s levels of detail by subdividing a 6 sided cube mesh and projecting its vertices according to a referenced height map. This is one of the standard conventions for building full sizes planets. At the lowest level (0) the mesh planet is made of 6 pieces(each 32x32 resolution). The next level down (1) is made of 24 pieces... 6 divided by 4 = 24. Level (2) is 96 quads etc etc. The script will generate each quad at its sub-division level and compare edge vertices to neighboring quads. It will then make sure any shared vertices are in fact at the same projected vector. This ensures a planet quad with edge vertices that match.
The problems comes in texturing each quad.
If I build the quad as a nurb surface from points I can place the texture easily because each surface UV maps squarely to my texture map (which is also square).
If I build the quad as a mesh I cannot just apply the square texture to the mesh UVs. This is because when you unwrap the UVs from a mesh they will not unwrap like a nurb surface's UVs. Therefore to get the correct mapping I would have to manipulate each UV back to an evenly aligned array (which is 1024 points in a 32x32 resolution UV). Maya and blender have 'relax uv' and 'align UV' functions but they don't do the trick and manual corrections are out of the question. So why not skip the mesh method and use the nurb method?
I did this and there is a trade off. The nurb will accept the material texture I want with no other work on my end but when I export the object as an .obj rhino creates its own mesh to describe the nurb(with various unsatisfactory setting options). This works great up to a point because at some level the interpreted mesh will have vertices that do no match at the edges, ie .. creating visible seams in the mesh. The picture below is the nearly seamless planet at LOD(1) made of 24 quads, each with 32x32 vertice resolution and a 512x512 jpg texture running in Unity3d 5. It works but at close level there are seams. This will be resolved simply by having the next LOD(x) instantiate before getting close enough to see the seam but at core nerd level I want the seamless mesh.
So, I can make the seamless mesh but I can not realistically texture map it. I can also make the nurb surface from points and texture it at the expense of the edge vertices matching. I am at the split in the road but I want to have my cake and eat it too. Thoughts, comments, trolls...?
Thanks for reading =)
Footnote: For you pros I am not using seamless noise across the map I am using grasshopper to sew up my otherwise non perfect edges.
Other programs in the pipeline:
-WorldMachine 2
-Wilbur
-Photoshop
-Unity3d…
ARRAY with certain spatial order or mechanism under consideration of ecological design. The evaluation and definition of “ARRAY” are open to applicants’ imaginations. While the term “ecological” is subjected to many definitions: social, ecological, sustainable, its re-evaluations are open to students’ interpretations. Entrants are free to choose or make site, real or virtual.
ELIGIBILITY
Open to international students in the fields of architecture and design related disciplines from an accredited four-year or five-year architecture program. Graduates with certificate in 2011 are accepted. Teamed collaboration consisting of no more than 3 students in the above mentioned fields is permitted. Works submitted must be of applicants’ original works. Works done through school studios are accepted, but limited to 2011 term.
ENTRY FEE
Free
DEADLINES
Online Registration deadline: Oct 30th, 2011, 17:00 Taipei Time
(Upon completing registration, applicant will receive a registration number via email.)
Submission deadline: email sent by Nov 3rd, 2011, 17:00 Taipei Time
SUBMISSION REQUIREMENTS
This is a digital competition and no hardcopies are necessary. Entrants must submit their proposal via email no later than Nov 3rd, 2011 17:00 (Taipei Time) to the following email address:
hojenhwang@mail.ntut.edu.tw
The project submission must contain the following files:
1. Two A1 boards in portrait format (594mm x 841mm), with identification number at the upper right corner. Names and other identifying information are not allowed on front side of the boards. The resolution of the boards must be 300dpi, RGB mode and saved as JPG files.. The files must be named after the registration number followed by the board number. For example: 03956-board1.jpg and 03956-board2.jpg.
2. A DOC file containing the project discription (600 words max). This file must be named after the registration number followed by the word "discription". For example: 03956-discription.doc.
