ort and export from the images below and also from the HELP file of DB in attachments (Page 71: Importing Geometric Data; Page 78-80: Import 3 - D CAD Data). In their HELP file, they mention about "import geometric data".
However, regarding the input of schedules, loads, constructions and etc., DB normally uses "Component " and "Template" (Page 29: Templates And Components; Page 591: Templates; Page 533: Components). "Templates" are databases of typical generic data, including Activity templates, Construction templates, Glazing templates, Facade templates, HVAC templates, Location Templates, and etc. "Component " are databases of individual data items (e.g. a construction type, material, window pane).
Both "Component " and "Template" are allowed to be imported and exported by using "Import / Export library data" command (.ddf format - DB Database File; Page 734: Import Components/Templates, Export Components/Templates). DB also allows us to build up our own libraries of templates and components (Page 731: Library Management; Page 733: Template Library Management).
In order to import both geometric information and other information related to schedules, loads, constructions and etc. from GH to BD, we supposed the following two ways:
1. GH(HB+GB) --> gbXML (both geometric and "Component " and "Template" information) --> DB
This is the way we most prefer. We did see information related to schedules, loads, constructions encoded in the gbXML file generated by GB, but still do not know the reason why DB did not take this information (I also mentioned this in Q6 within the gh file). We assume this might because the gbXML file we create encodes the schedules based on a different template / schema than the one DB expects. We also post this question to the DB forum for help.
(http://www.designbuilder.co.uk/component/option,com_forum/Itemid,25/page,viewtopic/p,13755/#13755)
2. GH(HB+GB) --> gbXML (geometric information only) + .ddf ("Component " and "Template" information only) --> DB
If the first way doesn't work and DB only takes geometric information from the gbXML, then we might think of the other way - generating the .ddf files from GH(HB+GB) to pass the schedule, load and construction information to DB.
I was wondering if it is feasible for HB and GB to have this function? And what is your suggestion to achieve this?
In addition, we notice that DB can export XML files (not gbXML), so we are trying to figure out if DB also accepts / reads the XML file. If so, we might be able to convert the gbXML (with both geometric and schedule information) to XML. What do you think about that?
Thank you again for all your help!
Best,
Ding
DB import
DB export
Template libraries
Component libraries
…
y using the Honeybee_Update Honeybee component.
The video below (best viewed in full-screen mode) provides an idea of what these components are capable of being used for:
The video below shows how these components can be used in an existing Honeybee project (for additional links please open this video in youtube):
I have uploaded two examples as Hydra files that show how these components can be used for grid-point and image-based simulations:
Example1 : Grid Point Calculations
Example2: Image based simulation
Finally, a more esoteric application is demonstrated in this video:
These components are still in the beta-testing stage. Some of the limitations of the components are:
1. Only Type C photometry IES files are supported at present.
2. Rhino is likely to get sluggish if there are too many luminaires (i.e. light fixtures) present in a scene.
3. Due to the spectral limitations of the ray-tracing software (RADIANCE), simulations involving color mixing might not be physically realizable.
Additional details about photometric and spectral calculations are probably an overkill for this forum. However, I'd be glad to answer any related questions. Please report any bugs or request new features either on this forum or on Github.
Mostapha, Leland Curtis, Reinhardt Swart and Dr. Richard Mistrick provided valuable inputs during the development of these components.
Thanks,
Sarith
Update 16th January 2017:
An example with some new components and bug fixes since the initial release announcement can be found here
…
ther math and logic. i can usually conceptualise what i want to do and cobble some semi working thing together but don't know which components to use and how to patch it. so i'm super happy to have someone who knows what he's doing to find this interesting.
and i'm glad you mention the fanned frets again, there is one input parameter that's still missing for the multiscale frets to be fully parametric, it's the angle of the nut or which fret should be straight. it depends a bit on personal preferences and playing posture what is more comfortable. so being able to adjust this easily would be cool. again i have no idea how the maths for that work or if you can just rotate each fret the same amount around it's middle point. The input either as fret number (for the straight fret) or as a simple slider from bridge to nut should do as input setting.
