-22 March, and a public conference beginning with Talkshop 23 March, followed by a Symposium 24 March. The event follows the format of the highly successful preceding events sg2010 Barcelona and sg2011 Copenhagen.
sg2012 Challenge Material Intensities
Simulation, Energy, Environment
Imagine the design space of architecture was no longer at the scale of rooms, walls and atria, but that of cells, grains and vapour droplets. Rather than the flow of people, services, or construction schedules, the focus becomes the flow of light, vapour, molecular vibrations and growth schedules: design from the inside out.
The sg2012 challenge, Material Intensities, is intended to dissolve our notion of the built environment as inert constructions enclosing physically sealed spaces. Spaces and boundaries are abundant with vibration, fluctuating intensities, shifting gradients and flows. The materials that define them are in a continual state of becoming: a dance of energy and information.Material potential is defined by multiple properties: acoustical, chemical, electrical, environmental, magnetic, manufacturing, mechanical, optical, radiological, sensorial, and thermal. The challenge for sg2012 Material Intensities is to consider material economy when creating environments, micro-climates and contexts congenial for social interaction, activities and organisation. This challenge calls for design innovation and dialogue between disciplines and responsibilities.sg2010 Working Prototypes strove to emancipate digital design from the hard drive by moving from the virtual to the actual in wrestling with the tangible world of physical fabrication. sg2011 Building the Invisible focused on informing digital design with real world data. sg2012 Material Intensities strives to energise our digital prototypes and infuse them with material behaviour. They have the potential to become rich simulations informed by the material dynamics, chemical composition, energy flows, force fields and environmental conditions that feed back into the design process.
More information can be found at http://www.smartgeometry.org…
eventually found out about genetic algorithms on which I found extensive researches, projects,... ! I looked into it and ended up on a few papers which I believe are the jumpstart for my master thesis.
"Galapagos; on the logic and limitations of generic solvers" by David RuttenArticle in Architectural Design 83(2) March 2013
"Black-box optimisation methods for architectural design" by Thomas Wortmann and Giacomo NanniciniConference Paper: CAADRIA 2016, At Melbourne, AU, Volume: 177-186
So I started looking into alternatives to genetic algorithms in architectural design.So far, I've ended up on :
Thomas Wortmann's work with the surrogate(or model) based optimization approach!You can check out the tool he developped for GH (Opossum):http://www.food4rhino.com/app/opossum-optimization-solver-surrogate-models
Judyta Cichocka's work, specially with the Swarm approachYou can check out the tool she developped for GH (Silvereye):http://www.food4rhino.com/app/silvereye-pso-based-solver
And that's it !!! I've been researching through article references (mainly on "researchgate") but I'm now stuck in a loop of references I already visited!That probably means the litterature on the subject is not (yet) extended but I might probably be missing something.The keywords make it difficult to search : "optimisation", "algorithms", "architecture", send me most of the time to computational engineering and deep mathematics papers I unfortunately do not have the background knowledge to comprehend ! So there it is ! If you have any clue of where (or how ! ) I should be looking, please tell me :)I know Mr Rutten is pretty active on the forum so hopefully... (fingers crossed :p) !Also if you have any good tips for getting into algorithms in general (you think could help), I'd be glad to hear(read) it ! A book, tutorials maybe ?!So, autors, architects, projects books, articles, conferences I should go to,specialized architecture offices/studios (I'm also looking for an internship so ...).If you know about a more appropriate forum please let me know !If you want to get deeper into this, you can contact me at :
e1635331@student.tuwien.ac.at
tdissaux@student.ulg.ac.be
My master thesis is due for may 2018 but I have a paper to write for January 2018 in order to be elligible for a PHD program afterwards.What I mean by that is that if you read this message in 6 month, I'll still be open to discussion !
I am right now an erasmus student at TUWien (Vienna) but my main university is The university of Liège in Belgium.I can handle French, English, Italian litterature and eventually Dutch if really you think it's worth it ! I have access to most online libraries via my university's portals so access shouldn't be an issue !I'm very excited to hear from you I wish you all a great day,Cheers,Thomas
…
he picture (4).
Previously, I had a problem with generating intersections between the two directions of the beams, but a colleague helped me by extending beams, so there was no problem with lines of intersection. But this solution has generated curl (5) at the highest vertex geometry, which I ignored in order to repair it before printing, perhaps this mean my problem with my beam spread properly. Only when the beams is 19, does not jump no problem, but I still can not distribute them properly.
(1)
(2)
(3)
(4)
(5)
I tried to show as simply as possible by removing or signing my code in GHX file.
Thank you in advance for your help
…
DP ($$$ aside), GC, and Grasshopper. Arthur’s original question is very important
and the exact question (and hopefully answer) I was hoping to find on a
forum.
“How to take intelligent 3D parametric generative design models (scripting, etc.) into 2D documents?" Or, deliver the 3D design for evaluation, bid, construction, etc.
I am intrigued by Jon’s comments in the same thread and would like to know how I can learn more about the process (and
pitfalls) of turning over a 3D digital generative models to a contractor/fabricator.
Are there any industry guidelines established I could use as a reference to guide our firm through this type of uncharted territory?