3. A scan of statement form. This file must be named after the registration number followed by the word "statement_scan". For example: 03956-statement_scan.jpg.
4. All the files must be placed in a ZIP folder named after your registration number. For example: 03956.zip. Size of the ZIP folder is suggested to be less than 15mb, while size more than 25mb will not be accepted
AWARDS
(1) Gold Prize winner will be awarded TWD 60,000 and a trophy.
(2) Silver Prize winner will be awarded TWD 30,000 and a trophy
(3) Bronze Prize winner will be awarded TWD 15,000 and a trophy
(4) Honorable Mention winners will be awarded TWD 5,000 and a merit certificate
Winners will be announced and notified by mid of Nov, 2011.
JURY
Two stages of open jury. Details to be announced
PUBLIC EXHIBITION
Nov 13, 2011~ Nov 18, 2011 at NTUT, Taipei
…
Added by Yu-Min Su at 2:03am on September 23, 2011
ve Intermediate Insight of Computational Design Strategies While Exploring Rangoli Art form in 2 Dimension and 3Dimesion in which Participants will not only be trained to Digitally Design using Parametric software's but they will also be trained to Fabricate them in reality.
This Course will be explored in manner where Participants will understand inter-dependency of Rhinoceros3D & Grasshoper3D through a unique Hybrid Teaching Method While Exploring Rangoli Geometry .
The course will also take participants through Topics such as - Computational Thinking, - Computational / Parametric Design, - Computational Rangoli Exploration, - Digital Fabrication, - 3D Visualization ( Rhino3D 6), - Making Info-graphics & Design Diagrams ( Rhino3d 6 ).
Participants will also be doing a Project at the last Leg of Workshop in which they will implement the skill they gained in first Few Weeks.
{ Tutor } Nitant Pixelkar (Computational Artist / Designer, Mumbai)
Nitant Hirlekar A.k.a. Pixelkar, is a Computational Artist. He graduated from Rachana Sansad school of Interior Design 2011, Mumbai. In Academics He Bagged Two Gold and One Silver Medal on National Level.
In his post academic days, he came across the Emerging Computational Techniques in Design industry in which Algorithm serves as a main Functional part. He uses Algorithms to Deconstruct the Captured images in Pixelated form using the Grid of the Desired Indian Art Forms.
He Heads Collective Group Named "Mutation Lab” which is a multidisciplinary Design & Art Cell. Where they Explore Computational Approach while Designing Various Scales Spatial Installation, Digital Fabrication, Interactive Installations and Computational Consultancy for Various Architects.
He has exhibited his first artwork in Kalaghoda Arts Festival for in 2014 And further in 2016 and 2017.In 2015 he exhibited in Dharavi Biennale” organized by Wellcome Trust,London & Sneha Organisation, Mumbai Which was internationally acclaimed. In 2016 he got Featured on a TV show - The Creative Indian's as an Absolut Creative Indian of the Week.
Academically he is been involved in Many Computational Design Workshops / Elective Studios for School of Interior Design (Rachna Sansad), LS Raheja College of Architecture & Rat-Lab (Delhi).
{ Participants } The Course is aimed at Architecture, Interior Design, Product Design,Furniture Design & Fashion Design Students and Professionals. However we would be thrilled to have any Interdisciplinary Artist / Creator/ Maker to join the Course as well.
{ Level }
Intermediate
{ Timing } Monday To Friday - 6:00 PM to 9:00 PM (15 Hours/ Week = 5 Week X 15 Hours = 75 Hours )
{ Dates } Registration Ends - 24th April 2020 **Subejct to Availablity
{ Workshop Dates } 4th May 2020 To 5th June 2020
{ Venue } Lower Parel,Mumbai ( Details To Be Announced )
{ Schedule }
{Registration Form}…
(1) I have been exporting small sections of a larger model into Maya from Rhino as FBX. In Maya I rotate and scale the models (-90 in X, Scale XYZ 0.001). The Named Views are being saved, but do not have a successful import into the Maya model. They do not appear as in Rhino, and the problem is not solved by scaling or rotating the cameras.