Here are the two extremes and the middle ground:
i've been thinkin today while analysing your patches and cleaning up my mess what exactly the monster should do.
Here are the input parameters needed, i think it's the complete list
scale length low E string
scale length high e string
fret angle/straight fret
string width at nut
string width at bridge
number of frets
fretboard overhang at nut (distance from string to fretboard bounds)
fretboard overhang at last fret
string gauges
string tensions
fretboard radius at nut (for compound radius fretboard radius at bridge is calculated with the stewmac formula)
fretwire crown width
fretwire crown height
action height at nut (distance between bottom of string and fretwire crown top)
action height at last fret
pickup 1 neck position
pickup 2 middle position
pickup 3 bridge position
nut width
the pickup positions should be used to draw circles for the magnet poles on each string so they are perfectly aligned and can be used for the pickup flatwork construction. ideally they would need a rotation control aligning the center line of the pickup so it's somewher between the last fret angle and bridge angle. personally i do this visually depending on the design i'm looking for, some people have huge theories on pickup positioning but personally i don't believe in it.
that should result in everything needed to quickly generate all the necessary construction curves or geometry for nut/fingerboard/frets/pickups. this is the core of what makes a guitar work, the more precise this dynamic system is the better the guitar plays and sounds.
i posted another thread trying to understand how i could use datasets form spreadsheets,databse, csv to organize the input parameters. What would make sense for the strings for example is hook into a spreadsheet with the different string sets, i attached one for the d'Addario NYXL string line which basically covers all combos that make sense.
The string tension is an interesting one, and implmenting it would sure be overkill albeit super interesting to try. it should be possible to extrapolate from the scale length of each string what the tension for a given string gauge of that string would be so that you could say 'i want a fully balanced set' or 'heavy top light bottom) and it would calculate which SKU from d'addario would best match the required tension. All the strings listed in the spreadsheet are available as single strings to buy.
i'm trying to reorganize everything which helps me understand it. i just discovered the 'hidden wires' feature which is great since once i understood what a certain block does or have finished one of my own, i can get the wires out of the way to carry on undistracted. a bit risky to hide so many wires but it makes it so much easier not to get completely lost :-)
btw, the 'fanned fret' term is trademarked, some guy tried to patent it in the 80's which is a bit silly since it has been done for centuries. there is a level of sophistication above this as well, check out http://www.truetemperament.com/ and that really is something else. it really is astounding how superior the tuning is on those wigglefrets, the problem is that it's rather awkward for string bending and also you can't easily recrown or level the frets when they are used. …
e matching with a dedicated component which creates combinations of items. You can find the [Cross Reference] component in the Sets.List panel.
When Grasshopper iterates over lists of items, it will match the first item in list A with the first item in list B. Then the second item in list A with the second item in list B and so on and so forth. Sometimes however you want all items in list A to combine with all items in list B, the [Cross Reference] component allows you to do this.
Here we have two input lists {A,B,C} and {X,Y,Z}. Normally Grasshopper would iterate over these lists and only consider the combinations {A,X}, {B,Y} and {C,Z}. There are however six more combinations that are not typically considered, to wit: {A,Y}, {A,Z}, {B,X}, {B,Z}, {C,X} and {C,Y}. As you can see the output of the [Cross Reference] component is such that all nine permutations are indeed present.