Arthur’s question is very reminiscent of 10 years ago when I was frustrated with the amount of time spent on the development of a 3D model design (physical and/or virtual) only to have to wipe the table clean and start the process all over again in 2D in order to document the project for delivery. From this I jumped head first into BIM and Revit, vowing never to go back to unintelligent 2D line work. I am now working on Bentley software (v8i: Microstation and Bentley Architecture) with the access and desire to venture into Generative Components. I am very intrigued by Rhino/Grasshopper primarily with the apparent ease of use and available resources assisting in the learning process – something not really available with Bentley.
In hindsight, as I am doing my software research I think the current use of Revit and BA (Bentley Architecture) are more of a “bridge”
between the past (decades of digital 2D work, i.e. AutoCAD) and where hopefully
we all will be someday in the near future (100% 3D modeling, i.e. Digital
Project??). Without having the experience
it would appear that DP/CATIA (PLM software) are closer to this than any other
type of software. As complicated as the
industry standards are for the automobile and airline industry, I feel we
(architectural industry and others) are heading in a similar direction with
total understanding (PLM/ Evidence Based Design) of a design (a whole other topic). If anything I think the market will begin to
demand it sooner or later.
Gehry (DP) article NY Times:
http://www.nytimes.com/2009/02/11/business/11gehry.html
I know these type of broad discussions (software vs. software) can be blown out of proportion on forums, but I am would like to read
the pulse of those who are already in the trenches (using Grasshopper, CATIA, Digital Project, Generative Components, others??) and hear your thoughts. Just as valuable would be other threads,
industry articles/reviews of 3D parametric generative design software.
Thanks,
Boyd…
ers and researchers, programmers and artists, professionals and academics who come together for 4 days of intense collaboration, development, and design.
The sg2012 Workshop will be organised around Clusters. Clusters are hubs of expertise. They comprise of people, knowledge, tools, materials and machines. The Clusters provide a focus for workshop participants working together within a common framework.
Clusters provide a forum for the exchange of ideas, processes and techniques and act as a catalyst for design resolution. The Workshop is made up of ten Clusters that respond in diverse ways to the sg2012 Challenge Material Intensities.
Applicants to the sg2012 Workshop will select their preferred cluster from the following:
Beyond Mechanics
Micro Synergetics
Composite Territories
Ceramics 2.0
Material Conflicts
Transgranular Perspiration
Reactive Acoustic Environments
Form Follows Flow
Bioresponsive Building Envelopes
Gridshell Digital Tectonics
More information about the Workshop and Clusters can be found here:
http://smartgeometry.org/index.php?option=com_content&view=article&id=116&Itemid=131
The application process will close on January 15th, 2012.
Full Fee $1500
Reduced Fee $750
Scholarship Fee $350
Fees include attendance to both the workshop and conference from March 19th-24th.
Reduced Fee and Scholarships are available only for Academics, Students and Young Practitioners, and are awarded during a competitive peer review process.
sg2012 takes place from 19-24 March 2012 at EMPAC (http://empac.rpi.edu/) and is hosted by Rensselaer Polytechnic Institute in Troy, upstate New York USA. The Workshop and Conference will be a gathering of the global community of innovators and pioneers in the fields of architecture, design and engineering.
The event will be in two parts: a four day Workshop 19-22 March, and a public conference beginning with Talkshop 23 March, followed by a Symposium 24 March. The event follows the format of the highly successful preceding events sg2010 Barcelona and sg2011 Copenhagen.
sg2012 Challenge Material Intensities
Simulation, Energy, Environment
Imagine the design space of architecture was no longer at the scale of rooms, walls and atria, but that of cells, grains and vapour droplets. Rather than the flow of people, services, or construction schedules, the focus becomes the flow of light, vapour, molecular vibrations and growth schedules: design from the inside out.
The sg2012 challenge, Material Intensities, is intended to dissolve our notion of the built environment as inert constructions enclosing physically sealed spaces. Spaces and boundaries are abundant with vibration, fluctuating intensities, shifting gradients and flows. The materials that define them are in a continual state of becoming: a dance of energy and information. Material potential is defined by multiple properties: acoustical, chemical, electrical, environmental, magnetic, manufacturing, mechanical, optical, radiological, sensorial, and thermal. The challenge for sg2012 Material Intensities is to consider material economy when creating environments, micro-climates and contexts congenial for social interaction, activities and organisation. This challenge calls for design innovation and dialogue between disciplines and responsibilities. sg2010 Working Prototypes strove to emancipate digital design from the hard drive by moving from the virtual to the actual in wrestling with the tangible world of physical fabrication. sg2011 Building the Invisible focused on informing digital design with real world data. sg2012 Material Intensities strives to energise our digital prototypes and infuse them with material behaviour. They have the potential to become rich simulations informed by the material dynamics, chemical composition, energy flows, force fields and environmental conditions that feed back into the design process.
More information can be found at http://www.smartgeometry.org
Follow us on Twitter at http://twitter.com/smartgeometry…
Added by Shane Burger at 12:29pm on December 13, 2011
ting at multiple geometries in the same location. I simply sorted the list of values and used the Delete Consecutive component. This potentially rearranges the order of values but I don't think that matters in your case. I also threw in an Int component which actually seems to make a difference (try sidestepping it and you will see!).
2-I flattened the output of the mesh component before sending it to union. This ensures that the original mesh is booleaned once with all the components rather than individually with each of the 86 components.
Is this what the result should look like?
One suggestion for future postings: when referencing geometry in rhino, it often helps if you attach your rhino file as well so people don't have to guess where you are starting from.
If you have further questions, just ask ;-)
cbass…