(2) If I try going the other direction, the cameras exported from Maya as FBX are also not aligning with the model in Rhino as they are in Maya.. I will do my best to post some images of the problem and hope you can help.
error !!
This is what the named views look like
here I am trying to the other way with a good view from Maya
strange placement..
This is the best result I can achieve, after I scale the camera by 1000
Any Advice???
Thanks, Robert.
…
ysim.ning.com/
When you run the simualtion you will notice on the batch terminal that Daysim is also being called, so you may want to consider how Daysim uses Radiance files & data.
Regarding your current problem, I think you stumbled onto something weird and interesting.
Interior and exterior readings appear to differ by 40 in the best case scenarios. Even setting the transmittance to 1 yields similar results. I tried changing from cummulative sky to climate sky and got similar values. Changing the test points did nothing either.
I think, (yet I'm too lazy to prove this) that the difference in values stems from diffuse radiation over the sky dome.
If you delete everything except the glass you'll notice that interior values are like 80-90% of the exterior values (this seems like the expected behaviour with a transmittance of 1). So, if we consider that a vertical window, part of an opaque box, is receiving radiation from 25% of a sphere, as you start to inset the interior test points the radiation they receive will be a fraction of the 25%.
Let me try to explain this better...The exterior surface receives radiation from a section of a sphere calculated by 180degrees on the xy plane (let’s call this angle theta) and by 90degrees (let’s call this angle phi) in azimuthal elevation. If you integrate this over spherical coordinates (theta from 0 to pi; phi from 0 to pi/2) you will find that it comes to a quarter of a sphere. By comparison, the interior surface will not integrate theta from 0 to 180degrees,nor phi from 0 to 90degrees, instead it will be the subtended angle from the exterior surface as a function of their separation; the farther in you go the smaller the view of the outside.
If my hypothesis is correct there shouldn't be that much difference since the separation is only 10cms...the subtended angle would be like 170 instead of 180 for theta and 85 instead of 90 for phi...overall if you integrate both spherical areas there should only by a difference of 10%.
In conclusion, I believe the unexpected behaviour stems from the previous subtended angle thing. If direct radiation was the only factor the difference would be the aforementioned 10%, which suggests that an additional source of energy is also affected by this. Perhaps indirect and diffuse radiation from other areas of the sky dome.
I’m definitely intrigued on why this is happening. Please post if you figure it out.
Regards,
Mauricio
…
TB of RAM. I think I'm going to start a GoFundMe campaign to buy one for myself :)
2- The server's cost is about $13 an hour. I get free access to supercomputer through my university and xsede.org because I earned an NSF Honorable mention last March, however, the supercomputers available through both resources are a little complicated for me to use, as opposed to the one available from amazon that has Microsoft server 2012 already installed.
3- I wanted to run 400 annual glare simulations for 400 different views.
4- I tried a to perform annual glare simulation for one view on my Dell XPS that has Intel Core i7-6700HQ processor and 16GB of system memory. The simulation took 2 hours to complete. Radiance parameter ab was set to 6.
5- I wanted to obtain the batch file for each view so I can run them on the server. So I used the fly component to run all 400 simulations and closed the cmd windows, that wasn't bad ( for me at least) because I asked my son to this job for me, he was just glad to help me :)
6- I created one batch file using this cmd command:
dir /s /b *.bat > runall.bat
This created a file with the path to each .bat file. I edited this file in Notepad++ to include the word "start" at the beginning of each line. This was done using the "find and replace" dialogue box.
7- I split my newly created batch file into 3 batch files, each one has about 130 file names and " start" before the file names.
8- installed radiance on my server
9- Ran the first batch file on the server, this started 130 cmd windows performing my simulations, CPU usage was anywhere between 90% to 100% and about 105 GB of RAMs were used.