We can denote the behaviour of data cross referencing using a table. The rows represent the first list of items, the columns the second. If we create all possible permutations, the table will have a dot in every single cell, as every cell represents a unique combination of two source list indices:
Sometimes however you don't want all possible permutations. Sometimes you wish to exclude certain areas because they would result in meaningless or invalid computations. A common exclusion principle is to ignore all cells that are on the diagonal of the table. The image above shows a 'holistic' matching, whereas the 'diagonal' option (available from the [Cross Reference] component menu) has gaps for {0,0}, {1,1}, {2,2} and {3,3}:
If we apply this to our {A,B,C}, {X,Y,Z} example, we should expect to not see the combinations for {A,X}, {B,Y} and {C,Z}:
The rule that is applied to 'diagonal' matching is: "Skip all permutations where all items have the same list index". 'Coincident' matching is the same as 'diagonal' matching in the case of two input lists which is why I won't show an example of it here (since we are only dealing with 2-list examples), but the rule is subtly different: "Skip all permutations where any two items have the same list index".
The four remaining matching algorithms are all variations on the same theme. 'Lower triangle' matching applies the rule: "Skip all permutations where the index of an item is less than the index of the item in the next list", resulting in an empty triangle but with items on the diagonal.
'Lower triangle (strict)' matching goes one step further and also eliminates the items on the diagonal:
'Upper Triangle' and 'Upper Triangle (strict)' are mirror images of the previous two algorithms, resulting in empty triangles on the other side of the diagonal line:
…
p, open to designers worldwide, will explore the parametric mix of new raw materials and the re-use of elements from Carnival floats and costumes, transforming them using generative design processes and new digitally fabricated joint components, to create interventions for micro-venues and urban furniture in the Porto do Rio region.
Taught by AA Staff, recent AA graduates, and computation and fabrication professionals, the studio-based workshop will include extensive instruction in Rhino Grasshopper (including GECO, and Galapagos, to integrate environmental optimization, simulation and parametric control) and digital fabrication processes using laser cutter, CNC-milling and rapid-prototyping machines, sponsored by DS4 and SEACAM, all of which will be used to produce one-to-one design prototypes.
MORE INFORMATION AND APPLICATION: http://rio.aaschool.ac.uk/andhttp://www.aaschool.ac.uk/STUDY/VISITING/rio.php…
ake a modest notice about the two new Ladybug components, one of which creates a 3d terrain shading mask and another one which visualizes and exports horizon angles. A terrain shading mask is essentially a diagram which maps the silhouette of the surrounding terrain (hills, valleys, mountains, tree tops...) around the chosen location, and account for the shading losses from the terrain. It can be used as a context_ input in mountainous or higher latitude regions for any kind of sun related analysis: sunlight hours analysis, solar radiation analysis, view analysis, photovoltaics/solar water heating sunpath shading...
My home town is an example of the shading caused by the terrain. Here is how it looks from the tallest building in the town:
And the created terrain shading mask:
A mask for any land location up to 60 degrees North can be created:
There will also be a support for a few major cities above this limit.
Both Terrain shading mask and Horizon angles components can be downloaded from here. An example .gh file can be found in here.
Component will prompt the user to download and copy certain files in order to be able to run.
It was created with assistance from Dr. Bojan Savric. Support on various issues was further given by: Dr. Graham Dawson, Dr. Alec Bennett, Dr. Ulrich Deuschle, Andrew T. Young, LiMinlu, Jonathan de Ferranti, Michal Migurski, Christopher Crosby, Even Rouault, Tamas Szekeres, Izabela Spasic, Mostapha Sadeghipour Roudsari, Dragan Milenkovic, Chen Weiqing, Menno Deij-van Rijswijk and gis.stackexchange.com community.
I hope somebody might find the components useful.…
st between those two applications. But as soon as every frame is re-calculated I noticed that intersection function is very slow. It is actually so slow, that maximum number of polygons to play with is only 10 or less.