10. It took about 5 hours to complete all 130 simulations, I expected to run all in 2 hours but can't complain because this would've taken about 260 hours to run on my laptop. After the simulations done I ran the second and then the third batch files ( total of about 15 hours).
11. I got 400 valid dgb files. Couldn't be happier!
…
well, very similar input data must result in wildly different hashes. For example, imagine we have an algorithm which computes hashes of text, and the hashes it computes are all numbers between 0 and 999. We then apply this algorithm to a piece of text:
"When Spring comes back with rustling shade" = 385
So far so good. Now imagine we change the text slightly, for example by removing a single "l":
"When Spring comes back with rusting shade" = 973
Minor change -> very different hash. There are of course way more unique texts than there are numbers between 0 and 999. This must therefore mean that a lot of text will result in the same hash. For example "When Spring brings back blue days and fair." may also result in a hash of 385. Because of the pigeonhole principle, there is nothing to be done about this.
Now for the tricky bit. Hashes are often used to validate executable code. Say your friend James at MI6 sends you a small program that will allow you to eavesdrop on Angela Merkel, and -over the phone- he tells you the hashcode for that application. You can then hash the application yourself, verify that it indeed results in the same hashcode and then you know you can trust the executable.
But now Jack from the FBI intercepts the email and adds a few sneaky lines of code to the original application allowing him to determine from your internet search history with up to 95% accuracy whether you like extra cheese on your pizza. The application has now been tampered with, it can no longer be trusted and you should be able to figure this out as it will no longer result in the same hash code.
But wait! Some hashing algorithms are more secure than others. MD5 is now officially considered to be 'hacked' and it is no longer recommended for doing naughty spying. Specifically, Jack will be able to inject his own code in such a way that it does not result in a different hash. Instead, the SHA family of hashers are to be used, as it is not yet known how to trick these hashers.
This is where the problem comes in, because apparently the US government has forcefully disabled the use of MD5 for all purposes. This is a shame because I use it to quickly compare bitmap icons for identicalness so I only have to store an icon in memory once. There is no security hole due to this, because I'm not hashing secure data. MD5 is somewhat faster than SHA, and since I have to hash several hundred icons on Grasshopper start, I opted for the faster one.
(Very) long story short; you're hosed. Grasshopper uses MD5; USgov does not like; Grasshopper does not run on USgov computers.
I'll do some testing to see if I can switch to SHA and then we can see whether or not that solves the problem. This however will take a while as I'm going on a business trip next week and have yet to prepare my presentations.
--
David Rutten
david@mcneel.com…
Added by David Rutten at 12:06pm on March 31, 2014
azione parametrica e generativa attraverso Grasshopper, plug-in di programmazione visuale per Rhinoceros 3D (uno dei più diffusi modellatori NURBS per l‘architettura e il design). Il workshop mira a gestire e sviluppare il rapporto tra informazione e geometria lavorando sui sistemi ad involucro in condizioni specifiche.La discretizzazione di superfici (pannellizazione Nurbs o Mesh), la modellazione delle geometrie attraverso informazioni (siano esse provenienti da analisi ambientali, mappe o database) e l’estrazione e la gestione di queste informazioni, richiede la comprensione di strutture di dati al fine di gestire completamente processo che va dalla progettazione alla costruzione.I partecipanti impareranno come costruire e sviluppare strutture di dati parametrici per informare geometrie ‘data-driven’ e come estrarre le informazioni rilevanti da tali modelli per il processo di costruzione.