Could you help me to find a faster solution for my script?
calculation of intersection lines;
//////////////////////////////////////////////////////////////////////////////////////////
import ghpythonlib.components as ghcompimport rhinoscriptsyntax as rsdef ctr(crv): pts = ghcomp.Explode(crv)[1] pts = ghcomp.CullDuplicates(pts,0.001)[0] return ghcomp.Average(pts)pts = []lines = []ctr_c1 = ctr(C1)for crv in C2: if ctr(crv) != ctr_c1: int = ghcomp.CurveXCurve(C1, crv)[0] if int: [pts.append(x) for x in int] lines.append(rs.AddLine(int[0],int[1]))
/////////////////////////////////////////////////////////////////////////////////////////////
The overall description of the script:
a)Processing+ghowl is used for moving objects and physics
b)python script (slowest part) calculates intersection lines
c)intersected parts of polygons are rotated in 90 degrees.
I have attached grasshopper and processing files. (processing is not necessary to test the script)
Thank you in advance,
Pereas.
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ss lots of questions,Hope guys show me some more different ways to figure out thoes kinds of problems,Thanks.
That is a construction project,the balconies should be overhang between 1 to 3 meters.
Program A is a patten consist of increasing balconies as the floors get upper.(In the picture is 29 at the first floor and ended with 2 more balconies for each floor, )Each part for a different floor,the twelfth floor have 29+(12-1)*2=51 balconies.
Questions From A,
A1:How to use the {(series)} to creat this atrium,As the floors increase the number of the balconies change by arithmetic progression.
A2:How to control the angle of the balconies,both the angle with floor and the balconies ending part.
Program B is use line to shape the commercial atrium,program A is more small pieces of rectangles.The {(TweenCrv)} command.
Questions From B,
B1:How to draw random points between the 1 to 3 meters region of the balcony,And those point form a shape also belongs to that region.
B2:Use a curve or other ways to control the changing speed of each floors' balcony.Right now the balcony is a Linear change.
Thanks for your Help.
Q1:Is there a way in Grasshopper to control the model to Modulus,less different unit parts to build such a Atrium.(For Exanple,only use 900mm and 600mm two different width of the Glass railings to bulid the model A OR B)…
elivering their latest workstation and graphics technology.
Intensive computing and exceptional graphics technology will deliver generative modeling and computing to its next level.
Participants will learn the ease of use of Grasshopper within Rhinoceros, so they could start creating their own generative design.
Who should attend:
1. Professionals in design and engineering industry who would like to gain more knowledge and productivity
2. Students who would like to extend their knowledge to the next level
3. Supporting IT who would like to provide even more efficient tools for engineers and designers
4. Engineering and Design Enthusiasts
Participants should send an email to fani@m3kom.co.id, to receive an invitation and its detail.
For further technical information about the event, feel free to ask Rendy (tihe.tihe@gmail.com).
This event will consist of the sneak preview of most anticipated real-time rendering for Rhinoceros: V-Ray RT for Rhino.
Hopefully, this will also initiate the establishment of Indonesia's generative modeling designers community in Indonesia.…
this workshop is to materialize a chair designed with help of generative algorithms via robotic fabrication. To design the form of the chair we will go through an intensive course of generative design techniques, k-means clustering, structural analysis and optimization done with the help of Anemone, Galapagos, Millipede and other plugins. Finally we will employ a 6-axis robot with custom tooling to fabricate the chair via robotic rod bending. No prior experience with Grasshopper or robotic fabrication is required, although basic knowledge in 3d modelling would be an asset. // APPLICATION The deadline for application is 13.03.2017 Apply by sending email titled ‘workshop_chair’ to workshops@aan1.net // INFO If you have any more questions check the www.aan1.net website or contact us with email workshops@aan1.net // FEE We have special pricing for students, as well as an early bird offer. Check the Eventbrite list to get more details. Please bear in mind that a limited amount of seats is available (minimum 8 people, maximum 16). ORGANIZERS: Maria Smigielska, Mateusz Zwierzycki, AAn+1 TUTORS: Maria Smigielska, Mateusz Zwierzycki PRICES: Early Bird Student 280 E Early Bird Pro 320 E Regular Student 300 E Regular Pro 350 E…