Modulo 2 – Il workshop, volto a promuovere le nuove tecnologie digitali di supporto alla progettazione e alla fabbricazione, esplorerà l’integrazione tra design e prototipazione tramite processi di stampa 3d di materiale ceramico al fine di comprenderne allo stesso tempo sia il comportamento del materiale che i vincoli e le opportunità offerte dall’utilizzo di tali tecnologie.Infatti utilizzando grasshopper ed una macchina a controllo numerico i partecipanti apprenderanno le modalità per la generazione parametrica dei modelli e la creazione del codice per la loro prototipazione (Gcode creato direttamente in Grasshopper). Il workshop darà quindi ai partecipanti la possibilità di testare direttamente i loro elaborati digitali stampandoli in modo da comprendere come le informazioni articolate tramite tali strumenti di design producano specifici effetti sia morfologici che estetici.…
ut in the next few days.
I've found getting really good handling of static vs kinetic friction to be a pain though.
Distinguishing between collisions and resting contact generally becomes more complicated than it might first appear.
If the collision with the mesh or ground is 'hard' I project the particle positions, so they can never penetrate, and reverse the component of their velocity normal to the surface (multiplied by the restitution factor). This means that whenever you have some structure of springs resting on a hard surface, there is usually still some tiny imperceptible bouncing. This makes it hard to properly apply static friction (which would zero the tangential velocity if the tangential force was below some threshold and it is not already sliding), because particles are generally not perfectly on the surface, even when apparently at rest. Obviously it's not good to have friction affecting things that aren't touching the surface.
This is the origin of the 'settle' parameter in the settings. The idea was that when the motion of a particle normal to the surface drops below that limit, it will be totally zeroed, and the particle becomes properly resting on the surface. I never really like having to use these kind of weird ad hoc fixes though.
Alternatively, if the collision is 'soft' I use a spring-like force to push particles out of the ground/mesh.
This can cause problems because in many cases you just want a simple constraint that they never go below ground level, and there is a limit to how stiff you can make these spring-like forces.
The advantage though, is that because any particle resting 'on' the ground/surface will actually be slightly below/inside it, and one can use this to decide whether to apply contact friction.
With bouncing collisions, it is a little simpler. There is just the question of what to do with the velocity component tangential to the surface. See the bottom comment by me here, for more on the 'tumble' setting:
http://www.grasshopper3d.com/video/kangaroo-traction-test
So you see, it is challenging to get one consistent model that will give correct behaviour for all cases (eg a simple static 'leaning ladder' type problem, a bouncing particle, and vehicle wheel traction), without having several of these odd seeming and non-intuitive settings.
…
Added by Daniel Piker at 11:11am on October 18, 2012
m is different from email spam.
Email spammers want you to buy their product. You are the target of the ad contained in each email spam you receive. Comment/web spammers want your readers to buy their product. You (the blogger, author, moderator) are not the target.
2. Web spammers are social engineers.
Email spammers write messages to get your attention. Comment spammers write messages to escape your attention. They want you to believe they are real bloggers, real people, writing real comments, so you’ll approve the comment and publish it on your site. They use flattery, appeal to your good nature, and simply lie in order to convince you to give them the benefit of the doubt.
3. Web spammers are basically advertising on your blog..
..and they're keeping all of the profits. They’re not even asking your permission first. Right now someone is offering to sell links from your blog to anyone willing to pay a few dollars (or a few cents). If your blog is well known, it may even be listed by name, with backlinks for sale at a set price.
4. It’s all about the backlinks.
Web spammers are selling links from your blog to their clients. They do this to game the search engines and trick your readers into visiting dubious web sites. Their clients are sometimes seemingly harmless, but are often peddling fake pills, porn, scams and malware. Sometimes they’ll use “buffer sites” – that is, innocent looking web pages intended to disguise the fact that they’re really advertising something more sinister.
5. Spammers employ humans.
Not all spam is delivered by spambots. Spammers are increasingly using humans to write and post comments by hand. Typically they are exploiting low-paid workers in internet cafes, schools and factories. Sometimes they are viral marketers paid to promote a new product. Either way they are trying to exploit your blog for their profit – and hoping to do it without you noticing.
…
Added by Danny Boyes at 4:51am on October 24, 2013